A bibliography of Literary Theory, Criticism and Philology
PART I: Postcolonialism, Language and Gender
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| PART I: Postcolonialism, Language and Gender
Isabel Carrera Suárez, "La teorización postcolonial de Irlanda" Asier Altuna García de Salazar, "The Irish Language and Issues on Post-colonialism: an Approach" PART II: Poetry Manuela Palacios González, "Northern Ireland: The Poetry in Between" Luz Mar González Arias, "Acts of Union: El discurso del amor en el texto poético de autoras irlandesas (1980-2005)" PART III: Fiction: Novel and Short Stories Esther Aliaga Rodrigo, "Glenn Patterson and Robert McLiam Wilson: Two Contemporary Northern Irish Writers and the Question of National Identity" María Amor Barros del Río, "Espacios femeninos en la novela de la República escrita por mujeres" Tamara Benito de la Iglesia, "The Anti/Post-colonial Trace in Some Stories of the Northern Irish Troubles" Margarita Estévez Saá, "'The Seanchai': Short Fiction by Irish Women Writers from the Republic" PART IV: Drama Mª del Mar González Chacón, "La compañía Charabanc (Marie Jones), Anne Devlin y Christina Reid: estudio postcolonial del teatro norirlandés contemporáneo" Rosana Herrero Martín, "Infantilising Staging of Postcolonial Adulthood: A Study of Tom Murphy's A Crucial Week in the Life of a Grocer's Assistant and Sebastian Barry's Boss Grady's Boys" PART V: Cinema Rosa González Casademont, "Postcolonial Ireland on screen" Bueno Alonso, Jorge L. 2007: La épica de la Inglaterra anglosajona: Historia y textos desde el auge de Mercia al declive de la monarquía (760-1016). Vigo: Servizo de publicacións da Universidade de Vigo. Prólogo, por Elide Pittarello NOTAS DEL AUTOR P. D. Ocho años después TRES CIUDADES, UN BARRIO Y UNA CASA Venecia, un interior (1988) El manojo de llaves de la sabiduría (1990) La ciudad más presumida (1990) En Chamberí (1990) La biblioteca invasora (1990) CINCO RETRATOS El señor Benet recibe (1989) El tío Jesús (1990) Retrato imaginario del artista en casa (1988) La espera de un entendido (1982) La muerte de Aliocha Coll (1990) ASUNTOS VITALES Y ASUNTOS MORTALES La edad del recreo (1989) No pareces español (1990) Ocultarse el destino (1985) De la actual dificultad de insultar (1987) La venganza y el mayordomo (1987) Contra la larga vida (1987) Quiénes hacen la cultura (1990) Deseo ser protegido (1988) Lo que no ocurre (1986) El aborigen (1987) Elogio del egoísta (1990) Desalmadas de pensamiento (1989) «Qué asco» (1990) Amor eterno (1990)
Falsificaciones literarias (1988) Añoranza del árbitro (1988) El hombre que pudo ser rey (1985) Nada importa (1988) Polvoriento espectáculo (1990) Seis recomendaciones superficiales a los críticos jóvenes (1990)
La dificultad de perder la juventud (1989) Prólogo, por Elide Pittarello
P. D. Más de siete años después SERIE INGLESA El Mal imaginativo (1992) Fantasmas leídos (1992) Recuerda que eres mortal (1993) Sociedades del misterio (1993)
Contagio (1988) Desde una novela no necesariamente castiza (1984) Autobiografía y ficción (1987) Lo que no se ha cumplido (1987) La muerte de Manur (Narración hipotética y presente de indicativo) (1988) Pobres cantantes (1998) Quién escribe (1989) Errar con brújula (1992) Lo que no sucede y sucede (1995) Contar el misterio (1996) Un mero superviviente (1997) Contra la costurera y el decorador (1999)
La mayor de las perversiones (1992) Cómpreme uno (1991) Insultos y protestantismo (1991) Contra la truculencia (1991) No tan memorables (1993) Siete razones para no escribir novelas y una sola para escribirlas (1993) La huella del animal (1994) Quinielas (1990) Monoteísmo literario (1987) Huellas de tinta (1994) El bastón de Moby-Dick (1997) Cuando los españoles querían cortarse el cuello (1995) Malvado gran escritor (1997) La comprometida situación del compromiso (1998) Años de cribas (1995) Todo es nuestro (1996) Imaginar para creer (1998) El escritor como estorbo (1999) La muy crítica crítica (1999) SOBRE BENET Y LOS AMIGOS COMUNES El señor Benet recibe (1989) Volveremos (1992) Don Juan Benet se va de viaje (1993) Una invitación (1993) El señor Benet pinta y compone (1997 y 1999) Mispíquel o leberquisa (1993 y 1999) El reconocedor del Diablo (1999) Nuestro testigo (1998) Cuéntale el cuento (1997) El profesor contado (1998)
El fanático James Joyce (1991) Faulkner habla (1994) El doble filo de la aventura (1979) Las bromas divinas (1990) Divertidos como viejos (1992) Pasada vida o muerte (1995) Esencial de Jekyll (1986) El secreto del ilusionista (1991) La novela más melancólica (Lolita recontada) (1992) Lo que no escribió Faulkner (1997) Para que Nabokov no se la cargue (1999) Las patas del perro (1994) Adicción (1996) Mi trastorno (1998) Libro de la vida (1990) Nuestra ventura (1989)
Shakespeare indeciso (1992) La negra espalda de lo no venido (1996) Ausencia y memoria en la traducción poética (1980) La traducción como fingimiento y representación (1982) Obras inacabadas (1991) Mi libro favorito (1989) El apócrifo apócrifo (1988 y 1993) «Y ya no haré más preguntas» (1994) Una pobre cerilla (1997) DOS DESPEDIDAS Cabezas llenas (1992) Fragmento y enigma y espantoso azar (1978)
DEBOLS!LLO publicará las nuevas ediciones de tres libros de artículos de Javier Marías: Vida del fantasma, con prólogo de la catedrática de Literatura Española de la Universidad de Venecia Elide Pittarello, Salvajes y sentimentales (Letras de fútbol), prologado por su editor el periodista Paul Ingendaay y Donde todo ha sucedido (Al salir del cine), con prólogo del econmista y crítico de cine Miguel Marías. Frank O'Connor's book, The Lonely Voice: A Study of the Short Stor y. Stéphane Mosès Stéphane Mosès Berlín, Alemania, 1931 Nacido en Alemania, en 1937 emigró con su familia a Marruecos. Estudió en París; obtuvo una licenciatura en alemán y un doctorado en la École Normale Supérieure. Fue profesor en la Sorbona y en la Universidad de París-Nanterre. En Israel, donde se instaló en 1969, dictó clases de literatura alemana y de literatura comparada en la Universidad Hebrea de Jerusalén, de la que es profesor emérito. El Eros y la Ley
136 páginas, 13 x 20 cm., € 14.50 ISBN 9788496859012, rústica L'Éros et la Loi. Lectures bibliques Mulvey, Laura. (b. 1941). (b. Oxford; BA in history Oxford U, 1973; t. Reading, London, U of East Anglia, Cornell, U of California at Davis and BFI; m. Peter Wollen; avant-garde film director and feminist-psychoanalytic film theorist). _____. Visual and Other Pleasures. 1989. _____. Citizen Kane. 1992. _____. Fetishism and Curiosity. 1996. (Marx, Freud). _____. "Afterthoughts on 'Visual Pleasure and Narrative Cinema' Inspired by King Vidor's Duel in the Sun." 1981. Mulvey, Laura, and Peter Wollen, dirs. Penthesilea: Queen of the Amazons. Avant-garde film. 1974. _____, dirs. Riddles of the Sphinx. Avant-garde film. 1977. _____, dirs. Amy! Avant-garde film. 1980. _____, dirs. Crystal Gazing. Avant-garde film. 1982. _____, dirs. The Bad Sister. Avant-garde film. 1983. Sternberg, Josef von. (1894-1969). b. Austria. Suter, Jacqueline, and Sandy Flitterman. "Textual Riddles: Women as Enigma or Site of social Meanings? An Interview with Laura Mulvey." Cinefocus 3 (1995). Kaplan, Women and film Doane, Mary Ann, Patricia Mellencamp and Linda Williams. Re-Vision: Essays in Feminist Film Criticism. 1984. Kaplan, E. Ann. Rocking around the Clock: Music Television, Postmodernism, and Consumer Culture. 1987. (MTV, music videos). Doane, Mary Ann. The Desire to Desire: The Woman's Film of the 1940s. 187. Pribram, E. Deirdre, ed. Female Spectators: Looking at Film and Television. 1988. Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. 1988. Kaplan, E. Ann, ed. Psychoanalysis and Cinema. 1990. Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. 1991. (All on Mulvey).
Freud. "The Dissolution of the Oedipus Complex." 1924. Saussure (1857-1913). Freud. "Instincts and Their Vicissitudes." 1915. Lacan. "The Mirror Stage." 1949. Berkeley, Busby. (US choreographer and film director, 1895-1976). Ziegfeld, Florenz. (US theatrical producer, 1869-1932). Boetticher, Budd. (US film director of westerns, b. 1916). Haskell, Molly. (b. 1939). From Reverence to Rape: The Treatment of Women in the Movies. 1974. Hawks, Howard, dir. The River of No Return. With Lauren Bacall. 1944. Bacall, Lauren. (b. 1924). Monroe, Marilyn. (1926-1962). Preminger, Otto, dir. River of No Return. With Marilyn Monroe. 1954. Garbo, Greta. (1905-1990). Swedish-born US film actress. Dietrich, Marlene. (1901-1992). German-born US film actress. Hardy, Phil, ed. Raoul Walsh. Edinburgh, 1974. Walsh, Raoul, dir. The Revolt of Mamie Stover. With Jane Russell. 1956. Hawks, Howard, dir. Only Angels Have Wings. With Jean Arthur. Sternbert, Josef von, dir. Morocco. Cast: Adolphe Menjou, Gary Cooper, Marlene Dietrich. USA, 1930. _____, dir. Dishonoured. Cast: Victor McLaglen, Marlene Dietrich. USA, 1931. Hitchcock, dir. Vertigo. With James Stewart and Kim Novak. 1958. _____. Marnie. with Sean Connery and Tippi Hedren. 1964. _____. Rear Window. With James Stewart and Grace Kelly. 1954. Douchet, Jean. Alfred Hitckcock. 1967. Graddol, David, Dick Leith, Joan Swann (Open U), Martin Rhys (Open U) and Julia Gillen (Open U). Changing English. (Exploring the English Language). London: Routledge, 2006. (Exploring the English Language). Series eds. Joan Swann and Julia Gillen (both Open U). London: Routledge, c. 2006. Maybin, Janet (Open U), Neil Mercer (U of Cambridge) and Ann Hewings (Open U). Using English. 2nd ed. (Exploring the English Language). London: Routledge, 2007. Mercer, Neil (U of Cambridge), Joan Swann and Barbara Mayor (both Open U), eds. Learning English. London: Routledge, 2007. Goodman, Sharon (Open U), David Graddol and Theresa Lillis (Open U). Redesigning English. (Exploring the English Language). London: Routledge, 2007. Foster, R. F. (U of Oxford). W.B. Yeats, A Life. II: The Arch-Poet, 1915-1939. Oxford: Oxford UP, 2003. _____. W. B. Yeats, A Life. I: The Apprentice Mage 1865-1914. Oxford: Oxford UP, 1998. (James Tait Black Memorial Prize, Choice Outstanding Academic book of 1997). Stevenson, Randall. (U of Edinburgh). 1960-2000: The Last of England? (The Oxford English Literary History Series, 12). Oxford: Oxford UP, 2004. King, Bruce. (professorships worldwide). 1948-2000: The Internationalization of English Literature. (The Oxford English Literary History Series, 13). Oxford: Oxford UP, 2004. Davis, Philip. (U of Liverpool). 1830-1880: The Victorians. (The Oxford English Literary History Series, 8). Pbk. Oxford: Oxford UP, 2004. Simpson, James (Cambridge U). 1350-1547: Reform and Cultural Revolution. (The Oxford Literary History Series, 2). Pbk. Oxford: Oxford UP, 2004. Gates, Henry Louis, Jr. (Harvard U). The Third World of Theory. Introd. Homi K. Bhabha (Harvard U). (Clarendon Lectures in English). Oxford: Oxford UP, 2004. Link, Jürgen. Literaturwissenschaftliche Grundbegriffe. Munich: Fink, 1974. Hay, Gerhard, and Sibylle v. Steinsdorff, eds. Deutsche Lyrik vom Barock bis zur Gegenwart. 6th ed., rev. Munich: dtv, 1992. Bernhart, Walter. "Überlegungen zur Lyriktheorie aus erzähltheoretischer Sicht." In Tales and 'their telling difference': zur Theorie und Geschichte der Narrativik. Festschrift für Franz K. Stanzel. Ed. Herbert Folinek et al. Heidelberg: Winter, 1993. 359-75. Jannidis, Fotis. "Zwischen Autor und Erzähler." In Autorschaft, Positionen und Revisionen. Ed. Heinrich Detering. (Germanistische Symposien Berichtsbände, 24). Stuttgart / Weimar, 2002. 540-56. Burdorf, Dieter. Einführung in die Gedichtanalyse. 2nd ed., rev. Stuttgart and Weimar: Metzler, 1997. Pittroff, Thomas. "Reden und Antworten." In Literaturwissenschaft: Einführung in ein Sprachspiel. Ed. Heinrich Bosse and Urusla Renner. Freiburg i.Br.: rombach, 1999. 231-49. Schlaffer, Heinz. "Die Aneignung von Gedichten. Grammatisches, rhetorisches und pragmatisches Ich in der Lyrik." Poetica 27 (1995): 38-57. Hühn, Peter, and Jörg Schönert. "Zur narratologischen Analyse von Lyrik." Poetica 34.3/4 (2002): 287-305. Schönert, Jörg. "Normative Vorgaben als 'Theorie der Lyrik'? Vorschläge zu einer texttheoretischen Revision." In Norm-Grenze-Abwichung: Kultursemiotische Studien zu Literatur, Medien und Wirtschaft. Ed. Gustav Frank and Wolfgang Lukas. Passau: Stutz, 2004. 303-18. Butzer, Günter. "Schcksale des lyrischen Ich." Sprache und Literatur 30 (1999): 3-15. Pöder, Elfriede. "'Heautonome Autopoiesis' und 'lyrisches Ich'." In Akten des X. Internationalen Germanistenkongresses Wien 2000. Ed. Peter Wiesinger. Vol. 8. In Jahrbuch für internationale Germanistik. Reihe A: Kongressberichte 60 (2003): 289-95. Grabher, Gudrun M. "Formen des lyrischen Ich im Modernismus." In Geschichte und Vorgeschichte des modernen Subjektivität. Vol. 2. Ed. Reto Luzius Fetz et al. Berlin and New York: de Gruyter, 1998. 1096-110. Lüders, Eva M. "die Ich-Form und die Tendenzen des Lyrischen." In Helen Adolf Festschrift. Ed. Sheema Z. Buehne et al. New York: Ungar, 1968. 342-52. Fricke, Harald, and Peter Stocker. "Lyrisches Ich." In Reallexikon der deutschen Literaturwissenschaft. Vol. 2. Ed. Harald Fricke et al. Berlin and New York: de Gruyter, 2000. 509-11. Charpa, Ulrich. "Das poetische Ich—persona per quajm." Poetica 17 (1985): 149-69. Grubmüller, Klaus. "Ich als Rolle. 'Subjektivität' als höfische Kategorie im Minnesang." In Höfische Literatur, Hofgesellschaft, höfische Lebensformen um 1200. Ed. Gert Kaiser and Jan-Dirk Müller. Düsseldorf: Droste, 1986. 387-408. Höfele, Andreas. "Rollen-Ich und lyrisches Ich." In Literarisches Jahrbuch ns 26 (1985): 185-204. Peper, Jürgen. "Tranzendentale Struktur und lyrisches Ich." Deutsche Vierteljarhsschrift 46 (1972): 381-434. Martinez, Matias. "Das lyrische Ich. Verteidigung eines umstrittenen Begriffs." In Autorschaf: Positionen und Revisionen. Ed. Heinrich Detering. (Germanistische Symposien Berichtsbände, 24). Stuttgart and Weimar, 2002. 376-89. Killy, Walther. Elemente der Lyrik. Munich, 1972.
Holmes, Jonathan. Merely Players? Actors' Accounts of Performing Shakespeare. London: Routledge, 2004. Okin, Martin (U of Haifa, Israel). Local Shakespeares: Proximations and Power. London: Routledge, 2005. Brown, John russell. New Sites for Shakespeare: Theatre, the Audience, and Asia. London: Routledge, 1998. (Book. / eBook). France, richard, ed. Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre Playscripts. London: Routledge, 2001. Bennett, Susan. Performing Nostalgia: Shifting Shakespeare and the Contemporary Past. London: Routledge, 1995. Bruster, Douglas, and Robert W·eimann. Prologues to Shakespeare's Theatre: Performance and Liminality in Early Modern Drama. London: Routledge, 2004. Levin, Harry. Scenes from Shakespeare. London: Routledge, 2000. Tucker, Patrick. Secrets of Acting Shakespeare. London: Routledge, 2001. Thomson, Peter. Shakespeare's Theatre. 2nd ed. (Theatre Production Series). London: Routledge, 1992. Bulman, James C. Shakespeare, Theory and Performance. London: Routledge, 1995. (Book. / eBook). Escolme, Bridget (U of Leeds, UK). Talking to the Audience: Shakespeare, Performance, Self. London: Routledge, 2005. (Book/eBook). Massai, Sonia, ed. (King's College London, UK). World-Wide Shakespeares. London: Routledge, 2005. Kinney, Arthur F. (U of Massachusetts). Shakespeare and Cognition: Aristotle's Legacy and Shakespearean Drama. London: Routledge, 2006. Kinney, Arthur F. Shakespeare's Webs: Networks of Meaning in Renaissance Drama. London: Routledge / Open U, 2004. (Book/eBook). Hawkes, Terence. Alternative Shakespeares: Volume 2. London: Routledge, 1996. (Book/eBook). Loomba, Ania, and Martin Orkin, eds. Post-Colonial Shakespeares. London: Routledge, 1998. (Book / eBook). Orgel, Stephen. The Authentic Shakespeare: And Other Problems of the Early Modern Stage. London: Routledge, 2002. Bristol, Michael D. Big-Time Shakespeare. London: Routledge, 1996. Singh, Joytsna. Colonial Narratives / Cultural Dialogues: "Discoveries" of India in the Language of Colonialism. London: Routledge, 1996. (Book / eBook). Garber, Marjorie. Coming of Age in Shakespeare. London: Routledge, 1997. Hawkes, Terence. Meaning by Shakespeare. London: Routledge, 1992. (Book / eBook). Jardine, Lisa. Reading Shakespeare Historically. London: Routledge, 1996. Cartelli, Thomas. Repositionting Shakespeare: National Formations, Postcolonial Appropriations. London: Routledge, 1998. (Book / eBook). Kastan, David Scott. Shakespeare after Theory. London: Routledge, 1999. (Book. / eBook). Walker, Lewis. Shakespeare and the Classical Tradition: An Annotated Bibliography, 1961-1985. London: Routledge, 2002. Farley-Hills, David. Shakespeare and the Rival Playwrights, 1600-1606. London: Routledge, 1990. (Book / eBook). Partridge, Eric. Shakespeare's Bawdy. (Routledge Classics). London: Routledge, 2001. Liebler, Naomi Conn. Shakespeare's Festive Tragedy: The Ritual Foundations of Genre. London: Routledge, 1995. (Book / eBook). Honigmann, E. A. J. The Texts of Othello and Shakespearean Revision. London: Routledge, 1996. Knight, G. Wilson. The Wheel of Fire. (Routledge Classics). London: Routledge, 2001. Ioppolo, Grace. Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood. (Routledge Studies in Renaissance Literature and Culture). London: Routledge, 2006. Lamb, Mary E. (Southern Illinois U, Carbondale). The Popular Culture of Shakespeare, Spenser and Jonson. London: Routledge, 2006. (Book / eBook).
Magnes. (Greek comedian, fl. c. 486 BC). Cratinus (Greek comedian, won Athenian comic competition c. 455). Kheimazomenoi. Comedy. 425 BC. (Second prize in Athens). Crates. (Greek comedian, fl. c. 455). Aristophanes. Acharnians. Comedy. 425 BC. (Won Athenian comic competition). _____. Plutus. 388. (1st "Middle" comedy). Eupolis. (Greek comedian). Noumeniai. 425 BC. (3rd in Athnenian comic competition.). Epicharnus. (Greek comedian, Syracuse). fl. 470s. Phormis. (Greek comedian, Dorian, 5th c. BC). Deinolochus. (Greek comedian, Dorian, 5th c. BC). Sophron. (Sicilian writer of mimes, 4th c. BC). Plautus. Amphitruo. c. 230. Aristophanes. Frogs. Comedy., 405. (Vs. Eur¡ipides and Aeschylus). _____. Thesmophoriazusai. Menander (c. 342-290 BC). Alexis of Thurii. (Greek comedian, southern Italy, 4th centruy BC, author of 245 lost plays). Goldstein, Ben, and Mike O'Neill. Crash (Colisión): The Sense of Touch. (SpeakUp Film Booklet). Barcelona: RBA, 2007. (Misleading copyright page date, "1985"). Meredith, George. An Essay on Comedy. 1877. Ed. W. Sypher, 1980. Nietzsche, F. The Gay Science. 1882. Bergson, H. L. laughter. 1912. Ed. W. Sypher. 1980. Cooper, L. An Aristotelian Theory of Comedy. 1922. Cornford, F. M. The Origin of Attic Comedy. 1914. Grant, M. A. The Ancient Rhetorical Theories of the Laughable. 1924. Harrison, J. Themis. 1927. Lea, K. M. Italian Popular Comedy. 2 vols. 1934. Feibleman, J. In Praise of Comedy. 1939. Herrick, M. T. Comic theory in the 16th Century. 1950. _____. Italian Comedy in the Renaissance. 1960. Duckworth, G. E. The Nature of Roman Comedy. 1952. Sypher, W. Comedy. 1956. Langer, S. Philosophy in a New Key. 3rd ed. 1957. Artaud, A. The Theater and Its Double. Trans. M. C. Richards. 1958. Barber, C. L. Shakespeare's Festive Comedy. 1959. Welsford, E. The Fool. 1961. Styan, J. L. The Dark Comedy. 1962.- Nicoll, A. A History of English Drama, 1660-1900. 6 vols. 1952-59. _____. The World of Harlequin. 1963. Lauter, P., ed. Theories of Comedy. 1964. Frye, N. A Natural Perspective. 1965. Charlton, H. B. Shakespearean Comedy. 1966. Kerr, W. Tragedy and Comedy. 1967. Bakhtin, M. m. Rabelais and His World. Trans. H. Iswolsky. 1968. Olson, E. The Theory of Comedy. 1968. Segal, E. Roman Laughter: The Comedy of Plautus. 1968. Champion, L. S. The Evolution of Shakespeare's Comedy. 1970. Sifakis, G. M. Parabasis and Animal Choruses: A Contribution to the History of Attic Comedy. 1971. Merchant, W. M. Comedy. 1972. Dover, K. J. Aristophanic Comedy. 1972. Bradbrook, M. C. The Growth and Structure of Elizabethan Comedy. 2nd ed. 1973. Martin, R. B. The Triumph of Wit: A Study of Victorian Comic Theory. 1974. Rodway, A. English Comedy: Its Role and Nature from Chaucer to the Present Day. 1975. Gurewitch, M. Comedy: The Irrational Vision. 1975. Sandbach, F. H. The Comic Theatre of Greece and Rome. 1977. Caputi, A. Buffo: The Genius of Vulgar Comedy. 1978. Kern, E. The Absolute Comic. 1980. Nevo, R. Comic Transformations in Shakespeare. 1980. Corrigan, R. W. Comedy: Meaning and Form. 2nd ed. 1981. Bareis, K. H. Comoedia. 1982. Konstan, D. Roman Comedy. 1983. Galligan, E. L. The Comic Vision in Literature. 1984. Janko, R. Aristotle on Comedy. 1984. Duvignaud, J. Le Propre de l'homme: Histoire du comique et de la dérision. 1985. Neuman, K. Shakespeare's Rhetoric of Comic Character. 1985. Handley, E. W. "Comedy." In Cambridge History of Classical Literature. Vol. 1: Greek Literature. Ed. P. E. Easterling and B. M. W. Knox. 1985. Kenney, F. J., ed. Cambridge History of Classical Literature, Volume 2: Latin Literature. 1982. Hunter, R. L. The New Comedy of Greece and Rome. 1985. Gruber, W. E. Comic Theaters. 1986. Lang, T. Barbarians in Greek Comedy. 1986. Leinward, E. B. The City Staged: Jacobean Comedy, 1603-1613. 1986. Burns, E. Restoration Comedy: Crises of Desire and Identity. 1987. Levin, H. Playboys and Killjoys. 1987. Siegel, L. Laughing Matters: Comic Traditions in India. 1987. Edwards, Jess. (Manchester Metropolitan U). Writing, Geometry and Space in Seventeenth-Century England and America: Circles in the Sand. Manchester: London: Routledge, 2005. ( Harvey, Elizabeth D., and Theresa Krier. Luce Irigaray and Premodern Culture: Thresholds of History. London: Routledge, 2004. Ivic, Christopher, and Grant Williams. Forgetting in Early Modern English Literature and Culture: Lethe's Legacy. London: Routledge, 2004. (Book and eBook). Skantze, P. A. Stillness in Motion in the Seventeenth Century Theatre. London: Routledge, 2003. (Book and eBook) Bradford, Richard, Jan Jedrzejewski (U of Coleraine, Ireland) and Duncan Wu (St Catherine's College, Oxford, UK), series eds. (Routledge Guides to Literature). http://www.routledge.com/literature/rgl Kean, Margaret, ed. John Milton's Paradise Lost: A Sourcebook. (Routledge Guides to Literature). London: Routledge, 2004. Bradford, Richard. John Milton. (Routledge Guides to Literature). London: Routledge, 2001. Loxley, James. Ben Jonson. (Routledge Guides to Literature). London: Routledge, 2001. Rivers, Isabel. Classical and Christian Ideas in English Renaissance Poetry. 2nd ed. London: Routledge, 1994. (Book / eBook) Liebler, Naomi Conn. (Montclair State U, NJ). Early Modern prose Fiction: The Cultural Poltics of Reading. London: Routledge, 2006. Paker, Kenneth, ed. Early Modern Tales of Orient: A Critical Anthology. London: Routledge, 1999.
Graham, Hilary Hind, Elaine Hobby and Helen Wilcox, eds. Her Own Life: Autobiographical Writings by Seventeenth-Century Englishwomen. London: Routledge, 1989. (Book / eBook). Ostovich, Helen, and Elizabeth Sauer, eds. Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700. London: Routledge, 2003. (book/eBook)
Marlowe. Edward II. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Heywood, Thomas. A Woman Killed with Kindness. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Cary, Elizabeth. The Tragedy of Mariam. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Jonson, Ben. The Masque of Blackness. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) _____. Epicoene, or the Silent Woman. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Beaumont, Francis. The Knight of the Burning Pestle. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Middleton, Thomas, and Thomas Dekker. The Roaring Girl. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Middleton, thomas, and William Rowley. The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Ford, John.. 'Tis Pity She's a Whore. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Cerasano, S. P., and Marion Wynne-Davies, eds. Renaissance Drama by Women: Texts and Documents. London: Routledge, 1995. (Book/eBook) Cerasano, S. P., and Marion Wynne-Davies, eds. Readings in Renaissance Women's Drama: Criticism, History, and Performance, 1594-1998. London: Routledge, 1998. (Bok /eBook) Aughterson, Kate, ed. Renaissance Woman: A Sourcebook: Constructions of Femininity in England. London: Routledge, 1995. (Book/eBook) McCormicik, Ian, ed. Secret Sexualities: A Sourcebook of 17th and 18th Century Writings. London: Routledge, 1997. (Book/eBook). Martin, John Jeffries, ed. (Trinity U, Texas, USA). The Renaissance World. (Routledge Worlds). London: Routledge, 2006. Warnicke, Retha M. (Arizona State U). Mary Queen of Scots. (Routledge Historical Biographies). London: Routledge, 2006. Mardock, James. Our Scene Is London: Ben Jonson's London and the Space of the Author. London: Routledge, 2006. Calbi, Maurizio. (Salerno U, Italy). Approximate Bodies: Gender and Power in Early Modern Drama. London: Routledge, 2005. Cave, Richard, Elizabeth Schafer and Brian Woolland, eds. Ben Jondon and Theatre: Performance, Practice and Theory. London: Routledge, 1999. Hillman, David, and Carla Mazzio. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. London: Routledge, 1997. Sawday, Jonathan. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. London: Routledge, 1995. Castillo, Susan. (Glasgow U). 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Marcus, Leah S. Unediting the Renaissance: Shakespeare, Marlowe and Milton. London: Routledge, 1996. (Book/eBook). Hutson, Lorna. The Usurer's Daughter: Male Friendship and Fictions of Women in 16th Century England. London: Routledge, 1994. (Book/eBook). Harvey, Elizabeth D. Ventriloquized Voices: Feminist Theory and English Renaissance Texts. London: Routledge, 1992. (Book/eBook). Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Representations. London: Routledge, 1996. (Book/eBook). Hendricks, Margo, and Patricia Parker, eds. Women, 'Race' and Writing in the Early Modern Period. London: Routledge, 1994. (Book/eBook). Brant, Clare, and Diane Purkiss, eds. Women, Texts and Histories 1575-1760. London: Routledge, 1992. Wheale, Nigel. Writing and Society: Literacy, Print and Politics in Britain 1590-1660. London: Routledge, 1999. ARTICLES: THE LOCUS OF PRETEXT: Henri Volohonsky: Poetical introduction. Spheres of the Sephiroth and Musical Narration. NARRATOLOGY: STUDYING TEXTS, STUDYING CULTURE. A RE-EVALUATION AND GENERAL DEBATE.
HISTORY, MEMORY, NARRATIVE: Basil Lourié: Frank R. Ankersmit, L. Dolezel, and Narratology of History. Evgeny Pavlov: Walter Benjamin in Context: Deciphering the Interrelations of Mnemocentric Narratives in Modernist Literature. Jacob Rabinowitz: The 'Her' Story of the Great Witch-Goddess: Analyzing the Narratives of Hekate. APPLICATIONS OF NARRATIVE RESEARCH: Willem G. Weststeijn: Jan Van Der Eng's Narrative Model. Andrei Boguen: On the Specificity of the Narrative Structure (With the case of Dostoevsky's work. Problem of the 'authority' of point of view theory). Eric A. De Haard: On Narration in Voina i mir. Elena Trubina: I Do Better When I Improvise: Coping with Uncertainty in the Post-Soviet Russian 'Life-Stories' Narrating. NARRATIVE IN THE VARIOUS MEDIA: Nick Redfern. Film as Text: Radical Constructivism and the Narrative in Cinema. Mikhail Klebanov: The Problems of Narrative and the Philosophy of Synaesthetic: T.W.Adorno and the Kharmsian Literary Circle (Lipavsky and Druskin). NARRATIVE AGENDA IN TIME-SPACE, VISUAL CONSTRUCTS AND SIGN-THEORIES: Leonid Chertov: Spatial Narratives and the Semiotics of Time. Jelena Grigorieva: Lotman's Concept of Sign, Narrative and Mimesis. Antoine Baudin, Leonid Heller: Le realisme socialiste comme un activisme mimetique, ou Image, texte et litterature a l'epoque de Jdanov. Quelques meditations pour ses strategies narratives et le ludisme politique de l'auteurs sovietiques staliniens. Narbona Carrión, María Dolores. Vida y obra de Elizabeth Stuart Phelps y selección de textos. (Colección Atenea: Estudios sobre la mujer). Málaga: Servicio de Publicaciones de la Universidad de Málaga, 2006. escritora norteamericana Elizabeth Stuart Phelps (1844-1911) Balcerzan, Edward. "Styl i poetyka twórczosci dwujezycznej Brunona jasinskiego." In Z zagadnien teorii przekladu. Wroclaw, 1967. 14-16. Booth, Wayne C. "The Rhetoric of Fiction and the Poetics of Fictions." In Towards a Poetic of Fiction. ed. Mark Spilka. 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Ortega y Gasset, José. El libro de las misiones. Madrid, Espasa-Calpe. CHECK. BUSCAR TITULO DE ESTE: Contents
Shakespearean Criticism in Contemporary Spain 7 JOSÉ MANUEL GONZÁLEZ Part I: Manuscripts and Editions Manuel Herrera on Shakespeare: A New Spanish Manuscript 21 from the Romantic Period ÁNGEL LUIS PUJANTE Editing (and Revering) National Authors: Shakespeare and Cervantes 43 JESÚS TRONCH PÉREZ Part II: The Poetry of Shakespeare and His Contemporaries Rewriting/Deconstructing Shakespeare: Outlining Possibilities, 61 Sometimes Humorous, for Sonnet 18 BRIAN CREWS Shakespeare's Departure form the Ovidian Myth of Venus and Adonis 73 SONIA HERNÁNDEZ SANTANO John Donne, Francisco de Quevedo, and the Construction of Subjectivity in Early 89 Modern Poetry MARÍA J. PANDO CANTELLI Part III: Shakespeare´s Plays. Critical Interpretations and Stage Productions De-foreignizing Shakespeare: Otelo in Romantic Spain 117 CLARA CALVO The Making and Unmaking of a Colonial Subject: Othello 130 ANA Mª MANZANAS CALVO Shakespeare's Romeo and Juliet, and Male Melodrama 148 LUIS GARCÍA MAINAR Cleopatra´s Role-Taking: A Study of Antony and Cleopatra 171 MARÍA LUISA DAÑOBEITIA FERNÁNDEZ Shakespeare's Henry V: Person and Persona 196 ROBERT K. SHEPHERD Julius Caesar and the Spanish Transition 205 KEITH GREGOR Yüklə 2,49 Mb. Dostları ilə paylaş:
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