STRUCTURAL COMPONENTS OF THE MODERN JAZZ PIANO PLAYER’S
PERFORMING STYLE
151
https://doi.org/10.29013/EJA-20-3-151-154
Pokaz Andrey Vladimirovich,
Senior Lecturer of the Department of Special Piano,
Odessa National A. V. Nezhdanova Academy of Music
E-mail: Andrew.pokaz@gmail.com
STRUCTURAL COMPONENTS OF THE MODERN
JAZZ PIANO PLAYER’S PERFORMING STYLE
Abstract. The article examines the performing style of a modern jazz piano player in the systemic
and structural aspect. As the structural components of the jazz piano player’s
performing style, the
individual characteristics of a musician (musical thinking and performing abilities), “intonational
vocabulary”, the principle of imitation, sound ideal, etc. are highlighted. These components have a
decisive influence on the formation of the individual style of the jazz piano player and his style spe-
cifics. The manner of playing is considered as a universal concept that contains a very broad sense:
those different aspects of the manifestation of the musician’s creative individuality, which affect the
features of its sound manifestation.
Keywords: jazz; jazz performing; style; jazz piano player; jazz improvisation; sound image.
In the course of its historical evolution,
jazz piano
performance has developed as an independent and
specific area of musical performance, which in many
aspects differs from academic traditions and classical
canons. From its very origins, the performing prac-
tice of jazz pianists has been
based on the principle of
“verbal” existence of musical material among musi-
cians. And this principle determined the exceptional
importance of the performing individuality, which,
through its creative activity, carries out the evolu-
tion of musical vocabulary, creatively realizes itself
through a characteristic
performing style and acts
as the main criterion for evaluating (historical, per-
forming or musicological) of phenomenon of jazz
music. Particularly this concerns the modern state
of development of jazz piano performance, which
is developing under the sign of active interaction of
various styles, directions and trends of musical art.
The purpose of the article is to identify those fac-
tors of the professional skill of a jazz piano player that
form the individual image of his performing style.
An individual performing
style is an essential
factor in the development of piano art in general, as
it is associated with the development of the piano
repertoire, and the evolution of the organological
characteristics of the instrument, and the transfor-
mation of the fundamental principles and traditions
of pedagogical and concert practice. In the history of
jazz, the category of performing style is even more
important, since in this area
of musical art the figure
of the performer is a kind of absolute embodiment
of musical creativity, uniting both the composer and
the performer in his personality. It is with this posi-
tion that the interpretation of the category of style
in the works of the largest theorists of jazz is con-
nected: style in jazz is understood not only as a his-
torical direction and a system
of musical expressive
means, but also as a specific manner of performance,
as a complex of techniques inherent in a particular
musician (studies by J. Collier, M. Sterns, J. Panasier,
E. Barban and others). At the same time, the “style of
trend” is often identified with the “style of the per-
former”, or rather, the “articulatory manifestation”
of creative individuality forms the style image of a
separate direction or trend in jazz music. The per-
sonality of a musician in this
case plays a central role
Section 3. Music
152
in determining the normative musical and linguistic
qualities of both a separate stylistic direction and the
era as a whole. Accordingly, in jazz performance, the
issue of identifying those components of performing
skills that create an organic complex of individual
expressive means, which today in musicology and
performing environments
is understood as a phe-
nomenon of an individual performing style, is of