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Bevilacqua, F, invited seminar at PAGANINIANA 2007, October 16, Genova, 2008



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2007

Bevilacqua, F, invited seminar at PAGANINIANA 2007, October 16, Genova,

2008

Bevilacqua, F, Invitation to the Panel “Research directions in active listening and embodied music cognition”, International Conference on New Interfaces for Musical Expression (NIME 08) Genova 2008

Schwarz, D., invitation to the Panel "The Hungry Music Monster: How High Performance Computing will Change the Face of Music", Supercomputing 2008, Austin, Texas, 16–21. Nov

Bevilacqua, F, Présentation invitée au Yamaguchi Center for Arts and Media (YCAM), Japan, 2008

2009

Bevilacqua, F, Présentation invitée à EMPAC, Experimental Media and Performing Arts Center (EMPAC) Rensselaer Polytechnic Institute USA 2009

Bevilacqua, F., Schnell, N., Fdili Alaoui, S., workshop invité « Motion/Gesture Capture: Tools and Applications in Dance and Music », colloque international Tanzkongress 1009, Kampnagel, Hamburg/Allemagne, novembre 2009

Cont, A.,Towards effortless complexity in computer music
Centre Pompidou, Colloque Complex Systems, France, 2009

Schwarz, D., invited presentation “Current research and applications at the Real-Time Music Interaction Team”, festival « Earzoom », IRZU, Ljubljana, Slovenie, 29. May 2009

2010

Schnell, N., participation à la table ronde « Tools for Music or Music for Tools? », International Conference on Sound ans Music Computing (SMC), juillet 2010

Schnell, N., conférence invitée « Playing and Replaying – Sound and Music Analysis/Resynthesis and Gestural Embodiment in the Development of Interactive Music Medias » et participation à la table ronde, colloque international « Interpretationsforschung 2010 – Methoden computergestützter Analyse im Kreuzverhör der Disziplinen », Staatliches Institut für Musikforschung, Berlin, novembre 2010

Bevilacqua, F., conférence invitée dans la série de séminaires "Le geste comme langage", IRI-Centre Pompidou, 2010

Bevilacqua, F. Keynote speaker à la conférence at SEAM 2010 (Somatic Embodiment, Agency & Mediation in Digital Mediated Environments): Agency & Action - Seymour Centre - Sydney, 2010

Cont, A., Musical Synchrony 
in Seven Keys to the Digital Future, co-organisé par le Collège de France & Scottish Royal Academy, 2010.

Cont, A., From composition to performance, Time in computer music languages: Symposium international Modèle/prototype/oeuvre, Ircam-Centre Pompidou, Cité des Sciences, 2010

2011

Schnell, N., Suarez Cifuentes, M. A., Pascal M., conférence invitée « Approches technologiques au geste instrumental acoustique », 14èmes Rencontres Architecture Musique Ecologie (RAME), Martigny/Suisse, aout 2011

Schnell, N., conférence invitée (keynote), Symposium of Image, Signal Processing, and Artificial Vision (STSIVA) 2011, Univerisité Javeriana de Cali/Columbie, septembre 2011

Bevilacqua, F. Conférence invitée, Electronic Music Week, Shanghai Music Conservatory, October 2011

Bevilacqua, F. Conférence à la conférence MiPP Motion Capture Workshop - University of Sussex July 7th-8th

2012

Schnell, N., conférence invitée « Gestural Re-Embodiment of Digitized Sound and Music » et participation à la table ronde, Workshop M.I.R. and Creation, Ircam, Paris, juin 2012

Schwarz, D., Invited presentation "Gestural interaction with digital media for music, dance, and installation: Current work of the IMTR team at Ircam" 11 May 2012, Culture Lab, Newcastle University, UK

C-ACTI- Communications avec actes dans un congrès international



2007

[Bevilacqua07a] Bevilacqua, F., Guédy, F., Fléty, E., Leroy, N.,Schnell, N. « Wireless sensor interface and gesture-follower for music pedagogy », International Conference on New Interfaces for Musical Expression, New York, 2007

[Cont07d] Cont, A..,« Real-time Transcription of Music Signals : MIREX2007 Submission Description », ISMIR 2007 / MIREX 2007, Vienna, 2007

[Cont07b] Cont A, Dubnov, S., Wessel D.« Realtime Multiple-pitch and Multiple-instrument Recognition For Music Signals using Sparse Non-negative Constraints », Digital Audio Effects (DAFx), Bordeaux, 2007

[Cont07e] Cont, A., Schwarz, D., Schnell, N., Raphael, C., Evaluation of Real-Time Audio-to-Score Alignment. International Conference on Music Information Retrieval (ISMIR), Vienna, Septembre 2007, p. 315-316

[Guedy07b] Guédy, F., Leroy, N., Bevilacqua, F., Grosshauser, T., Schnell, N., « Pedagogical experimentation using the Sound and Gesture Lab », 3rd I-MAESTRO Workshop, Barcelone.

[Jensenius07a] Jensenius A. R., Camurri A., Castagné N., Maestre E., Malloch J., McGilvray D., Schwarz D., Wright M., Panel: The Need Of Formats For Streaming And Storing Music-Related Movement And Gesture Data, International Computer Music Conference (ICMC). Copenhagen, Août 2007, vol. II, p. 13-16

[Jensenius07b] Jensenius A. R., Camurri A., Castagné N., Maestre E., Malloch J., McGilvray D., Schwarz D., A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data, ENACTIVE/07 4th International Conference on Enactive Interfaces. Grenoble, Novembre 2007

[Ng07a] Ng K., Larkin O., Koerselman T., Ong B., Schwarz D., Bevilacqua F., “The 3D Augmented Mirror: Motion Analysis for String Practice Training”, International Computer Music Conference (ICMC). Copenhagen, Août 2007, vol. II, p. 53-56

[Thiebaut07a] Thiebaut, J. B., Bello Juan Pablo, Schwarz, D., How Musical are Images? From Sound Representation to Image Sonification: An Eco Systemic Approach. International Computer Music Conference (ICMC). Copenhaguen : Août 2007, vol. 1, p. 183-187



2008

[Cont08a] Cont. A., ANTESCOFO: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music, In Proceedings of International Computer Music Conference (ICMC), August 2008.

[Maniatakos08a] Maniatakos, V.-F. , Jacquemin, C. "Towards an affective gesture interface for expressive music performance ", New Interfaces for Musical Expression conference (NIME 08), Genova, Italy, 2008.

[Grosshauser08a] Grosshauser T., Schwarz D., Schnell N., Seeing the Inaudible, descriptors for generating objective and reproducible data in real-time for musical instrument playing standard situations. Audio Engineering Society Convention (AES), Amsterdam, Mai 2008

[Schwarz08c] Schwarz D., Cadars S., Schnell N., What Next? Continuation in Real-Time Corpus-Based Concatenative Synthesis, International Computer Music Conference (ICMC), Belfast, Août 2008

[Koerselman08a] Koerselman T., Larkin O., Ong B., Leroy N., Lambert J.-P., Schwarz D., Guédy F., Schnell, N., Bevilacqua, F., Ng K., “SDIF Integration in i-Maestro Gesture Tools”. 4th i-Maestro Workshop on Technology-Enhanced Music Education,: Juin 2008, p. 15-20

[Rasamimanana08b] Rasamimanana, N., Guédy, F. Schnell, N., Lambert, J.-P.,Bevilacqua, F. « Three Pedagogical Scenarios using the Sound and Gesture Lab », 4th i-Maestro Workshop on Technology Enhanced Music Education, 2008

2009

[Bonardi09a] Bonardi, A., Truck, I., « Designing a libray for computing [performances] with words », 4th International Conference on Intelligent Systems and Knowledge Engineering, Hasselt, 2009, pp. 40-45

[Schwarz09a] Schwarz, D., Schnell, N., Gulluni, S. « Scalability in Content-Based Navigation of Sound Databases », International Computer Music Conference (ICMC), Montreal, 2009

[Schwarz09b] Schwarz, D., Schnell, N. « Sound Search by Content-Based Navigation in Large Databases », Sound and Music Computing (SMC), Porto, 2009



2010

[Bianco10a] Bianco, T., Wanderley, M., Bevilacqua, F., « Mimicry of tone production: results from a pilot experiment », Sound and Music Computing Conference, Barcelona, 2010

[Caramiaux10c] Caramiaux, B., Bevilacqua, F., Schnell, N., « Analysing Gesture and Sound Similarities with a HMM-based Divergence Measure », Sound and Music Computing conference (SMC2010), 2010

[Einbond10a] Einbond, A., Schwarz, D., « Spatializing Timbre with Corpus-Based Concatenative Synthesis, Wave Field Synthesis, CataRT, Max/MSP », International Computer Music Conference (ICMC), New York, 2010, pp. 72–75

[Tremblay10a] Tremblay, P., Schwarz, D., « Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface », New Interfaces for Musical Expression (NIME), Sydney, 2010, pp. 447-450

[Bonardi10a] Bonardi, A., Truck, I., « Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts », International Computer Music Conference, New York & Stony Brook, 2010, pp. 474-477

[Schnell10a] Schnell, N., Suárez Cifuentes, M., Lambert, J.P., « First Steps in Relaxed Real-Time Typo-Morphological Audio Analysis/Synthesis », Sound and Music Computing conference (SMC), Barcelone, 2010

[Schwarz10a] Schwarz, D., Schnell, N., « Descriptor-based Sound Texture Sampling », Sound and Music Computing conference (SMC), Barcelona, 2010, pp. 510-515

[Schwarz10b] Schwarz, D., Schnell, N., « A Modular Sound Descriptor Analysis Framework for Relaxed-real-time Applications », International Computer Music Conference (ICMC), New York, 2010, pp. 76–79

2011

[Caramiaux11b] Caramiaux, B., Bevilacqua, F., Schnell, N., « Sound Selection by Gestures », New Interfaces for Musical Expression (NIME), 2011

[Caramiaux11c] Caramiaux, B., Fdili Alaoui, S., Bouchara, T., Parseihian, G., Rebillat, M., « Gestural Auditory and Visual Interactive Platform », 14th International Conference on Digital Audio Effects (DAFx-11), Paris, 2011

[Einbond11a] Einbond, A., Schwarz, D., « Corpus-Based Concatenative Synthesis: Perceptual Descriptors as an Approach to Composing and Analyzing Timbre », Crossing the Corpus Callosum II: Neuroscience, Healing & Music, Cambridge, MA, 2011

[FdiliAlaoui11a] Fdili Alaoui, S., Caramiaux, B., Serrano, M., « From Dance to Touch: Movement Qualities for Interaction Design », Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems CHI 2011, extended abstract, pp. 1465-1470.

[Flety11a] Flety, E., Maestracci, C., « Latency improvement in sensor wireless transmission using IEEE 802.15.4 », NIME 2011, vol. 1, OSLO, 2011, pp. 409-412

[Delprat11a] Delprat, N., Leroux, C., Fdili Alaoui, S., « In the clouds : virtual experience of a matter », Proceedings of Virtual Reality International Conference (VRIC 2011), Laval, 2011

[Nymoen11a] Nymoen, K., Caramiaux, B., Kozak, M., Torresen, J., « Analyzing Sound Tracings - A Multimodal Approach to Music Information Retrieval », ACM Multimedia, Workshop MIRUM, 2011

[Ding11a] Ding, H., Schwarz, D., Jacquemin, C., Cahen, R., « Spatial Audio–Graphic Modeling for X3D », Web3D, Paris, 2011

[Lallemand11a] Lallemand, I., Schwarz, D., « Interaction-optimized Sound Database Representation », DAFx, Paris, 2011, pp. 292–299

[Schnell11b] Schnell, N., Bevilacqua, F., Rasamimanana, N., Bloit, J., Guedy, F., Flety, E., « Playing the MO – Gestural Control and Re-Embodiment of Recorded Sound and Music »,NIME, Oslo, 2011

[Schwarz11a] Schwarz, D., « Distance Mapping for Corpus-Based Concatenative Synthesis », Sound and Music Computing (SMC), Padova, 2011

[Schwarz11b] Schwarz, D., Cahen, R., Brument, F., Ding, H., Jacquemin, C., « Sound Level of Detail in Interactive Audiographic 3D Scenes », International Computer Music Conference (ICMC), Huddersfield, 2011, pp. 312–315

[Schwarz11c] Schwarz, D., « State of the Art in Sound Texture Synthesis », Digital Audio Effects (DAFx), Paris, 2011, pp. 221–231

[Schwarz11d] Schwarz, D., Johnson, V., « Corpus-Based Improvisation », (Re)thinking Improvisation, Malmö, 2011

[Rasamimanana11a] Rasamimanana, N., Bevilacqua, F., Schnell, N., Guedy, Maestracci, C. Fléty. E., Zamborlin, B., Petrevsky, P. Frechin J.l., « Modular Musical Objects Towards Embodied Control Of Digital Music », Tangible Embedded and Embodied Interaction, 2011



2012

[Einbond12a] Einbond, A., Trapani, C., Schwarz, D., « Precise Pitch Control in Real Time Corpus-Based Concatenative Synthesis », International Computer Music Conference (ICMC), Ljubljana, 2012

[FdiliAlaoui12b] Fdili Alaoui, S., Caramiaux, B., Serrano, M., Bevilacqua, F., « Movement Qualities as Interaction Modality », Designing Interactive Systems (DIS'2012), Newcastle, 2012

[Francoise12a] Françoise, J., Caramiaux, B., Bevilacqua, F., « A Hierarchical Approach for the Design of Gesture-to-Sound Mappings », Sound and Music Computing conference SMC2012, Copenhague, 2012

[Lallemand12a] Lallemand, I., Schwarz, D., Artières, T., « Content-based Retrieval of Environmental Sounds by Multiresolution Analysis », Sound and Music Computing conference SMC2012, Copenhague, 2012

[Savary12a] Savary, M., Schwarz, D., Pellerin, D., « DIRTI — Dirty Tangible Interfaces », New Interfaces for Musical Expression (NIME), Ann Arbour, 2012, pp. 347-350

[Schwarz12a] Schwarz, D., « The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis », New Interfaces for Musical Expression (NIME), Ann Arbour, 2012, pp. 250-253

[Schwarz12b] Schwarz, D., Hackbarth, B., « Navigating Variation: Composing for Audio Mosaicing », International Computer Music Conference (ICMC), Ljubljana, 2012

[Rasamimanana12a] Rasamimanana, N., Bevilacqua, F., Bloit, J., Schnell, N., Fléty, E., Cera, A., Petrevski, U. Frechin, J.-L., « The urban musical game: using sport balls as musical interfaces »,CHI EA '12 Proceedings of the 2012 ACM annual conference on Human Factors in Computing Systems, 2012

[Kimura12a] Kimura, M., Rasamimanana, N., Bevilacqua, F., Schnell, N., Zamborlin, B., Fléty, E., « Extracting Human Expression For Interactive Composition with the Augmented Violin », International Conference on New Interfaces for Musical Expression (NIME 2012), 2012

C-ACTN- Communications avec actes dans un congrès national

2007

[Jacquemin07a] Jacquemin Christian, Ajaj Rami, Cahen Roland, Ollivier Yoann, Schwarz, D., Plumage: Design d'une interface 3D pour le parcours d'échantillons sonores granularisés. Conférence Francophone sur l'Interaction Homme-Machine IHM. Paris : Novembre 2007



2008

[Schwarz08a] Schwarz D., Cahen R., Britton S., Principles and Applications of Interactive Corpus-Based Concatenative Synthesis, Journées d'Informatique Musicale (JIM). Albi : Mars 2008



2010

[Bevilacqua10a] Bevilacqua, F., Zamborlin, B., Rasamimanana, N., Schnell, N., « Contrôle gestuel continu de médias sonores et visuels », Forum on tactile and gestural interaction, Lille, 2010

C-COM – Communications sans actes dans un congrès international ou national

2010

[Caramiaux10b] Caramiaux, B., Bevilacqua, F., Schnell, N., « Study on Gesture-Sound Similarity », Music and Gesture, Montreal, 2010

[Freour10a] Freour, V., Bianco, T., Cossette, I., « Coordination of facial muscle activation, intraoral pressure and mouthpiece force during trumpet playing: preliminary findings », The 3rd International Conference on Music and Gesture, Montreal, 2010

[Bevilacqua10b] Bevilacqua F., « Following movements in interactive dance installations», Kinesthetic Empathy: Concepts and Contexts. Manchester : 2010

C-AFF – Communications par affiche dans un congrès international ou national


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