A bibliography of Literary Theory, Criticism and Philology

The Flowering of Genius: Works by Tallis, Guerrero, Victoria, Sheppard, Byrd & Monte. The Sixteen / Harry Christophers. CD. Coro, 2002.

Fraiman, Susan. "The Mill on the Floss, the Critics, and the Bildungsroman." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 31-56.*

Miller, J. Hillis. "The Two Rhetorics: George Eliot's Bestiary." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 57-72.*

Jacobus, Mary. "Men of Maxims and The Mill on the Floss." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 83-100.*

Esty, Joshua D. "Nationhood, Adulthood, and the Ruptures of the Bildung: Arresting Development in The Mill on the Floss." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 101-21.*

Johnstone, Peggy R. F. "Narcissistic Rage in The Mill on the Floss." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 122-42.*

Dawson, Terence. "'Light enough to trusten by': Structure and Experience in Silas Marner." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 143-62.*

Nunokawa, Jeff. "The Miser's Two Bodies: Silas Marner and the Sexual Possibilities of the Commodity." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 163-87.*

Reilly, Jim. "'A Report of Unknown Objects: Silas Marner." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 188-203.*

Shuttleworth, Sally. "Silas Marner: A Divided Eden." In The Mill on the Floss and Silas Marner. Ed. Nahem Yousaf and Andrew Maunder. (New Casebooks). Houndmills: Palgrave, 2002. 204-24.*

Labordeta, Miguel. (Spanish poet, b. Zaragoza, 1921; son of a Republican professor; st. Filosofía y Letras; director of his father's college, Santo Tomás de Aquino, from 1953; d. of heart failure 1969). Sumido 25 Poetry. 1948.

_____. Violento idílico. Poems. 1949.

_____. Transeúnte central. Poems.1950.

_____. Epilírica. Poems. 1961.

_____. Los soliloquios. Poetry. 1969.

_____. (Works). Fuendetodos, 1972.

_____. Autopía. Poetry. Ed. R. Tello. 1972.

_____. Oficina de horizonte. Drama. In Papageno (Journal).

_____. Abisal cáncer. Poetry. Ed. C. Alonso Crespo. 1994.

_____, ed. Despacho literario. Journal. 4 issues, 1960-63.

Ferrer Solá, J. La poesía metafísica de Miguel Labordeta. 1983.

Labordeta, José Antonio, and J. Delgado. Recuerdo de Miguel Labordeta. 1987.

Romo, F. Miguel Labordeta: Una lectura global. 1988.

Rolde 67/68 (1994). Special issue on Miguel Labordeta.

Hacia lo alto del faro. 1996. (Criticism on Miguel Labordeta).
Forster, E.M. 1974. E.M. Forster: Aspects of the novel and related writings, Oliver Stallybrass (ed.). London: Arnold.

Foss, Sonja K. 2009. Rhetorical Criticism: Exploration and practice. Fourth Edition. Long Grove, Illinois: Waveland.

Gadamer, Hans-Georg. 1989. Truth and Method. Second, revised edition [1969]. London: Sheed and Ward.

Habermas, Jürgen. 1970 "Systematically distorted communication." Inquiry 13: 205–218.

Habermas, Jürgen. 1984 and 1987. The Theory of Communicative Action. Vols 1/2. Boston: Beacon Press.

Hall, Peter. 2005. "Interview." In Pinter in the Theatre, Ian Smith (ed.), 131–157. London: Nick Hern Books.

Hart, Roderick P. and Daughton, Suzanne. 2005. Modern Rhetorical Criticism. Pearson: Boston.

Kant, Immanuel Kant. 1998. Groundwork of the Metaphysics of Morals [1785]. Cambridge: Cambridge University Press.

Keats, John. 1954 [1817, 1818]. Letters of John Keats, Frederick Page (ed.). London: Oxford University Press.

Mitchell, Katie. 2005. "Interview." In Pinter in the Theatre, Ian Smith (ed.), 191–198. London: Nick Hern Books.

Nobelprize.org. 25 Aug 2010. "The Nobel Prize in Literature 1953".

Pinter, Harold. 2005. Ashes to Ashes [1996]. In Harold Pinter: Plays Four, 389–433. London: Faber and Faber.

Pinter, Harold. 2009. "A Note on Shakespeare" [1950]. In Harold Pinter: Various Voices: Sixty years of prose, poetry, politics, 1948–2008, 14–16. London: Faber and Faber.

Ricks, Christopher. 1974. Keats and Embarrassment. Oxford: Clarendon Press.

Ricks, Christopher. 1987. "A sinking inward to ourselves from thought to thought." In Christopher

Ricks: The Force of Poetry, 117–134. Oxford: Clarendon Press.

Rybacki, Karyn Charles and Rybacki, Donald Jay. 2002. Communication Criticism: Approaches & genres. Boston: Pearson.

Sell, Roger D. 2000. Literature as Communication: The foundations of mediating criticism. Amsterdam/

Philadelphia: John Benjamins.Sell, Roger D. 2001. Mediating Criticism: Literary education humanized. Amsterdam/Philadelphia: John Benjamins.

Sell, Roger D. 2002. "Henry V and the strength and weakness of words: Shakespearian philology, historicist criticism, communicative pragmatics." In Shakespeare and Scandinavia: A collection of Nordic studies, Gunnar Sorelius (ed.), 108–141. Newark, Delaware: University of Delaware Press.

Sell, Roger D. 2004a. "Blessings, benefactions and bear's services: Great Expectations and communicational narratology". The European Journal of English Studies 8: 49–30.

Sell, Roger D. 2004b. "What's literary communication and what's a literary community? In Emergent Literatures and Globalisation: Theory, society, politics, Sonia Faessel and Michel Pérez (eds.), 39–45. Paris: In Press Editions.

Sell, Roger D. 2007a. "Gadamer, Habermas and a re-humanized literary scholarship." In Literary Criticism as Metacommunity, Smiljana Komar and Uros Mozetic (eds), 213–220. Ljubljana: Slovene Association for the Study of English.

Sell, Roger D. 2007b. "Wordsworthian communication". Nordic Journal of English Studies 6: 17–45.

Sell, Roger D. 2009. "Wordsworth and the spread of genuine communication." In Literature and Values: Literature as a medium for representing, disseminating and constructing norms and values, Sibylle Baumback, Herbert Grabes and Ansgar Nünning (eds), 125–143. Wissenschaftlicher Verlag Trier.

Shusterman, Richard. 1992. Pragmatist Aesthetics: Living beauty, rethinking art. Oxford: Blackwell.

Sillars, Malcolm O. and Gronbeck, Bruce E. 2001. Communication Criticism: Rhetoric, social codes, cultural studies. Waveland: Long Grove, Illinois.

Tannen, Deborah. 1987. "Repetition in conversation: Towards a poetics of talk." Journal of the Linguistics Society of America 63: 574–605.

Tannen, Deborah. 1990. "Ordinary conversation and literary discourse: Coherence and the poetics of repetition." In The Uses of Linguistics, Edward H. Bendix (ed.), 15–32. New York: New York Academy of Sciences

Weigand, Edda. 2009. Language as Dialogue: From rules to principles of probability. Amsterdam/ Philadelphia: John Benjamins.

Wordsworth, William. 1952. "Lines composed a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour. July 13, 1798." [1798]. In The Poetical Works of William Wordsworth: Poems founded on the affections, 2nd ed., E. de Selincourt (ed.), 259–263. Oxford: Clarendon Press.

Chueca, Federico. Gran Vía. Zarzuela. Libretto by Felipe Pérez y González.

Nieto. Certamen nacional. Zarzuela. Libretto by Guillermo Perrín and Miguel de Palacios.

_____. Cuadros disolventes. Zarzuela. Libretto by Guillermo Perrín and Miguel de Palacios.

Lleó. La Corte de Faraón. Operetta. Libretto by Guillermo Perrín and Miguel de Palacios.

Valverde, Joaquín (son, "Quinito Valverde"). La obra de la temporada. Zarzuela. Libretto by Sinesio Delgado.

SANTOS VILA, Sonia: E. T. A. Hoffmann en sus narraciones fantsticas: Sueños, visiones y alucinaciones del Totalkünstler, Madrid, Universidad Nacional de Educación a Distancia, 2002.

Foust, R. E. "Monstrous Image: Theory of Fantasy Agonists." Genre 13 (1980): 441-53.

Gardner, John. Grendel. 1971. London: Pan, 1973.

Hawkins, Harriet. Classics and Trash: Traditions and Taboos in High Literature and Popular Modern Genres. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Heaney, Seamus. Beowulf: A New Verse Translation. Bilingual ed. 1999. New York: Farrar, Straus and Giroux, 2000.

Hill, McKinley. True Confessions of a Dumpster Diver, or, Faster through the BioFractal. Bloomington (IN): 1^st Books, 2000.

Johnston, Paul. The House of Dust. SF novel. 2001. London: New English Library, 2001.

Niven, Larry, Jerry Pournelle, and Steven Barnes. Beowulf's Children. 1995. New York: Tom Doherty Associates, 1996.

Pekonen, Osmo, and Clive Tolley. Beowulf. Finnish translation. Porvoo (Finland), 1999.

Robinson, James, Teddy H. Kristiansen, and Matt Wagner. Four Devils, One Hell. (MattWagner Grendel Tales Series). Miilwaukie (OR): Dark Horse Comics, 1994.

Wagner, Matt. Devil by the Deed. Norrstown (PA): Comico, 1986. 1988.

González Cruz, Mª Isabel. 2002. Notas para una bibliografía inglesa sobre Canarias. La Laguna: Instituto de Estudios Canarios en la Universidad de La Laguna. 

El Nuevo Horizonte: España/Estados Unidos. El legado de 1848 y 1898 frente al nuevo milenio. Editores: Carmen Flys Junquera y Juan Cruz Cabrera. Biblioteca de Estudios Nortemaericanos. Edicion conjunta del Instituto Universitario de Estudios Norteamericanos y del Servicio de Publicaciones de la Universidad de Alcalá.

Bordwell, David and Kristin Thompson. Film Art: An Introduction. New York: McGraw Hill, 1990.

Buckland, Warren. Film Studies. London: NTC, 1998.

Furniss, Tom and Michael Bath. Reading Poetry: An Introduction. London: Harvester Wheatsheaf, 1996.

Cohan, Steven and Linda M. Shires. Telling Stories: A Theoretical Analysis of Narrative Fiction. New York and London: Routledge, 1988.

Caramés Lage, José Luis, ed. Guía Literaria de Autoras Británicas del Siglo XIX. Introd. by Shirley Foster. Nassa NT Siglo XX, 2002.

1. 
   Feijoo, Benito Jerónimo. Teatro Crítico Universal o Discursos varios en todo género de materias, para desengaño de errores comunes. 9 vols. 1726-1740.
   
2. 
   _____. Teatro Crítico Universal o Discursos varios en todo género de materias, para desengaño de errores comunes. Ed. Giovanni Stiffoni. 2 vols. (Biblioteca Clásica Castalia). Madrid: Castalia, 2001.* (Selection).
   
3. 
   _____. "Prólogo al lector." From Vol. 1 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 1.99-104.*
   
4. 
   _____. "Voz del pueblo." From Vol. 1 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 1.105-23.*
   
5. 
   _____. "La política más fina." From Vol. 1 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 1.124-58.*
   
6. 
   _____. "Prólogo." From Vol. 2 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 1.161-66.
   

_____. "Antipatía de franceses y españoles." From Vol. 2 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 1.167-74.*

_____. "Mapa intelectual y cotejo de naciones." From Vol. 2 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 1.175-98.*

_____. "Prólogo apologético." From Vol. 3 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.201-34.*

_____. "Amor de la patria y pasión nacional." From Vol. 3 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.235-62.*

_____. "Dedicatoria." From Vol. 4 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.265-68.*

_____. "Prólogo." From Vol. 4 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.269-74.*

_____. "Valor de la nobleza e influjo de la sangre." From Vol. 4 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.275-94.*

_____. "Dedicatoria." From Vol. 5 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.297-304.*

_____. "Prólogo al lector." From Vol. 5 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.305-16.*

_____. "Libros políticos." From Vol. 5 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.317-31.*

_____. "El gran magisterio de la experiencia." From Vol. 5 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.332-68.*

_____. "Prólogo." From Vol. 6 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.371-76.*

_____. "El no sé qué." From Vol. 6 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.377-92.*

_____. "Dedicatoria." From Vol. 7 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.395-402.*

_____. "Prólogo al lector." From Vol. 7 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.403-6.*

_____. "Lo que sobra y falta en la física." From Vol. 7 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.407-34.*

_____. "Advertencia." From Vol. 7 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.437-38.*

_____. "Honra y provecho de la agricultura." From Vol. 7 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.439-77.*

Todas las voces de Sefarad Vol. II: Judith Cohen, Adela Rubio y Santiago Blasco, Cantabile (Coro del Conservatorio Municipal Petha-Tirwa y Ensemble Renaissance), Felipe Curiel. CD. Madrid: Tecnosaga, 1994.*