A bibliography of Literary Theory, Criticism and Philology



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Mr Smash Goes to Washington. (Mr Smash, ps.). 2003-2006

http://lt-smash.com DISCONTINUED

MsTechToday. (Brandon LeBlanc).

http://www.mstech.today.com DISCONTINUED

Narcissism, Vanity Exhibitionism, Ambition ,Vanity, Vanity, Vanity (Diane Greco). 2001-

http://home.earthlink.net/˜dianegreco



ntcoolfool. (Bryce Carter). 2006-2007.

http://ntcoolfool.liverjournal.com

O'Reilly Radar. (Tim O'Reilly). 2005-

http://radar.oreilly.com

PeterMe. (Peter Merholz). 1998-

http://peterme.com

PostSecret. (Frank Warren). 2004-

http://postsecret.com

ProBlogger. (Darren Rowse). 2004-

http://problogger.com

Read/Write Web. (Richard McManus, ed.). 2003-

http://www.readwriteWeb.com

Rebecca's Pocket. (Rebecca Blood). 1999-

http://www.rebeccablood.net

Robot Wisdom (Jorn Barger)

http://robotwisdom.com

Scripting News. (Dave Winer). 1997-

http://scripting.com

She's a Flight Risk. (Isabella K., ps.). 2003-2006.

http://shes.aflightrisk.org DISCONTINUED

Shiny Shiny (Katy Lee, ed.).

http://shinyshiny.tv

Slashdot. (Rob (Cmdr Taco' Malda, Jeff 'Hemos' Bates, Robin 'Roblimo' Miller, ed.). 1997-

http://slashdot.org

Stormhoek. (Hugh MacLeod et al.). 2005-

http://stormhoek.com

Style Bytes. (Agathe Bjørnsdatter). 2005-

http://stylebytes.net

Tales of a Bathroom Scale. (Lori). 2002-2003.

http://dietchick.blogspot.com

Tama Leaver dot Net. (Tama Leaver). 2007-

http://tamaleaver.net

TechCrunch. (Michael Arrington). 2005-2007.

http://techcrunch.com

techPresident. (Micah Sifry and Joshua Levy, eds.).

http://techpresident.com

The Date Project.

http://thedateproject.blogspot.com

The Dullest Blog in the World. 2003-2006.

http://ww.wibsite.com/wiblog/dull

The English Cut. (Thomas Mahon). 2005-

http://www.englishcut.com

The Quantum Pontiff. (Dave Beacon). 2003-

http://scienceblogs.com/pontiff

The Viral Garden. (Mark Collier). 2005-

http://moblogsmoproblems.blogspot.com

Wal-Marting Across America. (Laura). 2006.

http://walmartingacrossamerica.com

We're in Debt. (King and Queen of Debt). 2006-

http://wereindebt.com

Where Is Raed? (Salam Pax, ps.). 2003-2004.

http://dear_raed.blogspot.com
Ballesteros, Antonio. Vampire Chronicle: Historia natural del vampiro en la literatura anglosajona. (Villa Dionysos, 3). Zaragoza: UnaLuna Ediciones.

Livy. The Rise of Rome: Books One to Five. Ed. T. J. Luce. (Oxford World's Classics). Oxford: Oxford UP.

Livy. Ab urbe condita. Ed. R. M. Ogilvie. Oxford UP.

Tacitus. Agricola and Germany. Ed. and trans. Anthony Birley. (Oxford World's Classics). Oxford: Oxford UP, 1999.

Lucretius. On the Nature of the Universe. Trans. Sir Ronald Melville. Introd. and notes Don Fowler and Peta Fowler. (Oxford World's Classics). Oxford: Oxford UP, 1997. Pbk 1999.

Gill, Christopher. Personality in Greek Epic, Tragedy, and Philosophy: The Self in Dialogue. Oxford: Clarendon Press, 1998. (Runciman Award 1997).

Hershkowitz, Debra. The Madness of Epic: Reading Insanity from Homer to Statius. (Oxford Classical Monographs). Oxford: Clarendon Press, 1998.

Casas, A. La descripción literaria: Traza fenomenológica y semiótico-hermenéutica. (Eutopías, 229). 1999.

Fuente, R. de la, ed. La historia de la literatura y la crítica. 1999.

Villanueva, Darío, A. Monegal and E. Bou, eds. Sin fronteras: Ensayos de literatura comparada en homenaje a Claudio Guillén. 1999.

Iglesias Santos, Montserrat, ed. Teoría de los polisistemas. 1999.

Zavala, L., ed. Teorías del cuento. 3 vols: I: Teorías de los cuentistas; II: La escritura del cuento; III: Poéticas de la brevedad. 1993.

Maestro, J. G., ed. Problemata Theatralia: El signo teatral: Texto y representación. I Congreso Internacional de Teroía del Teatro. Vigo, 17-18 de abril de 1996. 1996.

_____. Theatralia: El personaje teatral. II Congreso Internacional de Teoría del Teatro, Vigo, 7-8 Mayo de 1998. 1998.

Martínez García, F. Sobre el lirismo. León: Universidad de León, 1990.

Ledesma Pedraz, M., ed. Escritura autobiográfica y géneros literarios. 1999.

Andresen-Thom, Martha. "Thinking about Women and Their Prosperous Art: A Reply to Juliet Dusinberre's Shakespeare and the Nature of Women." Shakespeare Studies 11 (1978): 259-76.

Aughterson, Kate, ed. Renaissance Woman: A Sourcebook. London: Routledge, 1995.

Bamber, Linda. Comic Women, Tragic Men: A Study of Gender and Genre in Shakespeare. Stanford: Stanford UP, 1982.

Barker, Francis, Peter Hulme and Margaret Iversen, eds. Uses of History: Marxism, Postmodernism and the Renaissance. Manchester: Manchester UP, 1991.

Barroll, Leds. "A New History for Shakespeare and His Time." Shakespeare Quarterly 39.4 (1988): 441-64.

Beilin, Elaine V. Redeeming Eve: Women Writers of the English Renaissance. Princeton: Princeton UP, 1987.

Belsey, Catherine. "Afterword." In The Matter of Difference. Ed. Valerie Wayne. Hemel Hempstead: Harvester Wheatshaf, 1991. 257-70.

Bevington, David. "Two Houses, Both Alike in Dignity: The Uneasy Alliance between New Historicists and Feminists." English Literary Renaissance 25.3 (1995): 307-19.

_____, ed. The Complete Works of Shakespeare. Updated 4th ed. New York: Longman, 1997.

Boulton, Jeremy. Neighbourhood and Society: A London Suburb in the Seventeenth Century. Cambridge: Cambridge UP, 1987.

Bray, Alan. Homosexuality in Renaissance England. London: Gay Men's Press, 1982.

_____. "Homosexuality and the Signs of Male Friendship in Elizabethan England." History Workshop 29 (1990): 1-19.

Bruster, Douglas. Drama and the Market in the Age of Shakespeare. Cambridge: Cambridge UP, 1992.

Cerasano, Susan, and Marion Wynne-Davies. Renaissance Drama by Women: Texts and Documents. London: Routledge, 1995.

Chedgzoy, Kate. Shakespeare's Queer Children: Sexual Politics and Contemporary Culture. Manchester: Manchester UP, 1995.

Cohen, Walter. "Political Criticism of Shakespeare." In Shakespeare Reproduced: The Text in History and Ideology. Ed. Jean E. Howard and Marion F. O'Connor. New York: Methuen, 1987. 18-46.

Crane, Mary Thomas. "Linguistic Change, Theatrical Practice, and the Ideologies of Status in As You Like It." English Literary Renaissance 27.3 (1997): 361-92.

Cresy, David. "Foucault, Stone, Shakespeare and Social History." English Literary Renaissance. 21 (1991): 121-33.

Crewe, Jonathan. "The State of Renaissance Studies: Or, a Future for ELR?" English Literary Renaissance 25.3 (1995): 341-53.

Danby, John F. Shakespeare's Doctrine of Nature: A Study of King Lear. London: Faber and Faber, 1949.

Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare's Plays. New York: Columbia UP, 1981.

Eggert, Katherine. "Nostalgia and the Not Yet Late Queen: Refusing Female Rule in Henry V." English Literary History 61.3 (1994): 523-50.

Engle, Lars. Shakespearean Pragmatism: Market of His Time. Chicago: U of Chicago P, 1993.

Evans, G. Blakemore, ed., with J. J. M. Tobin. The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.

Ezell, Margaret J. M. "The Myth of Judith Shakespeare: Creating the Canon of Women's Literature." New Literary History 21.3 (1990): 579-92.

Felperin, Howard. "'Cultural Poetics' vs. 'Cultural Materialism': the Two New Historicism in Renaissance Studies."In Uses of History: Marxism, Postmodernism and the Renaissance. Ed Francis Barker, Peter Hulme and Margaret Iversen. Manchester: Manchester UP, 1991. 76-100.

Fitz, L. T. "Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism." Shakespeare Quarterly 28 (1977): 297-316.

Fluck, Winfried. "Cultures of Criticism: Herman Melville's Moby-Dick, Expressive Individualism, and the New Historicism." In The Historical and Political Turn in Literary Studies. Ed. Winfried Fluck. REAL: Yearbook of Research in English and American Literature 11. Tübingen: Gunter Narr, 1995. 207-28.

Foakes, R. A. Hamlet versus Lear: Cultural Politics and Shakespeare's Art. Cambridge: Cambridge UP, 1993.

Garber, Marjorie. Vested Interests: Cross-dressing and Cultural Anxiety. 1992. Harmondsworth: Penguin, 1993.

Gilbert, Sandra M., and Susan Gubar, eds. The Norton Anthology of Literature by Women: The Tradition in English. New York: Norton, 1985.

Goldberg, Jonathan. "Colin to Hobbinol: Spenser's Familiar Letters." South Atlantic Quarterly 88.1 (1989): 107-26.

Greene, Gayle, and Carolyn Ruth Swift Lenz, eds. Feminist Criticism of Shakespeare. Women's Studies 9 (1981-82): 1-215.

Greer, Germaine. The Female Eunuch. 1970. New York: Bantam, 1972.

Hamilton, A. C. "The Renaissance of Study of the English Literary Renaissance." English Literary Renaissance 25.3 (1995): 372-87.

Hartog, François. The Mirror of Herodotus: The Representation of the Other in the Writing of History. Berkeley: U of California P, 1988.

Haselstein, Ulla. "Stephen Greenblatt's Concept of a Symbolic Economy." In The Historical and Political Turn in Literary Studies. REAL: Yearbook of Research in English and American Literature 11 (1995): Tübingen: Gunter Narr, 1995. 347-70.*

Hawkins, Harriett. The Devil's Party: Critical Counter-Interpretations of Shakesepearian Drama. Oxford: Clarendon, 1985.

Heller, Scott. "The New Historicists Put Their Spin on William Shakespeare." The Chronicle of Higher Education (31 Jan. 1997): A11-12.

Hidalgo, Pilar. "Shakespeare y la crítica feminista." In Estudios literarios ingleses: Shakespeare y el teatro de su época. Ed. Rafael Portillo. Madrid: Cátedra, 1987. 161-80.

Hodgdon, Barbara. "He Do Cressida in Different Voices." English Literary Renaissance 20 (1990): 254-86.

Holstun, James. "Ranting at the New Historicism." English Literary Renaissance 19.2 (1989): 189-225.

Honigmann, E. A. J. Shakespeare: The Lost Years. Totowa (NJ): Barnes and Noble, 1985.

Howard, Jean E. "Scholarship, Theory, and More new Readings: Shakespeare for the 1990s." In Shakespeare Study Today. New York: AMS Press, 1986. 127-51.

_____. "The New Historicism in Renaissance Studies." English Literary Renaissance 16.1 (1986): 13-43.

_____. "Scripts and/versus Playhouses: Ideological Production and the Renaissance Public Stage." In The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed. Valerie Wayne. New York and London, 1991. 221-36.

_____. The Stage and Social Struggle in Early Modern England. London: Routledge, 1994.

Jardine, Lisa. "Strains of Renaissance Reading." English Literary Renaissance 25.3 (1995): 289-306.

_____. Reading Shaeskpeare Historically. London: Routledge, 1996.

Kahn, Coppélia. "Coming of Age in Verona." In The Woman's Part: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene and Carol Thomas Needy. Urbana: U of Illinois P, 1980. 171-93.

Keeble, N. H., ed. The Cultural Identity of Seventeenth-century Woman. London: Routledge, 1994.

King, Noel. "Intensifying the Surprise as Well as the School: Stephen Greenblatt Interviewed by Noel King." Textual Practice 8.1 (1994): 114-27.

Kolin, Philip C. Shakespeare and Feminist Criticism: An Annotated Bibliography and Commentary. New York: Garland, 1991.

Krohn, Janis. "The Dangers of Love in Antony and Cleopatra." The International Review of Psychoanalysis 13 (1986): 89-96.

Krontiris, Tina. Oppositional Voices: Women as Writers and Translators of Literature in the English Renaissance. London: Routledge, 1992.

Kuriyama, Constance Brown. "The Mother of the world: A Psychoanalytic Interpretation of Shakespeare's Antony and Cleopatra." English Literary Renaissance 7 (1977): 324-51.

Lehan, Richard. "The Theoretical Limits of the New Historicism." New Literary History 21.3 (1990): 533-53.

Leventen, Carol. "Patrimony and Patriarchy in The Merchant of Venice." In The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed. Valerie Wayne. New York and London, 1991. 59-79.

Levin, Richard. New Readings vs. Old Plays: Recent Trends in the Reinterpretation of English Renaissance Drama. Chicago: U of Chicago P, 1979.

_____. "Feminist Thematics and Shakespearean Tragedy." PMLA 103.2 (1988): 125-38.

_____. "Unthinkable Thoughts in the New Historicizing of English Renaissance Drama." New Literary History 21.3 (1990): 433-47.

Levine, Laura. "Men in Women's Clothing: Antitheatricality and Effeminization from 1570 to 1642." Criticism 28 (1986): 121-43.

Lewalski, Barbara Kiefer. Writing Women in Jacobean England. Cambridge (MA): Harvard UP, 1993.

Maus, Katherine Eisaman. "Renaissance Studies Today." English Literary Renaissance 25.3 (1995): 402-14.

McAlindon, Tom. "Pilgrims of Grace: Henry IV Historicized." In Shakespeare Survey 48. Ed. Stanley Wells. Cambridge: Cambridge UP, 1995. 69-84.

McLuksie, Katheleen E. "The Patriarchal Bard: Feminist Criticism and Shakespeare: King Lear and Measure for Measure." In Political Shakespeare. Ed. Jonathan Dollimore and Alan Sinfield. Manchester: Manchester UP, 1985. 88-108.

_____. "Old Mouse-Eaten Records: The Anxiety of History." English Literary Renaissance 25.3 (1995): 415-31.

Michaels, Walter Benn. The Gold Standard and the Logic of Naturalism. Berkeley: U of California P, 1987.

Montrose, Louis. "'Eliza, Queene of Shepheardes', and the Pastoral of Power." English Literary Renaissance 10 (1980): 153-82.

Orgel, Stephen. "Nobody's Perfect: Or Why did the English Stage Take Boys for Women?" South Atlantic Quarterly 88.1 (1989): 7-29.

Porter, Carolyn. "Are We Being Historical Yet?" South Atlantic Quarterly 87.4 (1988): 743-86.

Porter, Joseph A. Shakespeare's Mercutio: His History and Drama. Chapel Hill: U of North Carolina P, 1988.

_____. "Marlowe, Shakespeare, and the Canonization of Heterosexuality." South Atlantic Quarterly 88.1 (1989): 127-47.

Purkiss, Diane, ed. Renaissance Women: The Plays of Elizabeth Cary, The Poems of Aemilia Lanyer. London: William Pickering, 1994.

Roberts, Jeanne Alison. "Shakespeare and Women." Shakespeare Quarterly 33 (1982): 533-36.

Rose, Mary Beth. "Where Are the Mothers in Shakespeare? Options for Gender Representation in the English Renaissance." Shakespeare Quarterly 42 (1991): 292-314.

Rozett, Martha Tuck. Rev. of The Norton Shakespeare, gen. ed. Stephen Greenblatt; The Riverside Shakespeare, 2nd ed, ed. G. Blakemore Evans, and The Complete works of Shakespeare, ed. David Bevington, updated 4th ed. Shakespeare Quarterly 48 (1997): 65-72.

Shapiro, James. "The Shakespearean Wars: The Most Unkindest Glut of All." The Chronicle of Higher Education 31 Jan. 1997: B6.

Shapiro, Michael. Gender in Play on the Shakespearean Stage. Ann Arbor: U of Michigan P, 1994.

Showalter, Elaine. "Critical Cross-Dressing: Male Feminists and the Woman of the Year." Raritan 3 (1983): 130-49.

_____. "Piecing and Writing." In The Poetics of Gender. Ed. Nancy K. Miller. New York: Columbia UP, 1986. 222-47.

Smith, Bruce R. Homosexual Desire in Shakespeare's England: A Cultural Poetics. Chicago: U of Chicago P, 1991.

Smith, Rebecca. "A Heart Cleft in Twain: The Dilemma of Shakespeare's Gertrude." In The Woman's Part: Feminist Criticism of Shakespeare. Ed. Carolyn Ruth Swift Lenz, Gayle Greene and Carol Thomas Needy. Urbana: U of Illinois P, 1980. 194-210.

Snow, Edward A. "Sexual Anxiety and the Male order of Things in Othello." English Literary Renaissance 10 (1980): 384-412.

Thompson, Ann. "Shakespeare and Sexuality." In Shakespeare Survey 46. Ed. Stanley Wells. Cambridge: Cambridge UP, 1994. 1-8.

Waddington, Raymond B. "What's Past Is Prologue." English Literary Renaissance 25.3 (1995): 458-68. (On New Historicism).

Wellbern, David. "A Bibliography of Psychoanalytic and Psychological Writings on Shakespeare: 1964-1978." In Representing Shakespeare: New Psychoanalytic Essays. Baltimore: Johns Hopkins UP, 1980. 264-86.

Wilson, Richard. "'Like the Old Robin Hood': As You Like It and the Enclosure Riots." Shakespeare Quarterly 43 (1992): 1-19.

Baker, John Haydn. "Blake the Orthodox." Rev. of The Romantic Reformation. By Robert M. Ryan. TLS 22 May 1998: 32.

Ryan, Robert M. The Romantic Reformation: Religious Politics in English Literature 1789-1824. Cambridge: Cambridge UP, c. 1998. (Blake, Wordsworth, Shelley, Mary Shelley).

Scianna, Ferdinando. To Sleep, Perchance to Dream. Photographs on sleep. London: Phaidon, c. 1998.


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