A bibliography of Literary Theory, Criticism and Philology

Fantômas series. Paris: Fayard, 1912.

_____. L'Agent secret. (Fantômas series).

Bargiel, Réjane, and Ségolène Le Men, eds. L'Affiche de librairie au XIXe siècle. (Les Dossier du musée d'Orsay 15). Paris: ministère de la Culture et Edition de la Réunion des musées nationaux, 1987.

Gauthier, Guy. "Image et texte: le récit sous le récit." Langage 75 ("Lettres et icônes") (Sept. 1984).

Leblanc, Maurice. "L'arrestation d'Arsène Lupin." Je sais tout 6 (July 1905).

_____. "L'arrestation d'Arsène Lupin." In Arsène Lupin, gentleman-cambrioleur. Introd. Jules Claretie. Pierre Lafitte, 1907.

Boyer, Alain-Michel. "Le contrat de lecture." In Littérature populaire: peuple, nation, région. Actes du colloque 18-20 mars 1986, "Trames." Limoges: Faculté de Lettres, 1988.

Lotman, Youri. La structure du texte artistique. Paris: Gallimard.

Stendhal. Lamiel. In Romans et nouvelles. (Bibliothèque de la Pléiade). Vol. 2.

Dunant, Sarah. Snowstorms in a Hot Climate. Novel.

_____. Fatlands. Novel.

_____. Under My Skin: A Hannah Wolfe Mystery. Novel. New York: Scribner, 1995.*

Gass, William. "Flattery and Whining." Rev. of The Book of Prefaces. Ed. Alasdair Gray. London Review of Books 5 oct. 2000: 9-12.* (Prefaces, etc.).

Berry, Wendell. (TS Eliot Award, Poets' Prize 2000). Jayber Crow: A Novel. (The Life History of Jayber Crow, Barber, of the Port William Membership, as Written by Himself). Counterpoint Press, 2000.

_____. Life Is a Miracle: An Essay Against Modern Superstition. Counterpoint Press, 2000.

_____. The Memory of Old Jack. Counterpoint Press, 1999.

_____. A Timbered Choir: The Sabbath poems 1979-1997. Counterpoint Press, 1998.

_____. Selected Poems. Counterpoint Press, 1999.

Simic, Charles. "Three Poems by Charles Simic (Car Graveyard, Empty Barbershop, Used Clothing Store)." London Review of Books 5 Oct. 2000: 10.*

Bell, Gertrude. The Arabian Diaries, 1913-1914. Ed. Rosemary O'Brien. Syracuse (NY): Syracuse UP, 2000.

Brabazon, James. Albert Schweitzer: A Biography. 2^nd ed. Syracuse: Syracuse UP, 2000.

Jabra, Jabra Ibrahim. (Palestinian-Arabic author). In Search of Walid Masoud. Novel. Trans. Roger Allen and Adnan Haydar. Syracuse( (NY): Syracuse UP, 2000.

Serageldin, Samia. The Cairo House: A Novel. Syracuse( (NY): Syracuse UP, 2000.

Cooke, Miriam. Hayati, My Life. Novel. Syracuse( (NY): Syracuse UP, 2000. (Palestinian women).

Concha, Angeles de la (UNED). "The End of History, or, Ist It? Circularity versus Progress in Caryl Phillips' The Nature of Blood." Miscelánea 22 (2000): 1-19.*

Ganteau, Jean-Michel (U de Montpellier). "Post-Baroque Sublime? The Case of Peter Ackroyd." Miscelánea 22 (2000):21-44.*

Arobase: A Journal of Literatures and Humanities. http://www.arobase.to/index.html

Harris, Christine (U de Castilla-La Mancha). "Caribbean Women Poets: Disarming Tradition." Miscelánea 22 (2000): 45-60.*

Llantada Díaz, María Francisca (U de Zaragoza). "May Sinclair's The Three Sisters as an Early Example of Modernist Fiction." Miscelánea 22 (2000): 61-81.*

Luzón, Vicky (U de Zaragoza). "Raving about Things that Won't Solve: Marylee Hadley in Written in the Wind." Miscelánea 22 (2000): 83-99.* (Sirk).

Martín, Sara (U Autònoma de Barcelona). "Meeting the Civilised Barbarian: Bram Stoker's Dracula and Joseph Conrad's Heart of Darkness." Miscelánea 22 (2000): 101-21.*

Oertel, Daniel (U of Cologne). "Effects of Garden-Pathing in Martin Amis's Novels Time's Arrow and Night Train." Miscelánea 22 (2000): 123-40.*

Otero Blanco, Angel (U de Santiago de Compostela). "The African Past in America as a Bakhtinian and Levinasian Other: 'Rememory' as Solution in Toni Morrison's Beloved." Miscelánea 22 (2000): 141-58.*

Walton, David. "Fashioning the Self from the Chasm: De Profundis and the Chronotope of Post-Prison Time." Miscelánea 22 (2000): 159-74.*

Chandra, Vikram. "The Cult of Authenticity: India's Cultural Commissars Worship 'Indianness' Instead of Art." Miscelánea 22 (2000): 175-200.*

Sales Salvador, Dora. (U Jaume I de Castellón). "Listening to Vikram Chandra: 'All Stories Have in Them the Source of All Other Stories'." Miscelánea 22 (2000): 201-13.* (Interview).

García Landa, José Angel. Rev. of Recent Trends in Narratological Research: Papers from the Narratology Round Table ESSE 4, September 1997, Debrecen, Hungary, and Other Contributions. Ed. John Pier. Miscelánea 22 (2000): 215-22.

McCracken, Ellen. New Latina Narrative: The Feminine Space of Postmodern Ethnicity. Tucson: U of Arizona P, 1999.

Gil Carasol, Vicky. (U de Zaragoza). Rev. of New Latina Narrative. By Ellen McCracken. Miscelánea 22 (2000): 223-25.*

Bronfen, Elisabeth. Der Literarische Raum: Eine Untersuchung am Beispiel von Dorothy M. Richardsons Romanzyklus Pilgrimage. Tübingen: Niemeyer, 1986.

_____. Dorothy Richardson's Art of Memory: Space, Identity, Text. Trans. Victoria Appelbe. Manchester: Manchester UP, 1999. Trans. of Der Literarische Raum.

Llantada Díaz, María Francisca. Rev. of Dorothy Richardson's Art of Memory. By Eliabeth Bronfen. Miscelánea 22 (2000): 227-31.*

Mazzoni, Giacopo. (1548-1598). From On the Defence of the Comedy of Dante (From "Introduction and Summary"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Sidney. An Apology for Poetry. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Corneille. (1606-1684). "Of the Three Unities of Action, Time, and Place." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Dryden. Fromk An Essay of Dramatic Poesy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From the Preface to Troilus and Cressida. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From the Preface to Sylvae. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Behn, Aphra. (1640-1689). From The Dutch Lover: "Epistle to the Reader." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Preface to The Lucky Chance. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Vico. (1668-1744). From The New Science. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Addison, Joseph. (1672-1719). Spectator 62 (True and False Wit). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Spectator 412 (On the Sublime). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Young, Edward. (1683-1765). From Conjectures on Original Composition. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Pope. An Essay on Criticism. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Johnson. The Rambler 4 (On Fiction). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From History of Rasselas, Prince of Abyssinia. (Ch. X). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From the Preface to Shakespeare. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "Cowley" (On Metaphysical Wit). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Hume. (1711-1776). "Of the Standard of Taste." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Kant. From Critique of Judgment (From Introduction, from Book 1, Analytic of the Beautiful; from Book 2, Analytic of the Sublime). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Burke. From A Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful. (Introduction: "On Taste"; VII, "Of the Sublime"; XXVII "The Sublime and Beautiful Compared"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Lessing, Gotthold Ephraim (1729-1781). From Laocoön (From Preface; Chs. 1-3, 9, 10, 12, 15, 16-18, 21). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Schiller. (1759-1805). From On the Aesthetic Education of Man (Letters 2, 6, 9). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Wollstonecraft, Mary (1759-1797). From A Vindication of the Rights of Woman (From Ch. 2: "The Prevailing Opinion of a Sexual Character Discussed"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Stäel, Germaine Necker de (1766-1817). From Essay on Fictions. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From On Literature Considered in its Relationship to Social Institutions ("On Women Writers"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Schleiermacher, Friedrich. (1768-1834). From Hermeneutics (From "The Outline of the 1819 Lectures"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Hegel. (1770-1831). From Phenomenology of Spirit. (§§178-96, Master-Slave Dialectic). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Lectures on Fine Art. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Wordsworth. Preface to the Second Edition of Lyrical Ballads and Appendix. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Coleridge. From The Statesman's Manual. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Biographia Literaria (From I.1, I.4, I.13 and II.14). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Peacock. "The Four Ages of Poetry." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Shelley. From A Defence of Poetry. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Emerson (1803-1882). From "The American Scholar." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "The Poet." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Poe, Edgar Allan. (1809-1849). "The Philosophy of Composition." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Gautier, Théophile. (1811-1872). From the Preface to Mademoiselle de Maupin. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Marx (1818-1883) and Engels (1820-1895). From Economic and Philosophic Manuscripts of 1844. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The German Ideology. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The Communist Manifesto. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Preface to A Contribution to the Critique of Political Economy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Grundrisse. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Capital ("The Fetishism of Commodities"; "The Struggle for a Normal Working-day"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "Letter from Friedrich Engels to Joseph Bloch." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Baudelaire. From The Painter of Modern Life. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Arnold. "The Function of Criticism at the Present Time." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Culture and Anarchy (From Ch. 1: "Sweetness and Light"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Pater. From Studies in the History of the Renaissance (Preface; Conclusion). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Mallarmé (1842-1898). "Crisis in Poetry." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

James. (1843-1916). The Art of Fiction. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Nietzsche. On Truth and Lying in a Non-Moral Sense. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The Birth of Tragedy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Wilde. Preface to The Picture of Dorian Gray. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The Critic as Artist. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Freud. From The Interpretation of Dreams (From Ch. 5, "The Oedipus Complex"; from Ch. 6, "The Dream Work"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. The "Uncanny." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Fetishism." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Saussure. From Course in General Linguistics (From Part I, "General Principles"; Ch. 1, "Nature of the Linguistic Sign", ch. 4, "Linguistic Value"; ch. V "Syntagmatic and Associative Relations"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Du Bois, W. E. B. (1868-1963). "Criteria of Negro Art." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Jung (1875-1961). "On the Relation of Analytical Psychology to Poetry." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Trotsky, Leon (1879-1940). From Literature and Revolution (Ch. 5, "The Formalist School of Poetry and Marxism"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Woolf. From A Room of One's Own. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Lukács, György. (1885-1971). "Realism in the Balance." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Eichenbaum, Boris (1886-1959). "The Theory of the 'Formal Method'." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Eliot, T. S. "Tradition and the Individual Talent." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "The Metaphysical Poets." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Ransom. "Criticism, Inc." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Heidegger. "Language." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Gramsci (1891-1937). From the Prison Notebooks ("The Formation of the Intellectuals"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Benjamin (1892-1940). "The Work of Art in the Age of Mechanical Reproduction." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Bakhtin, M. M. (1895-1975). From "Discourse in the Novel." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Horkheimer (1895-1973) and Adorno (1903-1969). From Dialectic of Enlightenment (From "The Culture Industry: Enlightenment as Mass Deception"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Wilson, Edmund (1895-1972). "Marxism and Literature." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Jakobson, Roman. (1896-1982). From "Linguistics and Poetics." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "Two Aspects of Language and Two Types of Aphasic Disturbances." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Burke, Kenneth. (1897-1993). "Kinds of Criticism." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Hurston, Zora Neale. (1901-1960). "What White Publishers Won't Print." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Characteristics of Negro Folk Expression." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*