19711126 Miles Davis Septet
Miles Davis (tp) Gary Bartz (ss, as) Keith Jarrett (el p, org) Michael Henderson (el b) Jack DeJohnette (dr) Charles Don Alias, James Mtume Forman (conga, perc)
November 26, 1971, Philharmonic Hall, Lincoln Center, New York, NY, audience recording
1 Directions (J. Zawinul) 11.55
Theme stated at 2.57, 4.17.
2 What I Say (M. Davis) 13.27
3 Sanctuary (W. Shorter-M. Davis) 0.35
4 It's About That Time (M. Davis) 11.16
5 Honky Tonk (M. Davis) (incomplete) 9.03
Cut off at 9.03.
1-6: Miles Davis - Lennies on the Turnpike '71 (Jazz Masters (G) JM 001/02)
Listed on Jazz Masters as "Bwongo" (first two titles) and "Ananka" (last three titles). The Jazz Masters CD is clearly mastered from an LP.
19711215-16-17-18-19 Miles Davis Sextet
Miles Davis (tp) Gary Bartz (ss, as) Keith Jarrett (el p, org) Michael Henderson (el b) Jack DeJohnette (dr) Charles Don Alias, James Mtume Forman (conga, perc)
December , 1971 Gaslight Club, New York, NY, USA
Last shows with Miles
1972 19720222-27 Keith Jarrett American Quartet
Keith Jarrett (p, org, tamb, ss) Sam Brown (g) Charlie Haden (b) Paul Motian (dr)
February 22nd – 27th (?), 1972 ,Slug’s, New York, NY
197202310 Keith Jarrett Solo (PL)
March 10, 1972 (3 items; TT = 45:22)
|
Konserthuset, Stockholm
|
Source/Quality: RB (B+)
|
|
1
|
Introduction
|
0:38
|
2
|
Stockholm, March 10, 1972 (K. Jarrett)
|
44:06
|
3
|
Introduction
|
0:38
|
| 19720405 American Quartet + 1 And Brass
Keith Jarrett (p, org, tamb, ss) Sam Brown (g) Charlie Haden (b) Paul Motian (dr) Airto Moreira (perc) brass section (on Nomads)
April 5th 1972, Columbia Studio E, New York, NY
1 The Magician In You (Keith Jarrett) 6.52
2 Take Me Back (Keith Jarrett) 9.26
3 Nomads (Keith Jarrett) 17.20
1-3: Keith Jarrett - Expectations (Columbia C2K 65900)
19720406 Keith Jarrett And Strings
Keith Jarrett (p) string section
April 6th 1972, Columbia Studio B, New York, NY
1 Vision (Keith Jarrett) 0.48
Keith Jarrett - Expectations (Columbia C2K 65900)
19720406 Keith Jarrett Trio And Strings
Keith Jarrett (p) Charlie Haden (b) Paul Motian (dr) string section
April 6th 1972, Columbia Studio B, New York, NY
1 Expectations (Keith Jarrett) 4.25
Keith Jarrett - Expectations (Columbia C2K 65900)
19720406 Keith Jarrett American Quartet + 1
Keith Jarrett (p, tamb, ss) Dewey Redman (ts) Charlie Haden (b) Paul Motian (dr) Airto Moreira (perc)
April 6th 1972, Columbia Studio B, New York, NY
1 Bring Back The Time When (If) (Keith Jarrett) 9.50
Keith Jarrett - Expectations (Columbia C2K 65900)
19720406 Keith Jarrett Trio And Strings
Keith Jarrett (p) Sam Brown (g) Charlie Haden (b) string section
April 6th 1972, Columbia Studio B, New York, NY
1 There Is A Road (God’s River) (Keith Jarrett) 5.33
Keith Jarrett - Expectations (Columbia C2K 65900)
19720406 Keith Jarrett Quintet And Brass
Keith Jarrett (p, tamb, ss) Dewey Redman (ts) Charlie Haden (b) Paul Motian (dr) Airto Moreira (perc) brass section
April 6th 1972, Columbia Studio E, New York, NY
1 Common Mama (Keith Jarrett) 8.11
Keith Jarrett - Expectations (Columbia C2K 65900)
19720413 Airto Moreira Sextet
Joe Farrell (alto fl, b fl -1, fl -2) Hubert Laws (fl) Keith Jarrett (p) George Benson (g) Ron Carter (b) Airto Moreira (perc)
April 13th 1972, Rudy Van Gelder Studio, Englewood Cliffs, NJ
1 Lucky Southern 2.36
2 So Tender (Love Should Be) 5.01
1,2. Airto - Free (CTI 6020, 8000; CTI/Associated ZK 40927)
19720420 Airto Moreira With Don Sebesky Orchestra
Burt Collins, Mel Davis, Alan Rubin (tp, flh) Wayne Andre, Garnett Brown, Joe Wallace (tb) Hubert Laws (fl) Airto Moreira (wood fl, perc) Joe Farrell (ss, alto fl, b fl, piccolo) Keith Jarrett (p) Jay Berliner (g) Ron Carter (b) Don Sebesky (arr)
April 20th 1972, Rudy Van Gelder Studio, Englewood Cliffs, NJ
1 Flora's Song 8.30
Airto - Free (CTI 6020, 8000; CTI/Associated ZK 40927)
19720427 Keith Jarrett Quartet
Keith Jarrett (p, ss) Dewey Redman (ts) Charlie Haden (b) Paul Motian (dr)
April 27th 1972, Columbia Studio E, New York, NY
1 Roussillion (Keith Jarrett) 5.22
Keith Jarrett - Expectations (Columbia C2K 65900)
Review by Richard S. Ginel:
l This was the first real indication to the world that Keith Jarrett was an ambitious, multi-talented threat to be reckoned with, an explosion of polystylistic music that sprawled over two LPs (now squeezed onto a single CD). Using his classic quartet (Dewey Redman, Charlie Haden, Paul Motian) as a base, Jarrett occasionally adds the biting rock-edged electric guitar of Sam Brown and always-intriguing percussionist Airto Moreira, and indulges in some pleasant string and brass arrangements of his own, along with some grinding organ smears and acceptable soprano sax. Jarrett again turns his early rampant eclecticism loose -- from earthy gospel-tinged soul-jazz to the freewheeling atonal avant-garde -- yet this time he does it with an exuberance and expansiveness that puts his previous solo work in the shade. "Common Mama," a spicy Latin workout with brass punctuations, "Take Me Back," driving soul jazz with streaks of electric jazz-rock, and the lengthy, nearly free "Nomads" are the most invigorating tracks
Dostları ilə paylaş: |