Structural components of the modern



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structural-components-of-the-modern-jazz-piano-player-s-performing-style

Conclusions. Thus, the factors identified by us in 
the formation of an individual performing style of a 
jazz piano player in a complex form an integral system 
of his performing practice. Each of these factors can 
be considered as an independent aspect of the theory 
of jazz performing style of a jazz musician, which sig-
nificantly affects the individual characteristics of the 
manner of playing. These components form a holistic 
system of performance of a jazz musician. The con-
sidered factors of formation of individual performing 
style of the jazz pianist in a complex form integral sys-
tem of his performing practice. Each of these factors 
can be considered as an independent aspect of the 
theory of jazz performance style of a jazz musician, 
which significantly affects the individual characteris-
tics of the manner of playing.
References:
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2. Katrich O. The personal style of the musician (theoretic and aesthetic aspects): the thesis for the degree 
of PhD of arts by specialty 17.00.03 – Music Art. – Kiev, 2000. – 15 p.
3. Kovalenko O. Theoretical problems of style in jazz music: the thesis for the degree of PhD of arts by 
specialty 17.00.02 – Music Art. – Moscow, 1997. – 22 p.
4. Copeland A. Music and imagination.
 Music and Time: Thoughts on Contemporary Music. – Issue 1. – 
Moscow: Music, 1970. – Р. 52–53.
5. Sukhlenko I. “Sounding Image” by Vladimir Horowitz’s piano. Traditions and innovations in higher 
architectural and artistic education. Kharkov State Academy of Design and Arts. – Issue. 1. – Kharkov, 
2010. – Р. 228–232.
6. Shulin V. The term “sound ideal” and the practice of its application in modern musicology. Bulletin of 
the St. Petersburg State University of Culture and Arts. 2011. – No. 2 (7). – P. 155–160.
7. Hamilton E. Jazz as classical music. URL: https://www.jazz.ru/2018/03/14/andy-hamilton-jazz-as-
classical-music

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