Publishers’ association of south africa

Customers of sector: Readers of books, magazines and newspapers, manufacturers and retailers of product and consumers/purchasers of packaged products.

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  Employees in sector: Workers and their families within sector and related sectors.
  

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  Society within which businesses in sector operates
  

A consolidated overview of the sector value chain would look like this:

Figure 2: Consolidated Diagram of Print/Publishing Sector


DAC: CIGS Report on Publishing

Rights Owners

Stakeholders in the print industry value chain who benefit from copyright protection are originators of content, publishers, printers and distributors/booksellers, all of whom stand to lose from illegal copying. Although the levels of interest vary between the different groups, all support the principle of strong protection.

Associations of Rights Owners

In general, countries with high levels of copyright compliance tend to be those with well-organised associations of authors, publishers and other copyright stakeholders: these generate copyright awareness and a greater culture of compliance within an effective legal system.

In addition to the industry organisations representing rights owners mentioned already as members of the PICC – publishers (PASA), booksellers (SABA) and printers (PIFSA) – there are organisations in South Africa representing scriptwriters, editors, translators, photographers, bibliographers and indexers.
The major gap, however, has been the absence of a properly functioning authors’ association for the protection of their rights. Only recently have new authors’ associations been launched – the South African Writers’ Association (SAWA) and the Academic and Non-fiction Authors’ Association of South Africa (ANFASA). In comparison, there are large and active authors’ organisations in the countries of the North, and also in a number of developing countries, including African countries such as Nigeria, Ghana, Botswana, Namibia, Angola and Zimbabwe. At the upper end of the scale, the National Writers’ Union in the USA – a trade union offering a wide range of services to its members – has 6 500 members and 17 chapters. The Authors’ Coalition of America has 17 member organisations, united to manage and protect their reprographic reproduction rights. The Australian Society of Authors, founded in 1963 to protect the rights of authors and illustrators, has around 3 000 members. It sets minimum rates for pay and conditions for authors and illustrators, and publishes books, papers and lists for emerging and established writers, as well as a journal, the Australian Author, for members. It provides a contract advisory service, runs mentorships for new and emerging writers and offers advice about writing, copyright and publishing.⁵
Not all rights owners are involved in IP issues through the PICC. While there are effective industry organisations in the print industries sector to represent rights holders in South Africa, the absence of a strong authors’ association that works towards the protection of authors’ rights has been, until very recently, a notable gap.
Writers, illustrators, translators and photographers need to be more explicitly recognised as contributors to the creative industries and their associations included in initiatives for industry sector growth.
Organisations such as SAWA and ANFASA are indispensable partners in fostering respect and understanding for the importance of copyright and copyright observance in South Africa.

Rights Owners’ Alliances

Rights owners’ alliances, combining rights owners from different industry sectors, are important in providing a consolidated front to represent copyright interests to the government and the public. One of the most powerful rights owner organisations in the world is the International Intellectual Property Alliance (IIPA), based in the USA:

The International Intellectual Property Alliance (IIPA) is a private sector coalition formed in 1984 to represent the U.S. copyright-based industries in bilateral and multilateral efforts to improve international protection of copyrighted materials. IIPA is comprised of six trade associations, each representing a significant segment of the U.S. copyright community. These member associations represent over 1 100 U.S. companies producing and distributing materials protected by copyright laws throughout the world – all types of computer software including business applications software and entertainment software (such as videogame CDs and cartridges, personal computer CD-ROMs and multimedia products); theatrical films, television programs, home videos and digital representations of audiovisual works; music, records, CDs, and audiocassettes; and textbooks, trade books, reference and professional publications and journals (in both electronic and print media).⁶
The closest equivalent of the IIPA that South Africa has is the Intellectual Property Action Group (IPACT) which aims, according to its Mission Statement, ‘to foster the implementation of an effective and efficient system for the protection and enhancement of intellectual property, and thus to promote economic prosperity in our country by means of liaising with and motivating government.’ IPACT is a federation of bodies with a strong interest in the protection, commercial utilisation and enforcement of intellectual property rights in South Africa.
Members of IPACT include the Association of SA Music Industry (ASAMI), the Association of Advertising Agencies, the Motion Picture Association, the South African Chamber of Commerce, the Business Software Alliance (BSA), the Pharmaceutical Manufacturers Association (PMA), Print Media SA, the Dramatic, Artistic and Literary Rights Organisation (DALRO) and the Southern African Music Rights Organisation (SAMRO).
The print industries sector needs to create rights alliances with all rights holder in the sector, to provide a united front for the development of strategies and policies for the development and growth of the sector.

Collecting Societies

Collecting societies can also provide the focus for alliances of the rights owners whose interests they represent. The Australian collecting society, Copyright Agency Limited (CAL), represents authors, journalists, visual artists, photographers and newspaper, magazine and book publishers as their non-exclusive agent to license the copying of their works to the general community. It funds the Centre for Copyright Studies Ltd, which undertakes and promotes research into copyright. It also supports the Australian Copyright Council⁷ which assists copyright owners to exercise their rights effectively, raises awareness in the community about the importance of copyright, identifies and researches areas of copyright law which are inadequate or unfair and fosters cooperation amongst bodies representing creators and owners of copyright.

In addition, collecting societies function as a mechanism for ensuring democratic access to knowledge and information, while ensuring some rewards for rights owners.
In South Africa, the collecting society for the publishing sector is the Dramatic, Artistic and Literary Rights Organisation (DALRO). DALRO works closely with PASA and with other stakeholders, such as SABA, not only in collecting and distributing payment for reprographic reproduction, but also in campaigning for copyright observance and combating copyright infringement, supporting rights owners in their actions against copyright violation and generally providing advice and information.
The print industries sector needs to work in collaboration with its collecting society, DALRO, government departments and other stakeholders, to disseminate information on copyright, raise public awareness of copyright issues and combat illegal copying.

Rights users

Other stakeholders are rights users, or consumers – general readers, learners and educators, educational institutions and libraries.

Intellectual property products are not the same as other products and do have some legal restrictions placed on their use by the purchaser. Consumers purchasing a copyright-protected product do not assume full ownership and cannot deal with it in any way they wish. While purchasers of a book or a CD, for example, can sell or lend the book or CD, they do not acquire ownership of the protected intellectual property embodied in it. When someone owns a computer, subscribes to a service provider and pays electricity and telephone bills for online access, she does not own the intellectual property on the computer screen unless she has written it herself. For this reason, owners and users of copyright-protected products may not copy their content, except in restricted and defined circumstances.
The rights of the user communities to gain access to the information produced by the rights owners have necessarily to be circumscribed by the rights of the creator community. Nonetheless, users, particularly those in education and in libraries, are key stakeholders whose legitimate needs and interests must be respected if copyright is to benefit society as a whole.
South Africa, in common with other developing countries, differs from the industrialised nations in the makeup of its consumers. In countries of the North, the majority of print products are consumed by general readers in trade markets, with educational products usually making up less than half of the overall market. In African countries, educational products, particularly school textbooks bought by governments, dominate the market, making up the major part of print product sales. This means that the major consumer of books in South Africa, in common with its African neighbours, is, in fact, a government department. This is a particularly sensitive issue when it comes to government intervention in legislative and policy issues relating to copyright and to access to information.
International experience suggests that developmental goals for the provision of the knowledge and information needs of the country are best achieved by the promotion of local industries. In developing policies and strategies to meet the information and knowledge needs in the country, a variety of issues need to be addressed, including the availability of an effective and affordable collective licensing regime and strong library systems in all sectors.



1AN INTRODUCTION TO

INTELLECTUAL PROPERTY RIGHTS –

A BACKGROUND