Diseño de cubierta: Mario Muchnik

/ Bibliografía

HENTOFF (Nat) y McCARTHY (Albert), Jazz, psicología y sociología, Paidos, 1968.

HEN'FOFF (Nar) y McCARTHY (Albert), Jazz, Londres, Quartet Books_> 1977,
(1 / 1959), 342 p.

HENTOFF (Nat), Jazz, Pomaire, 1982.

MAZZOLETTI (Adriana), IlJazz In Italia: Dalle Origini al Dopoguerra, Roma, Later­
za, 1983, 424 p.

McCARTHY (Albert), The Dance Band Era.' The Dancing Decades From Ragtime To

Swing, Radnor, Penn_> Chilton Book, 1982 (1/1971), 176 p.

MORGAN (Alun) y HORRICKS (Raymond), ModernJazz: A Survey OfDevelapments

Since /939, Wesport, Conn., Greenwood Press, 1977 (1/1956), 240 p.

PANASSIE (Hugues), Historia del verdadero Jazz, Seix Barral, 1961.

PÉREZ SILOS (Ángel), Psicoanálisis del jazz, Londres, CIA, 1983.
PLACKSIN (Sally), American Women In Jazz, Nueva York, Seaview Books, 1982,
332 p.

RI ESCO (José Francisco), El jazz clásico y Jahnny Dodds, su rey sin corona, José Fran­

cisco Riesco, editor, 1972.

RUSSELL (Ross), Jazz Sryle In Kansas CityAnd The Southwest, Berkeley, Universiry Of

California Press, 2/1973, 292 p.

SÁENZ (Miguel), Jazz de hoy, de ahora, Siglo Veintiuno, 1971.

SHAW (Arnold), 52nd Street: The Street OfJazz, Nueva York, Da Capo, 3/1983,
378 p.

SIMON (George T.), The Big Bands, Nueva York, Macmillan_> 1967, 584 p.

STEWART (Rex), Jazz Masters Of The 30's_> Nueva York, Da Capo_> 1982 (1/1972),
223 p.

TERCINET (Alain), West CoastJazz, Marsella, Parenthéses, 1986, Epistrophy, 358 p.

TRAVIS (Dempsey J.), An Autobiography OfBlackJazz_> Chicago, Urban Research Ins­
tituye, 1983, 543 p.

WILLIAMS (Martín), Jazz Masters Of New Orleans, Nueva York, Da Capo, 1979,

287 p.

WI LLIAMS (Martín), TheArt Of Jazzr Ragtime To Be Bop, Nueva York, Da Capo, 1980,

253 p.

WILLIAMS (Martín), Jazz Masters ln Transition, 1957-1969, Nueva York, Da Capo,

1982 (1 / 1970), 288 p.
Bibliografía / 1333

WILLIAMS (Martín), La herencia del jazz, Prisma, 1987.

WILLIAMS (Martín), La tradición del jazz, Taurus, 1990.
WI LMER (Valerie), As Serious As Your Life - The Story Of The New Jazz, Londres, Quar­
tet Books, 1977.

5. INSTRUMENTOS

BAKER (David), Jazz Styles& Analysis: Trombone, Chicago, DB Music Workshop Publi­
cations, 1973, 144 p.

BILLARD (Fran~ois e Yves), Hútoires du saxophone, París, Joseph Clims_> 1986, 326 p.

CHAUTEMPS (Jean-Louis), KIENTZY (Daniel), LONDEIX (Jean-Marie), Le Saxo­
phone, París, Lattés-Salabert_> 1987.

GOURSE (Leslie), Louis' Children: American Jazz Singers, Nueva York, Quill, 1984,

366 p.

LEE (Bill), People In Jazz: Jazz Keyboard Improvúors Of The 19rn & 20th Centuries, Stu­

dio PR, 1984, 287 p.

MIEDEMA (Harry), Jazz Styles & Analysú: Alto Sax_> Chicago, DB Music Workshop

Publications, 1975, 104 p.

MONGAN (Norman), Hútoiredelaguitaredanslejazz, París, Filipacehi, 198G (1/1983),

275 p.

PETERSEN (Jack), Jazz Styles& Analysis: Guitar, Chicago, DB Music Workshop Publi­

cations, 1979, 80 p.

TAYLOR (Billy), Jazz Piano: AJazz History, Dubuque, Wm. C. Brown_> 1982, 264 p.

Jazz Guitarists, Colleaed Interviews From Guitar Player Magazine, Nueva York, Gui­
tar Player Books, 1975, 118 p.

G. BIOGRAFÍAS

ALLEN (Walter C.) y RUST (Brian), revisado por Laurie WRIGHT_> KingJoe Oliver,
Chigwell, Essex, Storyville Publications, 1987 (1/1955), 438 p.

BARKER (Danny), A Life In Jazz, Ed. Alyn Shipton_> Nueva York, Oxford Universiry

Press, 1986, 223 p.

BASIE (Count) y MURRAY (Albert), GoodMorningBlues, Nueva York, Random Hou­

se, 1985, 399 p.

BECHET (Sidney), La Musique c ést ma vie, París, La Table Ronde, 1977 (1 / 1960: Treat

It Gentle), 335 p.
1334 / Bibliografía

BETHELL (Tom), George Lewis, jazzista de Nueva Orleans, Edamex, 1980.

BLANK (Charles), Sonny Rollins, Boston, Mass., Twayne, 1983.
CALLOWAY (Cab) y ROLLINS (Bryant), OfMinnie TheMoocher& Me, Nueva York,
Thomas Y. Cromwell Company, 1976, 282 p.

CARR (Ian), Miles Davis, A Critica! Biography, Londres, Quartet Books, 1982.

COLLIER Uames Lincoln), LouisArmstrang, Javier Vergas, editor, 1987.
COLLIER Uames Lincoln), Duke Ellington, Javier Vergas, editor, 1990.
CHAMBERS (Jack), Milestones vol 1: The MusicAnd Times OfMiles Davis To 1960,
vol 2: Tbe Music And Times Of Miles Davú Since 1960, Nueva York, Beech Tree
BookslWilliam Morrow, 1983-1985, 761 p.

CHARLES (Ray) y RITZ (David), Ray Charles: le blues dans la pean, París, Presses de

la Ranaissance, 1979 (111978), 414 p:

CHILTON Uohn), SidneyBechet.~ The Wiutrd OfJazz, Basingstoke, Hampshire, Mac­

Millan Press, 1987, 332 p.

DANCE (Stanley), The World Of Count Basie, Nueva York, Charles Scribner's Sons,

1980, 399 p.

DANCE (Stanley), The World OfEarl Hines, Nueva York, Charles Scribner's Sons, 1977,

324 p.

DANCE (Stanley), Duke Ellington par luí-méme et ses musiciens París, Filipacchi, 1976

(1 / 1970), 331 p. (hay trad. cast.: El mundo de Duke Ellington, Víctor Lerú, 1973).
DELANNOY (Luc), Lester Young, profession: président, París, Denoél, 1987, 264 p.
DELAUNAY (Charles), Django mon frére, París, Eric Losfeld, 1968, 206 p.
ELLINGTON (Duke), Music Is My Mistress_> Nueva York, Doubleday, 1973, 523 p.
ELLINGTON (Mercer) y DANCE (Stanley), Duke Ellington, una biografía íntima, Par­
sifal, 1992.

GIDDINS (Gary), Cele6ratingBird The Triumph OfCharlíeParker, Nueva York, Beech

Tree Books/William Morrow, 1987, 128 p.

GILLESPIE (Dizzy) y FRASER (AI), To Be Or Not To Bop, Nueva York, Doubleday,

1979, 552 p.

HAWES (Hampton) y ASHER (Don), Raise Up OffMe, Nueva York, Coward, McCann

& Geoghigan, 1974, 179 p.

HOLIDAY (Billie) y DUFTY (William), Lady Sings Tbe Blues - Ma Vie_> Roquevaire,

Parenthéses, 1983 (1 / 1956, Lady Sings The Blues).
Bibliografía / 1335
HOLIDAY (Billie), Lady Sings Tbe Blues (memorias), Tusquets, 1988.

HORRICKS (Raymond), FOX (Charles), GREEN (Benny), These Jazzmen Of Our

Times, Londres, Gollana, 1959, 240 p.

HORRICKS (Raymond), Stéphane Grappelli, Júcar, 1986.

HORRICKS (Raymond)_> Gil Evans, Júcar, 1987.
HORRICKS (Raymond), Dizzy Gilúspie, Júcar, 1987.
JEWEL (Derek), Duke (biografía novelada de Duke Ellington), Edamex, 1979.
KIMBALL (Roben) y BOLCOM (William), Reminiscing With SúsleAnd Blake, Nue­
va York_> The Viking Press, 1973, 256 p.

KIRKEBY (Ed), Ain'tMisbehavin; Nueva York, Da Capo, 1975 (1/1966), 248 p.

LOMAX (Alan), MisterJelly Role París, Flammarion, 1964 (1/1950), 362 p.
MARQUIS (Donald M.), In Search OfBuddy Bollen, First Man OfJazz, Nueva York,
Da Capo, 1980 (111978), 176 p.

MEZZROW (Milton "Mezz") y WOLFE (Bernard), La Rage de vivie, París, Buchet­

Chastel, 1982 (1 / 1946: Really The Blues), 510 p., libro de bolsillo. (hay trad. cast.: La
rabia de vivir, Anaya y Mario Muchnik, 1992).

MINGUS (Charles), Moins qu ún chien, Roquevaire, Parenthéses, 1982 (111971: Be­

neath The Underdog), Epistrophy, 253 p.

NISENSON (Eric), 'RoundAboutMidnighr. UnportraitdeMilesDavis, París, Deno~ll,

1983 (1 / 1982), 249 p.

O'DAY (Anua), High Times, Hard Times, Nueva York, Putnam's Sons, 1981.

PANASSIE (Hugues), Louis Armstrong, París, Nouvelles Editions Latines, 1969,
221 p.

PAUDRAS (Francis), La Danse des injidéles, París, L'Instant, 1986, 393 p.

PEPPER (An) y PEPPER (Laurie), Straight Life, Roquevaire, Parenthéses, 1982
(1 / 1979), Epistrophy, 359 p.

PRIESTLEY (Brian), Mingos: A Critica! Biography. Londres, Paladín, 1985 (1/1982),

320 p.

REISNER (Roben), Bird, The Legend OfCharlie Parker, Londres, Quartet Books, 1978

(1 / 1962), 256 p.

RUSSELL (Ross), Bird, la vie de Charlée Parker, París, Filipacchi, 1980, 414 p. (Bird

Lives¡ Londres, Quartet Books, 1972, 404 p.) (hay trad. cast.: Bird, biografía de Char­
lie Parker, Ediciones B, 1989).
/ Bibliografía

SIMPKINS (Cuthbert Ormond), John Coltrane, Júcar, 1985.

SMITH (Willie the Lion) y George HOEFER, Music On My Mind.~ The Memoirs Of
An American Pianist, Nueva York, Da Capo, 1975, 318 p.

SPELLMAN (A. B), Four Lives In The Bebop Business (Ornette Coleman, Jackie McLean,

Herbie Nichols, Cecil Taylor), Nueva York, Pantheon Books, 1966, 241 p.
SUDHALTER (Richard M.) y EVANS (Philip R.), Bix Man & Legenc~ New Roche­
Ile, N.Y., Airlington, 1974, 512 p.

THOMAS (J.C.), Chasin' The Trane: John Coltrane, París, Denoél, 1984 (1/1975),

302 p.

TROUPE (Quincy), Miles, la autobiografía, Ediciones B, 1991.

WATERS (Ethel) y SAMUELS (Charles), La Vie en blues, París, Robert Laffont, 1952
(1/1951, His Eye Is On The Sparrow), 381 p.

7. RHYTHM AND BLUES, SOUL

GARLAND (Phyl), LesDieuxdusou~ París, Buchet-Chastel, 1972 (I/1969_>TheSound
Of Soul), 295 p.

HARALAMBOS (Michael), Soul Music: The Bfrth OfA Sound In BlackAmerica, Nue­

va York, Da Capo, 1974, 187 p.

HARDY (Phil) y LAING (Dave), (additional material: Stephen BARNARD y

Don PERRETTA), Enrydopedia OfRock, Londres, Macdonald & Co_> 1987, 480 p.
SHAW (Arnold), Honkers And Shouters: The Golden Yearr Of Rhythm & Blues, Nueva
York, Collier Books, 1978, 555 p.

8. JAZZ Y FOTOGRAFfA

AMSELLEM (Gérard), Jazz/Protraits, París, Fondation narionale de la photographie,
1983, 36 p.

BISCEGLIA (Jacques), Black & White Fantary, Trcesnes, Aisne, Corps 9, 1984, 128 p.

CAZALIS (Jean-Louis) y DAVERAT (Xavier), LeJazz en personnes, Burdeos, Du Ponant_>
1986.

CLAXTON (William), Jazz West Coast, Hollywood, Richard Bock Productions, 1955,

70 p.

CLAXTON (William), Jazz, Pasadena_> Twelvetrees Press, 1988.

CONDON (Eddie) y O'NEAL (Hank), Eddie Candon's Snapbook OfJazz, Nueva York,
St Martin's Press, 1973.
Bibliografía / 1337

DRIGGS (Frank) y LEWINE (Harris), Black Beauty, Whlte Heat: A Pictorial Histoíy

OfClassicJazz 1920-1950, Nueva York, Willima Morrow, 1982, 360 p.
GOTTLIEB (William P.), The Golden Age OfJazz, Nueva York, Simon and Schuster,
1979, 159 p.

H ELIAN (Jacques), Les Grands Orchestres de music-hall en France, París, Filipacchi, 1984,

236 p.

HINTON (Milt), Bass Line, Filadelfia, Temple Universiry Press, 1988, 328 p.

KEEPNEWS (Orrin) y GRAUER (Bill Jr), A Pictorial History Offazz: PeopleAnd Places
From New Orleans To Modern Jazz, Nueva York, Crown, 1962 (1 / 1955), 282 p.
LELOIR (Jean-Pierre), Du jazz plein les yeux, Cagnes-sur-Mer, Edica, 1983, 101 p.
LEONARD (Herman), L'~ildu jazz, París, Filipacchi, 1985, 157 p.
MORGENSTERN (Dan) y BRASK (Ole), Jazz People, Nueva York, Harry N.
Abrams, 1976, 300 p.

PARKER (Chan) y PAUDRAS (Francis), To Bird With Love, Pitiers, Wizlov, 1981, 411 p.

STEWART (Charles), Chuck Stewart'sJazz Files, Nueva York, Graphic Sociery Books,
1985, 144 p.

STOCK (Dermis) y JALARD (Michel-Claude), Plaisir du jazz, Lausanne, La Guilde

du Livre, 1959, 154 p.

Jazz etphotographie, París, ARC/Musée d'Art moderne de la Ville de París, París Audio­
visuel, 1983. 84 p.

Un demi Siécle de jazz, París, L'Instant / Jau Hot, 1986, 1 10 p.

WILMER (Valerie)_> The Face OfBlack Music, Nueva York, Da Capo, 1976.

9. JAZZ Y CINE

HIPPENMEYER (Jean-Roland), Jazz sur films, Yverdon, Éditions de la Thiéle, 1973,

127 p.

MEEKER (David), Jazz In The Movies, Nueva York, Da Capo, 1981 (1 / 1977).

10. ENTREVISTAS, RECUERDOS Y ANÉCDOTAS

BALLIETT (Whitney), American Musicians: 5óPortraits In jazz, Nueva York, Oxford

Universiry Press, 1986, 415 p.

DANCE (Stanley)_> The World Of Swing, Nueva York, Da Capo, 1979, 436 p. (hay

trad. cast.: El mundo del swing, Marymar, 1977).
/, Bibliografia

DELAUNAY (Charles), Delaunay's Dilemma_> Mácon, Éditions W, 1985, 340 p.

FEATHER (Leonard), The Jazz Years: Earwitness To An Era, Londres, Quartet Books,
1986, 310 p.

GAMMOND (Peter) y CLAYTON (Peter), Cómo dárselas de experto en jazz, Monda­

dora, 1988.

HAMMOND (john) y TOWNSEND (Irving), Jahn Hammond On Retara Middle­

sex, England, 1981 (1 / 1977), 432 p.

JONES (Max), TalkingJazz, Nueva York, W.W. Norton, 1988 (1/1987), 293 p.

PANASSIE (Hugues), Douze Années de jazz, París, Corréa, 1946, 285 p.
PANASSIE (Hugues), Cinq Mois á New York, París, Corréa, 1947, 163 p.
PANASSIE (Hugues), Quand Mezzrow enregistre, París, Robert Laffont, 1952, 161 p.
ROSE (AI), 1 Remember Jazz: Reeollections Of Six Decades Among The Great Jazzmen,
Wellingborough, Equation, 1987, 257 p.

SHAPIRO (Nat) y HENTOFF (Nat)_> Ecoutez-mai ~a; Nueva York_> Dover, 1966 (1 /1955,

Hear Me Talkin' To Ya: The Story Of Jazz As Told By The Men Who Made It, 416 p.)
TAYLOR (Art), Notes And Tones (Musician To Musician Interviews), Londres, Quartet
Books, 1983 (1 / 1977), 316 p.

WILMER (Valerle), Jazz people, Londres, Allison & Busby, 1970, 168 p. (hay trad. cast.:

Gente del jazz, Víctor Lerú, 1973).

11. ENSAYOS
(críticos, estéticos, socio-culturales)

BAILEY (Derek), Improvisaban, Its Nature And Practice In Music, Ashbourne Moor­

land, 1980, 154 p.

BALLIETT (Whitney), New York Notes: AJournalOfjazz In The Seventies, Nueva York,

Da Capo, 1977 (1 / 1976), 250 p.

BILLARD (Fran~ois), Le Jazz, París, MA Éditions, 1985, 222 p. Le monde de...

CANE (Giampiero), Canta Nero - il free jazz degli anni sessanta, Vicenza, Guaraldi, 1973,
298 p.

CERULLI (Dom), Burt KORALL, Mort L. NASATIR_> The Jazz Worlr~ Nueva York,

Da Capo_> 1987 (1 / 1960), 240 p.

COLL (Julio), Variaciones sobre el jazz, Guadarrama, 1971.

GASLINI (Giorgio), Músira total, Anagrama, 1976.
Bibliografia / 1339

GERBER (Alain), Le Cas Coltrane, Roquevaire, Parenthéses, 1985, Epistrophy, 158 p.

HERRERO (Germán), De Jerez a Nueva Orleans, Don Quijote, 1991.

HODEIR (André), Hommes et problémes du jazz, París, Au Portulan, Flammarion, 1954,

412 p.

HODEIR (André), Jazzistiques, Roquevaire, Parenthéses, 1984, Epistrophy, 208 p.

HODEIR (André)_> Les Mondes du jazz, París, Union génétale d'éditions_> 1970, 382 p.
JONES (Leroy) (BARAKA Imamu Amiri), Le peup le du blues, París, Gallimard, 1968
(1/1963: Blues People)_> 247 p., Témoins (hay trad. cric.: Blues People, Lumen, 1969).
JONES (LeRoi), Black Music, Nueva York, Quill_> 1967, 222 p. (hay trad. cric.: Músi­
ca negra, Júcar, 1977).

KOFSKY (Frank), Black Nationalism And The Revalutíon In Music, Nueva York, Path­

finder Press, 1970, 280 p.

LEONARD (Neil), JazzAnd The WhiteAmericans: TheAeceptance OfA NewAnForm_>

Chicago, The Universiry Of Chirago Press, 1970 (1/1962), 215 p.

MALSON (Lucien), DesMusiquesdejazz, Roquevaire, Parenthéses, 1983, Epistrhophy,

204 p.

NABE (Marc-Edouard), L Ame de Billfe Holiday, París, Dencel, 1986, 250 p., L'Infini.

NEWTON (Francas), Une Sociologie du jazz, París, Flammarion, 1966 (1/1959, The
Jazz Scene), 298 p.

OSTRANSKY (Leroy), The Anatomy Of Jazz, Wesport, Conn., Greenwood Press,

4/1976, 362 p.

OSTRANSKY (Leroy), Jazz City: The Irnpact Of Our Cities On The Development Of

Jazz, Englewood Cliffs, N.J., Prenote-Ha l, 1978, 274 p.

PANASSIE (Hugues), Le Jazz hot, París, Corréa, 1934, 436 p.

PEREC (Georges), Gamine de Blouse-bréve anthologie du jazz américairt, Fief Naton,
1979, sin paginar.

REDA Uacques), L7mproviste: une lecture du jazz, París, Gallimard, 1980, 203 p.

REDA Qacques), Jouer le jeu.~ l:mproviste II, París, Gallimard, 1985, 214 p.
SALINAS (José Luis), Jazz, Flamenco, Tango: Las orillas de un ancho río, Catriel, 1994.
SIDRAN (Ben)_> Black Talk, Nueva York, Da Capo, 1981 (1/1971), 201 p.

VIAN (Boris), Chroniques de jazz, París, Union générale d'éditions_> 1971 (111967),

512 p.
1340 / Bibliografía

VIAN (Boris), Écritssurlejazz, tome I Jazz-HotlComba~ París, Christian Bourgois, 1981;

380 p. (hay trad. cast.: Escritos sobre jazz, tomo 1, Grech, 1984.

VIAN (Boris), Autres écrits sur le jazz, tome 2, París, Christian Bourgois, 1982,

382 p. (hay trad. cast.: Escritos sobre jazz, tomo 2, Grech, 1984).

WALTON (Ortiz), Music. Black, White, And Blue: A sociological Survey Or The UseAnd

Misuse OfAfro-American Music, Nueva York, William Morrow, 1972.

12. DISCOGRAFÍAS Y BIODISCOGRAFÍAS

A) Generales

BRUYNINCKX (Walter), GO Years Of Reeorded Jazz, 1917-1977, Mechelen, Bruy­

ninckx, I c)78.

DIXON (Roben M. W.) y GODRICH Qohn), Blues& Gospel Records 1902-1943, Chig­

well, Essex, Storyville, 1982 (1/1963), 900 p.

JEPSEN (Jorgen Grunnet), Jazz Records, 1942-1969, Holte, Dinamarca, Karl Emil

Knudsen, 1963-1970, I1 vol.

LEADBITTER (Mike) y SLAVEN (Neil)_> Blues Records 1943 To 1970: A Selee­

tive Discography, volume 1 A To K, Londres, Record Information Service, 1987,
798 p.

RUST (Brian), Jazz Records 1897-1942, New Rochelle, N.Y., Airlington House, 1978

(111961), 2 vol., 1.996 p.

B) Individuales

ALLEN (WalterC.), Hendersonia The MusicO~FletcherHendersonAndHisMusicians,
Highland Park, N.J., Walter C. Allen, 197 (1/1973), 651 p., Jazz Monographs
n° 4.

BERGER (Monroe y Edward) y PATRICK (James), Benny Cartera A Life In Amertcan

Music, Scarecrow and the Institute of Jazz Studies, Rutgers Universiry, 1982, 839 p.,
2 vol.

BIJL (Leen) y CANTE (Fred), Monk On Records, Holanda, 88 p.

BROWN (Scott E.) y HILBERT (Roben), James P. Johnson, A Case Of Mistaken
Identity, Scarecrow and The Institute of Jazz Studies, Rutgers Universiry, 1986, 500 p.
DORAN (James R.), Erroll Garner: The Mast Happy Piano, Scarecrow and the Institu­
te of Jazz Studies, Rutgers Universiry, 1985, 491 p.

LAUBICH (Arnold) y SPENCER (Ray), Art Tatum: A Guide Ta His Recordad Music,

Scarecrow and the Institute of Jazz Studies, Rutgers Universiry, 1982, 330 p.
Bibliografía / 1341
LERFELD (Hans Henrik) y SJoJGREN (Thorbjern) Chet-The Discography OfChesney
Henry Baker, Copenhague, Tiderne Skifter, 1985, 128 p.

LINDEMAIER (H. Lukas), 25 Years OfFish Hora Recording- The Steve Lacy Disco­

graphy, Freiburg, Jazz Realities, 1982, 66 p.

LINDENMAIER (H. Lukas) y SALEWSKI (Horst J.), The Man Who Nevar Sleeps -

The Charles Mingus Discography, Freiburg, Jazz Realities, 1983, 103 p.

LORD (Tom), Clareare Williams, Chigwell, Essex, Storyville, 1976, 626 p.

LUBIN (Jacques) y GARCON (Danny), Louis Jordan Discogrphe, Levallois-Perret,
CLARB, 1987, 111 p.

RUPPLI (Michel), Charlic• Mingus Discography, Frankfurt, Norbert Ruecker, 1982,

47 p.

RUSSELL CONNOR (D.) y HICKS (Warren W.), B G On The Record: A Bio-disco­

graphy OfBenny Goodman, New Rochelle, N.Y., Airlington House, 1973 (1/1969),
692 p.

SHERIDAN (Chris), Count Basie: A Bio-Discography, Westport, Conn., Greenwood

Press, 1986, 1.350 p.

STAHL (Tilman), Sun Ra Materials, Freundenberg, 1983, sin paginar.

TIMNER (W.E.), Ellingtonia: The Reeorded Music OfDuke Ellington, Montreal, Tim­
ner, 1976.

WILD (David) y CUSCUNA (Michael), Ornette Coleman 1958-1979. A Discography,

Ann Arbor, Wild Music, 1980, 77 p.

WRIGHT (Laurie), Mr felly Lord, Chigwell, Essex, 1980, 246 p.

C) Por compañías fonográficas

RUPPLI (Michel), Atlantic Records, Wesport, Conn., Greenwood Press, 1979, 4 vol.,

1.450 p.

RUPPLI (Michel), The Prestige Label, Wesport, Conn., Greenwood Press, 1980,

377 p.

RUPPLI (Michel), The Savoy Labe~ Wesport, Conn., Greenwood Press, 1980, 380 p.

D) Por estilos

Walter Bruvninckx edita discografías por estilos. Éstas son, por orden de publicación:

Traditional^•Jazz 1987-1985; Swing 1920-1985, Swing, Dance Bands And Combos;
Modera Jazz, Bebop, Hard Bop, West Coasr Progressive Jazz, Free, Third Stream,
Fusiona Modera Big Bands.
1342 / Bibliografía
E) Guías discográficas

BRUZA (José), Jazz, grabaciones maestras (los inicios y los años 20). Instituto de Estu­

dios Gil-Albert, 1986.

GARCÍA (Jorge), HERRÁIZ (Federico), GONZÁLEZ (Federico) y SAMPAYO (Car­

los), Los 100 mejores discos del jazz, La máscara, 1993.

LYONS (Len), The 101 Best Jazz Alburas: A History OfJazz In Records, Nueva York,

William Morrow, 1980, 476 p.

Bielefelder Katalog, Jazz, 1988, Stuttgart, Vereinigte Motor-Verlage, 1988, 1.101 p.
(publicación anual).

13. LENGUAJE Y TERMINOLOGíA

CLAYTON (Parar) y GAMMOND (Parar), The GuinnessJazzA-Z, En6eld, Middle­
sex, Guinness Books, 1986, 262 p.

GOLD (Roben S.), Jazz Talk: A Dictionary Of The Colorful Language That Has Emer­

ged From America's Own Music, Indianapolis/Nueva York, Bobbs-Merrill Co, 1975,
322 p.

LEE (Bill), Jazz Dictionary, Nueva York, Shattinger-Internacional Music Corp., 1979,

G4 p.

LEVET (Jean-Paul), Talkin' That Talk, Levallois-Perret, Soul Bag/Clarb, 1986,

368 p.

TOWNLEY (Eric), Tell Your Story, Essex, Storyville_> 1976, 758 p., 2 vol.

14. ESTUDIOS MUSICOL6GICOS

GRIDLEY (Marc C.), Jazz Sryles, Englewood Cliffs, Prentice-Hall, 1978, 421 p.

PORTER (Lewis), Lester Young, Boston, Twayne Publishers, 1985, 190 p.
SARGEANT (Winthrop), Jazz: Hot And Hybric~ Nueva York, Da Capo, 1975
(1/1938), 302 p.

SCHULLER (Gunrher), EarlyJazz: Its RootsAnd Musical Development, Nueva York,

Oxford Universiry Press, 1968, 401 p. (hay trad. cast.: El jazz, sus raícesydesarrolla, Víc­
tor Lerú, 1978).

SCHULLER (Gunther), Musings: The Musical l~orld OfGuntherSchuller_> Nueva York,

Oxford Universiry Press, 1986, 303 p.

Anual Review OfJazz Studies, New Brunswiek, N.J., Transaction Books, (publicación
anual).