A bibliography of Literary Theory, Criticism and Philology

The Iowa Review Web 8.3 (September 2006) http://www.uiowa.edu/~iareview/mainpages/new/september06/sept06_txt.html.

Karpinska, Aya. "An Interview with Aya Karpinska on 'mar puro'" http://www.uiowa.edu/~iareview/mainpages/new/september06/karpinska/karpinska_intervew.html.

Raley, Rita. "An Interview with Dan Waber on 'five by five'." Iowa Review http://www.uiowa.edu/~iareview/mainpages/new/september06/wabere/waber_interview.html.

"Artist's Statement: Ted Warnell"

http://www.uiowa.edu/~iareview/mainpages/new/september06/warnell/warnell.html.

Ted Warnell, TLT vs. LL (2006)

http://www.uiowa.edu/~iareview/mainpages/new/september06/warnell/11x8.5.html.

David Knoebel, "Heart Pole."

http://home.ptd.net/~clkpoet/htpl/index.html.

Janet Cardiff, The Missing Voice (Case Study B) (1999); print book edition (London: Artangel, 1999); for a description, see http://www.artfocus.com/JanetCardiff.html; Her Long Black Hair (2005) http://www.publicartfund.org/pafweb/projects/05/cardiff/cardiff-05.html.

Blast Theory, Uncle Roy All Around You (premiered London, 2003) http://www.blasttheory.co.uk/bt/work_uncleroy.html.

Joan Campàs in "The Frontiers between Digital Literature and Net.art" finds several areas of convergence, including emphasis on process, information and algorithm, "new perceptual situations, hybridization and simulation, the artistic and literary objectivization of the concept of the Net" and "software as work of art and as a text," among others, dichtung-digital 3 (2004): 12 http://www.dichtung-digital.com/2004/3-Campas.htm. She also has trenchant observations about how electronic literature is more often browsed than read; although, recently, in what we might call the second generation of hypertext criticism as practiced by such critics as David Ciccoricco, Terry Harpold, Matthew Kirschenbaum, and Jessica Pressman, electronic literature is read, and read very closely.

The Iowa Review

http://iowareview.uiowa.edu/

2010

William Gillespie, with programming by Jason Rodriguez and David Dao, Word Museum; see documentation, http://www.uiowa.edu/~iareview/mainpages/new/september06/gillespie/wordmuseum.html.

Berys Gaut 2004: The Philosophy of the Movies. Cinematic Narration. In: The Blackwell Guide to Aesthetics. Ed. by Peter Kivy. Malden, MA, 230-253.

Gérard Genette 1990: Fictional Narrative, Factual Narrative. In: Poetics Today 11, 755-774.

Jan Gertken/Tilmann Köppe 2009: Fiktionalität. In: Grenzen der Literatur. Ed. by Fotis Jannidis, Gerhard Lauer and Simone Winko. Berlin/New York, 228-266.

H.P. Grice 1957: Meaning. In: The Philosophical Review 66, 377-388

Thomas Hardy 1998: Jude the Obscure. London.

Paul Hernadi 1976: Clio's Cousins: Historiography as Translation, Fiction, and Criticism. In: New Literary History 7, 247-257.

Manfred Jahn 1998: Package Deals, Exklusionen, Randzonen: das Phänomen der Unerläßlichkeit in den Erzählsituationen. In: Unreliable Narration. Studien zur Theorie und Praxis unglaubwürdigen Erzählens in der englischsprachigen Erzählliteratur. Ed by Ansgar Nünning. Trier, 81-106.

Andrew Kania 2005: Against the Ubiquity of Fictional Narrators. In: The Journal of Aesthetics and Art Criticism 63, 47-54.

Wolfgang Kayser 2000: Wer erzählt den Roman?. In: Texte zur Theorie der Autorschaft. Ed. by Fotis Jannidis et al. Stuttgart, 127-137.

Peter Lamarque/Stein Haugom Olsen 1994: Truth, Fiction and Literature. A Philosophical Perspective. Oxford.

Jerrold Levinson 2006: Film Music and Narrative Agency [1996]. In: J.L., Contemplating Art. Oxford, 143-183.

Lewis, David. "Truth in Fiction." In Lewis, Philosophical Papers. New York and Oxford, 1983. 261-275.

Félix Martínez-Bonati 1981: Fictive Discourse and the Structures of Language. Ithaca/London.

Brian McHale 1983: Unspeakable Sentences, Unnatural Acts. Linguistics and Poetics Revisited. In: Poetics Today 4, 17-45.

D.H. Mellor 2005: Probability. A Philosophical Introduction. London/New York.

John Morreall 1994: The Myth of the Omniscient Narrator. In: The Journal of Aesthetics and Art Criticism 52, 429-435.

William Nelles 2006: Omniscience for Atheists: Or, Jane Austen's Infallible Narrator. In: Narrative 14, 118-131.

Birgit Neumann/Ansgar Nünning 2008: An Introduction to the Study of Narrative Fiction. Stuttgart.

Henrik Skov Nielsen 2004: The Impersonal Voice of First-Person Narrative Fiction. In: Narrative 12, 133-150.

Sylvie Patron 2006: On the Epistemology of Narrative Theory. Narratology and Other Theories of Fictional Narrative. In: The Travelling Concept of Narrative. Ed. by Matty Hyvärinen, Anu Korhonen and Juri Mykkänen. Helsinki, 118-133.

James Phelan/Wayne C. Booth 2005: Narrator. In: Routledge Encyclopedia of Narrative Theory. Ed by David Herman, Manfred Jahn and Marie-Laure Ryan. New York, 388-392.

Shlomith Rimmon-Kenan 2002: Narrative Fiction. 2^nd ed. London/New York.

Marie-Laure Ryan 1981: The Pragmatics of Personal and Impersonal Fiction. In: Poetics 10, 517-539.

Marie-Laure Ryan 1991: Possible Worlds, Artificial Intelligence, and Narrative Theory. Indiana.

Marie-Laure Ryan 2001: The Narratorial Functions: Breaking Down a Theoretical Primitive. In: Narrative 9, 146-152.

Michael Scheffel 2006: Wer spricht? Überlegungen zur ‚Stimme' in fiktionalen und faktualen Erzählungen. In: Stimme(n) im Text. Narratologische Positionsbestimmungen. Ed. by Andreas Blödorn, Daniela Langer and Michael Scheffel. Berlin/New York 83-99.

Wolf Schmid 2005: Elemente der Narratologie. Berlin/New York.

Robert Scholes/James Phelan/Robert Kellogg 2006: The Nature of Narrative. Fortieth Anniversary Edition. Oxford.

John R. Searle 1974/75: The Logical Status of Fictional Discourse. In: New Literary History 6, 319-332

Katherine Thomson-Jones 2007: The Literary Origins of the Cinematic Narrator. In: British Journal of Aesthetics 47, 76-94.

Michael Toolan 2001: Narrative. A Critical Linguistic Introduction. 2^nd ed. London/New York.

Richard Walsh 1997: Who Is the Narrator? In: Poetics Today 18, 495-513.

Richard Walsh 2007: The Rhetoric of Fictionality. Columbus.

Kendall L. Walton 1990: Mimesis as Make-Believe. On the Foundations of the Representational Arts. Cambridge/London.

Klaus Weimar 1994: Wo und was ist der Erzähler? In: Modern Language Notes 109, 495-506.

Tamar Yacobi 1987: Narrative Structure and Fictional Mediation. In: Poetics Today 8, 335-372.

Bruno Zerweck 2001: Historicizing Unreliable Narration. Unreliability and Cultural Discourse in Narrative Fiction. In: Style 35, 151-178.

Abbott, Barbara (2010). Reference. Oxford: Oxford UP.

Bach, Kent (2004). "Pragmatics and the Philosophy of Language." In Laurence R. Horn

and Gregory Ward (eds.), The Handbook of Pragmatics. Oxford: Oxford UP, 463-87.

Bakhtin, Mikhail ([1934-5] 1981). "Discourse in the Novel." The Dialogic Imagination.

Austin: University of Texas Press, 259-422.

Banfield, Anne (1992). "Literary Pragmatics." In William Brighton (ed.) The