A bibliography of Literary Theory, Criticism and Philology

Yüklə 2.72 Mb.
ölçüsü2.72 Mb.
1   2   3   4   5   6   7   8   9   ...   34

Ramsey, Paul. The Fickle Glass: A Study of Shakespeare's Sonnets. New York, 1979.

Loomba, Ania. Gender, Race, Renaissance Drama. Manchester and New York, 1989.

Shak. Sonnets in The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin, 1974.

Dubrow, Heather. Captive Victors: Shakespeare's Narrative Poems and Sonnets. Ithaca: Cornell UP, 1987.

_____. Echoes of Desire: Petrarchism and Its Counterdiscourses. Ithaca: Cornell UP, 1995.

Shakespeare. The Sonnets. Ed. Charles Jasper Sisson. (The Laurel Shakespeare). New York: Dell, 1960.

Kalstone, David. Sidney's Poetry: Contexts and Interpretations. Cambridge (MA): Harvard UP, 1965.

Rudenstine, Neil L. Sideney's Poetic Development. Cambridge (MA): Harvard UP, 1967.

Sidney. The Poems of Sir Philip Sidney. Ed. William A. Ringler Jr. Oxford: Clarendon Press, 1962.

Levine, Laura. Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642. Cambridge: Cambridge UP, 1992.

The Oxford English Dictionary. 2nd ed. Ed. J. A. Simpson and E. S. C. Weiner. 20 vols. Oxford: Clarendon Press, 1987.

Lever, J. W. The Elizabethan Love Sonnet. London: Methuen, 1956.

Wright, George T. "The Silent Speech of Shakesepare's Sonnets." In Shakespeare in the Twentieth Century. Ed. Jonathan Bate, Jill A. Levenson, and Dieter Mehl. Newark: U of Delaware P, 1998.

Brower, Reuben. The Fields of Light.

Calderwood, James L., and Harold E. Toliver, eds. Perspectives on Poetry. New York: Oxford UP, 1968.

Smith, Barbara Herrnstein. Poetic Closure. Chicago: U of Chicago P, 1968.

Wright, George T. "Voices that Figure in Four Quartets." In The Placing of T. S. Eliot. Ed. Jewel Spears Brooker. Columbia: U of Missouri P, 1991. 152-62.

_____. "An Almost Oral Art: Shakespeare's Language on Stage and Page." Shakespeare Quarterly 43 (1992): 159-69.

_____. "Blank Verse in the Elizabethan Theatre: Language That Vanishes, Language That Keeps." In The Elizabethan Theatre XII. Ed. A. L. Magnusson and C. E. McGee. Toronto: P. D. Meany, 1993. 1-18.

_____. Shakespeare's Metrical Art. Berkeley: U of California P, 1988.

Clemen, Wolfgang. Shakespeare's Soliloquies. Trans. Charity Scott Stokes.

Montaigne, Michel de. "Apology for Raymonde Sebond." In The Complete Essays of Montaigne. Trans. Donald M. Frame. Stanford (CA): Stanford UP, 1958.

Mayer, John T. T. S. Eliot's Silent Voices. New York: Oxford UP, 1989.

Dubrow, Heather. Captive Victors: Shakespeare's Narrative Poems and Sonnets. Ithaca: Cornell UP, 1987.

Brecht. Diaries 1920-1922. Trans. John Willett. London: Methuen, 1973.

_____. Gessamelte Werke. Frankfurt, 1967.

_____. Short Organum for the Theatre. Ed. and trans. John Willett. In Brecht on Theatre: The Development of an Aesthetic. London: Methuen, 1974.

_____. Messingkauf Dialogues. Trans. John Willett. London: Methuen, 1977.

_____. Arbeitsjournal. Ed. W. Hecht. Frankfurt, 1974.

_____. Brecht in Perspective. Ed. G. Bartram and A. Waine. London: Longman, 1982.

Hall, Peter. Peter Hall's Diaries: The Story of a Dramatic Battle. Ed. J. Goodwin. London: Hamilton, 1983.

Kuckhoff, A. G. "On the Reception of Shakespeare in the GDR, 1945-1980." Shakespeare Jahrbuch 118 (1982).

Le Winter, O., ed. Shakespeare in Europe. Cleveland and New York: Meridian; Harmondsworth: Penguin, 1970.

Sales, R., ed. Shakespeare in Perspective, I. Lonodn, 1982.

Hobsbawm, Eric. Primitive Rebels. Manchester: Manchester UP, 1971.

Kozintsev, Grigori. King Lear: The Space of Tragedy: The Diary of a Film Director. London: Heinemann, 1977.

Breccht. "An die Nachgeborenen." Poem. Gessamelte Werke 10: 722.

_____. "To Posterity." Trans. of "An die Nachgeborenen." In Brecht, Poems. Ed. John Willett and R. Manheim. London. Eyre Methuen, 1976. 318.

Trimbur, John. "To Reclaim a Legacy, Cultural Literacy, and the Discourse of Crisis." Liberal Education 72.2 (1986): 109-19.

Adams, Joseph Quincy. "The Folger Shakespeare Memorial Dedicated: April, 21, 1932: Shakespeare and American Culture." The Spinning Wheel 12 (1932): 212-5, 229-31.

Montrose, Louis A. "Professing the Renaissance: The Poetics and Politics of Culture." In The New Historicism. Ed. H. Aram Veeser. London: Routledge, 1989.

Bristol, Michael. Shakespeare's America, America's Shakespeare. London: Routledge, 1990.

Evans, Emrys. Reading Against Racism. Buckingham: Open UP, 1992.

Diamond, Peter. "Informed Choices." Times Educational Supplement 24 May 1991: 35.

Gibson, Rex. "Gentles, Perchance You Wonder at This Show." Times Educational Supplement 24 May 1991: 22.

Brooker, peter, and Peter Humm, eds. Dialogue and Difference. London: Routledge, 1989.

Shepherd, Simon. "Acting against Bardom: Some Utopian Thoughts on Workshops." In Shakespeare in the Changing Curriculum. Ed. Lesley Aers and Nigel Wheale. London: Routledge, 1991.

Butler, Colin. "The Reader as Critic." Times Educational Supplement 24 May 1991: 41.

Hawkes, Terence. Meaning by Shakespeare. London: Routledge, 1992.

Sinfield, Alan. Cultural Politics—Queer Reading. Philadelphia: U of Pennsylvania Press / London: Routledge, 1994.

Bogdanov, Michael, and Michael Pennington. The English Stage Company: The Story of 'The Wars of the Roses' 1986-1989. London: Nick Hern Books, 1990.

Sinfield, Alan. "The Politics of Englit and Subcultures." In English Studies in Transition. Ed. Robert Clark and Piero Boitani. London: Routledge, 1993.

Rosen, Michael. "Clean the Floor, Maltworms." New Statesman 12 Feb. 1993: 42-43.

Parrinder, Patrick. "Nationalising English." London Review of Books 28 Jan. 1993: 5.

Department of Education and Science. English, Key Stage 3, Tier 5-7. 1993.

Holderness, Graham. "Sam Wanamaker Interviewed by Graham Holderness." In Holderness, The Shakespeare Myth. Manchester: Manchester UP, 1988.

_____. "Ideology and Institution: Shakespeare and the Roadsweepers." In Holderness, The Shakespeare Myth. Manchester: Manchester UP, 1988.

The Globe. Newsletter of the Intenrational Shakespeare Globe Center.

Myerscough, John. The Economic Importance of the Arts in Britain. London: Policy Studies Institute, 1988.

Eagleton, Terry. "Afterword." In Holderness, The Shakespeare Myth. Manchester: Manchester UP, 1988.

Gray, John. Beyond the New Right. London: Routledge, 1993.

Levine, Lawrence L. Highbrow / Lowbrow. Cambridge (MA): Harvard UP, 1988.

Marsden, Jean I., ed. The Appropriation of Shakespeare. Hemel Hempstead: Harvester Wheatsheaf, 1991.

Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1993.

Smurthwaite, Nick. "It's a Classic Answer for Black Theatre." Observer 21 April 1992, Arts section.

Hughes-Hallett, Lucy. "The Queen and the True Colour of History." Independent 1 June 1991.

Furness, Horace Howard, ed. A New Variorum Edition of Shakespeare: The Tempest. New York: Dover, 1964.

Wright, Louis B. Shakespeare for Everyman. New York: Washington Square Press, 1965.

Dale, Leigh. "Red Plague Rampant? Shakespeare's Tempest in Australia." In Shakespeare's Books. Ed. Philip Mead and Marion Campbell. Melbourne: Melbourne U, 1993.

Mannoni, Octave. Prospero and Caliban. 1950. Trans. Pamela Powesland. 1956. 2nd ed. New York and Washington, D.C.: Praeger, 1964.

Shakespeare. Shakespeare's Sonnets. Illust. C. S. Ricketts. London: Hacon and Ricketts, 1899.

Accademia della Crusca. Concordanze del Canzoniere de Francesco Petrarca. 2 vols. Florence: Accademia della Crusca, 1971.

Boiardo, Matteo Maria. Opere. Ed. Ferruccio Ulivi. I Classici Italiani. Milan: Mursia, 1986.

Cariteo. Le rime di Benedetto Gareth detto il Chariteo. Ed. Erasmo Pèrcopo. 2 vols. Naples: Biblioteca Napoletana di Storia e Letteratura, 1892.

Catullus. C. Valerii Catulli Carmina. Ed. R. A. B. Mynors. (Oxford Classical Texts). Oxford: Clarendon Press, 1958.

Colonna, Stefano. I sonetti, le canzoni, e i triomphi de M. Laura in risposta di M. Francesco Petrarca. Venice, 1552.

Constable, Henry. Diana. London, 1594. (Facsimile rpt.: Menston: Scolar, 1973).

Cresci, Pietro. "Discorso sopra la qualità dell'amore del Petrarca." In Il Petrarca. Venice: Giorgio Angelieri, 1585. Sigs. b6v-12r.

Cruttwell, Patrick. The Shakespearean Moment and Its Place in the Poetry of the 17th Century. New York: Columbia UP, 1970.

Dubrow, Heather. Echoes of Desire: English Petrarchism and its Counterdiscourses. Ithaca: Cornell UP, 1995.

Gallego Morell, Antonio, ed. Garcilaso de la Vega y sus comentaristas. 2nd ed. Madrid: Gredos, 1972.

Kennedy, William J. "Commentary into Narrative: Shakespeare's Sonnets and Vellutello's Commentary on Petrarch." Allegorica 10 (1989): 119-33.

_____. "'Sweet Theefe': Shakespeare Reading Petrarch." Annals of Scholarship 6 (1989): 75-91.

Lee, Sidney. A Life of William Shakespeare. Rev. ed. New York: Macmillan, 1916.

Leishman, J. Blair. Themes and Variations in Shakespeare's Sonnets. 1961. 2nd ed. London: Hutchinson U Library, 1963.

Lengeler, Rainer. "Shakespeares Sonett 99. Text und Kontexte." In Shakespeares Sonette in europäischen Perkspektiven. Ed. Dieter Mehl and Wolfgang Weiss. (Studien zur Englischen Literatur). Munster: Lit, 1993. 129-49.

Michelangelo (Michelangiolo) Bunarroti. Rime. Ed. Enzo Noé Girardi. (Scrittori d'Italia). Bari: Laterza, 1960.

Milton, John. The Complete Poetry. Ed. John T. Shawcross. Rev. ed. Garden City (NY): Anchor, 1971.

Pearlman, E. "Watson's Hekatompathia [1582] in the Sonnets and Romeo and Juliet." English Studies 74 (1993): 343-51.

Pequigney, Joseph. Such Is My Love: A Study of Shakespeare's Sonnets. Chicago: U of Chicago P, 1985.

Petrarch. Petrarch's Lyric Poems. Ed. and trans. Robert M. Durling. Cambridge (MA): Harvard UP, 1976,.

Roche, Thomas P., Jr. Petrarch and the English Sonnet Sequences. New York: AMS, 1989.

Rollins, Hyder Edward, ed. A New Variorum Edition of Shakesperare: The Sonnets. 2 vols. Philadelphia: Lippincott, 1944.

Ronsard, Pierre. Les Amours. Ed. Henri Weber and Catherine Weber. (Classiques Garnier). Rev. ed. Paris: Garnier, 1993.

Shakespeare, William. The Complete Works: Original-Spelling Edition. Gen. eds. Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 1986.

Stampa, Gaspara, and Veronica Franco. Rime. Ed. Abdelkader Salza. (Scrittori d'Italia). Bari: Laterza, 1913.

Vergil (supposed author). Appendix Vergiliana. Ed. W. V. Clausen et al. (Oxford Classical Texts). Oxford: Clarendon Press, 1966.

Wolff, Max J. "Petrarkismus und Antipetrarkismus in Shakespeares Sonetten." Englische Studien 49 (1916): 161-89.

Engle, Lars. Shakespearean Pragmatism: Market of His Time. Chicago: U of Chicago P, 1993.

Erasmus. "On Education for Children." In Collected Works of Erasmus. Trans. Beert C. Vertraete. Ed. J. K. Sowards. Toronto: U of Toronto P, 1985. 26.295-346.

_____. "On Good Manners for Boys." In Collected Works of Erasmus. Trans. Brian McGregor. Ed. J. K. Sowards. Vol. 25. Toronto: U of Toronto P, 1985. 273-89.

Milton, John. The Poems of John Milton. Ed. Alastair Fowler and John Carey. London: Longman and W. W. Norton, 1968.

Revel, Jacques. "The Uses of Civility." In A History of Private Life III: Passions in the Renaissance. Trans. Arthur Goldhammer. Ed. Roger Chartier. Cambridge (MA): Harvard UP, 1989. 167-205.

Shakespeare. The Complete Works of Shakespeare. Ed. David Bevington. 4th ed. New York: HarperCollins, 1992.

Smith, Barbara Herrnstein. Contingencies of Value: Alternative Perspectives for Critical Theory. Cambridge (MA): Harvard UP, 1988.

Williams, Bernard. Shakespeare and Necessity. Berkeley: U of California P, 1993.

Wollheim, Richard. "The Growth of the Moral Sense." In Wollheim, The Thread of Life. Cambridge (MA): Harvard UP, 1984. 197-225.

Baldwin, T. W. On the Literary Genetics of Shakespeare's Poems and Sonnets. Urbana: U of Illinois P, 1950.

Carruthers, Mary. The Book of Memory. Cambridge: Cambridge UP, 1990.

Dubrow, Heather. "'Incertainties Now Crown Themselves Assur'd': The Politics of Plotting Shakespeare's Sonnets." Shakespeare Quarterly 47 (1996): 291-305.

Greene, Thomas. "Pitiful Thrivers: Failed Husbandry in the Sonnets." In Shakespeare's Sonnets: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea House, 1987. 75-92.

Ingram, W. G., and Theodore Redpath, eds. Shakespeare's Sonnets. London: Hodder and Stoughton, 1964. Rev. ed. 1978.

Shakespeare. The Sonnets of Shakespeare. Ed. Raymond Macdonald Alden. Boston: Hougton Mifflin, 1916.

Southwell, Robert. An Humble Supplication to Her Majestie. Ed. R. C. Bald. Cambridge: Cambridge UP, 1953.

Baldwin, T. W. William Shakespeare Adapts a Hanging. Princeton (NJ): Princeton UP, 1931.

Brownlow, F. W. "Shakespeare and Southwell." KM 80: A Birthday Album for Kenneth Muir. Liverpool: Liverpool UP, 1987.

Bullough, Geoffrey, ed. Narrative and Dramatic Sources of Shakespeare. Vol. 6. London: Routledge and Kegan Paul, 1966.

Cross, F. L., and E. A. Livingstone, eds. The Oxford Dictionary of the Christian Church. 2nd ed. Oxford: Oxford UP, 1974.

Devlin, Christopher. The Life of Robert Southwell. London: Longmans, Green, 1956.

Evans, G. Blakemore, et al., eds. The Riverside Shakespeare. 2nd ed. Boston: Houghton Mifflin, 1997.

Fraser, Russell. Young Shakespeare. New York: Columbia UP, 1988.

The Geneva Bible. London, 1640.

Honigmann, E. A. J. Shakespeare: The 'Lost Years'. Totowa: Barnes and Noble, 1985.

Klause, John. "Shakespeare's Sonnets: Age in Love and the Goring of Thoughts." Studies in Philology 80 (1983): 300-24.

Kliger, Samuel. The Goths in England. Cambridge (MA): Harvard UP, 1952.

Metz, G. Harold. Shakespeare's Earliest Tragedy: Studies in Titus Andronicus. Madison: Fairleigh Dickinson UP, 1996.

Meyer, A. O. England and the Catholic Church under Queen Elizabeth. Trans. J. R. McKee. 1915 New York: Barnes and Noble, 1967.

Milward, Peter. Shakespeare's Religious Background. Bloomington: Indiana UP, 1973.

Mizener, Arthur. "The Structure of Figurative Language in Shakesepare's Sonnets." Southern Review 5 (1940): 730-47.

More, Thomas. The Confutation of Tyndale's Answer. Ed. Louis A. Schuster et al. In The Complete Works of St. Thomas More. Vol. 8. New Haven: Yale UP, 1973.

Rollins, Hyder Edwards, ed. A New Variorum Edition of Shakespeare: The Sonnets. 2 vols. Philadelphia: Lippincott, 1944.

Southwell, Robert. An Epistle of Comfort. (English Recusant Literature, 1558-1640, vol. 211). Ilkley: Scolar Press, 1974.

_____. An Humble Supplication to Her Majestie. Ed. R. C. Bald. Cambridge: Cambridge UP, 1953.

_____. The Poems of Robert Southwell, S. J. Ed. James H. McDonald and Nancy Pollard Brown. Oxford: Clarendon Press, 1967.

Shakespeare. Titus Andronicus. Ed. Eugene Waith. Oxford: Oxford UP, 1984.

Auerbach, Erich. "Figura," In Auerbach, Figures from the Drama of European Literature: Six Essays. Trans. Ralph Mannheim. New York: Meridian, 1959. 1-76.

Augustine. On Christian Doctrine. Trans. D. W. Robertson, Jr. New York: Macmillan, 1958.

Erasmus, Desiderius. De Libero Arbitrio Diatribe. Ed. and trans. Gordon Rupp with A. N. Marlow. In Luther and Erasmus: Free Will and Salvation. Philadelphia: Westminster, 1969. 33-97.

Freinkel, Lisa. "Shakespeare and the Theology of Will." Graven Images 2 (1995): 31-47.

The Geneva Bible: The Annotated New Testament Edition. Ed. Gerald T. Sheppard. New York: Pilgrim, 1989.

Luther, Martin. Lectures on Romans. Trans. Walter G. Tillmann. In Luther's Works. Gen. ed. Jaroslav Pelikan. Vol. 25. St. Louis: Concordia, 1955-.

Migne, Jacques-Paul, ed. Patriologiae Cursus Completus: Series Latina. Paris: Migne, 1844-91.

Vogelsang, Erich. "Die Anfänge von Luthers Christologie." Arbeiten zur Kirschengeschichte 15 (1929).

Aristotle. Politics. Trans. Benjamin Jowett. In The Basic Works of Aristotle. Ed. Richard McKeon. New York: Random House, 1941. 1127-1316.

Bruster, Douglas. Drama and the Market in the Age of Shakespare. Cambridge: Cambridge UP, 1992.

Caesar, Philippus. A General Discourse against the Damnable Sect of Usurers. London, 1578.

Mendívil, José Luis. "Biolingüística: Breve biografía de una disciplina emergente." ConCiencias 13 (May 2014): 30-47.*

Barrow, J. D. Theories of Evereything: The Quest for Ultimate Explanation. Oxford: Oxford UP, 1991.

_____. Teorías del todo. Barcelona: Crítica, 1994.

Boeckx, C., M. C. Horno and J. L. Mendívil, eds. Language, from a Biological Point of View. Newcastle: Cambridge Scholars, 2012.

Chomsky, N. Knowledge of Language: Its Nature, Origins and Use. New York: Praeger, 1986.

_____. El conocimiento del lenguaje. Madrid: Alianza, 1989.

Gell-Mann, M. The Quark and the Jaguar: Adventures in the Simple and the Complex. New York: W. H. Freeman, 1994.

Poeppel, D. "The Maps Problem and the Mapping Problem: Two Challenges for a Cognitive Neuroscience of Speech and Language." Cognitive Neurophysiology 29.1-2 (2012): 34-55.

Preston, K., and M. Pigliucci, eds. Phenotypic Integration: Studying the Ecology and Evolution of Complex Phenotypes. Oxford: Oxford UP, 2004.

Weinberg, S. Dreams of a Final Theory. New York: Vintage, 1992.

Chorost, Michael. "Biological Finance in Shakespeare's Timon of Athens." English Literary Renaissance 21 (1991): 349-70.

Draper, John W "The Theme of Timon of Athens." Modern Language Review 29 (1934): 20-31.

Duncan-Jones, Katherine. "Was the 1609 Shakes-Speares Sonnets Really Unauthorized?" Review of English Studies 34 (1983): 151-71.

Engle, Lars. Shakespearean Pragmatism: Market of His Time. Chicago: U of Chicago P, 1993.

Fenton, Roger. A Treatise of Usury. London, 1612.

Fischer, Sandra K. Econolingua: A Glossary of Coins and Economic Language in Renaissance Drama. Newark: U of Delaware P, 1985.

Greene, Thomas M. "Anti-Hermeneutics: The Case of Shakespeare's Sonnet 129." In The Vulnerable Text: Essays on Renaissance Literature. New York: Columbia UP, 1986. 159-74.

Hartt, Frederick. Art: A History of Painting, Sculpture, Architecture. Vol. 2. Englewood Cliffs (NJ): Prentice-Hall, 1976.

Haskin, Dayton. "Tracing a Genealogy of 'Talent': The Descent of Matthew 25: 14-30 into Contemporary Philanthropical Discourse." In Wealth in Western Thought: The Case for and against Riches. Ed. Paul G. Schervish. Westport (CT): Praeger, 1994. 65-102.

Hieatt, A. Kent, Chales W. Hieatt, and Anne Lake Prescott. "When Did Shakespeare Write Sonnets 1609?" Studies in Philology 88 (1991): 69-109.

Hubler, Edwin. The Sense of Shakespeare's Sonnets. Princeton (NJ): Princeton UP, 1952. Rpt. Westport (CT): Greenwood, 1976.

Jones, Norman. God and the Moneylenders: Usury and Law in Early Modern England. Oxford: Blackwell, 1989.

Lodge, Thomas. An Alarum against Usurers. In The Complete Works of Thomas Lodge. 1584. New York: Russel & Russel, 1963. 1.13-52.

Lukács, Georg. "Reification and the Consciousness of the Proletariat." In History and Class Consciousness: Studies in Marxist Dialectics. Trans. Rodney Livingstone. Cambridge (MA): MIT Press, 1971. 83-148.

Malin, Eric. Inscribing the Time: Shakespeare and the End of Elizabethan England. Berkeley: U of California P, 1995.

Melchiori, Giorgio. Shakespeare's Dramatic Meditations: An Experiment in Criticism. Oxford: Clarendon Press, 1976.

Mischo, John B. "'That use is not forbidden usury': Shakespeare's Procreation Sonnets and the Problem of Usury." In Subjects on the World's Stage: Essays on British Literature of the Middle Ages and the Renaissance. Ed. David G. Allen and Robert A. White. Newark: U of Delaware P, 1995. 262-79.

Nelson, Benjamin N. The Idea of Usury: From Tribal Brotherhood to Universal Otherhood. Princeton (NJ): Princeton UP, 1949.

Pearlman, E. "Shakespeare, Freud, and the Two Usuries, or, Money's a Meddler." English Literary Renaissance 2 (1972): 217-36.

Pequigney, Joseph. "Sodomy in Dante's Inferno and Purgatorio." Representations 36 (1991): 22-42.

Soellner, Rolf. Timon of Athens: Shakespeare's Pessimistic Tragedy. Columbus: Ohio State UP, 1979.

Southall, Raymond. Literature and the Rise of Capitalism: Critical Essays Mainly on the Sixteenth and Seventeenth Centuries. London: Lawrence and Wishart, 1973.

Spevack, Marvin. The Harvard Concordance to Shakespeare. Cambridge: Belknap, 1973.

Waddington, Raymond B. "The Poetics of Eroticism: Shakespeare's 'Master-Mistress'." In Renaissance Discourses of Desire. Ed. Claude J. Summers and Ted-Larry Pebworth. Columbia: U of Missouri P, 1993. 13-28.

Wall, Wendy. The Imprint of Gender: Authorship and Publication in the English Renaissance. Ithaca: Cornell UP, 1994.

Wayne, Don E. "The 'Exchange of Letters': Early Modern Contradictions and Postmodern Conundrums." In The Consumption of Culture 1600-1800. Ed. Ann Bermingham and John Brewer. London: Routledge, 1995. 143-65.

Weber, Max. "The Market: Its Impersonality and Ethic (Fragment)." In Weber, Economy and Society. Ed. Guenther Roth and Claus Wittich. Berkeley: U of California P, 1978. 1.635-40.

Wilson, Thomas. The Arte of Rhetoric (1560). Ed. Peter E. Medine. University Park: Pennsylvania State UP, 1994.

Lessing, Doris. Walking in the Shade: Volume Two of My Autobiography. New York: HarperCollins, 1997.

Sidney. Poems. Ed. William A. Ringler, Jr. Oxford: Clarendon Press, 1962.

Shakespeare (Attr.). The Reign of King Edward the Third. 1596.

Bouwsma, William J. "The Two Faces of Humanism: Stoicism and Augustinianism in Renaissance Thought." In Bowsmma, A Usable Past: Essays in European Cultural History. Berkeley: U of California P, 1990. 19-73.

Brown, Peter. The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity. New York: Columbia UP, 1988.

Burton, Robert. The Anatomy of Melancholy. Ed. Thomas C. Faulkner, Nicholas Kiessling, and Rhonda Blair. 2 vols. Oxford: Clarendon Press, 1989.

Bynum, Caroline Walker. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. Berkeley: U of California P, 1987.

Dostları ilə paylaş:
1   2   3   4   5   6   7   8   9   ...   34

Verilənlər bazası müəlliflik hüququ ilə müdafiə olunur ©muhaz.org 2017
rəhbərliyinə müraciət

    Ana səhifə