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Levy, Eric. - "The Unnamable" : The Metaphysics of Beckettian Introspection Journal of Beckett Studies (Tallahassee), 1995-1996, 5 (1-2), p. 81-105
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Carnero Gonzalez, José. - Silence in Beckett : "The Unnamable" A Hinge Work Samuel Beckett Today : An Annual Bilingual Review = Samuel Beckett Aujourd'hui : Revue Annuelle Bilingue (Amsterdam), 1993, 2, p. 205-211
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Prince, Eric. - "Going On" : An Interview with Barry McGovern Journal of Beckett Studies (Tallahassee), 1992, 2 (1), p. 99-113
Garcia Landa, José Angel. - El centro ausente : "El innombrable" de Beckett Atlantis : Revista de la Asociacion Espanola de Estudios Anglo-Norteamericanos (La Laguna, Tenerife, Espana), 1991, 12 (2), p.45-63
Hagen, Alf van der. - Tja menn i nei land Vagant (Oslo, Norway), 1991, 1, p. 46-51
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Wright, Iain. - "What Matter Who's Speaking ?" : Beckett, the Authorial Subject and Contemporary Critical Theory Comparative Criticism : A Yearbook (Cambridge, England), 1983, 5, p. 59-86
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Segal, Ora. - "Mot Malon" le Samuel Beckett Siman Kri'a; 1981, 14, p. 289-295
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Sachner, Mark J. - The Artist as Fiction : An Aesthetics of Failure in Samuel Beckett's Trilogy Midwest Quarterly : A Journal of Contemporary Thought (Pittsburg), 1977, 18, p. 144-155
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Lyons, Charles R. - Beckett's Major Plays and the Trilogy. Comparative Drama (Kalamazoo), 1971-1972, 5, p. 254-268
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Bajomee, Danielle. - Lumière, ténèbres et chaos dans "l'Innommable" de Samuel Beckett Les Lettres Romanes (Louvain la Neuve, Belgique), 1969, 23, p. 139-158
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Daniels, Roger. "The Asian-American Experience: The View from the 1990s." Multiculturalism and the Canon of American Culture. Ed. Hans Bak. Amsterdam: VU University Press, 1993. 131-145.
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Davis, Rocio G. "Amy Tan y Ia experiencia asiatico-americana." Nuestro Tiempo 467 (May 1993): 74-79.
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Durán, Isabel. Autobiografía: Versiones Femeninas en la Literatura Norteamericana del Siglo XX. Madrid: Universidad Complutense, 1992.
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Ghymn, Esther Mikyung. The Shapes and Styles of Asian American Prose. Bern: Peter Lang, 1992.
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Ludwig, Samuel. Concrete Langitage: Intercultural Communication in Maxine Hong Kingston's The Woman Warrior. Memoirs of a Girlhood Among Ghosts and Ismael Reed's Mumbo Jumbo. Frankfurt am Main, Bern, New York: Peter Lang, 1996.
Maffi, Mario, ed. Voci dal silenzio. Scrittori ai margini d'America. Milano: Feltrinelli, 1996. (a translation and introduction to Asian American writers such as Carlos Bulosan, Lawson Fusao Inada, Toshio Mori, Louis Chu, Hisaye Yamamoto, Fay Chiang, Cathy Song, Monica Sone, among others).
Maffi, Mario. "Fay Chiang, da Chinatown, New York." Linea d'ombra 29 (July 1988).
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_____. New York. L'isola delle colline. Milano: Il Saggiatore, 1995. (includes discussions on Louis Chu, Fay Chiang, and other poets from the 1940s).
Malak, Amin. "Insider /Outsider Views on Belonging: The Short Stories of Bharati Mukherjee and Rohinton Mistry." Short Fiction in the New Literatures in English. Ed. Josephine Bardolph. Nice, 1989-189-195.
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_____. The Uncanny (2003).
_____. E. M. Forster (1999).
_____. Telepathy and Literature (1990).
_____. Introduction to Literature, Criticism and Theory (4th edition, 2009).
_____. Quilt. Novel. 2010.
Royle, N., and with Andrew Bennett. Elizabeth Bowen and the Dissolution of the Novel (1995)
Diane Negra (Professor of Film Studies and Screen Culture and Head of Film Studies at University College Dublin
).
_____. Off-White Hollywood: American Culture and Ethnic Female Stardom (2001),
_____. A Feminist Reader in Early Cinema (2002).
_____. The Irish in Us: Irishness, Performativity and Popular Culture (2006).
_____. Interrogating Postfeminism: Gender and the Politics of Popular Culture (2007).
_____. What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism (2008); Old and New Media After Katrina (2010); and In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity (2011).
Catherine Belsey is Professor of English at Swansea University. Her most recent book is A Future for Criticism. (Blackwell Manifesto). 2011.
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