Traitement de l'image
M.W. Ainsworth, Arts and Autoradiography : insights into the genesis of paintings by Rembrandt, Van Dyck and Vermeer, Metropolitan Museum of Art, New York, 1982.
R. Baribeau, M. Rioux, G. Godin, Three dimensionnal object modeling towards improving Access to Collections by Virtualizing Reality. In "Multimedia Computing and Museums", Edited by D. Bearman, Archive and Museum Informatics, (170-177), 1995.
R. Billinge, J. Cupitt, N. Dessipris, D. Saunders, A note on an improved procedure for the rapid assembly of infrared reflectogram mosaics, Study in Conservation, vol 38, 2, 1993, 92-98
P. Callet, Couleur- Lumire, Couleur- Matire, Diderot Ed. 1998.
V. Cappellini, Uffizi Project, Universita di Firenze, CNR, 1993.
Collectif, Riflettoscopia all’infrarosso computerizzata, Quaderni della Soprintendenza ai Beni Artistici e Storici di Venezia, Nenise, Italie, 1984.
Y. Chryssoulakis, J.M. Chassery The Application of Physicochemical Methods of Analysis and Image Processing Techniques to Painted Works of Art Graphic Technique A.Gkone, Athens, 1986.
Collectif, Georges de La Tour ou les Chefs d’Îuvres rŽvŽlŽs, les dossiers du LRMF, Ed. Serpenoise, 1993.
Collectif, LRMF 85 Paintings of Jean Baptiste Corot (1789-1875) from the collections of the Louvre. CD-ROM AV 500041, Conception LRMF, RŽunion des MusŽes de France, 1996.
H. Derrien, SIAM : le logiciel pour un meilleur dialogue avec vos images. Actes du SŽminaire Narcisse, Arquivos Nacionais, Torre do Tombo, Portugal, 1993, 43-49.
J.M. Dupouy, MŽthodes expŽrimentales utilisŽes par le LRMF, Techne, 2, 1995, 211-213.
K. Freifeld, Probing beneath the Painting. IEEE Spectrum, June 1986, (66-71).
R. Halir, C. Menard, Diameter Estimation for Archaeological pottery using Active Vision. Proc. of the 20th Workshop of the Austrian Association for Pattern Recognition (OAGM/AAPR), Schloá Seggau, (Austria), 1996, (251-261).
J.Y. Hardeberg, F. Schmitt, I. Tastl, H. Brettel, J.P. Crettez, Color Management for color facsimile. 4th Colour Imaging Conference, IS &T-SID, Scottsdale (AZ, USA), Nov 1996, (108-113).
F. Heitz, H. Ma”tre, C. de Couessin, Application of Autoregressive Models to Fine Arts Painting Analysis Signal Processing, 1-13, 1987, (1-14).
F. Heitz, H. Ma”tre, C. de Couessin, Event Detection in Multisource Imaging : Application to Fine Arts Painting Analysis IEEE Acoustics Speech and Signal Processing, 4-38, 695-704, 1990.
M. Hours, Les secrets des chefs d'Ïuvre. Deno‘l Gonthier, Paris, 1982.
M. Hours, Les mŽthodes scientifiques dans l’Žtude et la conservation des Ïuvres d’art, Ecole du Louvre, MusŽologie, la Documentation franaise, 1983
H. Hudrisier, L’Iconothque, La Documentation Franaise - INA, Paris, 1982
C. Lahanier, G. Aitken, M. Aubert, Narcisse : Une bonne rŽsolution pour l'Žtude des peintures. Techne, 2-1995, (178-190).
C. Lahanier, Le systme documentaire Narcisse sur les peintures et les enluminures. Actes du SŽminaire Narcisse, Arquivos Nacionais, Torre do Tombo, Portugal, 1993, 43-49.
P. Lechanu, Dessin sous-jacent et histoire de l’art, Techne, 2-1995, (165-177).
R. Lenz, R. Beutelhauser, U. Lenz, A microscan/macroscan 3 x 12 bit digital color CCD camera with programmable resolution up to 20992 x 20480 picture elements. Proc of the Commission V Symposium Close Range Techniques and Machine Vision Melbourne, Aust., Intl Archives of Photogrammetry and Remote Sensing, Vol 30 part 5, March 1994.
H. Ma”tre, Image numŽrique, traitement numŽrique de l'image et Ïuvres d'art. Techne, 2-1995, (191-196).
H. Ma”tre, F.J.M. Schmitt, J.P. Crettez, Y. Wu, J.Y. Hardeberg, Spectrophotometric Image Analysis of Fine Arts Paintings. 4th Colour Imaging Conference, IS &T-SID, Scottsdale (AZ, USA), Nov 1996, (50-53)
K. Martinez, J. Cupitt, D. Saunders, High resolution colorimetric imaging of paintings. Proc. SPIE, Vol 1901, (25-36), 1993.
K. Martinez, J. Cupitt, D. Saunders, MARC : Methodology for art reproduction in Colour. Computers and the History of Art Journal, 1997.
K. Martinez, Recent Progress in Arts Computing and its Applications. 5th Int. Conf. on High Technology. CHIBA'96 Sept. 96 - (63-69).
K. Martinez, Networking High Quality Images of Art. Int. Symp. of Digital Imagery'97, AIM, Tokyo 1997
B. Mourenas, Influx : la solution documentaire multilingue ; l’intŽgration des donnŽes textuelles et des images. Actes du SŽminaire Narcisse, Arquivos Nacionais, Torre do Tombo, Portugal, 1993, 53-65.
M. MŸller, A. Burmester, The registration of transportation damages using a high resolution CCD camera. Europto, Munich, Germany, June 21, 1993.
D. Papadopoulos-Orfanos, F.J.M. Schmitt, Automatic 3D Digitization using a Laser Rangefinder with a Small Field of View. International Conference on Recent Advances in 3D Imaging and Modelling, Ottawa, Ontario, May 1997.
M. Rebia•, Un systme de numŽrisation et de traitement d’images de trs haute rŽsolution, Actes du SŽminaire Narcisse, Arquivos Nacionais, Torre do Tombo, Portugal, 1993, 21-42.
F.J.M. Schmitt, High Quality Digital Color Images. 5th Int. Conf. on High Technology. CHIBA'96, Sept. 96 - (55-62).
P. Sirinelli, Industries culturelles et nouvelles techniques, Rapport de la Commission constituŽe ˆ la demande de J. Toubon, Ministre de la Culture et de la Francophonie, la Documentation franaise, 1993.
I. Tastl, R. Sablatnig, W. Kropatsch, Model-Based Classification of Painted Portraits. Proc. of the 20th Workshop of the Austrian Association for Pattern Recognition (OAGM/AAPR), Schloss Seggau, (Austria), 1996, (237-250).
J. Thuillier, L’Histoire de l’Art et les Bases d’images : le problme de l’image numŽrique Bases de donnŽes et donnŽes de base, Collection F. R. Bull, Masson, Paris, 1993, 93-102.
T. Toifl, H. Ma”tre, Investigation of the Scale-Space Statistical Properties in the Color Distribution in Paintings, Proc. of the 20th Workshop of the Austrian Association for Pattern Recognition (OAGM/AAPR), Schloss Seggau, (Austria), 1996, (273-280).
T.Toifl, H. Ma”tre, Le traitement d’images peut-il expliquer le Pointillisme, Actes de RFIA, Clermont-Ferrand, 1998, 1, 99-106
J.J. Wangue, Le projet Narcisse, MŽmoires Optiques et Systmes, 121, 1994, 31-36.
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