Diasporic cinema: turkish-german filmmakers with particular emphasis on generational differences



Yüklə 0,99 Mb.
səhifə20/24
tarix17.12.2017
ölçüsü0,99 Mb.
#35168
1   ...   16   17   18   19   20   21   22   23   24

REFERENCES


ABİSEL, N. (1994), T ürk Sineması Üzerine Yazılar, Ankara: İmge Kitabevi.
ADAKLI, G. (2003), “Türk Basınından Türk Medyasına: Hakim Medya Gruplarının Kısa Tarihi”, http://www.barikat-lar.de/gorusler/medya20.htm, accessed 10 August 2009.
_______ (2006), “Yeni Hegemonya Köşe Yazarlarına Çok Şey Borçlu”, Sol Dergisi, 25/6/2006, http://arsiv.sol.org.tr/?yazino=884, accessed 10 August 2009.
ADELSON, L. A. (2005), The Turkish Turn in Contemporary German Literature, New York: Palgrave Macmillan.
AKÇA, K. (2008), “Fatih Akın’la Çalışmak Özgürlük”, Radikal, http://www.radikal.com.tr/Radikal.aspx?aType=RadikalHaberDetay&ArticleID=881134&Date=2.6.2008&CategoryID=113, 02.06.2008, accessed 23 July 2009.
AKGÜNDÜZ, A. (1998), “Migration to and from Turkey, 1783-1960: Types, Numbers and Ethno-religious Dimension”, Journal of Ethnic and Migration Studies, 24 (1), pp. 97-120.
AL-ALI, N., BLACK, R. and KOSER, K. (2001), “Refugees and Transnationalism: The Experience of Bosnians and Eritreans in Europe”, Journal of Ethnic and Migration Studies, 27 (4), pp. 615-634.
ALTAYLI, F. (2004), “Pornocu Pornocu mu Kalmalı”, Hürriyet, http://arama.hurriyet.com.tr/arsivnews.aspx?id=207979, 07.03.2004, accessed 23 July 2009.
AMELINA, A. and FAIST, T. (2008), “Turkish Migrant Associations in Germany: Between Integration Pressure and Transnational Linkages”, Revue Européenne des Migrations Internationales, 24 (2), pp. 91-120.
ANDERSON, B. (2006), Imagined Communities, London; New York: Verso Books.
APPADURAI, A. (2003a), Modernity at Large, Minneapolis; London: University of Minnesota Press.
_______ (2003b), “Disjuncture and Difference in the Global Cultural Economy” in J. E. Braziel and A. Mannur (eds), Theorising Diaspora: A Reader, Oxford; Melbourne; Berlin: Blackwell Publishing.
ARMAOĞLU, F. (1995), 20. Yüzyıl Siyasi Tarihi, İstanbul: Alkım Yayınevi.
ARMES, R. (1987), Third World Filmmaking and the West, Berkeley: University of California Press.
ARSLAN, S. (2004), “Kara Sevda: Melodram ve Modernleşme” in D. Bayrakdar (ed), Türk Film Araştırmalarında Yeni Yönelimler 4, İstanbul: Bağlam Yayınları, pp. 171-181.
_______ (2005), Melodram, İstanbul: L&M Yayınları.
_______ (2006), “Head-on Head-off: How the Media Covered a Former Porn Actress’s Rise to Stardom”, Film International, 36 (6-5), pp. 62-71.
AUGE, M. (1995), Non-places: Introduction to an Anthropology of Supermodernity, (translated by J. Howe), London; New York: Verso Books.
AXEL, B. K. (2002), “National Interruption: Diaspora Theory and Multiculturalism in the UK”, Cultural Dynamics, 14 (3), pp. 235-256.
BAER, H. and LONG, R. (2004), “Transnational Cinema and the Mexican State in Alfonso Cuarón’s Y tu mama también”, South Central Review, 21 (3), pp. 150-168.
BAKHTIN, M. (1997a), “The Dialogic Imagination” in P. Morris (ed), The Bakhtin Reader, Oxford: Arnold Publication.
_______ (1997b), “Problems of Dostoevsky’s Poetics” in P. Morris (ed), The Bakhtin Reader, Oxford: Arnold Publication.
BALIBAR, É (2003), We, The People of Europe?, Princeton: Princeton University Press.
BARTHES, R. (2007), “Toward A Psychosociology of Contemporary Food Consumption” in C. Counihan and P. Van Esterik (eds), Food and Culture: A Reader, New York; London: Routledge.
BAŞUTÇU, M. (1986a), “Tevfik Başer Altın Kamera’ya Aday’, Cumhuriyet, 16 May 1986, İstanbul, p. 7.
_______ (1986b), “Tevfik Başer Ödülü Kıl Payı Kaçırdı’, Cumhuriyet, 31 May 1986, İstanbul, p. 7.
_______ (2004), “Sıradan İnsanlar Önemli”, Radikal, http://www.radikal.com.tr/Radikal.aspx?aType=RadikalHaberDetay&ArticleID=719599&Date=16.8.2004&CategoryID=113, 16.08.2004, accessed 15 July 2009.
_______ (2007), “Fatih Akın Galada 15 Dakika Alkışlandı”, Radikal, http://www.radikal.com.tr/Radikal.aspx?aType=RadikalHaberDetay&ArticleID=815168&Date=25.5.2007&CategoryID=113, 25.05.2007, accessed 15 July 2009.
BAUMAN, Z. (1992), Intimations of Postmodernity, London; New York: Routledge.
_______ (1998), Globalisation: The Human Consequences, Cambridge: Polity Press.
_______ (2000), Liquid Modernity, Cambridge: Polity Press.
BAUTE, M., KNRER, E., PANTENBURG, V., PETHKE, S. and ROTHHLER, S. (2010), “The Berlin School – A Collage”, Senses of Cinema, 55, http://www.sensesofcinema.com/2010/feature-articles/the-berlin-school-%E2%80%93-a-collage-2/, accessed 10 August 2010.
BEK, M., G. (2004), “Research Note: Tabloidisation of News Media”, European Journal of Communication, 19 (3), pp. 371-386.
BELGE, M. (1983), “Cumhuriyet Döneminde Batılılaşma”, Cumhuriyet Dönemi Türkiye Ansiklopedisi.
______ (2003), Yaklaştıkça Uzaklaşıyor mu? Avrupa Birliği ve Türkiye, İstanbul: Birikim Yayınları.
BENJAMIN, W. (1996), “The Task of the Translator” in M. Bullock and M. W. Jennings (eds), Walter Benjamin: Selected Writings, (translated by Harry Zohn), Cambridge: Harvard University Press.
BENNINGTON, G. (1990), “Postal Politics and the Institution of the Nation” in H. K. Bhabha (ed), Nation and Narration, London; New York: Routledge.
BERGER, J. (1987), Yedinci Adam, (translated by Sungu Çapan), Ankara: V Yayınları.
BERGFELDER, T. (2005), “National, Transnational or Supranational Cinema? Rethinking European Film Studies”, Media, Culture Society, 27 (3), pp. 315-331.
BERGHAHN, D. (2006), “No Place Like Home? Or Impossible Homecomings in the Films of Fatih Akin”, New Cinemas, 4 (3), pp. 141-158.
_______ (2009), “From Turkish Greengrocer to Drag Queen: Reassessing Patriarchy in Recent Turkish-German Coming-of-Age Films”, New Cinemas, 7 (1), pp. 55-69.
_______ (2010), “Coming of Age in the Hood: The Diasporic Youth Film and Questions of Genre” in D. Berghahn and C. Sternberg (eds), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, London; New York: Wallflower Press.
BERGHAHN, D. and STERNBERG, C. (2010a), “Introduction” in D. Berghahn and C. Sternberg (eds), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, London; New York: Wallflower Press.
______ (2010b), “Locating Migrant and Diasporic Cinema in Contemporary Europe” in D. Berghahn and C. Sternberg (eds), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, London; New York: Wallflower Press.
BHABHA, H. K. (1986), “Foreword: Remembering Fanon” in F. Fanon, Black Skin White Masks, (translated by Charles Lam Markmann), London: Pluto Press.
_______ (1990), “DissemiNation: Time, Narrative and the Margins of the Modern Nation” in H. K. Bhabha (ed), Nation and Narration, London; New York: Routledge.
_______ (1994), The Location of Culture, London and New York: Routledge.
_______ (1996) “The Other Question: Difference, Discrimination and the Discourse of Colonialism” in H. A. Baker, M. Diaware and R. H. Lindebory (eds), Black British Cultural Studies: A Reader, USA: University of Chicago Press.
BILLIG, M. (1995), Banal Nationalism, London: Sage Publication.
BILLSTEIN, H. (2007), “An Islamic Boot Camp: The Khomeini From Cologne”, in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
BLOOM, P. (2006), “Beur Cinema and the Politics of Location: French Immigration Politics and the Naming of a Film Movement” in Elizabeth Ezra and Terry Rowden (eds), Transnational Cinema The Film Reader, London; New York: Routledge.
BOWCOTT, O. and JONES, S. (2010), “UN to Investigate Deportees’ Claims of Mistreatment”, Guardian, 19 June 2010, p. 23.
BOWEN, J. R. (2004), “Beyond Migration: Islam as a Transnational Public Space”, Journal of Ethnic and Migration Studies, 30 (5), pp. 879-894.
BOYARIN, D. and BOYARIN, J. (1993), “Diaspora: Generation and the Ground of the Jewish Identity”, Critical Inquiry, 19 (4), pp. 693-725.
BOYM, S. (2001), The Future of Nostalgia, New York: Basic Books.
BOZDEMİR, B. (2008), “Ülke Değil Konular Bağlıyor Bizi”, Cinedergi, 2, p. 44.
BRAH, A. (1996), Cartographies of Diaspora: Contesting Identities, London; USA; Canada: Routledge.
BRAZIEL, J. And MANNUR, A. (2003), “Nation, Migration, Globalisation: Points of Contention in Diaspora Studies” in J. Braziel and A. Mannur (eds), Theorising Diaspora: A Reader, Oxford; Melbourne; Berlin: Blackwell Publishing.
BRENNER, M. (2007), “No Place of Honor” in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
BRUBAKER, R. (2005), “The Diaspora Diaspora”, Ethnic and Racial Studies, 28 (1), pp. 1-19.
BURNS, R. (2005), “Turkish-German Cinema: From Cultural Resistance to Transnational Cinema” in David Clarke (ed), German Cinema: Since Unification, London; New York: Continuum.
_______ (2007), “The Politics of Cultural Representation: Turkish-German Encounters”, German Politics, 16 (3), pp. 358-378.
_______ (2009), “On the Streets and On the Road: Identity in Transit in Turkish-German Travelogues on Screen”, New Cinemas, 7 (1), pp. 11-26.
CAGAPTAY, S. (2009), “Too Hot for Turkish TV”, Foreign Policy, http://www.foreignpolicy.com/articles/2009/10/01/too_hot_for_turkish_TV, accessed 10 October 2009.
CAMPBELL, C., Z. (2006), “Sculpting A Pan-African Culture in the Art of Negritude: A Model for African Artist”, The Journal of Pan African Studies, 1 (6), pp. 28-41.
CASTLES, S. and DAVIDSON, A. (2000), Citizenship and Migration, New York: Palgrave.
CASTLES, S. and KOSACK, G. (1973), Immigrant Workers and Class Structure in Western Europe, London: Oxford University Press.
CASTLES, S. and MILLER, M, (2003), The Age of Migration, Basingstoke: Palgrave.
CHOW, R. (1993), Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies, Bloomington: Inidana University Press.
CHRISTENSEN, C. (2005), “Pocketbooks or Prayer Beads?: US/UK Newspaper Coverage of the 2002 Turkish Elections”, The Harvard International Journal of Press/Politics, 10, pp. 109-128.
______ (2007), “Concentration of Ownership, the Fall of Unions and Government Legislation in Tukey”, Global Media and Communication, 3, pp. 179-198.
CHRISTENSEN, M. and ERDOĞAN, N. (2009), “The Many Faces of Film and Media in Europe” in M. Christensen and N. Erdoğan (eds), Shifting Landscapes, Newcastle upon Tyne: Cambridge Scholars Publishing.
CIECKO, A. (1999), “Representing the Spaces of Diaspora in Contemporary British Film by Women Directors”, Cinema Journal, 38 (3), pp. 67-90.
CLARK, C. (2006), “Transculturation, Transe Sexuality and Turkish Germany: Kutlug Ataman’s Lola und Bilidikid”, German Life and Letters, 59 (4), pp. 554-572.
CLIFFORD, J. (1994), “Diasporas”, Cultural Anthropology, 9 (3), pp. 302-338.
COHEN, R. (2003), Global Diasporas: An Introduction, USA: University of Washington Press.
COLLINS, J. (1993), “Genericity in the Nineties: Eclectic Irony and the New Sincerity in J. Collins, H. Radner and A. P. Collins (eds), Film Theory Goes to the Movies, New York: Routledge.
CONNELLY, B. (2003), “Culinary Historian Finds Pittsburgh Interests in Heinz, Primanti’s, Strip District”, Pitt Chronicle, University of Pittsburgh, September 8.
CONNERTON, P. (1989), How Societies Remember, Cambridge: Cambridge University Press.
COYNE, R. (2006), “Orienting the Future: Design Strategies for Non-Place”, Design for the 21st Century Project, http://www.design21.dundee.ac.uk/Phase1/21Clusters/Non_Place.htm, accessed 15 August 2009.
CROFTS, S. (1998), “Concepts of National Cinema” in J. Hill and P. Church Gibson (eds), Oxford Guide to Film Studies, Oxford: Oxford University Press.
_______ (2006), “Reconceptualising National Cinema/s” in V. Vitali and P. Willemen (eds), Theorising National Cinema, London: British Film Institute.
ÇARKOĞLU, A. (2003), “Who Wants Full Membership? Characteristics of Turkish Public Support for EU Membership”, Turkish Studies, 4 (1), pp. 171-194.
ÇELİK, B. (2004), “Yeşilçam Sineması ve TV Dizilerinin Anlatı Benzerliği” in D. Bayrakdar (ed), Türk Film Araştırmalarında Yeni Yönelimler 4, İstanbul: Bağlam Yayınları, pp. 171-181.
ÇETİN, H. (2003-4), “Gelenek ve Değişim Arasındaki Kriz: Türk Modernleşmesi”, Doğu Batı, 7 (25), pp. 11-40.
DALLIAĞ, D. (2005), “Alman TVsinde Bu Türkler Konuşuluyor”, Hürriyet, http://arama.hurriyet.com.tr/arsivnews.aspx?id=285776, 02.01.2005, accessed 23 July 2009.
DANICO, M., Y. (2004), The 1.5 Generation: Becoming Korean American in Hawaii, Hawaii: University of Hawaii Press.
DARENDELİ, V. (2007), Medya Yoğunlaşması, Tekelleşmenin Denetimi ve Çoğulculuğun Kurulması, Türkiye Barolar Birliği Dergisi, 68, http://www.rtuk.org.tr/sayfalar/IcerikGoster.aspx?icerik_id=0977101d-4e81-4e87-a3bb-6f2e10388fd5, accessed 10 August 2009.
DAVIES, R. (2007), “Reconceptualising the Migration-Development Nexus: Diasporas, Globalisation and the Politics of Exclusion”, Third World Quarterly, 28 (1), pp. 59-76.
DELEUZE, G. and GUATTARI, F. (2004), A Thousand Plateaus: Capitalism and Schizophrenia, (translated by Brian Massumi), London; New York: Continuum.
DEVEÇEKEN, İ. (2007), “Türkiye Çok Değişecek Eleştirilemeyecek Bile”, Hürriyet, http://arama.hurriyet.com.tr/arsivnews.aspx?id=7344984, 23.09.2007, accessed 23 July 2009.
DI STEFANO, J. (2002), “Moving Images of Home”, Art Journal, 61 (4), pp. 38-51.
DIAWARA, M. (2003), “The I Narrator in Black Diaspora Documentary” in E. Shohat and R. Stam (eds), Multiculturalism, Postcoloniality and Transnational Media, New Burnswick; New Jersey; London: Rutgers University Press.
DİRLİK, A. (2003), “The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism” in Padmini Mongia (ed), Contemporary Postcolonial Theory, Oxford: Oxford University Press.
DOĞAN, Y. (2004), “Kekilli’ye Haçlı Seferi”, Hürriyet, http://arama.hurriyet.com.tr/arsivnews.aspx?id=207560, 05.03.2004, accessed 23 July 2009.
DORSAY, A. (1986), “Türklerin Sorunlarını İki Odalı Bir Evde Anlattım”, Cumhuriyet, 25 May 1986, İstanbul, p. 7.
______ (1989), “Şenlikte Türkler Var mı Yok mu?”, Cumhuriyet, 17 February1989, İstanbul, p. 5.
______ (1991a), “Berlin’de Kadın Yüzleri”, Cumhuriyet, 17 May 1991, İstanbul, p. 7.
______ (1991b), “Alkışlar Yuhlara Karıştı”, Cumhuriyet, 24 May 1991, İstanbul, p. 7.
DRAKE, P. (2003), “Mortgaged to Music: New Retro Movies in 1990s Hollywood Cinema” in P. Grainge (ed), Memory and Popular Film, Manchester; New York; Vancouver: Manchester University Press.
DU BOIS, W. E. B. (1996), The Souls of Black Folk, New York; London: Penguin Books.
DYER, R. (1997), White, London; New York: Routledge.
EISENSTADT, S. N. (1956), From Generation to Generation, W. J. H. Sprott (ed), London: Routledge&Kegan Paul Ltd.
ELLIS, J. (1995), Visible Fictions, New York: Routledge.
ELLIS, M. and GOODWIN-WHITE, J. (2006), “1.5 Generation Internal Migration in the US: Dispersion From States of Immigration?”, International Migration Review, 40 (4), pp. 899-926.
ELSAESSER, T. (1989), New German Cinema: A History, London; Basingstoke: Macmillan.
_______ (1999), “Ethnicity, Authenticity, and Exile: A Counterfeit Trade? German Filmmakers and Hollywood” in H. Naficy (ed), Home, Exile, Homeland, New York; London: Routledge.
_______ (2005), European Cinema: Face to Face with Hollywood, Amsterdam: Amsterdam University Press.
_______ (2009), “Real Location, Fantasy Space, Performative Place: Double Occupancy and Mutual Interference in European Cinema, in M. Christensen and N. Erdoğan (eds), Shifting Landscapes, Newcastle upon Tyne: Cambridge Scholars Publishing.
Encyclopedia Britannica (2007), “rhizome”, http://www.britannica.com/EBchecked/topic/501483/rhizome, accessed 1 December 2009.
ERDOĞAN, İ. (2007), Türkiye’de Gazetecilik ve Bilim İletişimi, Ankara: Pozitif Matbaacılık.
ERDOĞAN, N. (2009), “Star Director as Symptom: Reflections on the Reception of Fatih Akın in the Turkish Media”, New Cinemas, 7 (1), pp. 27-38.
EREN, M. (2003), “Traveling Pictures from a Turkish Daughter”, in E. Rueschmann (ed), Moving Pictures Migrating Identities, Mississippi: University Press of Mississippi.
ERİŞTİ, M. (1990), “Güzel Bir Film Her Yerde Kabul Görür”, Beyazperde, 6, p. 10.
EROL, M., S. and EFEGİL, E. (2007), Türkiye AB İlişkileri: Dış Politika ve İç Yapı Sorunsalları, Ankara: Alp Yayınları.
EWING, K. P. (2006), “Between Cinema and Social Work; Diasporic Turkish Women and (Dis)pleasures of Hybridity”, Cultural Anthropology, 21 (2), pp. 265-294.
EZRA, E. and ROWDEN, T. (2006), “General Introduction: What’s Transnational Cinema” in E. Ezra and T. Rowden (eds), Transnational Cinema The Film Reader, London; New York: Routledge.
FACHINGER, P. (2007), “A New Kind of Creative Energy: Yade Kara’s Selam Berlin and Fatih Akin’s Kurz und Schmerzlos and Gegen die Wand”, German Life and Letters, 60 (2), pp. 243-260.
FANON, F. (1986), Black Skin White Masks, (translated by Charles Lam Markmann), London: Pluto Press.
FASSBINDER, R. W. (1975), “Six Films by Douglas Sirk”, (translated by Thomas Elsaesser), New Left Review, I/91, pp. 95-107.
FENNER, A. (2000), “Turkish Cinema in the New Europe: Visualising Ethnic Conflict in Sinan Çetin’s Berlin in Berlin”, Camera Obscura 44, 15 (2), pp. 105-148.
_______ (2003), “Traversing the Screen Politics of Migration” in E. Rueschmann (ed), Moving Pictures Migrating Identities, Mississippi: University Press of Mississippi.
FERRARA, G. R. (2006), “Kanaka Sprak? German-Turkish Women Filmmakers”, German as a Foreign Language, 3, pp. 78-93.
FINKEL, A. (2000), “Who Guards the Turkish Press? A Perspective on Press Corruption in Turkey”, Journal of International Affairs, 54 (1), pp. 147-166.
Film Ekibi (2004), “Bir Yudum Özgürlük: Yüksel Yavuz ile Söyleşi”, Yeni Film, 4, pp. 44-52.
FRANKENBERG, R. and MANI, L. (2003), “Crosscurrents, Crosstalk: Race, Postcoloniality and the Politics of Location” in Padmini Mongia (ed), Contemporary Postcolonial Theory, London: Oxford University Press.
GALLAGHER, J. (2006), “The Limitation of Urban Space in Thomas Arslan’s Berlin Trilogy”, Seminar: A Journal of Germanic Studies, 42 (3), pp. 337-352.
GANSER, A., PÜHRİNGER, J. and RHEINDORF, M. (2006), “Bakhtin’s Chronotope on the Road: Space, Time and Place in Road Movies since the 1970s”, Facta Universitatis, 4 (1), pp. 1-17.
GARWOOD, I. (2002), “The Autorenfilm in Contemporary German Cinema” in T. Bergfelder, E. Carter and D. Göktürk (eds), The German Cinema Book, London: BFI Publishing.
GELLNER, E. (1982), Nations and Nationalism, Oxford: Blackwell.
GENCO, E. and GÜVEN, Y. (2004), “Misafir İşçi Babam’dan Küçük Özgürlük’e” Yeni Film, 4, pp. 37-43.
GENÇ, S. (2004), “Acı Vatandan Kısa ve Acısız’a”, Yeni Film, 4. pp. 53-58.
_______ (2004), “Ecnebi Olmak: Ayhan Salar ile Söyleşi”, Yeni Film, 4, pp. 59-65.
GHOSH, B. and BHASKAR, S. (1996), ‘The Cinema of Displacement: Towards a Politically Motivated Poetics’, Film Criticism, 20 (1-2), pp. 102-113
GIDDENS, A., AGUIRRE, M., ROCARD, M., and ROHAN, A. (2004), “Turkey in Europe: More than A Promise?”, Report of the Independent Commission on Turkey.
______ (2009), “Turkey in Europe: Breaking the Vicious Circle”, Second Report of the

Independent Commission on Turkey.


GILROY, P. (1993), The Black Atlantic, London; New York: Verso.
_______ (2003), “The Black Atlantic as a Counterculture of Modernity” in J. Braziel and A. Mannur (eds), Theorising Diaspora: A Reader, Oxford; Melbourne; Berlin: Blackwell Publishing.
GORDON, E. T. and ADERSON, M. (1999), “The African Diaspora: Toward an Ethnography of Diasporic Identification”, The Journal of American Foklore, 112 (445), Theorising the Hybrid, pp. 282-296.
GÖKALP, Z. (1923), Türkçülüğün Esasları, www.iskenderiyekutuphanesi.com, accessed 1 January 2010.
GÖKTÜRK, D. (2000), “Turkish Women on German Streets: Closure and Exposure in Transnational Cinema” in Myrto Konstantarakos (ed), Spaces in European Cinema, Exeter: Intellect Books.
_______ (2001), “Turkish Delight-German Fright: Migrant Identities in Transtanional Cinemas” in D. Derman, K. Ross and N. Dakovic (eds), Mediated Identites, İstanbul, Bilgi University Press.
_______ (2002a), “Introduction” in T. Bergfelder, E. Carter and D. Göktürk (eds), The German Cinema Book, London: BFI Publishing.
_______ (2002b), “Beyond Paternalism: Turkish German Traffic in Cinema”, in T. Bergfelder, E. Carter and D. Göktürk (eds), The German Cinema Book, London: BFI Publishing.
_______ (2010), “Sound Bridges: Transnational Mobility as Ironic Melodrama”, in D. Berghahn and C. Sternberg (eds), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, London; New York: Wallflower Press.
GÖKTÜRK, D., GRAMLING, D. and KAES, A. (2007), “What is A German? Legislating National Identity”, in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
GÖLE, N. (1998), “Batı-dışı Modernlik Üzerine Bir İlk Desen”, Doğu Batı, 1 (2), pp. 57-64.
GREVE, M. (2009), “Music in the European Turkish Diaspora” in B. Clausen, U. Hemetek and E. Sæther (eds), Music in Motion: Diversity and Dialogue in Europe, London: Transaction Publishers.
GUNEW, S. (2002), “Transcultural Translations: Performative Pedagogies”, Seminar held at Simon Fraser University, Vancouver, October 2002, http://faculty.arts.ubc.ca/sgunew/TT.HTM, accessed 18 May 2009.
GÜLER, A. and ARSLAN, M. (2006), “Heyecan Dorukta”, Evrensel, www.evrensel.net/06/02/16/toplum.html, 16.02.06, accessed 23 July 2009.
GÜLMEZ, S. B. (2008), “The EU Policy of the Republican People’s Party: An Inquiry on the Opposition Party and Euro-skepticism in Turkey”, Turkish Studies, 9 (3), pp. 423-436.
GÜRSOY, Ş. and ÇAPÇIOĞLU, İ. (2006), “Bir Türk Düşünürü Olarak Ziya Gökalp: Hayatı, Kişiliği ve Düşünce Yapısı”, AÜIFD, 2, pp. 89-98.
GÜVENÇ, B. (2005), Türk Kimliği, İstanbul: Remzi Kitabevi.
HAGE, G. (2003), Against Paranoid Nationalism, Sydney: Pluto.
HALL, S. (1991), “The Local and Global: Globalisation and Ethnicity” in Anthony D. King (ed), Culture Globalisation and The World System, London: Macmillian Press.
_______ (2002), “Political Belonging in a World of Multiple Identities” in S. Vertovec, R. Cohen (eds), Concieving Cosmopolitanism: Theory, Context and Practice, Oxford: Oxford University Press.
_______ (2003), “Cultural Identity and Diaspora” in J. Braziel, A. Mannur (eds), Theorising Diaspora: A Reader, Oxford; Melbourne; Berlin: Blackwell Publishing.
HALLE, R. (2008), German Film after Germany: Toward a Transnational Aesthetic, Urbana; Chicago: University of Illinois Press.
HALLWARD, P. (2001), Absolutely Postcolonial, Manchester: Manchester University Press.
HANNERZ, U. (1996), Transnational Connections, London; New York: Routledge.
HARKLAU, L., LOSEY, K. M. and SIEGAL, M. (eds.) (1999), Generation 1.5 Meets College Composition: Issues in the Teaching of Writing to U.S.-Educated Learners of ESL, Mahwah: Erlbaum.
HARNEY, N. D. and BALDASSAR, L. (2007), “Tracking Transnationalism: Migrancy and Its Futures”, Journal of Ethnic and Migration Studies, 33 (2), pp. 189-198.
HAYWARD, S. (2000), “Framing National Cinemas” in M. Hjort and S. MacKenzie (eds) Cinema and Nation, London; New York: Routledge.
_______ (2005), French National Cinema, New York; London: Routledge.
HECKMAN-YALCIN, L. (2002), “Negotiating Identities: Media Representations of Different Generations of Turkish Migrants in Germany” in D. Kandiyoti and A. Saktanber (eds), Fragments of Culture: The Everyday of Modern Turkey, New Burnswick: Reuters UP.
HEDETOFT, U. (2000), “Contemporary Cinema: Between Cultural Globalisation and National Interpretation” in M. Hjort and S. MacKenzie (eds), Cinema and Nation, London; New York: Routledge.
HEPER, M. (2004), “Turkey between East and West”, UC Berkeley: Institute of European Studies.
HIGBEE, W. (2007a), “Beyond the (Trans)national: Towards a Cinema of Transvergence in Postcolonial and Diasporic Francophone Cinema(s)”, Studies in French Cinema, 7 (2), pp. 79-91.
_______ (2007b), “Re-presenting the Urban Periphery: Maghrebi-French Filmmaking and the Banlieue Film”, Cineaste, Winter 2007, pp. 38-43.
HIGSON, A. (1989), “The Concept of National Cinema”, Screen, 30 (4), pp. 36-46.
_______ (1995), Waving The Flag: Constructing A National Cinema in Britain, Oxford: Clarendon Press.
_______ (2006), “The Limiting Imagination of National Cinema” in E. Ezra and T. Rowden (eds) Transnational Cinema The Film Reader, London; New York: Routledge.
HILL, J. (1992), “The Issues of National Cinema and British Film Production” in P. Duncan (ed), New Questions of British Cinema, London: British Film Institute.
_______ (1999), British Cinema in the 1980s, Oxford: Oxford University Press.
HIRSCH, M. (2008), “The Generation of Postmemory”, Poetics Today, 29 (1), pp. 103-126.
HITCHCOCK, L. (2004), “Third Culture Kids: A Bakhtinian Analysis of Language and Multiculturalism in Swallowtail Butterfly”, http://www.scope.nottingham.ac.uk/article.php?issue=feb2004&id=247§ion=article, accessed 17 August 2008.
HORROCKS, D. And KOLINSKY E. (1996), “Migrants or Citizens?” in D. Horrocks and E. Kolinsky (eds), Turkish Culture in German Society Today, Oxford: Berghahn Books.
HUNTINGTON, S. (1993), “The Clash of Civilisations?”, Foreign Affairs, 72 (3), pp. 22-49.
HUYSSEN, A. (2003), “Diaspora and Nation: Migration into Other Pasts”, New German Critique, 88, pp. 147-164.
HÜTTMAN, O. (2007), “Country Code TR” in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
ISHKANIAN, A. (2004), “Home-Coming and Goings”, Diaspora, 13 (1), pp. 111-121.
ITZIGSOHN, J. (2000), “Immigration and the Boundaries of Citizenship: The Institutions of Immigrants’ Political Transnationalism”, International Migration Review, 34 (4), pp. 1126-1154.
İNAÇ, H. (2003), “Avrupa Birliği Entegrasyon Sürecinde Türkiye’nin Kimlik Problemleri”, Doğu Batı, 23 (6), pp. 185-208.
İNALCIK, H. (1998), “Türkiye ve Avrupa: Dün Bugün”, Doğu Batı, 1 (2), pp. 11-30.
İNCE, Ö. (2004), “Alman Sanatında Avrupalı Türk Fırtınası mı?”, Hürriyet, http://arama.hurriyet.com.tr/arsivnews.aspx?id=213831, 30.03.2004, accessed 23 July 2009.
JÄCKEL, A. (2010), “State and Other Funding for Migrant, Diasporic and World Cinemas in Europe” in D. Berghahn and C. Sternberg (eds), European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, London; New York: Wallflower Press.
JACOBS, D., PHALET, K. and SWYNGEDOUW, M. (2006), “Political Participation and Associational Life of Turkish Residents in the Capital of Europe”, Turkish Studies, 7 (1), pp. 145-161.
JACOBSON, D. (1996), Rights across Borders: Immigration and the Decline of Citizenship, Baltimore: John Hopkins University Press.
JAHN, T. (2007), “Turksun-You Are a Turk” in D. Gokturk, D. Gramling and A. Kaes (eds), Germany in Transit: Nation and Migration 1955-2005, Berkeley; Los Angeles; London: University of California Press.
JEANCOLAS, J. (2007), “French Cinema and the Algerian War: Fifty Years Later”, Cineaste, Winter 2007, pp. 44-46.
KAES, A. and GEMUNDEN, G. (2003), “Introduction”, New German Critique, Film and Exile, 89, pp. 3-83.
KAHRAMAN, H. B. (1999), “Türkiye’de Kültürel Söylem Kurguları: Kopuştan Eklemlenmeye ve Geleneksizliğin Geleneği”, Doğu Batı, 3 (9), pp. 125-141.
KAHRAMAN, H. B. and KEYMAN, E. F. (1998), “Kemalizm, Oryantalizm ve Modernite”, Doğu Batı, 1 (2), pp. 65-77.
KANT, I. (1991), “Perpetual Peace: A Philosophical Sketch” in H. Reiss (ed), Political Writings, (translated by N.B. Nisbet), Cambridge: Cambridge University Press.
KAPLAN, N. (2004), Aile Sineması Yılları 1960’lar, İstanbul: Es Yayınları.
KAPPERT, P. (2007), “What Remains for Turks Abroad”, in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
KARACA, N. B. (2004), “Fatih Akın`ın van Hooijdonk Kadar Hatırı Olacak mı?”, Zaman, http://www.tumgazeteler.com/?a=756222, 17.02.2004, accessed 15 July 2009.
KARACAN, A. İ. (2002), “Medya Sahipliği Üzerine II”, 24/5/2002, http://www.dunyagazetesi.com.tr/newsdisplay.asp?upsaleid=80172, accessed 23 July 2009.
KARAKAŞOĞLU, Y. (1996), “Turkish Cultural Orientations in Germany and the Role of Islam” in D. Horrocks and E. Kolinsky (eds), Turkish Culture in German Society Today, Oxford: Berghahn Books.
KAUFMANN, E. (2002), “Modern Formation, Ethnic Reformation: The Social Sources of the American Nation”, Geopolitics, 7 (2), pp. 99-120.
KAYA, A. and KENTEL, F. (2004), “Euro-Turks: A Bridge or a Breach between Turkey and the European Union?”, İstanbul Bilgi University Centre for Migration Research, http://www.ceps.eu/book/euro-turks-bridge-or-breach-between-turkey-and-european-union-comparative-study-french-turks-an, accessed 20 July 2008.
KEJANLIOĞLU, B. (2004), Türkiye’de Medyanın Dönüşümü, Ankara: İmge Kitabevi.
KEYDER, Ç. (1997), “Whither the Project of Modernity” in S. Bozdoğan and R. Kasaba (eds), Rethinking Modernity and National Identity in Turkey, Seattle: University of Washington Press.
KEYMAN, E. F. (1997), “Kemalizm, Modernite, Gelenek: Türkiye’de ‘Demokratik Açılım’ Olasılığı”, Toplum ve Bilim, 72, pp. 84-101.
_______ (2003), “Türkiye’de Laiklik Sorunu’nu Düşünmek: Modernite, Sekülerleşme, Demokratikleşme”, Doğu Batı, 23 (6), pp. 113-130.
KHATIB, L. (2006), “Nationalism and Otherness: The Representation of Islamic Fundamentalism in Egyptian Cinema”, European Journal of Cultural Studies, 9, pp. 63-80.
KΙREL, S. (2005), Yeşilçam Öykü Sineması, İstanbul: Babil Yayınları.
KIŞLALI, M. A. (2003), “Yabancı Gözle Gazeteler”, Radikal, 15/7/2003, http://www.radikal.com.tr/haber.php?haberno=81556&tarih=15/07/2003, accessed 01 August 2009.
KLEBE, D. (2004), “Kanak Attak in Germany: A Multiethnic Network of Youths Employing Musical Forms of Expression”, in A. Czekanowska, U. Hemetek, G. Lechleitner and I. Naroditskaya (eds), Manifold Identities: Studies on Music and Minorities, London: Cambridge Scholars Press.
KLEINE-BROCKHOFF, T. (2007), “Germany, Your Islamist”, in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
KOCIATKIEWICZ, J. and KOSTERA, M. (1999), “The Anthropology of Empty Spaces”, Qualitative Sociology, 22 (1), pp. 37-50.
KOHL, H. (2007), “Coalition of the Center: For A Politics of Renewal” in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
KOLINSKY, E. (1996), “Conclusion” in David Horrocks and Eva Kolinsky (eds), Turkish Culture in German Society Today, Oxford: Berghahn Books.
KOOPMANS, R, STATHAM, P. (2003), “How National Citizenship Shapes Transnationalism: A Comparative Analysis of Migrant Claims-making in Germany, Great Britain and the Netherlands” in C. Joppke and E. Morawska (eds), Towards Assimilation and Citizenship: Immigrants in Liberal Nation-States, New York: Palgrave Macmillan.
KOSER, K. (2007), “Refugees, Transnationalism and the State”, Journal of Ethnic and Migration Studies, 3 (2), pp. 233-254.
KÖKSAL, G. (2010), “Almanya’da Türkçe Medya Nereye Gidiyor? (I-V), ha-ber.com, http://ha-ber.net/index.php?option=com_content&task=view&id=5935&Itemid=10, accessed 30 July 2010.
KÖMÜRCÜ, G. (2007), “Aman Kaçırmayın Mutlaka Seyredin”, Akşam, http://www.tumgazeteler.com/?a=2375595, 20.11.2007, accessed 15 July 2009.
KUHN, A. K. (1989), “Bourgeois Ideology and the (Mis)Reading of Günter Wallraff’s Ganz Unten”, New German Critique, 46, Special Issues on Minorities in German Culture, pp. 191-202.
KULAOĞLU, T. (1999), “Der neue ‘deutsche’ Film isst ‘Türkisch’? Eine neue Generation bringt Leben in die Filmlandscaft”, Filmforum, 16, pp. 8-11.
KURYLO, F., K. (2007), “The Turks Rehearsed the Uprising”, in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
KÜRŞAT-AHLERS, E. (1996), “The Turkish Minority in German Society” in D. Horrocks and E. Kolinsky (eds), Turkish Culture in German Society Today, Oxford: Berghahn Books.
LACAN, J. (2005), Écrits: A Selection, (translated by Alan Sheridan), London; New York: Routledge.
LANDSBERG, A. (2003), “Prosthetic Memory: The Ethics and Politics of Memory in an Age of Mass Culture” in P. Grainge (ed), Memory and Popular Film, Manchester: Manchester University Press.
LAVIE, S. And SWEDENBURG, T. (1996), “Introduction: Displacement, Diaspora and Geographies of Identity” in S. Lavie and T. Swedenburg (ed), Displacement, Diaspora, and Geographies of Identity, Durham; London: Duke University Press.
LENTIN, R. (2002), “Postmemory, Received History and the Return of the Auschwitz Code”, Mittelweg 36, 4, pp. 1-18.
LÉVI-STRAUSS, C. (2007), “The Culinary Triangle” in C. Counihan and P. Van Esterik (eds), Food and Culture: A Reader, New York; London: Routledge.
LEWIS, B. (1988), Modern Türkiye’nin Doğuşu, Ankara: TTK.
LEWIS, G. and NEAL, S. (2005), “Contemporary Political Contexts, Changing Terrains and Revisited Discourses”, Ethnic and Racial Studies, 28 (3), pp. 423-444.
LEWIS, P. (2010a), “Legal Fight over Spy Cameras in Muslim Suburbs”, Guardian, 11 June, http://www.guardian.co.uk/uk/2010/jun/11/project-champion-numberplate-recognition-birmingham, accessed 12 June 2010.
_______ (2010b), “Surveillance Cameras Spring Up in Muslim Areas –the Targets? Terrorists”, Guardian, 4 June, http://www.guardian.co.uk/uk/2010/jun/04/birmingham-surveillance-cameras-muslim-community, accessed 12 June 2010.
LEY, S. (2007), “The Deutschländer Hardly Read Anything German” in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
LOSHITZKY, Y. (2006a), “Introduction”, Third Text, 20 (6), pp. 629-634.
_______ (2006b), “Journeys of Hope to Fortress Europe”, Third Text, 20 (6), pp. 745-754.
_______ (2010), Screening Strangers, Bloomington; Indianapolis: Indiana University Press.
LUDAT, I. (2007), “A Question of the Greater Fear”, in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
LÜTZOW, G. (2007), “Okay, We Are Kanaks” in D. Göktürk, D. Gramling and A. Kaes (eds), Germany in Transit, Berkeley; Los Angeles; London: University of California Press.
MACKENZIE, S. (2000), “Mimetic Nationhood: Ethnography and the National” in M. Hjort and S. MacKenzie (eds), Cinema and Nation, London; New York: Routledge.
MAKAL, O. (1994), Sinemada Yedinci Adam, İzmir: Ege Yayıncılık.
MALIK, S. (1996), “Beyond ‘The Cinema of Duty’? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s” in A. Higson (ed), Dissolving Views: Key Writings on British Cinema, London; New York: Biggles Ltd.
MANÇO, U., “Turks in Europe: From a Garbled Image to the Complexity of Migrant Social Reality”, http://www.flwi.ugent.be/cie/umanco/umanco5.htm, accessed 13 March 2007.
MANDAVILLE, P. G. (1999), “Territory and Translocality: Discrepant Idioms of Political Identity”, Millenium Journal of International Studies, 28 (3), pp. 653-673.
MANI, V. (2007), Cosmopolitical Claims, University of Iowa Press: Iowa City.
MANNHEIM, K. (1952), Essays on the Sociology of Knowledge, Paul Kesckemeti (ed), London: Routledge&Kegan Paul Ltd.
MARCINIAK, K. (2003), “Transnational Anatomies of Exile and Abjection in Milcho Manchevski’s Before the Rain (1994)”, Cinema Journal, 43 (1), pp. 63-84.
MARDİN, Ş. (1995), Türk Modernleşmesi, M. Türköne (ed), İletişim Yayınları: İstanbul.
MARKS, L. U. (2000), The Skin of the Film, Durham; London: Duke University Press.
MASSEY, D. S. and DENTON, N. A. (1993), American Apartheid: Segregation and the Making of the Underclass, Cambridge: Harvard University Press.
MATTELART, A. (1998), “European Film Policy and the Response to Hollywood” in J. Hill and P. Church Gibson (eds), Oxford Guide to Film Studies, Oxford: Oxford University Press.
McGARRY, G. (2007), “Bhabha’s Mimicry and Man: Destabilising the Colonial Paradigm”, http://www.qub.ac.uk/schools/SchoolofEnglish/imperial/carib/Bhabha-mimicry.html, accessed 15 August 2008.
McLAREN, L. (2007), “Explaining Opposition to Turkish Membership of the EU”, European Union Politics, 8, pp. 251-278.
MENNEL, B. (2002), “Bruce Lee in Kreuzberg and Scarface in Altona: Transnational Auterism and Ghettocentrism in Thomas Arslan’s Brothers and Sisters and Fatih Akın’s Short Sharp Shock”, New German Critique, 87, Special Issue on Postwall Cinema, pp. 133-156.
MERCER, K. (1994), Welcome to the Jungle: New Positions in Black Cultural Studies, New York; London: Routledge.
MERCK, M. (ed.) (2007), America First, London; New York: Routledge.
MIHELJ, S., BAJT, V. and PANKOV M. (2009), “Television News, Narrative Conventions and National Imagination”, Discourse and Communication, 3 (1), pp. 57-78.
MILLER, M., J. (2001), “New Citizenship-Refugees and the Undocumented in the European Space and New Citizenships and Territory: Towards Recomposing the Local and the National”, International Migration Review, 35 (3), pp. 910-926.
MILLER, T. (1999), “Screening the Nation: Rethinking Options”, Cinema Journal, 38 (4), pp. 93-97.
MOORTI, S. (2003), “Desperately Seeking an Identity: Diasporic Cinema and the Articulation of Transnational Kinship”, International Journal of Cultural Studies, 6 (3), pp. 355-376.
MORLEY, D. (1999), “Bounded Realms: Household, Family, Community and Nation” in H. Naficy (ed), Home, Exile, Homeland, New York; London: Routledge, pp. 151-168.
_______ (2000), Home Territories: Media, Mobility and Identity, London: Routledge.
MORLEY, D. and ROBINS, K. (1996), “No Place Like Heimat: Images of Home(land) in European Culture” in G. Eley and R. G. Suny (eds), Becoming National, Oxford; New York: Oxford University Press.
_______ (2006), “Spaces of Identity: Communications Technology and the Reconfiguration of Europe” in V. Vitali and P. Willemen (eds), Theorising National Cinema, London: British Film Institute.
MORRIS, P. (1997), “Double-voiced Discourse in Dostoevsky” in P. Morris (ed), The Bakhtin Reader, Oxford: Arnold Publication.
MULVEY, L. (1975), “Visual Pleasure and Narrative Cinema”, Screen, 16 (3), pp. 6-18.
MUTMAN, M. (2009), “Up Against the Wall of the Signifier: Gegen die Wand” in M. Christensen and N. Erdoğan (eds), Shifting Landscapes, Newcastle upon Tyne: Cambridge Scholars Publishing.
MÜNZ, R. and ULRICH, R. (1998), “Germany and Its Immigrants: A Socio-demographic Analysis”, Journal of Ethnic and Migration Studies, 24 (1), pp. 25-56.
NAFICY, H. (1999), “Between Rocks and Hard Places: The Interstitial Mode of Production in Exilic Cinema” in H. Naficy (ed), Home, Exile, Homeland, New York; London: Routledge.
_______ (2001), Accented Cinema, USA: Princeton University Press.
_______ (2003), “Phobic Spaces and Liminal Panics: Independent Transnational Film Genre” in E. Shohat and R. Stam (eds), Multiculturalism, Postcoloniality and Transnational Media, New Burnswick; New Jersey; London: Rutgers University Press.
_______ (2006), “Situating Accented Cinema” in E. Ezra and T. Rowden (eds), Transnational Cinema The Film Reader, London; New York: Routledge.
NAIRN, T. (1997), Faces of Nationalism: Janus Revisited, London: Verso.
NEGRINE R., KEJANLIOĞLU, B., AISSAOUI, R., and PAPATHANASSOPOULOS, S. (2008), “Turkey and the European Union: An Analysis of How the Press in Four Countries Covered Turkey’s Bid for Accession in 2004”, European Journal of Communication, 23 (47), pp. 47-68.
NEWMAN, J. (2007), “Rethinking the Public in Troubled Times”, Public Policy and Administration, 22 (1), pp. 27-47.
NICODEMUS, K. (2009), “Fatih Akın: The Award-winning German-Turkish Director”, http://www.young-germany.de/mobile/life-in-germany/life-in-germany/article/39d5725685/fatih-akin-the-award-winning-german-turkish-director.html, accessed 23 May 2009.
NICOLAIDIS, K. (2004), “Turkey is European for Europe’s Sake” in Turkey and the European Union: From Association to Accession?, Ministry of Foreign Affairs, Netherlands.
O’DONNEL, M. (1985), Age and Generation, London; New York: Tavistock Publications.
OHMAE, K. (1990), The Borderless World, New York: Harper Business.
ORAN, B. (2001), Türk Dış Politikası Cilt I, İstanbul: İletişim Yayınları.
O’REGAN, T. (1996), Australian National Cinema, London; New York: Routledge.
ORR, J. (1997), Sinema ve Modernlik, Çev. Ayşegül Bahçıvan, Ankara: Bilim ve Sanat Yayınları.
ÖĞÜNÇ, P. (2009), “Bu Almancılar Tatile Gelmedi”, Radikal, http://www.radikal.com.tr/Radikal.aspx?aType=RadikalEklerDetay&ArticleID=940507&Date=13.6.2009&CategoryID=41, 13.06.2009, accessed 23 July 2009.

Yüklə 0,99 Mb.

Dostları ilə paylaş:
1   ...   16   17   18   19   20   21   22   23   24




Verilənlər bazası müəlliflik hüququ ilə müdafiə olunur ©muhaz.org 2024
rəhbərliyinə müraciət

gir | qeydiyyatdan keç
    Ana səhifə


yükləyin