Adam, Adolphe (1803 1856)
MUSSORGSKIJ, Modest Peter (1839 - 1881)
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MUSSORGSKIJ, Modest Peter (1839 - 1881)
Eugenij Nesterenko - Galina Kalinina - Denis Koroljow - Nina Grigorjewa – Andrej Sokolov - W. Maltschenko - Valerij Rjapa - Irina Archerowa - Artur Eisen – Vitaly Wlassow - Vladimir Jaroslawtsew - Larissa Nikitina - Aleksij Maslennikow – Wladimir Filipow Dir: Boris Chaikin / Reg: A. Pokrovski Bolshoi Theater, Moskau 1980 2) Boris Godunow Anatoli Kotscherga - Wladimir Szezerbakow - Vitali Tarashenko - Ryszarda Racewicz Dir: Robert Satanowski / Reg: Marek Grzesinski Berliner Waldbühne 1986 - Stereo 3) Boris Godunow Anatoli Kotscherga Dir: Stefan Turcha / Reg: Oleg Kostiuschenko FILM 1987 4) Boris Godunow Robert Lloyd - Aleksej Steblianko - Olga Borodina - Sergei Leiferkus – Alexander Morosov - Evgeny Fedotov - Grigori Karasyov - Mikhail Kit - Yevgeny Boitsov - Ludmila Filatova - Vladimir Ognovenko - Olga Kondina - Larissa Dyatkova - Igor Yan - Evgenia Perlassova - Vladimir Solodovnikov Dir: Valery Gergiev / Reg: Stephen Lawless Maryinsky Theater, Leningrad 1990 5) Boris Godunov Anatoli Kotscherga - Ruxandra Donose - Lisa Larsson - Eugenia Gorochowskaja - Philip Langridge - Albert Schagidullin - Alexander Morosow - Vladimir Galouzine - Marjana Lipovsek - Sergei Leiferkus - Aage Haugland - Wilfried Gahmlich - Mariana Tarasova - Goran Simic - Alexander Fedin - István Gati - Maxime Michailow Dir: Claudio Abbado / Reg: Michael Dewitte Salzburger Festspiele 8.4.1998 - Stereo 6) Khovanshchina Nicolai Ghiaurov - Wladimir Atlantov - Juri Masurin - Anatoli Kotscherga - Ludmilla Semtschuk - Heinz Zednik - Paata Burchuladze - Brigitte Poschner-Klebel - Peter Köves - Joanna Borowska - Wilfried Gahmlich - Timothy Breese - Bojidar Nikolov - Goran Simic Dir: Claudio Abbado / Reg: Alfred Kirchner Staatsoper Wien 21.1.1989 - Stereo 7) Khovanshchina Bulat Minjelkiev - Yuri Masurin - Tatiana Kravtsova - Constantin Pluzhnikov – Olga Borodina - Viacheslav Trofimov - Evgenia Tselovalnik - Nikolai Gassiev – Evgeni Fedotov - Andrei Khramtsov - Vasili Gerelo - Mikhail Chernozhukov - Valery Lebed Dir: Valery Gergiev / Reg: Fyodor Lopukhov Maryinsky Theater, St. Petersburg 1992 - Stereo NAUMANN, Johann Gottlieb (1741 – 1801) 1) Gustaf Wasa Anders Andersson – Nicolai Gedda – Tord Wallstrom – Lena Nordin – Dorrit Kleimert – Marianne Myrsten – Eva Pilat – Inger Blom – Henrik Westberg – Rolf Cederlöf – Ingela Malmsjö – Iwa Sörenson – Marie Dimpker – Nina Stemme – Anita Sjöström – Sonny Wallentin – Staffan Sandlund
Königlich Schwedische Oper Stockholm 1991 NICOLAI, Otto (1810 - 1849)
Karl Ridderbusch - Helen Donath - Trudeliese Schmidt - Wolfgang Brendel – Lilian Sukis - Alexander Malta - Heinz Zednik - Nikolaus Paryla - Alfred Sramek - Claes H. Ahnsjö Dir: Rafael Kubelik / Reg: Franco Enriquez FILM 1977 NIELSEN, Carl (1865 - 1931)
Ib Hansen - Minna Nyhus - Stig Fogh Andersen - Guido Paevatalu - Inga Nielsen - Christian Srensen - Poul Karlskov - Elsebeth Lund Dir: Lamberto Gardelli / Reg: Preben Montell Dänischer Rundfunk 1986 NTSC+PAL 2) Saul og David Leif Roar - Stig Fogh Andersen - Eva Johansson - Kjeil Magnus Sandve - Jørgen Kleint - Christian Christiansen - Minna Nyhus - Elisabeth Lund - Anders Jakobsson - Antje Jansen Dir: Sixten Ehrling / Reg: Henrik Hartmann Musikafdelingen 1986 OBST, Michael (1955 - ) 1) Solaris Eva-Maria Kuhrau (Harey) - Hector Guedes (Kelvin) - Dario Süss (Snaut) - Wolfram Guenther (Sartorius) - Lara Osana (Mime)
München, 5. Biennale 1996 - Stereo OFFENBACH, Jacques (1819 - 1880)
Jean Dupouy (Le Sire de Barbe-Bleue) - Jean-Paul Muel (Le Roi Bobèche) - Maurice Sieyes (Le Comte Oscar) - Jean-Philippe Lafont (Popolani) - Thierry Dran (Le Prince Saphir) - Philippe Beglia (Alvarez) - Jane Berbié (Boulotte) - Monique Barscha (La Reine Clémentine) - Claudette Peterson (La Princesse Hermia) - Isabel Garcisanz (Héloïse) - Eliane Dormond (Rosalinde) - François Galais (Isaure) - Josette Fontana (Blanche) - Carole Bajac (Eléonore) - Edouard Nerval (Un greffier) Dir: Marc Soustrot / Reg: Daniel Schmid / Bü: Roberto Platé / Ko: Christian Gasc / Choreographie: Alphonse Poulin / Licht: Vannio Vanni Grand Théâtre de Génève 1985 - Stereo 2) La belle Hélène Vesselina Kasarova (Helena, Königin von Sparta) - Deon van der Walt (Paris, Sohn des Königs Priamos) - Carlos Chausson (Calchas, Großaugur des Jupiter) - Volker Vogel (Menelaos, König von Sparta) - Oliver Widmer (Agamemnon, König der Könige) - Liliana Nichiteanu (Orest, Sohn des Agamemnon) - Rubén Amoretti (Ajax I., König von Salamis) - Cheyne Davidson (Ajax II., König der Lokrer) - Steve Davislim (Achill, König von Phtiotis) - Ruth Rohner (Bacchus, Dienerin der Helena) - Ulrika Precht (Leona, Hetäre) - Lisa Larsson (Parthenis, Hetäre) - Karl Adam (Philocome, Diener des Calchas, Beauftragter für den Donner) - Jean-Paul Boeglin (Euthycles, Schmied) - Jakob Baumann (Ein Sklave) Dir: Nikolaus Harnoncourt / Reg: Helmut Lohner / Bü: Paolo Piva / Ko: Jean-Charles de Castelbajac+Hans de Foer / Licht : Robertus Cremer Opernhaus Zürich 1997 - Stereo 3) La belle Hélène Alexandru Badea (Páris) – Dale Duesing (Menelas) – Victor Braun (Agamemnon) – Buddy Elias (Calchas) – Lynton Black (Achille) – Doug Jones (Ajax 1) – Philip Doghan (Ajax 2) – Nora Gubisch (Hélène) – Dominique Visse (Oreste) – Jacqueline van Quaille (Bacchis) – Henrike Jacob (Leœna) – Cecile Boever (Parthenis) Dir: Stephane Petitjean/ Reg+Bü+Ko+Licht: Herbert Wernicke/ Choreographie: Andrew George Aix-en-Provence 1999 - Stereo
Ugo Benelli (Falsacappa) - Léonard Pezzino (Fragoletto) - Christian Asse (Pietro) - Bernard Pisani (Antonio, le caissier) - Maurice Sieyes (Le Comte de Gloria-Cassis) - Michel Hamel (Le Baron de Campo-Tasso) - Thierry Dran (Le Duc de Mantoue) - Charles Ossola (Le chef de carabiniers) - Pierre Arbel (Carmagnola) - Jacques Loreau (Pipo) - Jean-Pierre Chevalier (Adolphe de Valladolid) - Dozier (Domino) - Philippe Beglia (Barbavano) – Samuel Hasler (Le précepteur) - Mariette Kemmer (Fiorella) - Monique Barscha (La Princesse de Grenade) - Sylvie Bertho (Zerlina) - Josette Fontana (Fiametta) - Marie-Therese Orain (La Duchesse / Pipa) - Eliane Varon (La Marquise) - Valerie Chevalier (Bianca) - Alida Barbasini (Cicinella) - Rosale Beranger (Pipetta) Dir: John Miner / Reg: Alain Marcel / Bü+Ko: Carlos Cytrynowski / Choreographie: Alphonse Poulin Grand Théâtre de Génève Dezember 1986 - Stereo 5) Les Brigands Michel Trempont (Falsacappa) - Valérie Chevalier (Fiorella) - Colette Alliot-Lugaz (Fragoletto) - Riccardo Cassinelli (Pietro) - Guy Flechter (Carmagnola) - Jean-Louise Meunier (Domino) - Antoine Garcin (Barbavano) - Jean-Luc Maurette (Le Duc de Mantoue) - Bernard Pisani (Le caissier) - Georges Gautier (Le Baron de Campo-Tasso) - Jean-Luc Viala (Le Baron Gloria-Cassis) - Monique Barscha (La Princesse de Grenade) - Antoine Normand (Adolphe de Valladolid) - Jean-Louis Poirier (Jean-Louis de Pujol) - Michel Denonfoux (Le précepteur) - Consuelo Caroli (La Duchesse) - Marie Boyer (La Marquise Bianca) - Sylvie Bertho (Zerlina) - Isabelle Eschenbrenner (Fiametta) - Claudine Ducret (Cicinella) - Jacques Loreau (Pipo) - Judith Becle (Pipa) - Fabrice Pothier (Pipetto) - René Schirrer (Le chef des carabiniers) – Charles Benichou – Jean-Claude Bolle-Reddat - Aristide Legrand – Charles-Roger Bour – Daniel Der Garabedian – Philippe Dusigne (carabiniers) Dir: Claire Gibault / Reg: Louis Erlo+Alain Maratrat / Bü: Gian Maurizio Fercioni / Ko: Fedinando Bruni Opéra de Lyon 1989 - Stereo 6) Hoffmanns Erzählungen Darsteller: Moira Shearer – Ludmilla Tcherina – Ann Ayars – Pamela Brown – Leonide Massine – Robert Helpmann – Frederick Ashton – Mogens Wieth – Robert Rounseville – Lionel Harris – Philip Leaver Sänger: Rita Streich – Anny Schlemm – Anneliese Mueller – Maria Reith – Werner Schock – Josef Metternich – Paul Schmidtmann – Johanna Blatter Dir: Thomas Beecham / Buch+Reg: Michael Powell+Emeric Pressburger / Bauten: Arthur Lawson / Bü+Ko: Hein Heckroth / Ko für Moira Shearer und Ann Ayars: Josephine Boss / Choreographie: Frederick Ashton London Film 1950 7) Les contes d’Hoffmann Plácido Domingo (Hoffmann) - Claire Powell (Niklaus / Die Muse) - Luciana Serra (Olympia) - Agnes Baltsa (Giulietta) - Ileana Cotrubas (Antonia) - Deanne Bergsma (Stella) - Robert Lloyd (Lindorf) - Geraint Evans (Coppelius) - Siegmund Nimsgern (Dapertutto) - Nicola Ghiuselev (Mirakel) - Paul Crook (Andreas / Cochenille) - Francis Egerton (Piticinaccio) - Bernard Dickerson (Franz) - Robbin Leggate (Nathanael) - John Rawnsley (Hermann) - Eric Garett (Luther) - Phyllis Cannen (Mutter) - Gwynne Howell (Crespel) - Robert Tear (Spalanzani) - Philip Gelling (Schlemihl) Dir: Georges Prêtre / Reg: John Schlesinger / Bü: William Dudley / Ko: Maria Björnson Royal Opera House Covent Garden 1981 8) Hoffmann Meséj (ungarisch) Péter Kelen (Hoffmann) – Judit Szabó (Olympia – gesungen von Katalin Farkas) - Ilona Tokody (Atonia) - Etelka Csavlek (Giulietta) - Adél Kováts (Stella) – Jolán Sánta (Miklós) - György Melis (Lindorf / Coppelius / Dappertutto / Dr. Miracle) - Kamill Feleki (Requisiteur / Cochenille / Pitichinaccio / Ferenc) - Katalin Mészöly (Antonias Mutter) - Endre Harkányi (Luther / Spalanzani) – György Sinkó (Crespel) - András Laczó (Nathanael) - Béla Timár (Hermann) - Péter Trokán (Schlemil) – László Seregi (Domino, Pantomime) Dir: Ervin Lukács / Reg: Miklós Szinetár / Bauten: Miklós Krajczár / Bü: László Duba / Ko: Teréz D. Forgó FILM 1991 9) Des contes d’Hoffmann Daniel Galvez-Valecho - José van Dam - Natalie Dessay - Gabriel Bacquier - Jacques Verzier - Isabelle Vernet - Barbara Hendricks - Brigitte Balleys - Hélène Jossoud - Lisette Malidor Dir: Kent Nagano / Reg: Luis Erlo Opera de Lyon 1993 - Stereo 10) Les contes d’Hoffmann Neil Shicoff (Hoffmann) - Susanne Mentzer (Nicklausse / La Muse) - Natalie Dessay (Olympia) - Cristina Gallardo Domas (Antonia) - Denyce Graves (Giulietta) - Anna Catarci (Stella) - Mariana Pentcheva (Une voix) - Ernesto Panariello (Luther) - Samuel Ramay (Lindorf / Coppélius / Miracle / Dapertutto) - Sergio Bertocchi (Spalanzani) - Silvestro Sammaritano (Hermann) - Renzo Casellato (Andrès / Cochenille / Frantz / Pitichinaccio) - Boris Martinovic (Crespel) - Oslavia di Credico (Nathanal) - Jose’ Fardilha (Schlemil) - Tiziano Mietto (Un clochard) - Mariuccia Galleani (Prima ballerina) Dir: Riccardo Chailly / Reg: Alfredo Arias / Bü+Ko: Franoise Tournafond / Choreographie: Antonella Agati / Licht: Gianni Mantovanini Teatro alla Scala 1999 - Stereo 11) Les contes d’Hoffmann Neil Shicoff (Hoffmann) – Angelica Kirchschlager (Die Muse / Niklas) – L’ubica Vargicová (Olympia) – Waltraud Meier (Giulietta) - Ruggero Raimondi (Lindorf / Coppélius / Doktor Mirakel / Dapertutto) – Jeffrey Francis (Andrès / Cochenille / Pitichinaccio / Frantz) – Kurt Rydl (Crespel) – Robert Tear (Spalanzani) Marjana Lipovek (Antonias Mutter) – Jochen Schmeckenbecher (Peter Schlémil) – John Nuzzo (Nathanael) – Markus Eiche (Hermann) – Peter Loehle (Meister Luther) – Ursula Pfitzner (Stella) Dir: Kent Nagano / Reg: David McVicar / Bü+Ko: Tanya McCallin / Choreographie: Andrew George / Licht: Paule Constable Salzburger Festspiele 2003 - Stereo 12) Eljegyzés lámpafénynél (Le Mariage aux Lanternes) (ungarisch) Gábor Maros (Pierre) - Marika Oszvald (Denis) - Andrea Zsadon (Franchette) - Zsuzsa Domonkos (Catherin) - Kálmán Latabár (Ein Briefträger) Dir: Katalin Váradi / Reg: Cecilia Fejes / FilmReg: László Vámos / Bü: András Langmár / Ko: Marianne Wieber Film - Stereo
Alexandru Badea (Orpheus) - Elizabeth Vidal (Eurydice) - Dale Duesing (Jupiter) - Reinaldo Macias (Pluto / Aristeus) - André Jung (John Styx) - Michele Patzakis (Venus) - Marie-Noelle De Callatay (Cupido) - Sonja Theodoridou (Diana) - Franck Cassard (Merkur) - Désirée Meiser (Die öffentliche Meinung) - Jacqueline van Quaille (Juno) Dir: Patrick Davin / Reg+Bü+Ko: Herbert Wernicke / Choreographie: Andrew George+Syvia Printemps / Licht: Robert Brasseur Théâtre Royal de la Monnaie, Bruxelles 1997 - Stereo 14) Orphée aux enfers Natalie Dessay (Eurydice) – Yann Beuron (Orphée) – Jean-Paul Fouchecourt (Aristée / Pluton) – Laurent Naouri (Jupiter) – Martine Olmeda (L’Opinion Publique) – Steven Cole (John Styx) – Cassandre Berthon (Cupidon) – Etienne Lescroart (Mercure) – Virginie Pochon (Diane) – Lydie Pruvot (Junon) – Maryline Fallot (Vénus) – Alketa Cela (Minerve) – Sherman Pleismer (Violoniste) Tänzer : Antonio-José Barbero-Peral – Jerôme Benoist – Hélène Bourbeillon – Annabelle Chambon – Elia Coppens – Bénédicte Duport – Florent Ottello – Murielle Pierron Dir: Marc Minkowski / Reg+Ko: Laurent Pelly / Bü: Chantal Thomas / Ko: Michel Dussarat / Choreographie: Dominique Boivin / Licht: Joël Adam L’Opéra National de Lyon Dezember 1997 - Stereo 15) Orpheus in der Unterwelt (deutsche Fassung von Jan Rymon) Jochen Kowalski (Orpheus) - Gabriele Fontana (Eurydike) - Roger Smeets (Pluto / Aristeus) - Günter Neumann (Jupiter) - Anny Schlemm (Öffentliche Meinung) - Werner Enders (John Styx) - Christoph Späth (Merkur) - Stefan Stoll (Mars) - Deborah Klugt (Diana) - Andreas Conrad (Cupido) - Ute Trekel-Burckhardt (Juno) - Susanne Serfling (Minerva) - Hanna Dora Sturludottir (Venus) - Hans-Martin Nau (Morpheus) - Alenka Cenzel (Fortuna) - Gitta Mayer-Hein (Hebe) - Mike Tscheche (Bacchus) - Gregor von der Wall (Zerberus) Dir: Tetsuro Ban / Reg: Harry Kupfer / Bü: Hans Schavernoch / Ko: Reinhard Heinrich / Choreographie: Roland Giertz / Licht: Franck Evin Komische Oper Berlin 1999 - Stereo 16) La Périchole Maria Ewing (La Périchole) - Gabriel Bacquier (Don Andrès di Ribeira, Vice-Roi du Pérou) - Neil Rosenshein (Piquillo) - Ricardo Cassinelli (Le Comte Miguel de Panatellas) - Paolo Martinelli (Don Pedro de Hinoyosa) - Charles Ossola (Erster Notar / Aufseher) - Samuel Hasler (Zweiter Notar) - Madelyn Renée (Erste Kusine / Erste Edeldame) – Monique Barscha (Zweite Kusine / Zweite Edeldame) - Nicole Buloze (Dritte Kusine / Dritte Edeldame) - Jean-Paul Muel (Ein alter Gefangener) Dir: Marc Soustrot / Reg: Jérôme Savary / Bü: Michel Lebois / Ko: Michel Dussarat / Licht: Alain Poisson Grand Théâtre de Génève 1982 - Stereo 17) La Périchole Elise Caron (La Périchole) – Éric Huchet (Piquillo) – Jérôme Savary (Don Andres) – Antonin Maurel (Panatellas) – Denis Brandon (Don Pedro) – Sophie Tellier (Guadalena / Erste Kusine) – Mona Heftre (Berginella / Zweite Kusine) – Jaqueline Danno (Mastrilla / Dritte Kusine) – François Borysse (Erster Notar) – Michel Dussarrat (Zweiter Notar / Offenbach / Tarapotte / alter Gefangener) – Miglen Mirtchev (Der Aufseher) – Pierre Jacquemont (Der Butler) Dir: Gérard Daguerre / Reg+Bü: Jérôme Savary / Ko: Michel Dussarrat / Licht: Alain Poisson / Choreographie: Friederike Betz Opéra comique, Paris 31.12.2000 - Stereo 18) Robinson Crusoe Gérard Garino (Robinson) – Jean-Louis Soumagnas (Sir William Crusoé) – Christian Papis (Toby) – Michel Trempont (Jim Coks) – Michel Philippe (Atkins) – Cynthia Clarey (Vendredi) – Danielle Borst (Edwige) – Marie-Christine Porta (Suzanne) – Anna Ringart (Deborah) Dir: Michel Tabachnik / Reg: Robert Dhery / Bü: Bernard Dayde / Ko: Philippe Binot / Choreographie: Michel Rayne/ Licht: Serge Peyrat Opéra de Paris 1986 – Stereo NTSC 19) La vie parisienne Ricardo Cassinelli (Le Brésilien) - Jacques Sereys (Frick / Prosper) - Michel Trempont (Baron de Gondremarck) - Gilles Ramade (Bobinet) - Jean Dalric (Raoul de Gardefeu) - Christian Asse (Urbain / Joseph) - Maurice Sieyes (Alfred / Gontran) - Suzanne Gari (Gabrielle) - Jennifer Ringo (Baronne de Gondremarck) - Isabelle Vernet (Metella) - Marie-Thérèse Orain (Mme de Quimper Karadec) - Sophie Fournier (Pauline) - Jo-Johnny (Alphonse) Dir: Marc Soustrot / Reg: Jérôme Savary / Bü: Michel Lebois / Ko: Michel Dussarat / Choreographie: Jean-Louis Bert / Licht: Alain Poisson Grand Théâtre de Génève 1990 - Stereo 20) Le Voyage dans la Lune Joseph Evans (Caprice) - Marie MacLaughlin (Fantasia) - Monique Barscha (Popotte) - Michel Trempont (V’lan) – Ricardo Cassinelli (Qui pass’par-là) - Christian Asse (Microscope) – Michel Dussarrat (Cactus / Coefficient) - Jules Bastin (Cosmos) - Jennifer Ringo (Flamma, und bourgeoise) - Marie-Therese Keller (Adja, und bourgeoise) - Marie-Therese Orain (Cascadine) – Fabrice Raviola (Cosinus, un bourgeois aux marché aux femmes) - Philippe Beglia (Général Boumboum / Parabase) - Alida Barbasini (Litella) - Stephanie Burkhard (Microma) - Josette Fontana (Phoebe) - Antoinette Faes (Stella, und forgeronne) - Isabelle Serbu (Hyperba) - Samuel Hasler (Rectangle, un commissaire-priseur) - Andre Battedou (Phichipsi / Grosbedon / Rudolph) - Reinaldo Macias (Omega, un forgeron) Dir: Marc Soustrot / Reg: Jêrome Savary / Bü: Michel Lebois / Ko: Michel Dussarrat / Licht: Alain Poisson / Choreographie: Jean-Louis Bert Grand Théâtre de Génève 1986 - Stereo ORFF, Carl (1895 - 1982)
Maximilian Schell - Margot Trooger - Hans Clarin - Rolf Castell - Willy Anders – Hans Josef Becher - Wolfgang Büttner - Adolf Ziegler - Hans Baur - Ernst Ginsberg - Viktor Gehring - Carine Christian - Hans Winninger - Karl Schaidler Dir: Karl List / Reg: Gustav Rudolf Sellner FILM 1958
Tobias Moretti - Sunnyi Melles - Kai Peterson - Franz Waechter - Dirk Warme – Otto Bolesch - Laszlo Maleczky - Erich Padalewski - Bruno Dallansky - Fritz Holzer - Josef Forstner - Rudolf Wasserlof - Klaus Ofczarek - Michael Roider - Erich Auer - Hans Kraemmer - Alfred Kainz - Ernst Straka - Josef Luftensteiner - Marian Pop - Sebastian Reinthaller - Michael Kurz - Jürgen Holtz - Stefan Rössler - Roland Winkler - Ferdinando Chefalo - Olga Schalaewa Dir: Sebastian Weigle / Reg: Thomas Langhoff / Choreographie: Zdravko Haderlap 20.12.1997 Volksoper Wien - Stereo 3) Carmina Burana Lucia Popp - Hermann Prey - Hermann van Kesteren - Benno Hoffmann Dir: Kurt Eichhorn / Reg: Jean Pierre Ponnelle FILM 1975 - Stereo 4) Carmina Burana Lourdes Ambriz - José Luis Duval - Oscar Marinaz Dir: Jorge Mester / Reg: Fernando Palacios / Choreographie: Nellie Happee Palacio de bellas artes, Mexico City 1998 - Stereo NTSC 5) Die Kluge Armin Kolarczyk (Der König) – Manfred Hofmann (Der Bauer) – Susanne Geb (Des Bauern Tochter) – Wolfgang Forster (Der Kerkermeister) – Garegin Hovsepian (Der Mann mit dem Esel) – Ansver Sobtzick (Der Mann mit dem Maulesel) – Thomas Althammer (Erster Strolch) – Alexander M. Helmer (Zweiter Strolch) – Alexis Wagner (Dritter Strolch) Dir: Roger Boggasch / Reg: Norman Warmuth / Bü: Michael D. Zimmermann / Ko: Antje Adamson / Klaviere: Carsten Bowien, Wolfgang Lischke Fürstbischöfliches Opernhaus Passau 22.3.1997 - Stereo 6) Astutuli Wolfgang Forster – Hubert Kramer (Zween Landsterzer) – Timo Neudorfer – Andreas Richter (Zween Burger) – Bernhard Forster (Jörg Zaglstecher, der Burgermeister) – Maria Sellner jun. (Seine Schwester Fundula) – Monika Färber (Hortula, Gespielin) – Viola Stocker (Vellicula, Gespielin) – Wolfgang Frisch – Klaus Hackl – Christian Miedl (Drei Sponsierer) – Ludwig von Fabris – Alwin Schmidt – Willibald Wühr (Die Drei vom hochweisen Rat) – Markus Fick (Wunibald Hirnstößl) – Alexander Helmer (Der fremde Gagler) – Anita Schemionek (Die Fahrende) Dir: Roger Boggasch / Reg: Johannes Reitmeier / Bü: Michael D. Zimmermann / Ko: Antje Adamson Fürstbischöfliches Opernhaus Passau 22.3.1997 - Stereo PAISIELLO, Giovanni (1740 – 1816) 1) Nina ossìa La Pazza per l’amore Anna Caterina Antonacci – Juan Diego Florez – Michele Pertusi – Donatella Lombardi – Carlo Lepore – Giuseppe Filianoti
Teatro alla Scala, Milan 2000 – Stereo NTSC 2) Nina ossìa La Pazza per l’amore Cecilia Batoli (Nina) – Jonas Kaufmann (Lindoro / Un pastore) – László Polgár (Il Conte) – Juliette Galstian (Susanna) – Angelo Veccia (Giorgio) – Federica Batoli (Villanelle) Dir: Ádám Fischer / Reg: Cesare Lievi / Bü+Ko: Maurizio Baló / Licht: Franz Orban Opernhaus Zürich 2002 - Stereo 3) Il barbiere di Siviglia ovvero La precauzione inutile Maria Grazia Bonelli (Rosina) – Alessandro Safina (Conte d’Almaviva) – Luca Casalin (Figaro) – Gerardo Spinelli (Don Bartolo) – Lorenzo Regazzo (Don Basilio) – Davide Ruperti (Svegliato, ein Notar) – Cosimo d’Adamo (Giovinetto, Der Alkalde) Dir: Gregorio Goffredo / Reg: Flavio Trevisan / Bü: Mario de Carlo / Ko: Eugenio Girardi Teatro Accademico del Bibiena di Mantova 1990 - Stereo PANIZZA, Héctor (1875 – 1967) 1) Aurora Martha Colalillo (Aurora) – Dario Volonte (Mariano) – Marcello Lombardero (Don Ignacio) – Carina Hoxter (Chiquita) – Mario Solomonoff (Lavin) – Carlos Bosch (Lucas) – Omar Carrión (Raimundo) – Gabriel Renaud (Bonifacio) – Gustavo López – Fernando Chalabe – Luciano Garay – Sergio Cattaneo (Vier Studenten) – Giannattonio Verlato (El Obispo) – Rocco Lisotto (Admonitor) - Maria Bugallo – Irene Burt (Zwei Freundinnen) – Edgardo Zecca (Un capitan) – Luis Jauregui Lorda (Un oficial) – Luis Maria Bragato (Un cabo)
Teatro Colón, Buenos Aires 1999 – Stereo NTSC PENDERECKI, Krzysztof (1933 - ) 1) Les Diables de Loudun (adaption française von Antoine Goléa) Hélia T’Hezan (Jeanne, Priorin des Ursulinenordens) – Lysiane Léonard (Philippe Trincant, ein junges Mädchen) – Marie Manzat (Ninon, eine junge Witwe) – Thérese Geeraert (Sœur Gabrielle) – Anna-Maria Castronovo (Sœur Claire) – Sylviane Binamé (Sœur Louise) – Nicolas Christou (Grandier, Pfarrer von St. Peter) – Gérard Serkoyan (Père Barré, Vikar von Chinon) – Albert Voli (Baron de Laubardemont, Kommissär des Königs) – Jean Brun (Manoury, Chirurg) – Louis Mathieu (Père Mignon, Beichtvater der Ursulinen) – Daniel Houbrecht (Adam, Apotheker) – Philippe Kahn (Père Rangier) – Armand Battel (Père Ambrose, ein alter Priester) – Hubert Meens (Jean d’Armagnac, Bürgermeister - Sprechrolle) – Bruce Kelly (Prinz Henri de Condé, Gesandter des Königs) – Edouard Higuet (Guillaume de Cerisay, Stadtrichter) – Claude Massoz (Bontemps, Kerkermeister) – René Fragoso (Gerichtsvorsteher - Sprechrolle)
Théâtre Royal de Liège 1985 - Stereo 2) Die schwarze Maske Dir: Robert Satanowski / Reg: Albert Andre Lheureux / Bü: Andrzej Majewski / Ko: Wielki Teatr Warschau 1988
Veronica Villarroel - Placido Domingo - Mabel Perelstein - Jennifer Wallace - Carlos Chausson - Michael Gallop - John Atkins - Suzanne Guzman - Justino Diaz - Scott Blois - Marissa Chandler - Greg Fedderly - John Klacka - Mark David Miller - Ashley Howard Wilkinson - Richard Bernstein - Tod Fitzpatrick Dir: Miguel Roa / Reg: Emilio Sagi / Bü+Ko: Julio Galan/Choreogr: Goyo Montero Los Angeles Music Center Opera 16.3.1995 - Stereo Domingo's bravura merits a 'bravo!' for 'Gato' Valerie Scher, San Diego Union-Tribune, June 15, 1995 The Harvard Concise Dictionary of Music defines zarzuela as "the most important type of Spanish opera." For a more zestful definition, check out Manuel Penella's "El Gato Montes" ("The Wildcat") Wednesday on KPBS/Channel 15. It's a pungent paella of singing, dancing, drama and folklore. Placido Domingo is the bullfighter El Macareno, a real matador of melody. Justino Diaz is the surly yet sympathetic outlaw referred to in the title. And Veronica Villarroel portrays the orphaned gypsy girl whom both men desire. "El Gato Montes," which premiered in Spain in 1916, isn't merely a genero chico or a zarzuelita, one-acters akin to comic opera. Whatever the work's structural defects -- and they're considerable -- it still qualifies as an ever-so-impressive zarzuela grande. And the Los Angeles Music Center Opera production -- taped last season at L.A.'s Dorothy Chandler Pavilion -- was imported from a hotbed of authenticity, Madrid's Teatro Lirico Nacional la Zarzuela. International blend Domingo -- born in Spain and trained in Mexico -- has known the work since childhood. He calls it "the Spanish answer to 'Carmen' " - an appropriate observation, since "Carmen" was written by Frenchman Georges Bizet. Penella's opulent harmonies also owe a good deal to Puccini and the hot-blooded Italian verismo tradition. Enhancing the realistic effects are Julio Galan's sets, evoking everything from a scrubby Spanish hillside to a moonlit night to a family veranda. Cleverly, the bullfight scene uses vintage black-and-white footage of an actual bullfight, with a torero getting gored. As he falls, Domingo simultaneously collapses on stage, grasping a long, blood-red cape.
Unfortunately, Penella wasn't as gifted a dramatist as he was a composer. The latter part of "El Gato Montes" suffers from poor pacing and misdirected climaxes. Villarroel -- the somewhat matronly love object, who compensates for a wobbly vibrato with impressively pure high notes -- is so upset by the death of her tenor torero that she abruptly dies offstage. The death of Diaz, the blustery baritone villain, is similarly disappointing. While dying, he can't even muster a farewell aria. Yet the production -- conducted by Miguel Roa, staged by Emilio Sagi and deftly directed for television by Gary Halvorson -- has much to recommend it. Though Domingo looks awfully mature for a young bullfighter, he's in splendid voice in a role he obviously cherishes. His pre-bullfight prayer for courage quivers with fervor. His love duet with Villarroel resonates with tragic passion. Valuable contributions also come from the spirited supporting cast, which includes Suzanna Guzman as a sultry fortuneteller and Carlos Chausson as the endearing Father Anton. And for those not fluent in Spanish, the English subtitles are altogether welcome. They merit a hearty muchas gracias. PEPUSCH, John Christopher (1667 - 1752)
Bon Hoskins - Graham Crowden - Gary Tibbs - Stratford Johns - Carol Hall - Patricia Routledge - Ken Stott - Roger Daltrey - Gawn Grainger - Anthony - Pedley – Don Estelle - Richard Stuart - Tim Brown - Leslie Sarony - Peter Spraggon – Jeannie Crowther - Elayne Sharling - Derek Deadman - Kay Stonham - Iris Saunders – Isla Blair - Rosemary Ashe - Lucie Skeaping - Paddy Davin - John Benfield – Jaqueline Davis - Peter Bayliss - Gaye Brown Dir: John Eliot Gardiner / Reg: Jonathan Miller FILM BBC 1983 PERSIANI, Giuseppe (1799 – 1869) 1) Inès de Castro Maria Dragoni – José Sempere – Massimiliano Gagliardo – Lisa Houben – Gianni Mongiardino – Mirella Cisman – Lorenzo Cescotti
Teatro comunale G.B. Pergolesi Jesi 24.9.1999 REVIVAL OF PERSIANI'S INES DE CASTRO - MAGNIFICENT BUT FORGOTTEN OPERA OF THE DONIZETTI-BELLINI ERA GIVES GLIMPSES OF VERDI'S DAWNING The Teatro Pergolesi at Jesi, Italy, celebrated Giuseppe Persiani's birth bicentenary with a revival of the long forgotten but once very popular Ines de Castro. This is to my knowledge the first revival since the early 1850s. While we often indulge in reviving as much as possible the obscure works of famous composers, much less attention is paid to their contemporaries. This is, of course, to our detriment since we cannot fully appreciate the musical and artistic environment in which composers such as Donizetti and Bellini had to operate and compete. The reason why I mention these two specific composers is because, as we all know, with Rossini's absence from Italy compounded by a decline in his prolificacy, there was a gap and the emergence of Bellini and Donizetti has a lot to do with their ability to successfully compete with other contemporary composers. To say that Donizetti and Bellini did not have strong competitors or that they were not watching one another while keeping a keen eye on what other composers were doing is not only naive but also myopic. Giuseppe Persiani was born in 1799, and wrote his first opera in 1826. He is known to chroniclers as the husband of Fanny Tacchinardi (who usually sang as Fanny Persiani), but his wife's rise to international stardom only marginally helped Giuseppe Persiani. A devoted husband, he actually spent more time helping Fanny's career than his own. His greatest success came after he tried with varying results diverse genres including opera buffa, as well as an oratorio titled Abigaille (yes, the nasty lady of Nabucco), and an opera with a happy ending titled Attila in Aquileja. On 28 January 1835 Persiani's Ines de Castro premiered at Naples Teatro San Carlo and was an immediate success both with critics and the public. The cast included *sacre monstres* such as Malibran and Duprez. The opera went on for about 16 years, enjoying as many as sixty productions. The opera impressed the insiders too, and in her negotiations with La Scala for the opening opera of the 1835-36 Carnival season, Malibran bluntly suggested a choice of two -- Persiani's Ines de Castro or Donizetti's Maria Stuarda. She however, added that Maria Stuarda was more convenient to her, and eventually this comment influenced the course of events. It was only in January 1837 that Ines de Castro landed at La Scala, but by this time Malibran was no longer in the world of the living. The opera benefitted from a good libretto penned by a young poet by the name of Salvadore Cammarano. His second libretto, Ines, catapulted Salvadore into fame and it is no coincidence that in 1835 he also wrote the libretto for Donizetti's evergreen Lucia di Lammermoor. Incidentally both operas include a very dramatic and compelling mad scene, but Ines' story is by far the more gruesome -- abduction and murder of Ines' children, parricide, a poisoned mother, a king with a rebellious son who eventually dies of a stroke after the 11th confrontation with the son, an arrogant Infanta who knows only how to threaten everyone, and a shady figure named Gonzales, a grandee of Portugal, who is up to Jago's mischievous practices but goes a step further and eliminates Ines' sons. Indeed a hair- raising story that must have had more than one problem with the censors. In fact the planned Naples revivals were aborted because of censors' veto. A story, however, that in varying versions had in the course of years become the basis for at least twenty operas. Cammarano's approach must have been largely influenced by Persiani's natural gift for dramatic propulsion. It's quite rare at this point in time to encounter operas where the action is tight and the sequence is almost that of a movie. There have been a few attempts to stick labels on Persiani as a composer. Some musicologists have described him as a transition composer strongly influenced by Rossini, others have noted that his Ines de Castro is "structured in the Donizetti style". There is a bit of truth in both statements but they are generic and could well apply to so many other composers of the time. Persiani's work shows a penchant for winds, but the prelude to Ines' Act II superb aria ("Cari Giorni") shows his mastery with strings too. Listening to his Ines de Castro one cannot help but see the Rossinian influence, which becomes more apparent when the composer resorts to wrapping up some of the items. In this respect the opera does not show immediately apparent examples of innovation, but it's far from a routine work. Persiani's sense of drama seems - at times - more developed than that of Donizetti and this leads me to say that his Ines has more than a few moments that call to mind the young Verdi works, both musically and dramatically. The best examples are most of the numbers in Act 2. The tenor's part (Don Pedro, son of King Alfonso IV of Portugal) is exceedingly impressive as would be expected; the baritone too (King Alfonso) has his share in Act I, followed by the even more dramatic scene of the father's curse in Act II. Again we have a glimpse at Verdian favorites that will come in the late 1840s and 1850s. But the real fireworks come with the title role. I venture to say that the role of Ines de Castro is more difficult than that of Norma. The role has a range of over two octaves and would require superhuman qualities with a soprano that ought to sing with great agility from the lowest mezzo notes to the highest coloratura notes. Which leads me to believe that Malibran, who at this time was at the peak of her career, was a real holy monster. Persiani did not give this role to his wife, Fanny Tacchinardi, and this has baffled biographers. Of course, he probably did not have any say in Lanari's (the impresario) choice; but later when he rewrote Ines for Paris (1839), with Fanny in the title role, her part was tailored around her range. Bianca, the Infanta of Castile, foreshadows Eboli with her unrestrained ambition and threats. The role was given to a mezzo, but by 1839 it was refashioned for a full-fledged contralto. There we go again - Persiani's choice of voices is closer to the mature Verdi than to the Donizetti model. This is because of Persiani's instinctive understanding of the interaction between music and drama - melos and drama. A gift, of course, that became the trademark of another Giuseppe -- Verdi. The revival presented at Jesi (24 September 1999) is based on research work carried out by Paola Ciarlantini on the original 1835 edition. She was unable to find the autograph score but she was lucky enough to locate two 1835 copies - one filed with the censorship department and a second copy with annotations and minor changes utilised in 1835 for subsequent Naples performances. I am presently transferring the RAI broadcast to the cd format and I must admit that the more I listen to Ines de Castro the more I like it. As for the Jesi performance, it has it's good moments and one must keep in mind that finding someone with Malibran's talent is almost impossible. In fact I don't think that Caballe or Sutherland could have sung Ines - the only one that would have been eligible for this role was Callas and to a much lesser degree Gencer (both - of course - on a very good night). As it is - Maria Dragoni did her best and she was able to encompass the "horrific" range of Ines. I take my hat off to her for this achievement - unfortunately her picchiettatos and some of the ornamentations leave something to be desired. Jose Sempere as Don Pedro showed a nice beefy tenor voice, although his beef could do with more firm muscles. Speaking of which we cannot lose sight that this role was written for Duprez and later on (1839) Rubini sang Pedro both in Paris and London. Massimiliano Gagliardo's baritone is a bit dull and unexciting. Lisa Huben sang Bianca at the Jesi revival. Her tally is mostly positive. Enrique Mazzola as conductor has things under control but the orchestra's dynamics could have been more pronounced and some of the sweet tunes could have benefitted from a better polish. On the whole, I am of the view that this revival of Ines de Castro is one of the most interesting events at this stage of our belcanto Renaissance. It sheds much light on the ferments that preceded Verdi's arrival on the operatic scene. While it greatly helps us in understanding the great competition Donizetti had, it also provides insights in the operatic platform that Verdi found at the beginning of his career.
1) C’est la guerre (ungarisch) Tünde Frankó (Die Ehefrau) – Tamás Busa (Der Ehemann, ein Ingenieur) – Attila B. Kiss (Der Deserteur) – István Rozsos (Der Herr von vis-à-vis) – Sudlik Mária (Die Hausmeisterin) – Ferenc Gerdesits (Erster Offizier - Major) – Gábor Vághelyi (Zweiter Offizier - Leutnant) – Kádár Ferenc (Dritter Offizier - Oberleutnant)
Magyar állami operaház Budapest 17.2.2001 - Stereo 2) C’est la guerre (ungarisch) Tünde Frankó (Die Ehefrau) – Tamás Busa (Der Ehemann, ein Ingenieur) – Attila Fekete (Der Deserteur) – Sándor Kecskés (Der Herr von vis-à-vis) – Bernadett Wiedemann (Die Hausmeisterin) – Ferenc Gerdesits (Erster Offizier - Major) – Gábor Vághelyi (Zweiter Offizier - Leutnant) – Lajos Miller (Dritter Offizier – Oberleutnant) Dir: János Kovács / Kerényi-Miklós Gábor / Bü: Csikós Attila / Ko: Jánoskuti Márta Magyar állami operaház Budapest 17.10.2002 - Stereo PICCINNI, Nicola (1728 – 1800) 1) Ifigénie en Tauride Reg : Gianfranco Zanetti Rom 1991
1) Assassinio nella Cattedrale Ruggero Raimondi (Erzbischof Thomas Becket) – Iorio Zennaro (Ein Herold) – Maurizio Comencini (Erster Priester) – Carlo Morini (Zweiter Priester) – Alessandro Svab (Dritter Priester) – Alfred Kim (Erster Versucher und erster Ritter) – Istvan Kovacs (Zweiter Versucher und zweiter Ritter) – Enzo Di Matteo (Dritter Versucher und dritter Ritter) – Andrea Silvestrelli (Vierter Versucher und vierter Ritter) – Maria Billeri (Erste Chorführerin) – Milena Storti (Zweite Chorführerin) Dir: Bruno Bartoletti / Reg: Teatro Regio Torino 1999 - Stereo PONCHIELLI, Amilcare (1834 - 1886) 1) La gioconda Eva Marton (La Gioconda, eine Straßensängerin) - Margarita Lilowa (La Cieca, ihre blinde Mutter) - Kurt Rydl (Alvise Badoero, Haupt der Staatsinquisition in Venedig) - Ludmila Schemtschuk (Laura Adorno, seine Gemahlin) - Plácido Domingo (Enzo Grimaldo, ein Adliger aus Genua) - Matteo Manuguerra (Barnaba, ein Straßensänger und Spitzel der Inquisition) - Jorge Rita (Isepo, sein Schreiber) - Alfred Sramek (Zuane, ein Gondoliere) - Alfred Burgstaller (ein Sänger) - Goran Simic (Ein Steuermann)- Francisco Valls (Barnabotto, ein Mönch) - Benedikt Kobel (Erster Gondoliere) - Peter Köves (Zweiter Gondoliere)
Staatsoper Wien 24.5.1986 - Stereo 2) La gioconda Grace Bumbry (La Gioconda, eine Straßensängerin) – Viorica Cortez (La Cieca, ihre blinde Mutter) – Ivo Vinco (Alvise Badoero, Haupt der Staatsinquisition in Venedig) – Fiorenza Cossotto (Laura Adorno, seine Gemahlin) – Ermanno Mauro (Enzo Grimaldo, ein Adliger aus Genua) – Matteo Manuguerra (Barnaba, ein Straßensänger und Spitzel der Inquisition) – Alfredo Heilbron (Isepo, sein Schreiber) – Vicenç Esteve (Zuane, ein Gondoliere) –Jesus Castillon (Ein Steuermann/ein Sänger) – Stefano Palatchi (Barnabotto) Dir: Uwe Mund / Reg: Rocco Pugliese / Bü: Gran Teatro del Liceo / Ko: Arrigo-Milan / Choreographie: Guillermina Coll Gran Teatro del Liceo, Barcelona 1988 – Stereo DVD NTSC POULENC, Francis (1899 - 1963) 1) Les Dialogues des Carmélites (englisch) Anthony Warlow - Lone Koppel - Anne-Maree McDonald - Heather Begg – John Germain - Joan Sutherland - Judith Saliba - Patricia Price - Cynthia Johnston – Pieter van der Stolk - Frances Chambers - Olga Sanderson-Smith - Marie Driscoll - Helen Adams - Beryl Furlan - Helen Borthwick - Deborah Riedel - Luise Napier – Richard Greager - Hellen O’Rourke - Dorothy Robertson-O’Brien - Gordon Wilcock – John Wegner - John Fulford - Geoffrey Chard - Paul Ferris - Isobel Buchanan
Australian Opera Sydney 15.9.1984 - Stereo 2) Les Dialogues des Carmélites Didier Henry - Anne-Sophie Schmidt - Laurence Dale - Léonard Pezzino – Nadine Denize - Christophe Fel - - Valérie Millot - Hedwig Fassbender - Patricia Petibon - Michèle Besse - Allison Alain Cook - Elena Iachtchenko - Claude Mathys - Béatrice Douchet - Isabelle Didiot - Olga Gurkovska - Karine Motyka - Agnès Coudry – Odile Lacombe - Frédérique Letizia - Susan Griffiths-Jones - Valérie Freyburger - Ivan Ludlow - Vincent de Rooster - Marith Kazbek - Yves Ernst - Jenz Kiertzner Dir: Jan Latham-Koenig / Reg: Marthe Keller L’Opéra national du Rhin Februar 1999 - Stereo 3) La voix humaine Julia Migenes Dir: Georges Prêtre / Reg: Peter Medak Bü: Nicolas Dvigoubsky / Ko: Jean-Louis Scherrer
FILM 1990 - Stereo 4) La voix humaine Carole Farley Dir: José Serebrier / Reg: Mike Newman FILM 1992 - Stereo 5) La voix humaine Denise Duval Dir : GeorgesPrêtre / Reg+Bü+Ko : Dominique Delouche Film - Stereo 6) La dame de Monte Carlo Edith Stockhausen Klavier: Jean Claude Ambrosini / Reg: Dominique Delouche / Ausstattung: Henri Aleman / Ko: Saurel FILM ? - Stereo PREVIN, André George (1929 - ) 1) A Streetcar named Desire - Not Available PROKOFIEFF, Sergei (1891 - 1953) 1) L’amour des trois oranges Gabriel Bacquier - Jean-Luc Viala - Hélène Perraguin - Georges Gautier - Vincent Le Texier - Didier Henry - Gregory Reinhart - Jules Bastin - Michele Lagrange - Catherine Dubosc - Brigitte Fournier - Consuelo Caroli - Beatrice Uria-Monzon
Opéra de Lyon 1989 2) Der feurige Engel Galina Gorchakova - Sergei Leiferkus - Mikhail Kit - Evgenia Perlasova-Verkovich - Olga Markova-Mikhailenko - Larissa Dyatkova - Evgeni Boitsov - Yuri Laptev - Vladimir Galuzin - Konstantin Pluzhnikov - Mikhail Chernozhukov - Valery Lebed - Evgeni Fedotov - Sergei Alexashkin - Andrei Karabanov - Gennady Bezzubenkov - Vladimir Ognovenko - Tatiana Kravtsova - Tatiana Filimonova Dir: Valery Gergiev / Reg: David Freeman Maryinsky Theater, St. Petersburg 1993 - Stereo 3) Krieg und Frieden Alexander Gergalov - Yelena Prochina - Gegam Gregoriam - Olga Borodina – Irina Bogachova - Vassily Gerelo -Yuri Masurin - Vladimir Ognovenko - Sergei Alexashkin - Alexander Morosov - Mikhail Kit - Ludmilla Kanunnikova - Svetlana Volkova - Nikolai Okhotnikov Dir: Valery Gergiev / Reg: Graham Vick Maryinsky Theater, St. Petersburg 13.7.1991 - Stereo 4) Betrothal in a Monastery Nikolai Gassiev (Don Jerome) – Aleksander Gergalov (Don Ferdiand, sein Sohn) – Anna Netrebko (Luisa, seine Tochter) – Larissa Diadkova (Duenna, Gouvernante) – Yevgeny Akimov (Don Antonio d’Almanza) – Marianna Tarassova (Clara d’Almanza) – Sergei Aleksashkin (Isaac Mendoza, ein reicher Fischer) – Yuri Shkliar (Don Carlos, verarmter Edelmann) – Vladimir Vaneev (Padre Augustine, Klostervorsteher) – Sergei Liadov (Padre Elustaf / Pablo / Erste Maske) – Georgy Zastavny (Padre Chartreuse / Pedro / Zweite Maske) – Fiodor Kuznetsov (Padre Benedictine / Miguel / Dritte Maske) – Liudmila Kasianenko (Lauretta, Dienstmädchen von Luise) – Liubov Sokolova (Rosina, Dienstmädchen von Clara) – Vladimir Zhivopistsev (Lopez, Diener Ferdinands) Dir: Valery Gergiev / Reg: Vladislav Pazi / Bü+Ko: Alla Kojenkova / Choreographie: Nicolai Reutov / Licht: Vladimir Lukasevich Mariinsky Theatre St. Petersburg 1998 - Stereo 5) Cendrillon (Ballett) Françoise Jouillie - Dominique Laine - Jayne Plaisted - Danielle Pater – Patrick Azzopardi - Nathalie Delassis - Bernard Cauchard Dir: Yakov Kreisberg / Choreographie: Maguy Marin Opéra de Lyon 1989 - Stereo SECAM 6) Iwan der Schreckliche (Ballett) Irek Mukhamedov - Natalya Bessmertnova - Yuri Vetrov - Dmitri Afanasyev - Kirill Filatov - Gediminas Taranda - Aleksandr Kedrov - Aleksandr Petukhov - Aleksandr Valuyev - Dmitri Peregudov - Viacheslav Elagin - Valeri Rizhov - - Mikhail Sharkov - Andrei Smirnov - Evgeni Goremykin - Valeri Ochkin - Andrei Sitnikov - Aleksej Loparevich - Mikhail Shevchenko - Otan Asylkodzhayev - Maria Volodina - Svetlana Ivanova - Irina Dmitrieva - - Elena Maslennikova - Andrei Melanyn - Sergei Bobrov - Vladimir Moiseyev - Elena Obrova - Marina Filippova - Marina Nudga - Erika Luzina - Elena Akhulkova - Irina Shostak - Elvira Drozdova - Marina Zyatikova - Natasha Malandina - Nina Speranskaya Dir: Algis Zhuraitis / Choreographie: Yuri Grigorovich Bolshoi Theater, Moskau 1990 - Stereo 7) Romeo und Julia (Ballett) Rudolf Noureev - Carla Fracci - Margot Fonteyn - Bruno Telloli - Bruno Vescovo - Tiziano Mietto - Antonietta Cozzi - Angelo Moetto - Marco Pierin - Elettra Morini - Antonio Greco - Amadeo Fusco - Mara Cavagnini Dir: Michel Sasson / Choreographie: Rudolf Noureev Palazzo dello Sport, Milano 1972 - Stereo 8) Romeo und Julia (Ballett) Alessandra Ferri - Wayne Eagling Dir: Ashley Lawrence / Reg: Keneth McMillan Royal Opera House Covent Garen 1984 - Stereo 9) Romeo und Julia (Ballett) Natalya Bessmertnova - Irek Mukhamedov - Aleksandr Vetrov - Mikhail Sharkov - Aleksej Fadeyechev Dir: Algis Zhuraitis / Choreographie: Yuri Grigorovich Bolshoi Theater, Moskau 1989 - Stereo 10) Romeo und Julia (Ballett) Pascale Doye - Nicolas Dufloux - Hacene Bahiri - Pierre Advokatoff – Jocelyne Mocogni - Stanislas Wisniewski - Kasumi Sanada - Philippe Lormeau Dir: Kent Nagano / Choreographie: Angelin Preljocaj Opéra de Lyon 1992 - Stereo SECAM 11) Romeo und Julia (Ballett) Monique Loudières - Manuel Legris - Charles Jude - José Martinez - Karin Averty - Lionel Delanoë - Wilfried Romoli - Clotilde Vayer - - Olivier Patey - Annie Carbonnel Dir: Vello Pähn / Choreographie: Rudolf Noureev Opéra National de Paris Bastille 12.7.1995 - Stereo 12) Die steinerne Blume (Ballett) Aleksandr Gulyaev - Anna Polikarpova - Igor Belyaev - Tatiana Terekhova - Gennady Babanin - Andrei Attikov - Roman Skripkin - Irina Chistyakova - Sergei Sukhov - Natalia Novikova - Andrei Bugaev - Vladimir Koloshko - Natalia Kopyseva - Irina Guseva - Galina Zakrutkina - Mikhail Usachov - Anelina Kashirina - Pyotr Stasyunas - Albert Mirzoyan - Vladimir Ivantsov - Aleksandr Sapagov - Yelena Sherstnyova - Vladimir Kobsnikov - Natalia Savelyeva - Valentin Kreisman Dir: Alexandre Viliumanis / Choreogr.: Yuri Grigorovich Maryinsky Theater, St. Petersburg 1992 - Stereo PUCCINI, Giacomo (1858 - 1924)
Veronika Kincses (Mimi) - Peter Dvorsky (Rodolfo) - Ivan Konsulov (Marcello) - Sidónia Haljaková (Musetta) - Póka Balázs (Schaunard) - Dariusz Niemirowicz (Colline) - tefan Jani (Alcindoro) - Stanislav Benaka (Benoit) - Vojtech Schrenkel (Parpignol) Dir: Andrej Lenárd / Reg: Leo Komárek / Bü: Ladislav Hupka / Ko: Zdenk ánský+Anna Bavasová FILM 1979 2) La Boheme José Carreras (Rodolfo) - Montserrat Caballé (Mimi) - Christina Carlin (Musetta) - Vicente Sardinero (Marcello) -– Enrique Serra (Schaunard) – Ivo Vinco (Colline) Dir: Giuseppe Morelli Gran Teatre del Liceu, Barcelona 28.10.1980 3) Not Available 4) La Boheme Ileana Cotrubas (Mimi) - Neil Shicoff (Rodolfo) - Thomas Allan (Marcello) - Gwynne Howell (Colline) - Marilyn Zschau (Musetta) - John Rawnsley (Schaunard) - Brian Donlar (Benoit) - John Gibbs (Alcindoro) - Daniel McCoshan (Parpignol) - David Whelan (Sergeant der Zollwache) - Richard Hazell (Ein Zöllner) Dir: Lamberto Gardelli / Reg: John Copley / Bü+Ko: Julia Trevelyan Oman / Licht: William Bundy Royal Opera House Covent Garden 1982 5) La Boheme Barbara Hendricks (Mimi) - Luca Canoncini (Rodolfo – gesungen von José Carreras) - Angela-Maria Blasi (Musetta) - Gino Quilico (Marcello) - Richard Cowan (Schaunard) - Francesco Ellero d’Artegna (Colline) - Federico Davia Benoît) - Ciccio Ingrassia (Parpignol – gesungen von Michel Sénéchal) - Mario Maranzana (Alcindoro – gesungen von Federico Davia) - Michel Beal (Hauswirt) Dir: James Conlon / Reg: Luigi Comencini / Bauten: Paola Comencini / Ko: Carolina Ferrara FILM 1988 6) La Boheme - Not Available 7) La Boheme Fiamma Izzo d’Amico (Mimi) - Madelyn Renee (Musette) - Luciano Pavarotti (Rodolfo) - Roberto Servile (Marcello) - Jeffrey Mattsey (Schaunard) - Francesco Ellero d’Artegna (Colline) - Fernando Pavarotti (Parpignol) - Roberto Scaltriti (Benôit) - Guido Pasella (Alcindoro) – Enrico Fibrini (Sergeant der Zollwache) Dir: Leone Magiera / Reg: Giancarlo Menotti / Bü+Ko: Franco Colavecchia Philadelphia Opera Theater in Peking 1989 - Stereo 8) La Boheme David Hobson (Rodolfo) – Cheryl Baker (Mimi) – Roger (Marcello) – Christine Douglas (Musette) Dir: Julian Smith Sidney Opera House 1993 – Stereo DVD NTSC 9) La Boheme Andrea Bocelli (Rodolfo) - Davide Damiani (Schaunard) - Orazio Mori (Benoit) - Daniela Dessì (Mimi) - Renato Girolami (Marcello) - Erwin Schrott (Colline) - Angelo Nardinocchi (Alcindoro) - Patrizia Ciofi (Musette) - Gianluca Valenti (Ein Zöllner) - Carlo Cauli (Parpignol) - Antonello Pippia (Sergeant der Zollwache) - Giampaolo Piga (Ein Verkäufer) Dir: Steven Mercurio / Reg: Lorenzo Mariani / Bü+Ko: Pierluigi Samaritani Teatro Comunale di Cagliari 1998 - Stereo 10) La Boheme Attila Fekete (Rodolfo) - Eszter Sümegi (Mimi) - Zsuzsanna Fülöp (Musette) - Mihály Kálmándi (Colline) – Tamás Busa (Marcello) – Pál Kovács (Schaunard) – Béla Szilágy (Benoît / Alcindoro) – László Csányi (Parpignol) – Miklós Vári (Sergeant der Zollwache) – György Littner (Zöllner) Dir: Fabio Pirona / Reg: Kálmán Nádasdy / Bü: Gusztáv Oláh / Ko: Tivadar Márk A Magyar állami operaház Budapest 12.10.1999 - Stereo 11) La Boheme Zvetelina Vassileva (Mimi) – Daniela Bruera (Musette) – Keith Ikaia-Purdy (Rodolfo) – Roman Trekel (Marcello) – Hanno Müller-Brachmann (Schaunard) – Kwangchul Youn (Colline) – Peter Jürgen Schmidt (Parpignol) – Gerd Wolf (Sergeant) – Bernd Zettisch (Alcindoro) – Bernd Riedel (Zöllner) Dir: Philippe Jordan / Reg: Lindy Hume / Bü: Dan Potra / Ko: Carl Friedrich Oberle / Licht: Franz Peter David / Choreographie: Marek Rozycki Deutsche Staatsoper Berlin 26.12.2001 - Stereo 12) La Boheme Alexia Voulgaridou (Mimi) – Elena de la Merced (Musetta) – Rolando Villazon (Rodolfo, Dichter) - Ludovic Tézier (Marcello, Maler) – Toby Stafford-Allen (Schaunard, Musiker) – Markus Marquardt (Colline, Philosoph) – Burkhard Ulrich (Parpignol, Händler) – Andrei Greenan (Benoit, Hausherr) – Adrian Clarke (Alcindoro, Staatsrat) – Dimitrij Belosselski (Zöllner) – Sergej Tarasov (Sergeant der Zollwache) Dir: Ulf Schirmer / Reg+Bü+Ko: Richard Jones+Antony McDonald / Licht: Wolfgang Göbel / Choreographie: Phillippe Giraudeau Bregenzer Festspiele 2002 - Stereo 13) La Boheme Péter Kelen (Rodolphe) – András Káldi Kiss (Schaunard) – István Rácz (Colline) – Viktor Massányi (Marcel) – Ilona Tokody (Mimi) – Cecília Péter (Musette) – Béla Szilágyi (Alcindor / Benoit) – Imre Szilágyi (Parpignol) Dir: Ervin Lukács / Reg: Kálmán Nádasdy / Bü: Gusztáv Oláh / Ko: Tivadar Márk A Magyar állami operaház Budapest 28.12.2002 - Stereo 14) Edgar (Mattre,Gadon,Denes, Koenig) Mettre – Denes – Helrun Gardow – Serisci Dir: Jan Latham-Koenig / Reg: Lorenzo Mariani / Bü: Raoul Farolfi / Ko: Bernard Guillot Montepulciano Festival 1984 – Stereo DVD NTSC 15) La fanciulla del west Carol Neblett (Minnie, Wirtin der Bar “Zur Polka”) - Silvano Carroli (Jack Rance, ein Sheriff) - Plácido Domingo [Dick Johnson(Ramerrez)] - Francis Egerton (Nick, Kellner der Bar) - Robert Lloyd (Ashby, Agent von Wells Fargo) - John Rawnsley (Sonora, Goldgräber) - Dobson (Trin, Goldgräber) - Norman Welsley (Sid, Goldgräber) - Tom McDonnell (Bello, Goldgräber) - Paul Crook (Harry, Goldgräber) - John Robbin Leggate (Joe, Goldgräber) - Ian Caddy (Happy, Goldgräber) - Roderick Earle (Larkens, Goldgräber) - Gwynne Howell (Jake Wallace, ein Bänkelsänger) - Paul Hudson (Billy Jackrabbit, ein Indianer) - Jean Bailey (Wowkle, seine Squaw) - John Gibbs (José Castro, eine Mestizie aus Ramerrez’ Räuberbande) - Handel Owen (Ein Postillon) Dir: Nello Santi / Reg+Ko+Licht: Piero Fagioni / Bü: Ken Adam Royal Opera House Covent Garden 12.11.1982 - Stereo 16) La fanciulla del west Mara Zampieri (Minnie) - Plácido Domingo [Dick Johnson(Ramerrez)] - Juan Pons (Jack Rance) - Luigi Roni (Ashby) - Sergio Bertocchi (Nick) - Antonio Salvadori (Sonora) - Ernesto Gavazzi (Trin) - Giovanni Savoiardo (Sid) - Orazio Mori (Bello) - Aldo Bottion (Joe) - Francesco Memeo (Harry) - Ernesto Panariello (Happy) – Pietro Spagnoli (Larkens) - Nella Verri (Wowkle) - Aldo Bramante (Billy Jackrabbit) - Marco Chingari (Jake Wallace) - Claudio Giombi (José Castro) - Ivan del Manto (Ein Postillon) Dir: Lorin Maazel / Reg: Jonathan Miller / Bü: Stefanos Lazaridis / Ko: Sue Blane Teatro alla Scala, Milano 1991 17) La fanciulla del west - Not Available 18) Gianni Schicchi Leo Nucci (Gianni Schichi) – Angelica Kirchschlager (Lauretta, seine Tochter) – Mihaela Ungureanu (Zita) – Juan Diego Flórez (Rinuccio) – Herwig Pecoraro (Gherardo) – Ingrid Kaiserfeld (Nella) – Janusz Monarcha (Betto) – Walter Fink (Simone) – István Gáti (Marco) – Stella Grigorian (La Ciesca) – Alfred Šramek (Spinelloccio, Arzt) – David Cale Johnson (Amantio, Notar) – Hiroyuki Ijichi (Pinellino, Schuster) – Michael Kuchar (Guccio, Färber) Dir: Michael Boder / Reg+Bü: Marco Arturo Marelli / Ko: Dagmar Niefind-Marelli Staatsoper Wien Oktober 2000 – Stereo 19) Gianni Schicci (Bearbeitung als Kammeroper von Mathias Weigmann) Guido Baehr (Gianni Schicchi) – Carolina Jaegers (Lauretta) – Christoph Späth (Rinuccio) – Tilman Birschel (Betto) – Margo Kuijpers (Zita) – Marcel Schmitz (Simone) – Marisca Mulder (Nella) – Helmut Clemens (Gherardo) – Anne Hoffmann (Gherardino) – Karin Westfal (La Ciesca) – Stefan Sevenich (Marco) – Andreas Bausdorf (Maestro Spinelloccio) – Dirk Wenzel (Amantio di Nicolao) – Wilhelm Hartmann (Pinellino) – Dirk Eicher (Guccio) – Franco Melis (Buoso Donati) Dir: Wolfgang Trommer / Reg: Nora Bauer / Bü: Helmut Stürmer / Ko: Katherina Eberstein Bürgerhaus Langenberg mit Unterstützung des Stadttheaters Aachen 1991 - Stereo 20) Madama Butterfly Mirella Freni (Cho-Cho-San, genannt Butterfly) - Plácido Domingo (F. Pinkerton, amerikanischer Marineleutnant) - Christa Ludwig (Suzuki) - Robert Kerns (Konsul Sharpless) - Michel Sénéchal (Goro, Heiratsvermittler) - Giorgio Stendoro (Fürst Yamadori) - Marius Rintzler (Onkel Bonze) Dir: Herbert von Karajan / Reg+Ausstattung: Jean-Pierre Ponnelle / Dekoration: Otto Pischinger Film 1974 – Stereo DVD NTSC 21) Madama Butterfly Raina Kabaivanska (Cio-Cio-San) - Eleonora Jankovic (Suzuki) - Nazzareno Antinori (Lieutenant Pinkerton) - Lorenzo Saccomani (Sharpless) - Mario Ferrara (Goro) - Gianni Brunelli (Onkel Bonze) - Giuseppe Zecchillo (Prinz Yamadori) - Marisa Zotti (Kate Pinkerton) - Bruno Grella (Yakuside) - Carlo Meliciani (Ein kaiserlicher Kommissar) - Bruno Tessari (Der Standesbeamte) - Lina Rossi (Madama Butterflys Mutter) - Anna Lia Bazzani (Ihre Tante) - Sandra Zamuner (Ihre Cousine) Dir: Maurizio Arena / Reg: Giulio Chazalettes / Bü+Ko: Ulisse Santicchi / Licht: Mohammed Soudani Arena di Verona 1983 - Stereo 22) Madama Butterfly Yasuko Hayashi (Cho-Cho-San) - Hak-Nam Kim (Suzuki) - Peter Dvorsky (Linkerton) - Anna Catarina Antonacci (Kate Linkerton) - Giorgio Zancanaro (Sharpless) - Ernesto Gavazzi (Goro) - Arturo Testa (Fürst Yamadori) –Sergio Fontana (Onkel Bonze) - Claudio Giombi (Yakuside) - Silvestro Sammaritano (Der Kaiserliche Kommissar) - Saverio Porzano (Der Standesbeamte) - Milena Pauli (Cho-Cho-Sans Mutter) - Nella Verri (Tante) - Luciana Rezzadore (Base) Dir: Lorin Maazel / Reg: Keita Asari / Bü: Ichiro Takada / Ko: Hanae Mori Teatro alla Scala, Milano 1986 23) Madama Butterfly Ying Huang (Cio-Cio-San) - Richard Troxell (Pinkerton) - Ning Liang (Suzuki) - Richard Cowan (Sharpless) - Jing Ma Fan (Goro) - Christopheren Nomura (Fürst Yamadori) - Constance Hauman (Kate Pinkerton) - Qing Wu (Der Kaiserliche Kommissar – gesungen von Edmund-Zelotes Toliver) - Yo Kusakabe (Der Onkel Priester Bonze) - Miki-Lou Pinard (Das Kind) – Nabil Agoun (Der Adjutant) – Lofti Bahri (Der Standesbeamte) – Salem Zahrouni (Der Fotograf) – Yoshi Oida (Der Vater) – Thérèse Nguyen Ba Han (Die Mutter – gesungen von Laurence Monteyrol) – Wen-Juan Zhao (Die Kusine – gesungen von Catherine Napoli) – Midori Mornet (Die Tante – gesungen von Asayo Otsuka) – Kamel Touati (Onkel Yakusidé – gesungen von Richard Tronc) - Santy Norasingh (Bediensteter 1) – Abdellaziz Touihri (Bediensteter 2) Dir: James Conlon / Reg: Frédéric Mitterrand / Bü: Kamel Riabi / Dorfgärten: Agro Flora und Sami El Bahri / Ko: Piercarlo Foddis+Liliane Delers FILM 1995 - Stereo 24) Madama Butterfly Chen Sue (Cio-Cio-San) - Zheng Cao (Suzuki) - Marcus Haddock (Lieutenant F.B. Pinkerton) - Olivier Lallouette (Sharpless) - Ricardo Cassinelli (Goro) - Christine Labadens (Kate Pinkerton) - Victoria Reljin (Die Mutter) - Eun-Yee You (Die Kusine) - Lana Iliev (Die Tante) - Marc Mazuir (Prinz Yamadori) - Olivier Grand (Onkel Bonze) - Slobodan Stankovic (Der Kommissar) - Wolfgang Barta (Yakuside) - Krassimir Avramov (Standesbeamter) Dir: Armin Jordan / Reg: Francesca Zimbello / Bü: Michael Yorgan / Ko: Aita Yavich / Licht: Alan Burrett Bâtiment des Forces Motrices Salle Théodore-Turrettini Grand Théâtre de Genève 1998 - Stereo
Kiri Te Kanawa (Manon Lescaut) - Plácido Domingo (Chevalier Renato Des Grieux) - Thomas Allen (Lescaut) - Anna Cooper (Madrigalsängerin) - Robin Leggate (Edmondo) - George Macpherson (Ein Wirt) - Paschal Allen (Sergeant) - Forbes Robinson (Geronte di Ravoir) - John Fryatt (Tanzmeister) - Handel Thomas (Sergeant der Bogenschützen) - Mark Curtis (Lampenanzünder) - Roderick Earle (Ein Kapitän) Dir: Giuseppe Sinopoli / Reg: Götz Friedrich / Bü: Günther Schneider-Siemssen / Ko: Aliute Meczies Royal Opera House Covent Garden 17.5.1983 - Stereo 27) Manon Lescaut Mária Temesi (Manon Lescaut) - A Magyar állami Operaház 29.12.1993 - Stereo 28) Manon Lescaut Maria Guleghina (Manon Lescaut) - Lucio Gallo (Lescaut, Sergeant der königlichen Garde) - José Cura (Il Cavaliere Renato Des Grieux, ein Student) - Luigi Roni (Geronte di Ravoir) - Marco Berti (Edmondo, ein Student) - Orazio Mori (Ein Wirt) - Mario Bolognesi (Ein Ballettmeister) - Gloria Banditelli (Ein Musiker) - Ernesto Gavazzi (Ein Lampenanzünder) - Aldo Bramante (Sergeant der Bogenschützen) - Silvestro Sammaritano (Ein Sergeant) - Ernesto Panariello (Ein Kapitän) Dir: Riccardo Muti / Reg: Liliana Cavani / Bü: Dante Ferretti / Ko: Gabriella Pescucci Teatro alla Scala 1999 - Stereo 29) Manon Lescaut Tokody Ilona (Manon Lescaut) – Kelen Péter (Chevalier Renato des Grieux) – Sólyom-Nagy Sándor (Geronte de Ravoir) – Miller Lájos (Lescaut) – Klein Otokar (Edmond) – Lózsy-Bíró János (Ein Wirt) – Derecskei Zsolt (Ein Ballettmeister) – Megyesi-Schwartz Lúcia (Ein Musiker) – Vághelyi László (Sergeant der Bogenschützen) - Csányi László (Lampenanzünder) – Hantos Balázs (Ein Kapitän) Dir: Ricco Saccani / Reg: Valló Péter / Bü: Szlávik István / Ko: Szakács Györgyi / Choreographie: Ivánka Sándor Erkel színház 11.3.2001 - Stereo 30) La Rondine (3. Version orchestriert von Lorenzo Ferrero) Miricioiu - José Cura (Ruggero) – De Candida – De Bernard Teatro Regio, Turin 22. März 1994 – Stereo DVD NTSC Yüklə 1,51 Mb. Dostları ilə paylaş:
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