WORKS CITED
Byron. Byron’s Letters and Journals. 12 vols. Cambridge: Harvard UP, 1982.
Byron. Complete Poetical Works. Ed. Jerome J. McGann. 7 vols. Oxford: Clarendon P, 1980- 1993.
De Robertis, Domenico. “Nascita, tradizione e venture del cantare in ottava rima.” In I Cantari: Struttura e tradizione. Ed. M. Picone and M. Bendinelli Predelli. Firenze: Leo S. Olschi, 1984.
Empson, William. Seven Types of Ambiguity. London: Chatto and Windus, 1949.
Kucich, Greg. Keats, Shelley, and Romantic Spenserianism. University Park: The Pennsylvania State UP, 1991.
Lodge, David. The Modes of Modern Writing: Metaphor, Metonymy, and the Typology of Modern Literature. London: Edward Arnold, 1977.
Waller, R D. Introduction. The Monks and the Giants. By John Hookham Frere. Manchester: Manchester UP, 1926.
Wilkins, Ernest Hatch. A History of Italian Literature. Cambridge, Mass: Harvard UP, 1974.
Wordsworth, William. Poetical Works. London: Oxford UP, 1904.
The Violated Woman as Emblem of the Nation in J. M. Coetzee's Disgrace, Zoe Wicomb's David's Story, and Achmat Dangor's Bitter Fruit3
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