A bibliography of Literary Theory, Criticism and Philology


The published screenplay—a new literary genre?



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2000 The published screenplay—a new literary genre? (Tübingen: Narr).

Kozloff, Sarah

1988 Invisible Storytellers. Voice-Over Narration in American Fiction Film (Berkeley: University of California Press).

Kyd, Thomas

1989 [1592] The Spanish Tragedy (London: Black).

Lämmert, Eberhard

1955 Bauformen des Erzählens (Stuttgart: Metzler).

Link, Victor

1970 "Bau und Funktion der 'Circe'-Episode im Ulysses von James Joyce," Diss. Bonn.

Lodge, David

1984 Small World (New York: Warner Books).

Lodge, Thomas

1995 [1590] Rosalynd, edited by Brian Nellist (Keele: Ryburn).

Lubbock, Percy

1966 [1921] The Craft of Fiction (London: Jonathan Cape).

Maurach, Martin

1995 Das experimentelle Hörspiel: Eine gestalttheoretische Analyse (Wiesbaden: DUV).

Metz, Christian

1974 Film Language: A Semiotics of the Cinema, translated by Michael Taylor (New York: Oxford UP).

Müller-Zettelmann, Eva

2002 "Lyrik und Narratologie," in Erzähltheorie transgenerisch, intermedial, interdisziplinär, edited by Ansgar Nünning and Vera Nünning. WVT Handbücher zum literaturwissenschaftlichen Studium 5: 129–53 (Trier: WVT).

2005 "'A Frenzied Oscillation': Auto-Reflexivity in the Lyric," in Theory Into Poetry. New Approaches to the Lyric, edited by Eva Müller-Zettelmann and Margarete Rubik, 125–46 (Amsterdam and New York: Rodopi).

Nashe, Thomas

1985 [1594] The Unfortunate Traveller, in The Unfortunate Traveller and Other Works, edited by J.B. Steane (London: Penguin).

Nünning, Ansgar

2001 "Mimesis des Erzählens: Prolegomena zu einer Wirkungsästhetik, Typologie und Funktionsgeschichte des Akts des Erzählens und der Metanarration," in Erzählen und Erzähltheorie im 20. Jahrhundert, edited by Jörg Helbig, 13–47 (Heidelberg: Winter).

2005 "On Metanarrative: Towards a Definition, a Typology and an Outline of the Functions of Metanarrative Commentary," in The Dynamics of Form. Papers in Anglo-American Narratology, edited by John Pier. Narratologia 4: 11–57 (Berlin and New York: Walter de Gruyter).

Nünning, Ansgar / Nünning, Vera (eds.)

2000 Multiperspektivisches Erzählen. Zur Theorie und Geschichte der Perspektivenstruktur im englischen Roman des 18. bis 20. Jahrhunderts (Trier: WVT).

2002a Erzähltheorie transgenerisch, intermedial, interdisziplinär. WVT Handbücher zum literaturwissenschaftlichen Studium 5 (Trier: WVT).

2002b "Produktive Grenzüberschreitung: Transgenerische, intermediale und interdisziplinäre Ansätze in der Erzähltheorie," in Nünning/Nünning (2002a: 1–22).

Nünning, Ansgar / Sommer, Roy

2002 "Drama und Narratologie: Die Entwicklung erzähltheoretischer Modelle und Kategorien für die Dramenanalyse," in Nünning/Nünning (2002a: 105–28).

O'Casey, Sean

1997 [1924] "Juno and the Paycock," in Arnold Anthology of British and Irish Literature in English, edited by Robert Clark and Thomas Healy, 1357–98 (London: Arnold).

O'Neill, Eugene

1965 [1920] The Emperor Jones (London: Cape).

Orth, Eva-Maria

2000 Das Selbstgespräch: Untersuchungen zum dialogisierten Monolog am Beispiel englischsprachiger Romane (Trier: WVT).

Peacock, Thomas Love

1986 [1818] Nightmare Abbey, in Nightmare Abbey and Crotchet Castle, Thomas Love Peacock, 17–25 (Harmondsworth: Penguin).

Peake, Charles H.

1977 James Joyce. The Citizen and the Artist (London: Arnold).

Pfister, Manfred

1988 [1977] The Theory and Analysis of Drama, translated by John Halliday. European Studies in English Literature (Cambridge, UK: Cambridge UP).

Prince, Gerald

1982 Narratology. The Form and Functioning of Narrative. Janua linguarum, Series Maior 108 (Berlin/New York: Mouton de Gruyter).

Richardson, Brian

1987 "'Time is out of Joint': Narrative Models and the Temporality of the Drama," in Poetics Today 8.2: 299–309.

1988 "Point of View in Drama: Diegetic Monologue, Unreliable Narrators and the Author's Voice on Stage," in Comparative Drama 22.3: 193–214.

1997 "Beyond Poststructuralism: Theory of Character, the Personæ of Modern Drama, and the Antinomies of Critical Theory," in Modern Drama 40: 86–99.

2001 "Voice and Narration in Postmodern Drama," in New Literary History 32.3: 681–94.

Ryan, Marie-Laure

Possible Worlds, Artificial Intelligence and Narrative Theory (Bloomington, IN: Indiana UP).

"The Modes of Narrativity and their Visual Metaphors, " in Style 26.3: 368–87.

2004a "Introduction," in Narrative Across Media. The Languages of Storytelling, edited by Marie-Laure Ryan. Frontiers of Narrative, 1–40 (Lincoln: University of Nebraska Press).

Ryan, Marie-Laure (ed.)

2004b Narrative across Media. The Languages of Storytelling. Frontiers of Narrative (Lincoln: University of Nebraska Press).

Shaffer, Peter

1980 Amadeus (London: Deutsch).

Shakespeare, William

2003 [1594] The Taming of the Shrew, edited by Ann Thompson (Cambridge: Cambridge UP).

Shaw, George Bernard

1974 [1898] Cæsar and Cleopatra, in Three Plays for Puritans, George Bernard Shaw, 127–243 (London: Penguin).

1974 [1897] The Devil's Disciple, in Three Plays for Puritans, George Bernard Shaw, 41–126 (London: Penguin).

Stanzel, Franz Karl

2001 [1979] Theorie des Erzählens (Göttingen: Vandenhoeck & Ruprecht).




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