1001 stories 1-929132-92-1 Publisher's Weekly

1-929132-83-2
Associated Press (March 20, 2006):

The downside of the sun melting away all the snow is that more than a little bit of mud is left in its place. Duck finds this out firsthand when his truck goes into the muck and gets stuck. It’ll take a team of barnyard types to get him out of this mess.

Curled Up Kids.com (August 2006):

A relaxing country drive for Duck turns into one big muddy inconvenience. You can almost hear the splatter and ooze as various animals try to help Duck move his beautiful clean red truck - which is now trapped in thick mud. The truck will need more than duck, frog, and sheep muscle to move it. Luckily, someone does come along with a plan. Will it be enough to help duck? And what thanks will the rescuers get?

This is a beautiful board book; the colors are vibrant. The red truck and the brown mud glisten, and the greens in the countryside make for a picturesque background throughout the book. Jez Alborough has written additional Duck books - more of Duck’s adventures can be read in Fix-it Duck, Duck’s Key: Where Can it Be?, and Captain Duck.

Children will love seeing the animals get muddier and muddier. The mud spreads from their feet to their bums, tails, and beyond. The rhyming text and theme of teamwork and perseverance make this a wonderful book for children. Big, clear pictures make it a pleasure to read.

Humorous details are found throughout. Duck’s license plate says DUCK1, and the hood ornament on his truck is a duck poised, ready for take-off. When the truck hits a rock, the truck doesn’t sink slowly and gently into the mud. Duck and his truck bounce up and down, with groceries flying everywhere. The animation of the animals is funny, too. With Sheep’s first step in the mud, his tongue comes out in disgust. Sheep proceeds to tiptoe ever so carefully into the mud over to Duck. When they fail to move the truck, Duck flags down another rescuer - with onions. He waves the now muddy grocery onions around to catch the attention of a passerby. And the laughs continue to the end.

Now that's entertainment!

Oneota Reading Journal (Fall 2006):

In this hilarious board book for the youngest readers, Duck needs to enlist the help of Frog, Sheep, and Goat to help him get his truck out of the mud. Using teamwork and a little creativity, Duck eventually drives away in his muddy red truck. Children will love to hear the rhymes and try their hand at the clever tongue-twisting text. Duck in a Truck is full of vibrant, full color illustrations that are bound to keep the attention of young and old readers like. This delightful book is the perfect addition to any early childhood classroom.

PixieStixKidsPix (December 11, 2006):

This rollicking rhyming tale is a satisfying read full of delicious wordplay and silliness from start to finish. Children love the percussive sound of the language and duck’s sticky problem.

EVERYONE POOPS

0-916291-45-6

1-929132-14-X
Publishers Weekly (Monday, February 1, 1993):

Okay, so everyone does it--does everyone have to talk about it? True, kids at a certain stage of development may find the subject riveting--but their parents may well not want to read to them about it. Here we learn that birds do it, bees do it, kids with bended knees do it. We are told about big poop and little poop, animals that poop while moving and animals that poop from a stationary position, why and where people poop--in short, we get the scoop on poop. The pictures, far from Gomi's best work, leave nothing to the imagination either. In case the message hasn't sunk in, the final spread presents a chorus line of creatures, backsides forward, each producing poop. Call it what you will, by euphemism or by expletive, poop by any name seems an unsuitable picture book subject--a view not helped by this artless presentation.

School Library Journal (Tuesday, June 1, 1993):

Well yes, they do, but does anyone really need an entire book on the subject? In this Japanese import, readers are informed on page one that “an elephant makes a big poop, a mouse makes a tiny poop.” Later on, they are told that it comes in different shapes, colors, and smells, and that, depending on who is doing it, it is done in different places. The summarizing statement is that “all living things eat, so everyone poops.” However, there is never any explanation offered as to why. Overall, the text is merely a series of rather dull pictures of back ends of people on toilets and animals, with captions identifying them and occasionally posing questions such as “What does a whale's poop look like?” (No answer is provided.) There is even a little joke: “A one hump camel makes a one hump poop. And a two hump camel makes a two hump poop. Just kidding.” I wish I were.

The Expositor (January 28, 1995):

Everyone Poops by Taro Gomi is part biology textbook, part sociological treatise and all a celebration of a very natural process.

FELIZ CUMPLEANOS, TENGO 1

1-933605-14-6
Suite 101 (September 8, 2006):

Intended for three to five year olds, this adorable little story held the attention of my six-month-old grandson with no problem. Full of primary colors and simple single-object illustrations, the book is eye candy. Reading time is only a couple of minutes, even going nice and slow. It's fun to point out cake, bunny rabbits and candles while your grandchild interacts with you. The illustrations are engaging, the text simple. There’s space for your grandchild to include his birth date, pictures of her last party, and a list of presents received. The pages are thick, pleasingly slick to the touch, and have rounded corners so nobody gets poked. I was disappointed by the binding – with normal wear and tear, it probably won’t last through a second child’s toddlerhood.

FIGARO, THE CAT WHO SNORED

1-929132-53-0

School Library Journal (Sunday, February 15, 2004):

An orange cat naps in a corner of the stable. Unfortunately, he snores as loud as a train and disturbs his friends. The animals diplomatically ask him to sleep elsewhere and so the feline is banished to a faraway, empty barn. Enjoying the peace and quiet, he stays away for some time. Eventually, the animals beg Figaro to come back, explaining that they miss him and that the farm is being overrun with mice, and he returns with much fanfare. This sleepy story is uneventful and dry. There is little in the language to give the characters life. Figaro's friends come across as insincere, wanting him to return only for his mouse-hunting skills. With their soft depictions of the European countryside, Kinder's illustrations are more appealing, but many of them do not fit with the narrative. Figaro looks more like a pampered house cat than a barnyard mouser and he is actually yawning on the spread that describes his snoring. Pass on this one.

THE FISH WHO COULD WISH

0-916291-48-0

School Library Journal (August 1, 1991):

“In the deep blue sea, in the deep of the blue, swam a fish who could wish, and each wish would come true.'' So begins the fanciful story of this remarkable creature and his unusual talent. Each wish, whether it be for a castle, a car, a horse, or fine suits, is swiftly granted. But in the end, this foolish fish wishes to be like every other fish. And since every other fish cannot wish--that fate becomes his as well. Told in lilting rhyme, this captivating story simply begs to be shared aloud. The ideal complement to Bush's deceptively simple text is Paul's large cartoon illustrations. Executed in watercolors, they capture the light fresh tone of the verse. The colors are appropriately aquatic blues and greens with occasional splashes of yellow and orange. The text and illustrations are well integrated, and the format is large enough to be shared aloud in small group story times. While it will take an older picture book audience to understand the irony of the fish's final wish, young children will be fascinated with the theme and the humorous illustrations.

Publishers Weekly (April 26, 1991):

Underneath a vibrant blue sea (reminiscent of The Little Mermaid's setting) lives a fish who can wish. Better yet, all of his wishes come true. Among the things that he wants--and gets--are a castle, a flashy sports car, a Spanish guitar and fancy suits. When he wishes that he could ski, it snows for a week, and a snowman wearing a diving mask casts with a fishing pole as the happy hero skis off an underwater ski jump. But one day, the fish inadvertently makes his last wish, when he decides that he wants to be just like all of the other fish in the sea. "But wishing was something / Other fish could not do. / So that was his very last / wish that came true." Although the tale's outcome--and message--may be a bit over the heads of the youngest readers, they will certainly appreciate Bush's bouncy rhymed text and Paul's droll depiction of the fish's wishful life. These surprisingly expressive denizens of the deep possess real pizzazz.

Redbook (December 1991):

The witty pictures…are sure to spark children’s laughter. And the surprise ending is both touching and thought-provoking.

Hornbook Guide to Children (Tuesday, January 1, 1991):

A fish makes wishes that all come true until he foolishly wishes he were like all the other fish - for whom wishes don't come true. The illustrations are cartoonlike, and though the text attempts to sound like Dr. Seuss, the vocabulary and story are ordinary and unimaginative.

FIX-IT DUCK

978-1-933605-30-2

Through the Looking Glass (February 1, 2007):

When rain drips into his tea one morning Duck decides that he, Fix-it Duck, will fix the leak in the roof of his house. Unfortunately he has no way of getting onto the roof so he goes to call on Sheep to ask if he can borrow Sheep’s ladder. At Sheep’s little caravan home Duck tells Sheep his troubles and then offers to fix the skylight in the caravan which won’t close properly. Alas for Sheep, for when Fix-it Duck tries to fix the skylight he manages to really break it.

Now the rain is coming into Sheep’s cozy little home. There is only one thing to be done. The two friends will have to tow Sheep’s caravan to Goats shed. Unfortunately Sheep’s jeep gets a flat tire and they will have to use Duck’s truck to get the caravan to shelter. How can this be done when Duck’s truck does not have the right hitch for the caravan?
One problem after another dogs Duck’s attempts to be a good Fix-it Duck and by the time we come to end of this funny tale, we have to agree with Sheep and Goat that Duck just isn’t cut out to do handyduck projects. Not only is Duck decidedly unhandy, but trouble seems to follow in his wake. The problem now is to figure out how to stop Duck from going into Fix-it Duck mode.
An amusing story, wonderfully expressive characters, and a cleverly presented format makes this a winning title for young children.
FLUSI, THE SOCK MONSTER

1-929132-69-7

School Library Journal (Monday, November 1, 2004):

Maja's mum can't find the mates to the family's socks. When the child attempts to put one on, she discovers Flusi, the sock monster, biting her toe. They become fast friends and play together all day. That night, Flusi gets angry when the girl tucks him into her doll bed; he's annoyed to be treated like a toy or stuffed animal. All is set to rights the next night when Maja thinks of the perfect place for him to sleep. Overall, the brightly colored cartoons with large-eyed characters disappoint. The plot lacks detail and the story is too long-winded.

Children’s Bookwatch (December 2004):

Flusi, The Sock Monster is a delightful children's picture book following the friendship between a girl and the little blue sock monster who swipes socks, leaving only one of a pair. A cheerful, intermediate-level story illustrated in whimsical color, that emphasizes the importance of respecting others (i.e. never put one's sock monster friend in a doll bed with stuffed animals--they are sock monsters, after all). An all-around fun picturebook to read and share.

KidsBookshelf.com:

Do you really know what happens to the socks that go missing from the wash? Does the washing machine eat them or could something be taking them? Maja's mum is confused and frustrated about all the missing socks, until Maja finds Flusi, the sock monster, and his special sock cave in the laundry room. Maja and Flusi become friends, but being a sock monster, Flusi doesn't want to be treated like a pet or stuffed doll. So Maja finds a special place in her room where Flusi can sleep. A fun, imaginative story about missing socks!

FLY, LITTLE BIRD

1-933605-02-2

Booklist

The title, twice repeated, is the only text in this tale of a young child who cares for a fledgling wild parrot until it is able to rejoin its flock. Interspersing round-edged, postcard-size pictures with airy, full-page scenes, Burke depicts a preschooler and her puppy, both usually sporting open-mouthed grins, carrying a tiny, anxious-looking green and yellow bird into the house, then going about a day of play as the bird looks on. Finding the bird gone the next morning, the little girl rushes outside with a net--but seeing it singing and flitting about with its mates, she happily sits down to watch rather than to catch it. Illustrated in soft, transparent colors, this bland but happy debut will attract preschoolers, who will have no trouble following the story and even providing a bit of their own commentary.

Kirkus Reviews (February 15, 2006):

In her debut, Burke offers readers the essence of picture book: a nearly wordless work for which she relies on her expressive watercolors to tell the tale. A girl and her pup discover a young green parrot forlornly tweeting in a bush. After entreating the fledgling to take flight to no avail, the girl brings the orphan home with her. Burke alternates between full-bleed, full-page illustrations with smaller snapshot-sized and framed pictures to form a series of vignettes revealing the blossoming friendship between child and bird. Eventually the bird learns to fly, much to the girl’s dismay. However, her pursuit of her feathered pal results in the discovery that the little parrot has happily found its family. Although Burke’s medium of expression is primarily through her illustrations, they are surprisingly spare in details. Instead it’s the faces of her three characters that convey everything. Pre-readers and readers alike will enjoy this visual treat that tickles the funny bone while providing a tender reflection on friendship.

Washington Post (February 13, 2006):

Fly, Little Bird , a not-quite-wordless picture book by new author Tina Burke is similarly affecting, perhaps because it also stars a child and a homeless creature. A little girl, out picking flowers with her dog, finds a lost baby bird (parrot? macaw? anyway, it's green and yellow and has a comical red beak). "Fly, little bird," she tells it -- but oops. Not ready for that yet. So she pops the orphan in her basket and totes it home, where for a few idyllic weeks it joins her and the dog in their daily rounds: It gets fed, it gets read to, it gets to sleep in a box, it stays up late in a blanket tent, it records a song, it has its portrait painted. When, one day, it does fly away, that portrait comes in handy. What's so funny? Simple: the bird's blissed-out expressions.
Publishers Weekly (February 20, 2006):

Pictures tell this tender tale of a girl who discovers a chick too young to fly and nurtures the bird to independence. The title serves as the paper-over-board book's only text, and appears once at the beginning, with sad connotations, and again at the end, in an exhilarating finale. The story opens with a two-part depiction of the bird's rescue: on the left, the girl and her dog appear against an expansive white background, while the right-hand page presents a full-bleed close-up of the girl's hand pulling aside a branch on which the forlorn bird sits. A similar scene appears at the end, with one significant change, bringing the story full circle. Sequences of events take the form of panel-like vignettes; for example, three rectangular frames capture the bird's initial failed flying attempt. In other panel illustrations, the bird participates in the girl's activities: reading, homework, painting (the bird poses for his portrait). At last, he flies while girl and dog bounce delightedly on the bed, oblivious to what the bird's flight portends (a series of images shows a branch on the girl's nightstand with the bird perched upon it, then the empty branch). All the more poignant for its eloquent simplicity, this tale will likely find a home in many young readers' hearts, and is especially well-suited to preschoolers just learning about letting go.

Houston Chronicle (March 19, 2006):

"Fly, little bird" are the only words in this book about a girl and dog who find a baby parrot who isn't ready to fly. The girl takes the little bird home, and the three become the best of friends while playing indoors.

When the bird finally takes flight, the girl and dog are worried until they find the bird flying and singing with bird buddies. It's a happy ending, and the expressive drawings capture the trio's joy of discovery.
Book Carousel (March 20, 2006):

In this almost wordless book, a little girl and her dog are out picking flowers when they find a brightly colored little bird hiding in a flower bush. "Fly, little bird" the girl says, but the little bird doesn't know how to fly. So she puts the bird into her flower basket and takes him home. She makes the bird a little bed of leaves in her room, gives him food and a bedtime story. The three friends engage in all sorts of fun activities - painting, camping, and pretending to be rockstars. And the bird grows and learns to fly. One morning the little girl wakes up to find the bird gone. She charges outside with a butterfly net, dog bounding behind her. She looks all over for the bird until she hears his song: he's found birds like himself to fly and play with in the trees. The girl sees how happy he is. "Fly, little bird." she says. This sweet story about friendship is told (almost) exclusively by the cheerful, bright, pencil and watercolor illustrations. The characters are round and bounding, and strongly communicate a sense of childhood excitement and wonder. Their expressions are exquisite and easy to read (the dog is especially wonderful). Burke uses the bird's color to firmly place him in nature with the green leaves and red flowers, foreshadowing the story's end. There's lots of white space in the book giving it a clean crisp feel. The illustrations' format is pleasantly varied to include full page scenes and close-ups, vingettes (which are mostly used to show the indoor scenes), and double-page spreads that show bounding movement. A wonderful story to teach younger children about loving and letting go, and the difference between domestic and wild animals. Tina Burke worked for Walt Disney Animation for six years. This is her first picture book.

Copley News Service (April 2006):

A cherubic little girl and her scruffy dog find a small tropical bird and try to teach him to fly in this nearly wordless picture book. She sings to the tiny parrot, paints pictures of him, reads to him, and carries him around in a flower-filled basket. Eventually though, the bird flies off. The girl and pup chase after the bird with a net, following musical notes along the way. They finally spy their feathered friend singing and flying with a flock of parrots. All's well as the girl goes to sleep that night under a portrait of her happy friend. A special journey about encouraging friends to "fly," animator Burke's sweet little tale is made even more likeable with her flowing sketches - colored tropically and dreamily.

Sioux Falls Woman (April / May 2006):

A little girl and her dog befriend a lost bird, caring for it until it is ready to fly off on its own. Former Disney artist Tina Burke explores the universal theme of letting go almost entirely through illustration, thus allowing pre-readers the experience of accepting it at their own pace and on their own terms. Bright and lively colors maintain an upbeat mood, and an open window with gently billowing curtains creates space for children who need to believe that the bird will return to the girl’s bedroom after taking flight with its family. Subtle and sweet – everything a nearly wordless book should be.

Fuse #8 Production (May 21, 2006):

On a first glance, the cover of, “Fly, Little Bird”, might strike the casual reader as awfully cutesy. A roly-poly little girl flaps her arms ala wings, while wearing blue footie pajamas. A small dog capers happily below. On closer inspection, however, you can’t help but notice the terrified animal perched on the little girl’s shoulder. It’s a bird (little, at that) with an expression of abject despair plastered across its face. Cutesy picture books are a dime a dozen, but this particular number by first-time author/illustrator Tina Burke has a lot going for it. Cute, yes. But this is also one of those highly sought after wordless picture books of the most basic variety. Should you, for any reason, need a title that keeps its plot essentially visual, “Fly, Little Bird”, may be the answer to your prayers.

A small girl child and her pup are out ah-gatherin’ flowers. While buried in the midst of this activity they happen to hear the unmistakable note of a bird. A quick investigation into a bush shows a miserable looking green avian with a yellow belly and red beak. Kind soul that she is, the child picks up the bird, places it on her finger, and encourages it to, “Fly, little bird”. Flight doesn’t seem to be one of the bird’s strengths, however. This is made infinitely clear when it tumbles backwards off of the girl’s finger onto the grass below. No matter. The child scoops the little creature up and carries it away to her home. There she feeds it, reads to it, and makes it a little leaf-filled place to sleep. There’s a nice montage of the threesome (don’t forget the dog) hanging out in the little girl’s room until one day the bird is flying and soaring around the home. This is all well and good, but an open window means that when the little girl wakes up the following morning, the bird is gone. She and the dog burst out of the home, a net clutched firmly in her chubby little hand. And there, zooming up and above and around are multiple green-bodied birds with yellow bellies and red beaks. “Fly, little bird”, encourages the girl, and that night she and her pup sleep soundly under a portrait of their now far friend.

In many ways this book reminded me of fellow little-bird-little-bird-fly-away-home title, “The True Story of Stellina” by Matteo Pericoli. Of course, “Stellina” relied heavily on text and story and explanation whereas the charm of, “Fly, Little Bird”, lies almost entirely in its visual appeal. Now I have a low tolerance for treacle. Should I sense that a children’s book, picture or otherwise, has gone beyond adorable into ootsy-cutesyness, I instinctively back off from it. “Fly, Little Bird”, however, treads a careful line in this regard. It’s cute, yes. Could you expect any less from a former Disney animator? But it’s not, how you say, overplaying its hand. The story is adorable partly because it’s so endearing. Small children, birds, and dogs are essentially sweet, this is true. But it takes the steady hand of a competent illustrator to make them seem more than just a series of vignettes that make you say, “awww”. Such a steady hand certainly belongs to Tina Burke.

The wordless picture book (which, in spite of the repeating title, is a description that fits this book) can be very useful to young kids who want to “read” a book before they know their letters. Children who don’t speak English right off the bat may also be pleased to find a book they can understand without necessarily knowing the definition of “fly”, “little” or “bird”. This is a sweet little story and should make any child who receives it particularly pleased.

KidsBookshelf.com:

"Fly, Little Bird" is a simple yet elegant story of a little bird who learns to face the world and a young girl who helps him find his way. When the little girls is out picking flowers with her dog one day she hears a bird singing. She finds a lone little bird too afraid to fly, so she takes him home. They do everything together and as their friendship grows, so does the little bird's confidence, until one day he learns to fly on his own. The gorgeous illustrations will capture the hearts of young readers everywhere!

CSCL Picture Book Reviews (November 10, 2006):

Tina Burke’s debut picture book Fly Little Bird is a very delightful story. This fiction story about a little girl and a baby bird captures reader’s attention right from the start. With few words, Burke tells this story with her bright, detailed, adorable animated pictures. Her use of bright, yet subtle color enhances the pictures and brings them to life. Burke is truly an educated illustrator, as evidenced by her use of shapes, motion and effective use of white space throughout the story.

I thought the book was good. It caught my eye right when I saw it. I fell in love with the pictures. This short, simple, yet fun loving story drew me in instantly. I would definitely recommend this book to teachers, parents, and students.

Uplifting Picture Books That Don’t Preach (February 2007):

When a young girl is out picking flowers with her dog, she comes across a little parrot sitting forlornly in a bush. She picks the bird up and encourages it to fly, but the little bird falls to the ground. So the girl picks the bird up and takes it home with her, and the bird sits on her knee, then her shoulder, and finally sleeps in a leaf-filled box on her dresser. The next day, the bird is with her through all her activities—sitting on her book as she writes, singing along with her as she and the dog sing, posing for her as she paints, and more—and that night, the bird is able to fly. The little girl and her dog are delighted—but the girl wakes up the next morning to find the bird gone (it flew out her open window), and upset, she chases after it with a net. But once she finds the bird, singing happily and flying with other birds, she sets her net down and encourages it to keep flying. That night, she goes to bed happy with her dog, the painting she did of the parrot placed above her head.

Fly, Little Bird is an enchanting tale about compassion, friendship, and knowing when to let go, told almost completely through pictures. One sentence is repeated twice in the book—"Fly, little bird," once near the beginning, and once at the end, bringing a sense of satisfaction and completeness. It is used differently; in the beginning, the girl uses it simply to encourage the bird to fly, and out of a sense of compassion, while in the end, the girl uses it as a loving release, telling the bird she knows it needs to be free, and she wants it to be happy.
The book relies heavily on the illustrations to tell the story—and tell the story it does. The cartoonish images flow together smoothly and build on each other to tell the story; it is always clear what is happening. Burke uses both borderless illustrations that have a lot of white space or bleed right to the edges, and groups of smaller images on one page that have rounded, color borders similar to what you'd expect in desktop publishing. In many of the illustrations, little or no background is depicted, showing only the immediate action and a few objects or surroundings to suggest the setting (a flower bush and patch of grass for outdoors, the girl's bed, dresser and lamp for indoors). Close ups are used to show us where the bird first is hiding, and later, where the bird is not, using repetition to bring the search full circle.
Burke's use of watercolor works well with the happy feeling of the book; the gentle muted washes of color, frequent splashes of sunlight-yellow, and great use of white space add to the lightness of the book, as do the pastel backgrounds that accompany the bordered illustrations.
The illustrations are sweet—the young girl and her dog are frequently joyful, filled with life, with open-mouthed grins and friendly expressions. The girl, especially, is a bit too cutesy for my taste, almost sugary, as is the bird with its oversized mournful eyes. Burke's work experience with Disney is evident, here. Still, the story remains a lovely one.
The happy, joyful girl and dog capture the wonder and joy that young children can have, and that, as well as the obvious comfort and companionship that the dog brings, help keep this book on a happy tone, even during what could be a painful section (such as the bird not flying, or the bird having left once it learns to fly). The dog appears in most of the illustrations, always echoing what the girl is feeling—worry over the bird, delight at the bird flying, puzzlement as to where the bird can be, and joy and satisfaction at having found the bird and let the bird be. The last image, especially, is touching, when the girl and her dog are so obviously happy and cozy, snuggled together in her bed, smiling in their sleep, with an image of the happy bird above her bed, bringing the bird symbolically into the picture, but knowing that it is out flying free.
This is a soothing, joyful book, one that encourages friendship, compassion, and not holding on too tight (or knowing when to let go), all without preaching. If you're looking for a feel-good book or a comforting tale, this is it. Highly recommended.

FOX

1-929132-16-6

*Publishers Weekly (Monday, October 8, 2001):

Wild (Nighty Night) departs from her playful characters of recent books for this haunting look at friendship and cruelty, geared to older readers. After Dog saves Magpie from a fire and nurses her burnt wing, the two forge a powerful bond. The one-eyed dog and the flightless bird travel together across a charred, leafless landscape, with Magpie feeling the wind in her feathers as she rides on Dog's back. "Fly, Dog, fly! I will be your missing eye, and you will be my wings." The mood changes quickly, however, when Fox enters his sleek, orange body curled around one side of a spread and sets Magpie on edge ("His smell seems to fill the cave a smell of rage and envy and loneliness"). The tension Wild invokes in juxtaposing their disparate emotions creates a disquieting feeling that Brooks (Rosie and Tortoise) mirrors in his artwork, especially in close-ups of the characters' eyes. His hand-lettered text (resembling a child's shaky penmanship) appears in oddly positioned blocks, with some flipped vertically against the page edges and gutter. The stark illustrations, in mixed media and collage, expose the characters' raw emotions with brusque hash marks in thick applications of mostly dark paint. Only when Fox cons Magpie into switching her allegiance and traveling with him do readers discover the depth of Fox's alienation. The tale ends on a tenuously hopeful note, and the images from this unsettling, provocative story will resonate long after the book has been closed.

School Library Journal (December 1, 2001):

The simplicity of presentation belies the sophistication of this allegorical tale that demonstrates the tremendous power of caring and friendship. Dog, blinded in one eye, finds Magpie, whose wing has been burned in a forest fire. He carries her to his cave, but she is distraught and bitter because she can no longer fly. Dog is a true and patient friend and an optimist, and his encouragement lifts the bird's spirits. ("I will be your missing eye, and you will be my wings," Magpie declares.) Enter dashing, flattering Fox, full of "rage and envy and loneliness," who attempts to destroy the friendship by luring Magpie away. In this short tale, Wild conveys some of the stages of human grief-anger, depression, and withdrawal and, finally, acceptance. Brooks' dramatic illustrations perfectly suit the text. Thick, textured paint in shades of brown, peachy beige, and bluish gray, detailed in black line and frequent scratchboard-like technique, sets off the rich, fiery tone of Fox's fur and allows readers to sense the excitement and danger that his presence engenders in Magpie. The text is hand lettered in large, childish print, sometimes on pasted paper scraps. Use the book with younger children to prompt discussions of both friendship and loss; use it with older students as a fine example of allegory and outstanding artistic presentation.

Booklist (November 15, 2001):

Bleak and unsettling, this highly unusual Australian import will challenge children with its unconventional layout and boldly presented themes of loneliness, jealousy, brutality, and compassion. In the aftermath of a bush fire, Dog, who has lost an eye, and Magpie, with a burned wing, form a deep friendship. Magpie climbs onto Dog's back: "Fly, Dog, Fly! Their bond is threatened when a fox lures Magpie away and then deserts her. The conclusion, though too abrupt, holds a glimmer of hope for the old friends. The gripping, lyrical text is printed in a lurching, childlike scrawl that may stop some adult readers as well as children who are following along. But the font echoes the edginess of the primal, thickly textured paintings, in ash-and-dust tones, shot through with the flame-like orange of Fox's coat. Children will probably need an adult's help in grappling with the story's cruelty and loose ends, but this haunting, beautifully illustrated book will be a good starting point for a discussion on ethical issues.

Hornbook Guide to Children (Tuesday, January 1, 2002):

The heavily etched, red-earth-toned paintings in this allegory give it a primal feel, as does the erratic hand lettering at times placed sideways on the page. The powerful, deeply disturbing story of how Magpie is rehabilitated by half-blind Dog after she’s crippled in a forest fire, only to betray him over the false promises of Fox, will provoke a disquieting response among those willing to tackle it.

THE GAS WE PASS

0-916291-52-9

1-929132-14-X
School Library Journal (Tuesday, November 1, 1994):

A simplistic explanation of human and animal flatulence. The text adequately tells how gas is formed and its characteristics, although it overlooks the role of dairy products in its formation. A basic diagram shows the passage of food and air through the body. The drearily colored, amateur line cartoons depict a family of no particular race and zoo animals with sound balloons, such as “BURP!” and “BAAROOMM” being emitted from both ends. This bodily function that is the source of so much schoolyard humor may be of interest to youngsters, but they won't glean much information from this mediocre presentation.

Publishers Weekly (Monday, November 7, 1994):

With a title like this, expect no surprises within. The latest Japanese import by Kane/Miller continues in the same vein as Everyone Poops and The Holes in Your Nose, exploring yet another subject generally considered taboo. Brevity reigns in both illustration (cartoons and diagrams tinted with swaths of clashing color) and text (which doesn't even attempt to be subtle). Both informative and blunt, the book provides young readers with solid facts as well as plenty to snicker about, including some sage advice ("Don't hold them in-pass that gas!") that will send parents everywhere running for the air freshener.

Booklist (October 1, 1994):

Is America ready for The Story of Farts? First published in Japan, the book begins with an elephant passing gas ("When an elephant farts, the farts are really big") and quickly moves on to people. Although there's factual information about swallowing air, the digestive process, and what causes gas to smell ("after meat, fish, eggs or things like that, your farts smell really bad"), for kids, the cartoon-style drawings featuring people, lions, hippos, and pets passing gas will be the big draw. In fact, this should have them rolling in the aisles. Libraries will have to balance the pluses of having on their shelves a book that will answer questions about a topic every kid is interested in against the sometimes repetitious text, crude drawings (one of a man and a boy nude in a bathtub passing gas bubbles is highly questionable), and the effect on community sensibilities. From the same publisher that last year brought you Everyone Poops.

GIRL FROM THE SNOW COUNTRY

0-916291-93-6

School Library Journal (January 1, 1987):

In the mountain village where Mi-chan lives with her mother, snow falls heavily. Mother and daughter tramp across the fields to market, where a kind flower-seller gives the little girl a branch of red berriesjust the thing for putting eyes on the ``snow-bunnies'' Mi-chan has made by sticking green-leaf ears into rounded clumps of snow. There are occasional visual inconsistencies in the otherwise attractive watercolors: children may wonder why the heavy winter snow that has fallen on camellia blossoms has not damaged them, and a tree described in the text as “bare” is covered with pink buds. The market women are wonderfully garbed and shaped, yet Mi-chan's mother in her heavy cloak has little definition except as a brown blob. The story is the sort that appeals to listeners of age three or four: an excursion with mother, a gift, and the wonderfully imaginative creation, artfully illustrated, of “snow bunnies.” Somewhat less successful than the illustrations, the text is so colloquial that it occasionally seems out of tune with the very Japanese illustrations, a fault perhaps of the translation rather than the original. Mi-chan, for example, tells the flower-seller, “At home I made these snow bunnies,” and when the berries are offered, the flower-seller says, “Since you're so sweet, you can have them for free.” Still, the simple story will please many children, and it is a pleasure to find an accessible story reflecting another culture.

Publishers Weekly (Friday, November 28, 1986):

Originally published in Japan, this colorful book tells the story of Mi-chan, a little girl from the snowy north of Japan, who searches for something to use for the eyes of the snow bunnies she has made. Hidaka's delicate watercolors lend grace to an otherwise slight story about Mi-chan's trip to the marketplace, during which she kindly sweeps snow off the stone statue of Jizo, protector of children and travelers. Later, after she has found red berries to use for the bunnies' eyes, her mother tells her, Jizu ``helped you find what you wanted.'' Particularly appealing are Hidaka's portrayal of lush flowers in the marketplace, elegant arches of snow-covered branches and green-eared snow bunnies who nestle like clouds in the snow.

Small Press Book Review (Mar/Apr 1997):

…this gentle, straightforward story gives us a glimpse into traditional Japanese life.

GRANDPARENTS!

1-929132-46-8

Publishers Weekly (Monday, March 3, 2003):

Each spread of Grandparents! by Roser Capdevila, illus. by Anne-Laure Fournier le Ray, begins with a line of text in blue type-"All Grandparents have their own names"-followed by smaller scenes arranged on a white background. "Some have well-known, popular names" accompanies framed color photos of "Grandma" and "Grandpa"; "Some have formal names" shows b&w cameo portraits of "Grandmother" and "Grandfather." Le Ray's drawings, reminiscent of Paul Meisel's work, display the diversity of grandparents and the affection shared among family members.

School Library Journal (Sunday, June 1, 2003):

This picture book takes a gently humorous approach to grandparents, presenting their assets, drawbacks, various names, and appearances. Several cartoon drawings on each page feature various sets of children interacting with their relatives in warm scenes of sharing family history, hugs, snacks, etc. The text and art are arranged on spreads by topic ("All Grandparents have their own names," "Not all grandparents have free time," etc.). Each small drawing has a line of explanation and often includes a dialogue balloon with comments from the characters ("Grandpa bought me a dog!"). The grandparents are different in appearance, lifestyle, personality, and in the ways they interact with their grandchildren, but all of the families appear to be white and middle class.

The San Diego Union-Tribune (March 23, 2003):

This humorous little book is a primer on the matter-of-fact and the less obvious matters pertaining to having grandparents.

GRANDPA'S TOWN

0-916291-57-X

School Library Journal (January 1, 1992):

Yuuta's mother tries to convince his recently widowed grandfather to move in with them since he must be lonely, but he refuses. Yuuta, going along to the public baths with him, meets some of his grandfather's friends and realizes that the man is not so alone. This gentle story is exquisitely illustrated with ink borders and watercolors in a folksy woodblock print style. The warm earth tones reinforce the Japanese setting in a wonderful way to produce a cozy book. The English translation in this bilingual production is decidedly the weak link. The outline is here, but the color, subtlety, and tones of the original are missing. In some instances, Stinchecum fails to convey meaning. In one situation, the grandfather makes a joke in the bath, explained with a line that occurs nowhere in the Japanese. In spite of such deficiencies, this is an enjoyable tale that provides a glimpse of life in rural Japan, recognizable interactions with a grandparent, and real-life situations. Yuuta's anxiety about being in a public bath for the first time is strongly conveyed and, cultural conventions aside, is an identifiable experience, nicely resolved.

Kirkus Reviews (1991):

With text appearing in Japanese and English, a simple story about a little boy who is worried that his widowed grandfather is lonely--until he goes with him to a public bath and realizes how many friends Grandpa has. Of interest especially for its handsome woodcuts of the village scene, including a detailed depiction of men and boys of all ages chatting as they go through the bath's routine. Fine “multicultural” material.

Hornbook Guide to Children (Tuesday, January 1, 1991):

The text of this accessible book appears in both Japanese and English. Yuuta and his mother visit his widowed grandfather to persuade him to come live with them. After spending a day with him, Yuuta realizes Grandpa has his own friends in his own town. Thick-lined illustrations, which appear to be linoleum cuts, have been hand painted with watercolor washes.

LACL Teacher Resources (October 14 2006):

A young Japanese boy is worried that his grandpa, who lives alone, is lonely. He and his mother visit grandpa's town in hopes of persuading grandpa to come and live with them. But, after spending a day with grandpa, Yuuta discovers his grandpa has many friends.

GUJI GUJI

1-929132-67-0

*School Library Journal (Monday, November 1, 2004):

One day, an extra-large egg rolls right into Mother Duck's nest. She is busy reading and doesn't notice the new addition, but this lucky event will change her life. Her hatchlings include a yellow duckling; one with blue spots; another with brown stripes; and a rather unusual, crocodile-shaped youngster, named after his first words. Guji Guji grows bigger and stronger than his siblings (and more crocodile like), but Mother loves all her offspring the same. When three duck-hungry crocodiles make fun of Guji Guji's ways and try to tempt him into betraying his family, he is put to the test. This beautifully written story has much to say about appreciating families and differences, and it will resonate with children long after the final page is turned. Chen's unique illustrations are compelling, down to the beautiful silhouette endpapers. The rich blues and earth tones and dramatic page layouts create moving scenes, but the quirky details and characters' expressions are hilarious. This charming spin on the ugly duckling theme is a must-have for any collection.

Publishers Weekly (November 8, 2004):

…his muted ink-and-wash drawings of gray and brown makes this picture book look like an old classic. .. Chen's story of love, acceptance and self-discovery gives every sign of becoming a well-worn favorite.

The Bulletin of the Center for Children’s Books (September 2004):

When a trio of bad crocodiles breaks the news to Guji-not only is he not a duck, his species eats ducks-and tries to get him to lead his family into their reptilian jaws, Guji Guji turns trickster to defend his family…Whether he’s a crocodile or duck won’t really matter to audiences-they’ll just relish the story of a little kid who cleverly saves the day.

USA Today (Thursday, September 9, 2004):

Can a crocodile raised by ducks forget his true nature and not make the ducks into lunch? Young readers of this quietly funny book about true family values and accepting differences will be happy to learn that Guji Guji is no ordinary reptile – he’s a croco-duck. Muted but puckish illustrations of the striped and poka-dotted ducks and their scaly, gray brother will pique interest in Chen’s On My Way to Buy Eggs.

Washington Post (August 29, 2004):

The glory of this book…is less the story than the illustrations…The entire drama unfolds by moonlight; attended by bats and ravens, and the stormy night sky and inky, leafless trees conjure an atmosphere of menace that makes the duck family’s solidarity seem all the more precious.

Early Childhood News (Nov/Dec 2004):

This is a lovely, funny story about family, loyalty, and doing the right thing. The whimsical drawings perfectly complement the amusing tale.

Hornbook Guide to Children (Saturday, January 1, 2005):

Raised as a duck since hatching from his egg, Guji Guji, the crocodile, worries about his true identity when three bigger crocodiles demand his help in snaring some ducks for dinner. However, he soon gets his bearings and foils the unpleasant trio. The distinctive art features earthy browns and grays with highlights of brighter colors.

Class Book Blog (November 7, 2006):

Summary - A large egg rolled into a ducks nest and a crocodile by the name of Guji Guji hatched out. The crocodile was then raised like a duck and he loved every minute of it. One day a group of crocodiles came along and noticed that Guji Guji was walking and acting like a duck. The crocodiles had a talk with Guji Guji and told him he is not a duck and he needs to start acting like a crocodile because that is what he really is. The crocodiles then told Guji Guji to take the other ducks to the bridge the next day to “practice diving” and the crocodiles will be underneath the bridge with their mouths wide open and ready to eat Guji Guji’s duck family. Guji Guji was torn on what to do. Guji Guji decides to tell the ducks about the plan the crocodiles had and they all carried big rocks on their heads and dropped them from the bridge which resulted in the crocodiles having broken teeth. Guji Guji saved his family and was the duck hero for the day, so they celebrated all night long.

Things I liked about the book- The main thing I liked about the book was the story line. The fact that Guji Guji didn’t mind being different from the other ducks and still thought of them as his family is a great quality to teach children. The other thing I enjoyed about the book was how the author came up with the idea to have the ducks drop big rocks from the bridge so that when the crocodile’s mouths were wide open the big rocks would break their sharp pointed teeth that the crocodiles were bragging about to Guji Guji. One other thing I liked about the book was how the baby ducks even though they were all ducks they were different. The first duck had blue spots so Mother Duck called him Crayon, the second duck had brown stripes so Zebra was his name and the third ducks name was Moonlight because he was yellow. So even though they are all ducks they are all unique just like Guji Guji the crocoduck.

What I will Present- How many of you know the story The Ugly Duckling? Alright so you all know that the “ugly duckling” didn’t feel like he fit in, well in my picture book Guji Guji by Chih-Yuan Chen he felt like he had a place with the ducks even though he was a crocodile. Guji Guji fit in very well with his duck family and enjoyed every minute of it. However, a group of crocodiles saw Guji Guji walking and acting like a duck so they told him he was not a duck and he needs to start acting like the crocodile he really is. The crocodiles then told Guji Guji to take the other ducks to the bridge the next day to “practice diving” and the crocodiles will be underneath the bridge with their mouths wide open and ready to eat Guji Guji’s duck family. Guji Guji was torn on what to do. If you want to find out what Guji Guji decides to do read Guji Guji by Chin-Yuan Chen.

Uplifting Picture Books That Don’t Preach (January 2007):

A large egg rolls into Mother Duck's nest, but she doesn't notice (she's busy reading). When the eggs hatch, she doesn't seem to notice how different he is—crocodile-like. She loves all her 'ducklings' the same. Guji Guji grows bigger and stronger than his siblings. One day, three mean crocodiles tell Guji Guji that he is just like them—a crocodile—instruct him in how to be a duck-eating crocodile, and pressure him into betraying his duck family. Guji Guji realizes he's not a duck—but he's not a mean crocodile, either. He finds a way to save his family, and to be who he is, no matter what he looks like or who others think he is.

This sweet, encouraging story is a great read that both entertains and encourages readers.
Chen's text is well written and engaging. The story has a nice rhythm to it, with strong details, good movement towards the climax, and a lovely, heartwarming ending as Guji Guji embraces and names who he is—a crocoduck.
The ink and wash paintings are somewhat dark, mostly greys, browns, and blacks, with white for the ducks, moon, and some negative space, and small splashes of color. Yet they add to the story, increasing the enjoyment and amusement, and are paired well with the text. The illustrations reveal a quiet humor—one baby duck has blue spots, one has brown horizontal stripes, and one is a bright yellow. They show, too, Guji Guji pulling a duck toy behind him, emphasizing how he thinks he's a duck. The expressions and body language work well.
Inspiring and heartwarming, this story gently conveys positive messages about the importance of being who you are, standing up for what is right for you, caring about others, appreciating differences, not giving in to peer pressure or to other people's expectations of you, and listening to yourself—all through the metaphor of story. It also encourages readers to understand that they don't have to be what they were born into—that they are not simply bodies, or biology, but heart and soul. This book may appeal to families with adopted kids, to children from abusive families, and to anyone who feels different. Recommended.
A Readable Feast (February 14, 2007):

Raised from an egg by Mother Duck, Guji Guji is content with his life as a "crocoduck." Then one day, he meets up with three big, bad dudes who try to convince him that he is, like them, a duck eating crocodile! What should Guji Guji do? You and the kids will cheer as Guji Guji saves the day and his duck family.

For ages 5 to 9, Guji Guji is a terrific book for unconventional families - single families, gay families, step families, families with adopted or foster children, and families of mixed race or ethnicity. It shows that family is made up of folks who love and care about each other. You don't have to look like each other or act the same way to be a family. Plus, it's just a lot of fun to say "Guji Guji" out loud.
Saffron Tree (February 13, 2007):

A crocodile's egg ends up in a duck's nest. Mama Duck doesn't notice (she was reading a book!) The large-oversized egg eventually hatches, and out emerges this large nosed reptile screaming Guji Guji! Guji Guji grows up with the other three ducky siblings! Mamma duck doesn't say anything bad about the way Guji Guji looks, and takes him as he is! Life is great for Guji Guji, but one day he meets three other nasty crocodiles who tell him that he doesn't belong with the ducks, and should in fact be eating ducks, not living with them. The crocodiles tell Guji Guji to bring his duck family to the bridge and that he should have them dive in to end up in their mouths. But Guji Guji comes up with a plan to save his duck family. He loves being a "crocoduck"!

Such a cute, modern tale so much better than one of those old "The Ugly Duckling" types! We love Guji Guji! Thanks to the author, Chih-Yuan Chen for such a brilliant story! Lovely illustrations that are very cleverly done! Definitely going to remain one of our favorite stories for 2007!
GUJI GUJI

(Libros del Mundo)

978-1-933605-34-0
Criticas (January 2007):

This delightful tale brings a new twist to the “Ugly Duckling” story line. Guji Guji the crocodile hatches into a duck family and not only adopts their ways but favors family over genes when put to the test. Here, rejection comes not from his adoptive family—when his obvious physical differences manifest—but from grown crocodiles eager to turn his insider status into an easy duckling lunch for themselves. Delightful chalk and charcoal illustrations add a whimsical element to this well written story. From mama duck reading up on parenting while she tends her eggs to Guji Guji’s rubber ducky, clever details add depth to the charming characters. Translated for Latin American Spanish speakers, the text is easily understood. This volume will make a welcome addition to bookstores’ and libraries’ picture-book collections.

HALF OF AN ELEPHANT

1-933605-09-X
Kirkus Reviews (August 1, 2006):

In this odd import from an artist born in Argentina, the front and back halves of an elephant, split apart when the world suddenly divides, go in search of each other. As it happens, all of the other animals that they encounter have the “exact same” problem, so each demi-pachyderm tries out a succession of wildly mismatched new partners, from a worm to a flamingo. Gusti illustrates this twin odyssey with digital assemblages of cardboard and found junk connected with rusty screws; the elephant’s trunk is an old spring, its body two neatly separated pieces of weathered yellow board, the tail a small paintbrush. Just as the disparate parts get used to being alone, the world reunites and they find each other again – but, having tasted independence, they decide to remain separated. This is not likely to have a broad audience, but some children may pore over the

clever visuals, and some enjoy the tale’s silly twists.
Kids Lit /Greenlakelibrary.org (August 7, 2006):

Half of an Elephant by Gusti is a strange picture book but not without its own unique charm.  It is the story of what happened when all of a sudden the world cracks in two.  Poor elephant is left without his back half and sets out to find it.  On the way, he meets many other half animals and even tries to unite with some of them, but it doesn't work out.  When the world suddenly joins back together again, elephant finds his back end, but their relationship has changed.

Strange enough for you?  Well, add in the industrial feel of the illustrations, created from collages of corrugated cardboard, wood, found items, and tools, and you have a very unique book.  The illustrations are a draw for kids, who will enjoy looking at the strange creatures made from wrenches, screws and bolts. 

Give this special book a chance.  It has a unique perspective and a fantastic visual edge. 

School Library Journal (September 2006):

A clever and unique picture book that is illustrated with digital images of objects arranged in collages. "One night, all of a sudden, the world split in two." An elephant loses his back half, and the sections wander around the world trying out new partners and discovering the advantages of being separate. Suddenly things snap back into place and the two are reunited (but not quite the same as before). The artwork is full of interesting details to pore over: nuts and bolts, washers, screws, wood pieces, springs, paintbrushes, and other everyday items are scattered across the pages, even creeping into the font every so often. On one spread, the halves of many animals circle the pages, tempting readers to match them up. This imaginative book could be used in storytime, but it will work best with individual readers who can delight over the inventive constructions.

BIG A little a (September 8, 2006):

Lately I seem to be reviewing picture books written by author-illustrators with single names: oneones, Demi, and now Gusti. Is this a new trend?

No matter, Gusti has what it takes to entertain the youngsters if Half of an Elephant is any indication. An award-winning illustrator from Argentina, Gusti uses "digital images of numerous discarded objects 'to show children that art can be created from objects that usually end up in the garbage can.'" And uses him he does. The discarded object illustrations are dynamic and quite humorous in their composition.

The story begins with an unexplained catastrophe: "One night, all of a sudden the world in two." An elephant, pictured on the cover, finds his back half is missing. In his search for the rest of him, he meets other animals missing a half. And they're all suffering from a sense that something is missing.

On the other side of the world, the other halves of the animals are having the exact same problem. And combining two halves of two different animals doesn't solve anything. Some animals talk too much, and when a monkey half and an elephant half join up, they're too heavy to climb a tree.

Fortunately, all ends well for the animals, but children will love the mess inbetween as the animals combine into strange elephant-monkey, duck-elephant, chameleon-elephant hybrids.

New from Kane/Miller, Half of an Elephant is lots of creative fun for kids ages 4-8 and is an excellent choice for an art lesson at school or at home. Read the book and inspire discarded-object art.

KidsBookshelf.com (September 2006):

Suddenly one night the world split right in two. When the elephant woke he realized that his back half was missing, so he went in search of it. He came across many other animals who had the same problem. They were all searching for their other halves. Meanwhile, on the other side of the world, the back half of the elephant was looking for his front half. But he had a more difficult time because he couldn't talk. After searching long and hard each half realized that it wasn't so bad being just half. Time passed until suddenly one night the world became one again. The two halves of the elephant were happy to be together again, but not in the way you would expect! A unique and creative story illustrated with digital images of objects arranged in collages.

For Immediate Release (September 23, 2006):

Argentinan artist Gusti delivers a humorous tale of an elephant that loses its back half after an earthquake that splits the world in two. What follows is a hilarious look at the journey of an elephant that is determined to either find or replace his back half. He talks with many other animals who have also lost their back halves. Meanwhile, Elephant's backside is meeting many other backsides of animals, who are also trying to find their frontsides.

Gusti uses digital photos of items that are typically discarded, with great success. Adults may enjoy this book as much as, or perhaps more so that children, as adults will appreciate the items used in the pictures, and enjoy identifying them. Children will, doubtless, enjoy the humor that is laced throughout the story, as it is a very comical book. This book would be a great addition to your coffee table, as a conversation piece, and also to your child's nightstand, to enjoy for years to come.

*Publishers Weekly (October 23, 2006):

An elephant loses his back half as the result of an unexpected catastrophe ("One night, all of a sudden, the world split in two") in this inventive tale. The fact that the fellow is made of corrugated cardboard, old screws, googly eyes and other assorted found objects makes the premise easier to take. Argentinean-born Gusti possesses a knack for storytelling and a sense of humor that will appeal to young and old alike. The elephant, it turns out, is not the only one missing a half. "Have you seen the other half of an elephant?" the hero's front half calls to the front half of a leopard constructed of a candy roll. "No," replies the leopard. "Have you seen the other half of a leopard?" After several unsuccessful efforts to join with the front halves of other creatures, the partial pachyderm decides that life as a half might not be so bad: "I can hide behind a tree. I can drive a sports car. And, best of all, my tail doesn't itch, because I don't have a tail!" (The illustrations of the back half's attempts to partner with others will elicit the most laughs: "The monkey couldn't jump from tree to tree with him attached.") When the elephant's two halves finally reunite (the world magically "became one again"), they discover that they need not be attached in the customary way in order to be happy - a moral that comes as a kind of boxtop prize to this most satisfying book.

ProperNoun.net (October 26, 2006):

One night, all of a sudden, the world splits in two. And an elephant wakes up to find that half of him is missing. He soon realizes that other animals are facing the same problem, and the various halves come together to form unlikely pairs. On the other side of the world, the other half of the elephant is doing the same thing. Eventually the two disparate halves decide that they will be all right on their own. So that when the world comes back together, the two halves of the elephant are glad to see each other but they know how to be without each other too. An unusual story that suggests looking on the bright side.

The art in this book is also unusual. The collage-like art is constructed from digital images of discarded objects “to show children that art can be created from objects that usually end up in the garbage can.” The highly imaginative illustrations are made up of screws, buttons, straws, pieces of paper, pieces of wood, and all sorts of other miscellaneous objects that make this book a great opportunity to springboard into a found object art project for kids. Get more activity ideas on the Kane/Miller web site!
An unusual and inspiring book!
Kids Literati (November 4, 2006):

Half of an Elephant by Gusti is a creative story illustrated with digital images of discarded objects expressively woven together. One morning the world splits in half. An elephant awakes to find that he is missing his back half. He travels in search of it, only to find that every animal he encounters is in a similar predicament. He attempts to fill his loss by pairing with the halves of other animals, including a worm, chameleon, flamingo, monkey, and duck. The elephant's search for his other half and companionship leads him to find independence, acceptance, and ultimately an unexpected reunion.
I love that the pictures in this book are filled with old, rusty, broken, and thrown away items. Illustrative photography and digital images have led to numerous children's books being illustrated with everyday objects, though frequently they are so shiny, new, and stylized. This book would be a great read for children before creating sculptures or collages from found objects and pictures in schools, libraries, or playgroups. However, it's also a joy for individual readers to examine the pictures closely for all the details and objects they can identify.
It's delightful to see the creative potential within the extra things that exist in human life everywhere: trash. Gusti says he created this book "to show children that art can be created from objects that usually end up in the garbage can."
Children’s Books @ Suite 101.com (October 24, 2006):