A bibliography of Literary Theory, Criticism and Philology
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| Arden of Faversham. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook)
Marlowe. Edward II. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Heywood, Thomas. A Woman Killed with Kindness. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Cary, Elizabeth. The Tragedy of Mariam. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Jonson, Ben. The Masque of Blackness. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) _____. Epicoene, or the Silent Woman. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Beaumont, Francis. The Knight of the Burning Pestle. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Middleton, Thomas, and Thomas Dekker. The Roaring Girl. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Middleton, thomas, and William Rowley. The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Ford, John.. 'Tis Pity She's a Whore. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook) Cerasano, S. P., and Marion Wynne-Davies, eds. Renaissance Drama by Women: Texts and Documents. London: Routledge, 1995. (Book/eBook) Cerasano, S. P., and Marion Wynne-Davies, eds. Readings in Renaissance Women's Drama: Criticism, History, and Performance, 1594-1998. London: Routledge, 1998. (Bok /eBook) Aughterson, Kate, ed. Renaissance Woman: A Sourcebook: Constructions of Femininity in England. London: Routledge, 1995. (Book/eBook) McCormicik, Ian, ed. Secret Sexualities: A Sourcebook of 17th and 18th Century Writings. London: Routledge, 1997. (Book/eBook). Martin, John Jeffries, ed. (Trinity U, Texas, USA). The Renaissance World. (Routledge Worlds). London: Routledge, 2006. Warnicke, Retha M. (Arizona State U). Mary Queen of Scots. (Routledge Historical Biographies). London: Routledge, 2006. Mardock, James. Our Scene Is London: Ben Jonson's London and the Space of the Author. London: Routledge, 2006. Calbi, Maurizio. (Salerno U, Italy). Approximate Bodies: Gender and Power in Early Modern Drama. London: Routledge, 2005. Cave, Richard, Elizabeth Schafer and Brian Woolland, eds. Ben Jondon and Theatre: Performance, Practice and Theory. London: Routledge, 1999. Hillman, David, and Carla Mazzio. The Body in Parts: Fantasies of Corporeality in Early Modern Europe. London: Routledge, 1997. Sawday, Jonathan. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. London: Routledge, 1995. Castillo, Susan. (Glasgow U). Colonial Encolunters in New World Writing, 1500-1786: Performing America. London: Routledge, 2005. Spiller, Michael R. G. The Development of the Sonnet: An Introduction. London: Routledge, 1992. (Book/eBook). Post, Jonathan. English Lyric Poetry: The Early Seventeenth Century. London: Routledge, 1999. (Book/ebook). Leggatt, Alexander. English Stage Comedy 1490-1990: Five Centuries of a Genre. London: Routledge, 1998. (Book/eBook). Zimmerman, Susan, ed. Erotic Politics: The Dynamics of Desire in Renaissance Theatre. London: Routledge, 1992. Mikalachki, Jodi. The Legacy of Boadicea: Gender and Nation in Early Modern England. London: Routledge, 1998. Berry, Philippa. Of Chastity and Power: Elizabethan Literature and the Unmarried Queen. London: Routledge, 1994. (Book/eBook). Kronitiris, Tina. Oppositional Voices: Women as Writers and Translators in the English Renaissance. London: Routledge, 1992. Vignali, Antonio. (Siena). La Cazzaria: The Book of the Prick. Dialogue. 1525. Ed. Ian Frederick Moulton. London: Routledge, 2003. Cressy, David (Ohio State U) and Lori Anne Ferrell (Claremont Graduate U, USA), eds. Religion and Society in Early Modern England: Voices, Sources and Texts. London: Routledge, 2005. Sawday, Jonathan, and Neil Rhodes, eds. The Renaissance Computer: Knowledge Technology in the First Age of Print. London: Routledge, 2000. (Book/eBook). White, Martin. Renaissance Drama in Action. London: Routledge, 1998. (Book/eBook). Borris, Kenneth, ed. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. London: Routledge, 2003. (Book/eBook). Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1993. (Book/eBook). Kastan, David Scott, and peter Stallybrass. Staging the Renaissance. London: Routledge, 1991. Oldridge, Darren. Strange Histories: The Trial of the Pig, the Walking Dead, and Other Matters of Fact from the Medieval and Renaissance Worlds. London: Routledge, 2004. (Book/eBook). Marcus, Leah S. Unediting the Renaissance: Shakespeare, Marlowe and Milton. London: Routledge, 1996. (Book/eBook). Hutson, Lorna. The Usurer's Daughter: Male Friendship and Fictions of Women in 16th Century England. London: Routledge, 1994. (Book/eBook). Harvey, Elizabeth D. Ventriloquized Voices: Feminist Theory and English Renaissance Texts. London: Routledge, 1992. (Book/eBook). Purkiss, Diane. The Witch in History: Early Modern and Twentieth-Century Representations. London: Routledge, 1996. (Book/eBook). Hendricks, Margo, and Patricia Parker, eds. Women, 'Race' and Writing in the Early Modern Period. London: Routledge, 1994. (Book/eBook). Brant, Clare, and Diane Purkiss, eds. Women, Texts and Histories 1575-1760. London: Routledge, 1992. Wheale, Nigel. Writing and Society: Literacy, Print and Politics in Britain 1590-1660. London: Routledge, 1999. ARTICLES: THE LOCUS OF PRETEXT: Henri Volohonsky: Poetical introduction. Spheres of the Sephiroth and Musical Narration. NARRATOLOGY: STUDYING TEXTS, STUDYING CULTURE. A RE-EVALUATION AND GENERAL DEBATE.
HISTORY, MEMORY, NARRATIVE: Basil Lourié: Frank R. Ankersmit, L. Dolezel, and Narratology of History. Evgeny Pavlov: Walter Benjamin in Context: Deciphering the Interrelations of Mnemocentric Narratives in Modernist Literature. Jacob Rabinowitz: The 'Her' Story of the Great Witch-Goddess: Analyzing the Narratives of Hekate. APPLICATIONS OF NARRATIVE RESEARCH: Willem G. Weststeijn: Jan Van Der Eng's Narrative Model. Andrei Boguen: On the Specificity of the Narrative Structure (With the case of Dostoevsky's work. Problem of the 'authority' of point of view theory). Eric A. De Haard: On Narration in Voina i mir. Elena Trubina: I Do Better When I Improvise: Coping with Uncertainty in the Post-Soviet Russian 'Life-Stories' Narrating. NARRATIVE IN THE VARIOUS MEDIA: Nick Redfern. Film as Text: Radical Constructivism and the Narrative in Cinema. Mikhail Klebanov: The Problems of Narrative and the Philosophy of Synaesthetic: T.W.Adorno and the Kharmsian Literary Circle (Lipavsky and Druskin). NARRATIVE AGENDA IN TIME-SPACE, VISUAL CONSTRUCTS AND SIGN-THEORIES: Leonid Chertov: Spatial Narratives and the Semiotics of Time. Jelena Grigorieva: Lotman's Concept of Sign, Narrative and Mimesis. Antoine Baudin, Leonid Heller: Le realisme socialiste comme un activisme mimetique, ou Image, texte et litterature a l'epoque de Jdanov. Quelques meditations pour ses strategies narratives et le ludisme politique de l'auteurs sovietiques staliniens. Narbona Carrión, María Dolores. Vida y obra de Elizabeth Stuart Phelps y selección de textos. (Colección Atenea: Estudios sobre la mujer). Málaga: Servicio de Publicaciones de la Universidad de Málaga, 2006. escritora norteamericana Elizabeth Stuart Phelps (1844-1911) Balcerzan, Edward. "Styl i poetyka twórczosci dwujezycznej Brunona jasinskiego." In Z zagadnien teorii przekladu. Wroclaw, 1967. 14-16. Booth, Wayne C. "The Rhetoric of Fiction and the Poetics of Fictions." In Towards a Poetic of Fiction. ed. Mark Spilka. Bloomington and London, 1977. 77-89. Bühler, Karl. "Kritische Musterung der neueren Theorien des Satzes." Indogermanisches Jahrbuch 4 (Berlin, 1918/20): 1-20. Cervenka, Miroslav. Das literarische Werk als Zeichen. In Cervenka, Der Bedeutngsaufbau des literarischen Werks. Munich, 1978. 163-83. Chudakov, Aleksandr. "V. V. Vinogradov i ego teorija poetiki." In Chudakov, Slovo- veshch-mir. Moscow, 1992. 219-64. Diengott, Nilli. "Implied Author, Motivation and Theme and Their Problematic Status." Orbis Litterarum 48 (1993): 181-93. Easthope, Antony. Poetry as Discourse. London: Methuen, 1983. Fieguth, Rolf. "Einleitung." In Literarische Kommunikation. Ed. Rolf Fieguth. Kronberg, 1975. 9-22. Gölz, Christine. "Autortheorien im slavischen Funktionalismus." In Slavische Narratologie: Russische und tschechische Ansätze. Berlin and New York: De Gruyter, 2007. Forthcoming. Hempfer, Klaus. "Zur pragmatischen Fundierung der Texttypologie." in Textsortenlehre—Gattungsgeschichte. Ed. W. Hinck. Heidelberg, 1977. 1-26. Hoek, Leo H. La Marque du titre. La Haye, 1981. Hühn, Peter. Geschichte der englischen Lyrik. Vol. 1. Tübingen: Francke, 1995. Iser, Wolfgang. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore, 1974. Kindt, Tom, and Hans-Harald Müller. "Der implizite Autor. Zur Explikation und Verwendung eines umstrittenen Begriffs." In Rückkehr des Autors. Ed. Fotis Jannidis et al. Tübingen, 1999. 273-87. _____. "Der implizite autor. Zur Karriere und Kritik eines begriffs zwischen Narratologie und Interpretationstheorie." Archiv für Begriffsgeschichte (2006). Korman, Boris. "O celostnosti literaturnogo proizvedenija." In Korman, Izbrannye trudy po teorii i istorii literatury. Izhevsk, 1977. 119-28. Link, Hannelore. Rezeptionsforschung. Stuttgart, 1976. Mukarfovsky, Jan. "L'individu dans l'art." In Deuxième congrès international d'esthétique et de la science de l'art. Paris, 1937. 1.349-54. Rymar', Nikolai, and Vladislav Skobelevv. Teorija avtora i problema khudozhestvennoi deiatel'nosti. Voronezh, 1994. Schmid, Wolf. Der Textaufbau in den Erzählungen Dostoevskijs. 2nd ed. Amsterdam: Grüner, 1986. _____. "Eine Antwort an die Kritiker." In Schmid, Der Textaufbau in den Erzählungen Dostoevskijs. 2nd ed. Amsterdam: Grüner, 1986. 299-318. _____. "Textadressat." In Handbuch Literaturswissenschaft. Vol. 1. Ed. Th. Anz. Stuttgart and Weimar: Metzler, 2007. Forthcoming. Slawinski, Janusz ."O kategorii podmiotu lirycznego. Tezy referatu." In Wiersz i poezja Ed. Jan Trzynadlowski. Wroclaw, 1966. _____. "Die Semantik der narrativen Äußerung." In Slawinski, Literatur als system und Prozeß. Munich, 1975. 81-109. _____. "O literaturnoi evoliutsii." 1927. _____. "Über die literarische Evolution." in Texte der russischen Formalisten. Munich: Fink, 1969. 1.432-61. Vinogradov, Viktor. "Problema obraza avtora v khudozhestvennoi literature." In Vinogradov, O teorii khudozhestvennoi rechi. Moscow, 1972. 105-211. Zipfel, Frank. Fiktion, Fiktivität, Fiktionalität. Berlin, 2001. Kahrmann, Cordula, Gunter Reiß and Manfred Schluter. Erzähltextanalyse. Wieinheim: Beltz / Athenäum, 1996. Schönert, Jorg. "Empirischen Autor, Impliziter autor und Lyrisches Ich." In Rückkehr des Autors. Ed. Fotis Jannidis. Tübingen, 1999. 284-94. McEvoy, Sean. (Varndean College, Brighton). Shakespeare: The Basics. (The Basics). 2nd ed. London: Routledge, 2006. Bradford, Richard, Jan Jedrzewski (both U of Ulster, Coleraine, UK). and Duncan Wu (st Catherine's College, Oxford), series eds. (Routledge Guides to Literature). London: Routledge, c. 2006.
Massai, Sonia, ed. (King's College, London). William Shakespeare's Twelfth Night: A Sourcebook. (Routledge Guides to Literature). London: Routledge, 2006. McEvoy, Sean.. (Varndean College). William Shakespeare's Hamlet: A Sourcebook. (Routledge Guides to Literature). London: Routledge, 2006. Leggatt, Alexander (U of Toronto), ed. William Shakespeare's Macbeth: A Sourcebook. (Routledge Guides to Literature). London: Routledge, 2005. Ioppolo, Grace, ed. William Shakespeare's King Lear: A Sourcebook. (Routledge Guides to Liteature). London: Routledge, 2003. Hadfield, Andrew. William Shakespeare's Othello: A Sourcebook. (Routledge Guides to Literature). London: Routledge, 2002. Cerasano, S. P. William Shakespeare's The Merchant of Venice: A Sourcebook. (Routledge Guides to Literature). London: Routledge, 2003. Moston, Doug, ed. Mr William Shakespeares Comedies, Histories, and Tragedies: A Facsimile of the First Folio, 1623. London: Routledge, 1998. Davis, J. Madison, ed. The Shakespeare Name and Place Dictionary. London: Routledge, 1995. Johnson, Hamish, and Peter Quennell. Who's Who in Shakespeare. London: Routledge, 2001. Weingust, Don. Acting from Shakespear's First Folio: Theory, Text, and Performance. London: Routledge, 206. Fischlin, Daniel, and Mark Fortier, eds. Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the Present. London: Routledge, 2000. Gay, Penny. As She Likes It: Shakespeare's Unruly Women. (Gender in Performance). London: Routledge, 1994. Thompson, Ayanna, ed. (Arizona State U). Colorblind Shakespeare: New Perspectives on Race and Performance. London: Routledge, 2006. Hoskins, Jim. Dances of Shakespeare: A Brief Guide. London: Routledge, 2005. Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's Stage. London: Routledge, 2000. Broich, Ulrich (Munich). "British Radical Thought: The Radicaol Novel of the 1790s." In English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE. 13-40.* Armstrong, Paul B. (Brown U). "Historicizing Conrad: Temporal Form and the Politics of Reading." English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE. 41-72.* Zacharasiewicz, Waldemar. (U of Vienna). "The 'Invention' of Regional Literatures: Comments on the Current Debate Concerning the American South." English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE. 73-101.* Qing Quian (Beijing Foreign Studies U). "The State of English in Chinese Universities." English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE. 102-14.* Wright, T. R. D. H. Lawrence and the Bible. Cambridge: Cambridge UP, 2000. Rev. by Val Cunningham in English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE.* Onega and Stotesbury, London in Literature: Visionary Mappings of the Metroplis. Heidelberg: Winter, 2002. Rev. by Fernando Galván in English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE.* Fischer, Olga, and Max Nänny, eds. The Motivated Sign: Iconicity in Language and Literature 2. Amsterdam and Philadelphia: Benjamins, 2001. Rev. by Elzbieta Tabakowska (U of Krakow) in English Studies Today: The Bulletin of the Internationaol Association of University Professors of English. No. 1 (2002). Pamplona: IAUPE. 182-86.* Andrews, William L., gen. ed. (Casebooks in Criticism). New York: Oxford UP. Hobson, Fred. (U of North Carolina at Chapel Hill), ed. William Faulkner's Absalom, Absalom!: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2003. Wollaeger, Mark A. (Vanderbilt U), ed. James Joyce's A Portrait of the Artist as a Young Man: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2003. Furman, Jan. (U of Michigan-Flint), ed. Toni Morrison's Song of Solomon: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2003. Newman, Judie (U of Nottingham), ed. Nadine Gordimer's Burger's Daughter: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2003. Singley, Carol J., (Rutgers U, Camden). ed. Edith Wharton's The House of Mirth: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2003. Attridge, Derek (U of York / Rutgers U), ed. James Joyce's Ulysses: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2003. Pifer, Ellen. (U of Delaware), ed. Vladimir Nabokov's Lolita: A Casebook. (Casebooks in Criticism). New York: Oxford UP, 2002. Wagner-Martin, Linda (U of North Carolina at Chapel Hill), eds. Ernest Hemingway's The Sun Also Rises: A Casebook. New York: Oxford UP, 2002. Taylor, Clare L. (New Dictionary of National Biography). Women, Writing, and Fetishism 1890-1950. (Oxford English Monographs). Oxford: Oxford UP, 2003. (Sarah Grand, Radclyffe Hall, H.D., Djuna Banes, Anaïs Nin). Tookey, Helen. (Manchester Metropolitan U). Anaïs Nin, Fictionality and Femininity: Playing a Thousand Roles. (Oxford English Monographs). Oxford: Oxford UP, 2003. Shovllin, Frank. (U of Liverpool). The Irish Literary Periodical 1923-58. (Oxford English Monographs). Oxford: Oxford UP, 2004. Welch, Robert. (U of Ulster, Coleraine). The Abbey Theatre, 1899-1999: Form and Pressure. Oxford: Oxford UP, 2003. Garrigan-Mattar, Sinéad. (U of Cambridge). Primitivism, Science, and the Irish Revival. Oxford English Monographs. Oxford: Oxford UP, 2003. Levitas, Ben. (U of London). The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916. Oxford: Oxford UP, 2002. Cardinal, Agnès (U of Kent at Canterbury), Dorothy Goldman, and Judith Hattaway (U of Kent at Canterbury), eds. Women's Writing on the First World War. Oxford: Oxford UP, 2002. (radclyffe Hall, Sylvia Pankhurst, Maud Gonne, Rebecca West, May Sinclair, Olive Schreiner, Colette, Vera Brittain, Gertrude Stein, Katherine Mansfield, H.D., Virginia Woolf). Hill, J. R. (National University of Ireland, Maynooth), ed. New History of Ireland. Vol. VII: Ireland 1921-1984. Oxford: Oxford UP, 2003.
Gibson, Andrew (Royal Holloway, U of London). Joyce's Revenge: History, Politics, and Aesthetics in Ulysses. Oxford: Oxford UP, 2002. Harding, Jason (Fench Chia U, Taiwan). The Criteirion: Cultural Politics and Cultural Networks in Inter-War Britain. Oxford: Oxford UP, 2002. Jain, Manju. A Critical Reading of the Selected Poems of T. S. Eliot. New Delhi: Oxford UP India, 2002. Hathaway, Heather (Marquette U), Josef Jarab (Palacky U, Czech Republic) and Jeffrey Melnick (Babson College), eds. Race and the Modern Artist. (The W.E.B. Du Bois Institute Essays). New York: Oxford UP, 2003. Houen, Alex (U of Sheffield). Terrorism and Modern Literature: From Joseph Conrad to Ciaran Carson. Oxford: Oxford UP, 2002. Trotter, David (Gonville and Caius College, University of Cambridge). Paranoid Modernism: Literary Experiment, Psychosis, and the Professionalization of English Society. Oxford: Oxford UP, 2001. Kemp, Sandra (Royal College of Art), Charlotte Mitchell (U College London) and David Trotter. The Oxford Companion to Edwardian Fiction. Oxford: Oxford UP, 2002. McDonald, Peter (Christ Church College, U of Oxford). Serios Poetry: Form and Authority from Yeats to Hill. Oxford: Oxford UP, 2002. (Yeats, Eliot, Auden, MacNeice, Heaney, Hill). North, Michael (U of California, LA). Reading 1922: A Return to the Scene of the Modern. New York: Oxford UP, 2002. Stern, Tiffany. (U College, Oxford). Making Shakespeare: From Stage to Page. (Accents on Shakespeare). London: Routledge, 2006. Hawkes, Terence. Shakespeare in the Present. (Accents on Shakespeare). London: Routledge, 2002. Folkerth, Wes. The Sound of Shakespeare. (Accents on Shakespeare). London: Routledge, 2002. Fernie, Ewan. Shame in Shakespare. (Accents on Shakespeare). London: Routledge, 2001. Werner, Sarah. Shakespeare and Feminist Performance: Ideology on Stage. (Accents on Shakespeare). London: Routledge, 2001. Armstrong, Philip. Shakespeare in Psychoanalysis. (Accents on Shakespeare). London: Routledge, 2001. Bristol, Michael, and Kathleen McLuskie, with Christopher Holmes, eds. Shakespeare and Modern Theatre: The Performance of Modernity. (Accents on Shakespeare). London: Routledge, 2001. Howard, Jean E., and Scott Cutler Shershow, eds. Marxist Shakespeares. (Accents on Shakespeare). London: Routledge, 2000. Grady, Hugh, ed. Shakespeare and Modernity: Early Modrn to Millennium. (Accents on Shakespeare). London: Routledge, 2000. Desmet, Christy, and Robert Sawyer, eds. Shakespeare and Appropriation. (Accents on Shakespeare). London: Routledge, 1999. Kolin, Philip, series ed. (U of Southern Mississippi, USA). (Shakespeare Criticism). London: Routledge, 1997. Moschovakis, Nicholas (Reed College, USA), ed. Macbeth: New Critical Essays. (Shakespeare Criticism). London: Routledge, 2006. Zandler, Horst (Munich U), ed. Julius Caesar: New Critical Essays. (Shakespeare Criticism). London: Routledge, 2005. Deats, Sara M., ed. Antony and Cleopatra: New Critical Essays. (Shakespeare Criticism). London: Routledge, 2004. Kolin, Philip C., ed. Othello: New Critical Essays. (Shakespeare Criticism). London: Routledge, 2001. Kinney, Arthur F., ed. Hamlet: New Critical Essays. (Shakespeare Criticism). London: Routledge, 2001. Mahon, Ellen MacLeod, and John W. Mahon, eds. The Merchant of Venice: New Critical Essays. London: Routledge, 2002. Aspinall, Dana E., ed. The Taming of the Shrew: Critical Essays. (Shakespeare Criticism). London: Routledge, 2001. Kehler, Dorthea, ed. A Midsummer Night's Dream: Critical Essays. (Shakespeare Criticism). London: Routledge, 1997. Miola, Robert, ed. Comedy of Errors: Critical Essays. (Shakespeare Criticism). London: Routledge, 1997. Londre, Felicia hardison, ed. Love's Labour's Lost: Critical Essays. (Shakespeare Criticism). London: Routledge, 1997. Schlueter, June, ed. Two Gentlemen of Verona: Critical Essays. (Shakespeare Criticism). London: Routledge, 1995. Murphy, Patrick, ed. The Tempest: Critical Essays. (Shakespeare Criticism). London: Routledge, 2001. Hunt, Maurice, ed. The Winter's Tale: Critical Essays. (Shakespeare Criticism). London: Routledge, 1995. Skeele, David, ed. Pericles: Critical Essays. (Shakespeare Criticism). London: Routledge, 2000. Pendleton, Thomas, ed. Henry VI: Critical Essays. (Shakespeare Criticism). London: Routledge, 2001. Schiffer, James, ed. Shakespeare's Sonnets. (Shakespeare Criticism). London: Routledge, 1998. Kolin, Philip C., ed. Venus and Adonis: Critical Essays. (Shakespeare Criticism). London: Routledge, 1997. Thompson, Ann (King's College London, UK), series ed. (Feminist Readings of Shakespeare). London: Routledge, c. 1997. Pettersson, Rune. (Malardalen U, Eskilstuna, Sweden). Information Design: An Introduction. (Document Design Companion Series, 3). Amsterdam: John Benjamins, 2002. Geest, Thea M. van der. (U of Twente). Web Site Design Is Communication Design. (Document Design Companion Seires, 2). Amsterdam: John Benjamins, 2001. Janssen, Daniël (U of Utrecht) and Rob neutelings (U of Delft), eds. Reading and Writing Public Documents. (Document Design Companion Series, 1). Amsterdam: John Benjamins, 2001. Kageura, Kyo (National Instityute of Information, Tokyo). The Dynamics of Terminology: A Descriptive Theory of Term Formation and Terminological Growth. (Terminology and Lexicography Research and Practice, 5). Amsterdam: John Benjamins, 2002. Santelmann, Lynn, Maaike Verrips and Frank Wijnen, eds. Annual review of Language Acquisition. Vol. 2 (2002). Amsterdam: John Benjamins, 2002. Broekhuis, Hans (Katholieke Universiteit Brabant) and Paula Fikkert (Katholieke Universiteit Nijmegen). Linguistics in the Netherlands 2002. Vol. 19 (2002). Amsterdam: Benjamins. Levy, Brian J. (U of Hull), and Paul Wackers (U of Nijmegen), eds. Reinardus: Yearbook of the International Reynard Society. Vol. 15 (2002). Amsterdam: John Benjamins, 2002. (medieval literature). Pica, Pierre (CNRS, Paris), and Johan Rooryck (Leiden U), eds. Linguistic Variation Yearbook. Vol. 1 (2001). Amsterdam: John Benjamins, 2001. Mojsisch, Burkhard (Ruhr-Universitât Bochum), Olaf Pluta (U of Nijmegen) and Rudolf Rehn (Hochschule Vechta), eds. Bochumer Philosophisches Jahrbuch für Antike und Mittelalter. Vol. 6 (2001). Amsterdam: John Benjamins, 2001. Foster-Cohen, Susan H. (U of Canterbury), Tanja Ruthenberg, and Marie Louise Poschen (U of Paderborn), eds. EUROSLA Yearbook. Vol. 2 (2002). Amsterdam: John Benjamins, 2002. (European Second Language Association). Dokic, Jérôme, and Joëlle Proust, eds. Simulation and Knowledge of Action. (Advances in Consciousness Research, series B, 45). Amsterdam: John Benjamins, 2002. McKevitt, Paul (U of Ulster, Magee) Seán Ó Nualláin (Nous Research, Dublin) and Conn Mulvihill (National U of Ireland, Galway), eds. Language, Vision, and Music: Selected Papers from the 8th International Workshop on the cognitive Science of Natural Language Processing, Galway, 1999. (Advances in Consciousness Research, series B, 35). Amsterdam: John Benjamins, 2002. Mateas, Michael, and Phoebe Sengers, eds. Narrative Intelligence. (Advances in Consciousness Research, series B, 46). Amsterdam: John Benjamins, 2002. Moore, Simon C. (U of York), and Mike Oaksford (U of Cardiff), eds. Emotional Cognition: From Brain to Behaviour. (Advances in Consciousness Research, series B, 44). Amsterdam: John Benjamins, 2002. Mojsisch, Burkhard, and Orrin F. Summerell, eds. (Ruhr-Universität-Bochum). Die Philosophie in ihren Disziplinen: Eine Einführung: Bochumer Ringvorlesung Wintersemester 1999/2000. (Bochumer Studien zur Philosophie, 35). Amsterdam: John Benjamins, 2002. Malmsheimer, Arne (Ruhr-Universität Bochum). Platons Parmenides und Marsilio Ficinos Parmenides-Kommentar: Ein kritischer Vergleich. (Bochumer Studein zur Philosophie, 34). Amsterdam: John Benjamins, 2001. Kamp, Andreas. Philosophiehistorie als Rezeptionsgeschichte: die Reaktion auf Aristoteles' De Anima-Noetik der frühe Hellenismus. (Bochumer Studien zur Phiolosophie, 33). Amsterdam: John Benjamins, 2001. Asmuth, Christoph (Technische U Berlin), Alfreed Denker (Pont de Cirou) and Michael Vater (Marquette U, Milwaukee), eds. Schelling: Zwischen Fichte un Hegel / Between Fichte and Hegel. (Bochumer Studien zur Philosophie, 32). Amsterdam: John Benjamins, 2000. Kobusch, Theo, Burkhard Mojsisch and Orrin F. Summerell. (Ruhr-U Bochum), eds. Selbst – Singularität – Subjectivität: vom Neuplatonismus zum Deutschen Idealismus. Amsterdam: John Benjamins, 2002. Mojsisch, Burkhard (Ruhr-U Bochum). Meister Eckhart: Analogy, Univocity and Unity. Trans. with a preface and appendix by Orrin F. Summerell. Amsterdam: John Benjamins, 2001. Knabe, Peter-Eckhard (U Greifswald). Roland Mortier (U Libre de Bruxelles) and François Moureau (U Paris IV-Sorbonne). L'Aube de la Modernité. (Comparative History of Literatures in European Languages, 16). Amsterdam: John Benjamins, 2002. (Querelle des Anciens et des Modernes, 17th-18th c.). Esterhammer, Angela (U of Western Ontario), ed. Romantic Poetry. (Comparative History of Literatures in European Languages, 17). Amsterdam: John Benjamins, 2002. Klaniczay, Tibor, Eva Kushner and Paul Chavy, eds. L'Époque de la Renaissance (1400-1600). Tome IV: Crises et essors nouveaux (1560-1610). (Comparative History of Literatures in European Languages, 13). Amsterdam: John Benjamins, 2000. Glaser, Horst Albert (Universität G. H. Essen), and György M. Vajda (Hungarian Academy of Sciences), eds. Die Wende von der Aufklärung zur Romantik 1760-1820: Epoche im Überblick. (Comparative History of Literatures in European Languages, 14). Amsterdam: John Benjamins, 2001. Arnold, A. James, Julio Rodríguez-Luis and J. Michael Dash, eds. 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