Classroom in a book

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Script-to-screen workflow
: Now you can collaborate on writing scripts with 
Adobe Story and then automatically create shot lists from your script in Adobe 
OnLocation CS5. When you import the project into Adobe Premiere Pro, 
metadata from OnLocation makes it easy to create a preliminary rough cut.
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Direct export
: In addition to the batch exporter built into the Adobe Media 
Encoder, you can now prioritize an export and bypass the batch queue when 
desired.

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ADOBE PREMIERE PRO CS5 CLASSROOM IN A BOOK
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Find gaps in sequences and tracks
: Now you can save time finding the gaps 
between clips in a sequence and easily remove them if desired
.
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Export to Final Cut Pro
: Adobe has introduced a round-trip workflow when 
exchanging projects with Final Cut Pro users
.
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Automatic scene detection for HDV video
: This allows Adobe Premiere Pro to 
automatically separate your footage from HDV into individual clips
.
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Native DLSR camera video support
: You can edit video from the latest DSLR 
cameras, such as the Canon 5D Mark II and EOS 7D; the Nikon D90,D300s, 
D3000; and others.
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Create searchable web-DVDs
: In Encore CS5 you can create a more engaging 
experience with web-DVDs to now automatically include a search interface, 
making it easier for viewers to jump directly to content of interest.
Nonlinear editing in Adobe Premiere Pro CS5
Adobe Premiere Pro is a nonlinear editor (NLE). Unlike older videotape-editing 
systems, which require you to lay down edits consecutively and contiguously, 
Adobe Premiere Pro lets you place, replace, trim, and move clips anywhere you 
want in your final edited video.
Adobe Premiere Pro lets you do things nonsequentially. With Adobe Premiere Pro 
(and other NLEs), you can make changes by simply dragging clips or segments 
around within your final video. You can edit video segments separately and tie 
them together later. You can even edit the closing sequence first!
NLEs have another huge benefit over videotape-editing systems: immediate access 
to your video clips. No longer do you need to fast-forward or rewind through tons 
of tape to find that one elusive but essential shot. With Adobe Premiere Pro, it’s a 
mouse click away.
Adobe Premiere Pro CS5 supports tapeless media formats including XDCAM EX 
and HD, XDCAM HD 50, AVCCAM, DPX, Panasonic P2, AVCHD, and AVC-Intra, 
and it offers enhanced RED support. With current digital video technology, media 
acquisition has also become nonlinear.

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