A bibliography of Literary Theory, Criticism and Philology
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| Holm-Hadulla, Rainer Matthias. Die psychotherapeutische Kunst.
_____. El arte psicoterapéutico: la hermenéutica como base de la práctica terapéutica. Introd. H.-G. Gadamer. Barcelona: Herder, 1999. Harrisville, Roy A., and Walter Sundberg. The Bible in Modern Culture: Theology and Historical Method from Spinoza to Käsemann. Grand Rapids (MI): William B. Eerdmans, 1995. Casciaro, José María, et al., eds. Biblia y hermenéutica: VII Simposio Internacional de Teología de la Universidad de Navarra. (Colección Teológica, 49). Pamplona: EUNSA, 1986. Hayes, John Haralson. (1934), and Carl R. Holladay. Biblical Exegesis: A Beginner's Handbook. London: SCM Press, 1983. Young, Frances M. Biblical Exegesis and the Formation of Christian Culture. Cambridge: Cambridge UP, 1997. Morgan, Robert, with John Barton (1948). Biblical Interpretation. Rpt. with corrections. Oxford: Oxford UP, 1989. Henrichs, Norbert. Bibliographie der Hermeneutik und iherer Anwendungsbereiche seit Schleiermacher. (Kleine Philosophische Bibliographien, 1). Düsseldorf: Philosophia, 1972. Breymann, Manfred. Can People Really Recognize and Interpret Facts Correctly? Food for Thought. Erlenbach (Switzerland): Börsig, 1987. (Biblical hermeneutics). Beuchot, Mauricio. Las caras del símbolo: el icono y el ídolo. (Esprit, 38). Madrid: Caparrós, 1999. Martini, Carlo M. (1927), Giuseppe Ghiberti, and Mauro Pesce. Cento anni di cammino biblico. Milan: Vita e Pensiero, 1995. Heller, Louis George. Communicational Analysis and Methodology for Historians. New York: New York UP, 1972. Hernández-Pacheco Sanz, Javier. Corrientes actuales de filosofía. 2 vols. Madrid: Tecnos, 1996. (Frankfurt School; hermeneutic phil.). Zaldívar, Raúl. Crítica bíblica: Un enfoque evangélico a las técnicas de investigación del texto sagrado. Terrassa: Clie, 1996. Murillo, Lino, SJ. Crítica y exégesis: Observaciones sobre un nuevo sistema exegético de la Biblia. 2nd ed. Madrid: Gabriel L. Y del Horno, 1905. Ortiz-Osés, Andrés (1943). Cuestiones fronterizas: Una filosofía simbólica. Barcelona: Anthropos, 1999. Coreth, Emerich. Cuestiones fundamentales de hermenéutica. Trans. Manuel Balasch. (Biblioteca Herder; Sección de Sagrada Escritua, 127). Barcelona: Herder, 1972. Bengoa Ruiz de Azúa, Javier. De Heidegger a Habermas: Hermenéutica y fundamentación última en la filosofía contemporánea. Rpt. Barcelona: Herder, 1987. Castañares Burcio, Wenceslao (1948). De la interpretación a la lectura. (Parteluz, 7). Madrid: Iberediciones, 1994.
_____. Women Travellers in Colonial India: The Power of the Female Gaze. Oxford UP, 1998. Iqbal, Afzal. The Life and Work of Jalaluddin Rumi. Oxford UP, 1999.
Chaudhuri, Sukanta. Translation and Understanding. Oxford UP, 1999. Thompson, E. P. Alien Homage: Edward Thompson and Rabindranath Tagore. Oxford: Oxford UP, 1999. Viswanathan, Gauri. Masks of Conquest: Literary Studies and British Rule in India. Oxford: Oxford UP, 1998. Satthianandhan, Krupabai. Saguna: The First Autobiographical Novel in English by an Indian Woman. Ed. Chandani Lokugé. Oxford: Oxford UP, 1998. Strauss, Jennifer, ed. Family Ties: Australian Poems of the Family. Melbourne: Oxford UP, 1999. Wallace-Crabbe, Chris. Author! Author! Tales of Australian Literary Life. Melbourne: Oxford UP, 1999.
Matthews, Donald H. Honoring the Ancestors: An African Cultural Interpretation of Black Religion and Literature. Oxford: Oxford UP, 1998. Jack, Belinda. Francophone Literatures: An Introductory Surveyi Oxford: Oxford UP, 1996.
Hawcroft, Michael. (Keble College, Oxford). Rhetoric: Readings in French Literature. Oxford: Oxford UP, 1999. Kamboureli, Smaro. (U of Victoria, Canada). Scandalous Bodies: Diasporic Literature in English Canada and Its Contexts. Ontario: Oxford UP Canada, 1999. (Charles Tyalor, F. P. Grove's novel Settlers of the Marsh, Joy Kogawa's novel Obasan, multiculturalism). Tooke, Adrianne. (Somerville College, Oxford). Flaubert and the Pictorial Arts: From Image to Text. Oxford: Oxford UP, 2000. Laird, Sally, ed. Voices of Russian Literature: Interviews with Ten Contemporary Writers. Oxford: Oxford UP, 1999. (Fazil Iskander, Lydmila Petrushevskaya, Vladimir Makanin, Andrei Bitov, Tatyana tolstaya, Yevgeny Popov, Vladimir Sorokin, Zufar Gareyev, Viktor Pelevin, Igor Pomerantsev). Docherty, Thomas (U of Kent). Criticism and Modernity: Aesthetics, Literature, and Nations in Europe and Its Academies. Oxford: Oxford UP, 1999. (Corneille, Dryden Molière, Shaftesbury, Hutcheson, Hume, Rousseau, Kant, Schiller, Hegel, Schopenhauer, Agamben, Badiou, Lyotard, MacIntyre, Vico, Humboldt, Neman, Blair, Alain, Benda, Leavis). MacRobert, C. M., G. S. Smith, and G. C. Stone, eds. Oxford Slavonic Papers. Oxford: Oxford UP. Vol. 31 (1998); Vol. 32 (1999).
Scott, Clive. The Poetics of French Verse: Studies in Reading. Oxford: Oxford UP, 1998. Cowling, David. Building the Text: Architecture as Metaphor in Late Medieval and Early Modern France. (Oxford Modern Languages and Literatures Monographs). Oxford: Oxford UP, 1998. Orr, Mary (U of Exeter). Flaubert: Writing the Masculine. Oxford: Clarendon Press, 1999. Luckhurst, Nicola (School of Advanced Study, U of London). Science and Structure in Proust's A la recherche du temps perdu. (Oxford Modern Languages and Literature Monographs). Oxford: Oxford UP, 2000. Atack, Margaret (U of Leeds). May 68 in French Fiction and Film: Rethinking Society, Rethinking Representation. (Oxford Studies in Modern European Culture). Oxford: Oxford UP, 1999. (Beauvoir, Cardinal, godard, Kristeva). Williams, Wes. (New College, Oxford). Pilgrimage and Narrative in the French Renaissance: 'The Undiscovered Country'. Oxford: Clarendon Press, 1998. Segal, Naomi (U of Reading). André Gide: Pederasty and Pedagogy. Oxford: Clarendon Press, 1998. Hiddleston, James A. (Exeter College, Oxford). Baudelaire and the Art of Memory. Oxford: Clarendon Press, 1999. Stephens, Sonya. (Royal Holloway College, U of London). Baudelaire's Prose Poems: The Practice and Politics of Irony. Oxford: Oxford UP, 1999. Hoffmann, George. (Boston U). Montaigne's Career. Oxford: Clarendon Press, 1998. McGuinness, Patrick. (StAnne's College, Oxford). Maurice Maeterlinck and the Making of Modern Theatre. Oxford: Oxford UP, 2000. O'Beirne, Emer. (U College Dublin). Reading Nathalie Sarraute. (Oxford Modern Languages and Literature Monographs). Oxford: Clarendon Press, 1999. Dunwoodie, Peter. (Goldsmiths College, U of London). Writing French Algeria. Oxford: Oxford UP, 1998. (Fromentin, Gautier, masqueray, Loti, Camus, Audisio, Roblès). Powrie, Phil (U of Newcastle upon Tyne). French Cinema in the 1990s. Oxford: Oxford UP, 1999. (Les Amants du Pont-Neuf, Le Bonheur est dans le pré, Bye Bye, Chacun Cherche son Chat, Le Cinquième élément, Douce France, Etat des lieux, Gazon maudit, Germinal, La Haine, Indochine, Irma Vep, Jai pas sommeil, Krim, Merci la vie, Métisse, Mon Père ce héros, Les Nuits fauves, Raï, Ridicule, Romuald et Juliette, Les Roseaux sauvages, Trois Couleurs: Blanc – Bleu – Rouge; Un hérose très discret, Les Visiteurs). _____. French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity. Oxford: Clarendon Press, 1997. Freeman, Mike (U of Bristol), Elizabeth Fallaize (St John's College), Jill Forbes (U of Bristol) Toby Garfitt (Magdalen College, Oxford), Roger Pearson (Queen's College, Oxford), eds. The Process of Art: Studies in Nineteenth-Century French Literature, Music, and Painting in Honour of Alan Raitt. Oxford: Clarendon Press, 1998. Barnes, Julian. Essay in The Process of Art: Studies in Nineteenth-Century French Literature, Music, and Painting in Honour of Alan Raitt. Ed. Mike Freeman et al. Oxford: Clarendon Press, 1998. Maupassant. A Life. Ed. and trans. Rogber Pearson. (Oxford World's Classics). Oxford: Oxford UP, 1999. Zola. Pot Luck. Ed. and trans. Brian Nelson. (Oxford World's Classics). Oxford: Oxford UP, 1999. Diderot. Jacques the Fatalist. Ed. and trans. David Coward. (Oxford World's Classics). Oxford: Oxford UP, 1999. Huysmans, Joris-Karl. Against Nature. Trans. Margaret Mauldon. Ed. Nicholas White. (Oxford World's Classics). Oxford: Oxford UP, 1998. Evans, Peter. Spanish Cinema: The Auteurist Tradition. Oxford: Oxford UP, 1999. (Almodóvar, Medem, Bigas Luna) Martin-Márquez, Susan. (U of Virginia). Feminist Discourse and Spanish Cinema. (Oxford Hispanic Studies). Oxford: Oxford UP, 1999. Lope de Vega (1562-1635). Three Major Plays (Fuenteovejuna, The Knight from Olmedo, Punishment without Revenge). Ed. and trans. Gwynne Edwards. (U of Wales, Aberystwyth). (Oxford World's Classics). Oxford: Oxford UP, 1999. Matto de Turner, Clorinda. (Peru, 19th c.).. Torn from the Nest. Novel. Ed. Antonio Carnejo-Polar (late U of California, Berkeley). Trans. John R. Polt. (Emeritus, U of California at Berkeley). (Library of Latin America). New York: Oxford UP, 1999. Midgley, David (St John's College, Cambridge). Writing Weimar: Critical Realism in German Literature, 1918-1933. Oxford: Oxford UP, 2000. Brown, Hilda Meldrum (St Hilda's College, Oxford). Heinrich von Kleist: The Ambiguity of Art and the Necessity of Form. Oxford: Clarendon Press, 1998. Robertson, Ritchie (St Johns College, Oxford). The 'Jewish Question' in German Literature, 1749-1939: Emancipation and its Discontents. Oxford: Clarendon Press, 1999. (Mendelssohn, etc.). Nietzsche. Beyond Good and Evil: Prelude to a Philosophy of the Future. Ed. and trans. Marion Faber. Introd. Robert C. Holub. (Oxford World's Classics). Oxford: Oxford UP, 1998. Goethe. The Flight to Italy: Diary and Selected Letters. Ed. and trans. T. J. Reed. (Oxford World's Classics). Oxford: Oxford UP, 1999. Schiller, J. C. F. On the Aesthetic Education of Man: Parallel-Text Edition. Ed. and trans. E. M. wilkinson and L. A. Willoughby. Oxford: Oxford UP, 1983. Robertson, Ritchie, ed. The German-Jewish Dialogue. (Oxford World's Classics). Oxford: Oxford UP, 1999. Paver, Chloe E. M. (Exeter U). Narrative and Fantasy in the Post-War German Novel. (Oxford Modern Language and Literature Monographs). Oxford: Clarendon Press, 1999. (Uwe Johnson, Max Risch, Christa Wolf, Jurek Becker, Günter Grass). Colvin, Sarah. (U of Edinburgh). The Rhetorical Feminine: Gender and the Orient on the German Stage, 1647-1742. (Oxford Modern Languages and Literature Monographs). Oxford: Clarendon Press, 1999. Estraikh, Gennady. (Oxford Institute for Yiddish). Soviet Yiddish. (Oxford Modern Languages and Literature Monographs). Oxford: Clarendon Press, 1999. Kerler, Dov-Ver. (Oxford Centre for Postgraduate Hebrew Studies and Lincoln College). The Origins of Modern Literary Yiddish. (Oxford Modern Languages and Literature Monographs). Oxford: Clarendon Press, 1999. Berghaus, Gunter. Italian Futurist Theatre, 1909-1944. Oxford: Clarendon Press, 1998. Caesar, Ann Hallamore. (U of Cambridge) Characters and Authors in Luigi Pirandello. Oxford: Clarendon Press, 1998.
Burdett, Charles F. (U of Bristol). Vincenzo Cardarelli and his Contemporaries: Fascist Politics and Literary Culture. (Oxford Modern Languages and Literatures Monographs). Oxford: Clarendon Press, 1999. (Italian Fascist modernist, 1884-1959). Kelly, Catriona. (New College, U of Oxford). A History of Russian Women's Writing 1820-1992. Oxford: Clarendon Press, 1998. Turgenev. Rudin and On the Eve. Ed. David McDuff. (Oxford World's Classics). Oxford: Oxford UP, 1999. Gogol. Dead Souls: A Poem. Ed. and trans. Christopher English. Introd. Robert A. Maguire. (Oxford World's Classics). Oxford: Oxford UP, 1998. Strindberg, Johan August. Miss Julie and Other Plays. Ed. and trans. Michael Robinson. (Oxford World's Classics). Oxford: Oxford UP, 1998. Hutt, Michael J. (School of Oriental and African Studies, London). Modern Literary Nepali: An Introductory Reader. (SOAS Studies on South Asia). New Delhi: Oxford UP India, 1999. Schomer, Karine. Mahadevi Varma and the Chhaayavad Age of Modern Hindi Poetry. Oxford: Oxford UP, 1998. Jackson, William J. Songs of Three Great South Indian Saints. Oxford: Oxford UP, 1999. Mir, Muhammad Taqui. Zikr-i-Mir: The Eighteenth-Century Autobiography of the Mughal Poet 'Mir'. Ed. C. M. Naim. Oxford: Oxford UP, 1999. Vaudeville, Charlotte. A Weaver Named Kabir: Selected Verses, with a Detailed Biographical and Historical Introduction. (French Studies in South Asian Culture and Society, 6). Oxford: Oxford UP, 1998. Russell, Ralph, ed. Ghalib: The Poet and His Age. Oxford: Oxford UP, 1998.
Hidalgo, Pilar: Paradigms Found: Feminist, Gay and New Historicist Readings of Shakespeare. Amsterdam, Rodopi, 2001. Torres Núñez, Juan José. 2001. La conferencia. Almería: Servicio de Publicaciones. (Campus drama). Smith, Paul Julian (U of Cambridge)? The Moderns: Time, Space, and Subjectivity in Contemporary Spanish Culture. Oxford: Oxford UP, 2000. (late 20th c. Spanish art). (Umbral, Bigas Luna, Erice, Medem, Antonio López, Joaquín cortés). Keita, Maghan (Villanova U, USA). Race and the Writing of History: Riddling the Sphinx. (Race and American Culture). New York: Oxford UP, 1999.(Bernal, Black Athena). Bernal, Martin. Black Athena. Grodal, Torben (U of Copenhagen). Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford: Clarendon Press, pbk 1999. McCarthy, Clifford. Film Composers in America: A Filmography, 1911-1970. 2nd ed. New York: Oxford UP, 1999. McHugh, Kathleen Anne. (U of California, Riverside). American Domesticity: From How-to Manual to Hollywood Melodrama. New York: Oxford UP, 1999. Reid-Pharr, Robert F. (Johns Hopkins U). Conjugal Union: The Body, the House, and the Black American. (Race and American Culture). Nyhoup 1999. Shaw, Colin (Duke U). Deciding What We Watch: Taste, Decency and Media Ethics in the UK and the USA. Oxford: Clarendon Press, 1999. Zook, Kristal Brent. Color by Fox: The Fox Network and the Revolution in Black Television. (WEB Du Bois Institute Series). New York: Oxford UP, 1999. Marwick, Arthur. (Open U). The Sixties: Social and Cultural Transformation in Britain, France, Italy and the United States, 1958-1974. Oxford: Oxford UP, 1999. Collini, Stefan. (Clare College, Cambridge). English Pasts: Essays in History and Culture. Oxford: Oxford UP, 1999. Finke, Laurie A. Feminist Theory, Women's Writing. _____. Women's Writing in English: Medieval England. _____, ed. Medieval Texts and Contemporary Readers. _____, ed. The Sexual Economies of Medieval Romance. _____, ed. From Renaisance to Restoration: Metamorphoses of the Drama. Johnson, Barbara E. (Professor of English and Comparative Literature, Fredric Wertham Professor of Law and Psychiatry, Harvard U). McGowan, John P. Representation and Revelation: Victorian Realism from Carlyle to Yeats. _____. Postmodernism and its Critics. _____. Hannah Arendt: An Introduction. Calhoun, Craig, and John P. McGowan, eds. Hannah Arendt and the Meaning of Politics. Pinheiro de Sousa (1952), Alcinda, Luisa Maria Flora (1951), and Teresa de Ataíde Malafaia (1951), eds. The Crossroads of Gender and Century Endings. (Cadernos de Anglística, 2). Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.* Armstrong, Isobel. Introd. to The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. 1-6.* Pinheiro de Sousa, Alcinda. "Is There a 'New Woman' in Mary Wollstonecraft's Original Stories as Illustrated by William Blake?" In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. 7-36.* Soloviova, Natalia. "Radcliffe's Plot of Female Development." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Ledger, Sally. "Ibsen and Gender at the Fin de Siècle." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Sandbach-Dahlstrom, Catherine. "Bram Stoker's Dracula: Innnocent Femina Sensualeis, the Angel in the House, and the Nature of Woman at the fin de siècle." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Malafaia, Teresa. "Annie Besant's Shifting Identity and 'Fin-de-Siècle' Culture." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Flora, Luisa. "Identity, Gender and Fishing Flies: George Egerton's 'A Cross Line'." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Cunningham, Gail. "Masculinities in the Age of the New Woman." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Fernandes, Isabel. "Conrad's Unstable Concept of Masculinity: Rereading 'The Secret Sharer' and The Shadow-Line." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. Carr, Helen. "Post-It Notes at the Fin de Siècle." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. (theory, p-m, postcolon.) Yüklə 1,72 Mb. Dostları ilə paylaş:
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