Classroom in a book

3
Attempt to drag any mono audio effect to the Music Stereo clip.
You’ll get a universal “No” symbol—you can’t apply a mono effect to a stereo clip.
4
Drag Balance from Effects > Audio Effects > Stereo to the Music Stereo clip.
5
Drag the Balance slider in the Effect Controls panel left and right while you play 
this clip.
This clip was mixed with the guitar panned all the way left and the honky-tonk 
piano panned hard right. If you move the slider all the way to either end, you 
will hear only one instrument.
6
Add two keyframes, and have the audio pan from left to right. (Using keyframes 
for audio effects is similar to using them for video effects, as you learned in 
Lesson 10.)

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ADOBE PREMIERE PRO CS5 CLASSROOM IN A BOOK
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7
Play the clip.
The sound moves from left to right and, in this case, makes the guitar fade into 
the piano.
8
Delete Balance, and apply Fill Right.
The Fill effects duplicate the selected channel, place it in the other channel, and 
discard that other channel’s original audio. So, in this example, Fill Right plays 
the honky-tonk piano in both the left and right channels and discards the guitar 
(the track in the left channel).
Use the same effect more than once
You’ve probably seen an equalizer. Many car and home stereos have them. They 
enable you to punch up or cut a number of preset frequency ranges. The EQ effect 
in Adobe Premiere Pro fits that bill, but it offers only five frequency ranges. If you 
want more possibilities, you can use Parametric EQ, which lets you select only one 
frequency range, but you can use it multiple times and select multiple frequencies. 
In effect, you can build a full graphic equalizer within the Effect Controls panel.