A bibliography of Literary Theory, Criticism and Philology



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León Brunschvicg, Le progrès de la conscience dans la philosophie occidentale, 2 vols., 1927

N. Tr. Burrow, The Social Basis of Consciousness, 1927.

Charlotte Bühler, 1928.

E. R. Jaensch, Kindheit und Jugend. Eine Genese des Bewusstseins, 1928.

E. R. Jaensch, Ueber den Aufbau des Bewusstseins, 1930.

O. Janssen, Dasein und Bewusstsein, 1933.

B. Ray, Consciousness in Neo-Realism: A Critical and Historical Study, 1935.

R. Ruyer, La conscience et le corps, 1937 (trad. esp.: La conciencia y el cuerpo, 1961).

W. Ehrlich, Ontologie des Bewusstseins, 1940.

Curt Weischenk, Das Bewusstsein und seine Leistung, 1940.

A. M. de Craene, R. S. C. J., L'Engagement à l'Être: Essai sur la signification de la conscience, 1941.

G. Madinier, Conscience et signification, 1953.

C. Gattegno, Conscience de la conscience, 1956.

Aron Gurwitsch, Théorie du champ de la conscience, 1957 (trad. Michel Butor del texto inglés: The Field of Consciousness, 1964).

Joseph Moreau, La conscience et l'être, 1958.

Henry Ely, La conscience, 1963 (trad. esp.: La conciencia, 1965).

M. Esther Harding, The "I" and the "Not I": A Study in the Development of Consciousness, 1965.

Günter Ralfs, Stufen des Bewusstseins. Vorlesungen zur Erkenntnistheorie, 1965, ed. Hermann Glockner.

Peter Gorsen, Zur Phänomenologie des Bewusstseinsstroms. Bergson, Dilthey, Simmel und die Lebensphilosophische Antinomien, 1966.

Erich Rothacker, Zur Genealogie des menschlichen Bewusstseins, 1966.

Kenneth M. Sayre, Consciousness: A Philosophical Study of Minds and Machines, 1969.

C. O. Evans, The Subject of Consciousness, 1970.

Pratima Bowes, Consciousness and Freedom: Three Views, 1971.

Gerhard Funke, Bewusstsein, 1975.

Ken Wilber, The Spectrum of Consciousness, 1977.

M. G. Baylor, Action and Person: Conscience in Late Scholasticism and Young Luther, 1977.

G. Frey, Theorie des Bewusstseins, 1980.

T. C. Potts, Conscience in Medieval Philosophy, 1980.

J. T. Culbertson, Consciousness: Natural and Artificial, 1982.

P. M. Churchland, Matter and Consciousness,1984.

E. Pöppel, Grenzen des Bewusstseins, 1985.

R. Ellis, An Ontology of Consciousness, 1986.

H. D. Kittsteiner, Die Entstehung des modernen Gewissens, 1991.

Wahl, Jean. Le malheur de la conscience dans la philosophie de Hegel, 1929.

Benjamin Fondane, La conscience malheureuse, 1936.

Jean Hyppolite, Genèse et structure de la Phénoménologie de l'Esprit, de Hegel, 1946.

Jean Grenier, L'existence malheureuse, 1957.

Franz Grégoire, Études hégeliennes. Les points capitaux du système, 1958.

Joseph Gabel, La fausse conscience. Essai sur la réification,1962.
Sobre conciencia de sí: Héctor Neri-Castañeda, La dialéctica de la conciencia de sí mismo, 1960 (separata de Rev. Univ. de S. Carlos, n.º 52).

Ursula Rohr-Dietschi, Zur Genese des Selbstbewusstseins. Eine Studie über den Beitrag des phänomenologischen Denkens zur Frage der Entwicklung des Selbsbewusstseins, 1974.

E. Tugendhat, Selbstbewusstsein und Selbsbestimmung - Sprachanalytische Interpretationen, 1979.

J. Schnelle, Das Selbsbewusstsseinsproblem, 1985.

Auslander, Philip. "Against Ontology: Making Distinctions between the Live and the Mediatized." Performance Research 2.3 (Autumn 1997): 50-55.

_____. From Acting to Performance: Essays in Modernism and Postmodernism. London: Routledge, 1997.

Auslander, Philip. Liveness: Performance as Mediatized Culture. London: Routledge, forthcoming 1999.

Balsamo, Anne. Technologies of the Gendered Body: Reading Cyborg Women. Durham (NC): Duke UP, 1996.

Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981.

Battcock, Gregory, ed. The New Art: A Critical Anthology. New York: E. P. Dutton, 1973.

Bazin, André. "The Ontology of the Photographic Image." In Classic Essays in Photography. Ed. Alan Trachtenberg. New Haven (CT): Leete's Island Books, 1980.

Benedikt, Michael, ed. Cyberspace: First Steps. Cambridge (MA): MIT Press, 1991.

Bricken, Meredith. "Virtual World: No Interface to Design." In Cyberspace: First Steps. Ed. Michael Benedikt. Cambridge (MA): MIT Press, 1991. 363-82.

Bruckman, Amy. "Gender Swapping on the Internet." In CyberReader. Ed. Victor J. Vitanza. Needham Heights (MA): Allyn and Bacon, 1996. 441-46.

Bryman, Alan. Disney and His Worlds. London: Routledge, 1995.

Bryson, Norman. Word and Image: French Painting of the Ancient Régime. Cambridge: Cambridge UP, 1981.

Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983.

Bukatman, Scott. "There's Always Tomorrowland: Disney and the Hypercinamatic Experience." October 57 (1991): 55-78.

Card, S. K., G. G. Robertson, and J. D. Macinlay. "The Information Visualizer: An Information Workspace." Proceedings of CHI '91. New York: ACMN, 1991. 181-88.
Véase: P. Asmus, Das Ich und das Ding an sich. Geschichte ihrer begrifflichen Entwicklung in der neuesten Philosophie, 1873.

Th. Lipps, Das Ich und das Tragische, 1892.

G. Gerber, Das Ich als Grundlage unserer Weltanschauung, 1893.

Arthur Drews, Das Ich als Grundproblem der Metaphysik, 1897.

Walleser, Das Problem des Ich, 1903.

G. Kafka, Versuch einer kritischen Darstellung über die neueren Anschauungen über das Ichproblem, 1910.

K. Oesterreich, Phänomenologie des Ich in ihren Grundproblemen, I., 1910.

Íd., íd., Die Probleme der Einheit und der Spaltung des Ich, 1928.

Charles Gray Shaw, The Ego and Its Place in the World, 1913.

John Laird, Problems of the Self, 1917.

H. De Witt Parker, The Self and Nature, 1917.

G. Lehmann, Psychologie des Selbsbewusstseins, 1923.

Sigmund Freud, Das Ich und das Es, 1925 (trad. esp.: El Yo y el Ello, en la edición de Obras completas, por L. López Ballesteros, citada en la bibliografía del artículo PSICOANÁLISIS).

William Ernest Hocking, The Self: Its Body and Freedom, 1928.

Carl Gustav Jung, Die Beziehungen zwischen dem Ich und dem Unbewussten, 1928 (trad. esp.: El Yo y lo Inconsciente, 1935).

O. Jansen, Das erlebende Ich und sein Dasein, 1932.

Mensching, Zur Metaphysik des Ich, 1934.

Jean Nogué, Essai sur l'activité primitive du moi, 1936.

Heinrich Giesecke, Das transzendentale Ich bei Fichte. Kritischer Versuch under besonderer Berücksichtingung phänomenologischer Gesichtspunkte, 1936.

Louis Lavelle, Le moi et son destin, 1936.

Íd., íd., Les puissances du moi, 1948 (trad. esp.: Las potencias del yo, 1954).

A. C. Mukerji, The Nature of Self, 1938.

A. Cosentino, Temps, Espace, Devenir, Moi. Les sosies du néant, 1938.

N. J. J. Balthasar, Mon moi dans l'Être, 1946.

Giovanni Emmanuele Barié, L'io trascendentale, 1948.

Kurt Bach, Auferstehung des Ich, 1948.

P. M. Symonds, The Ego and the Self, 1951.

Risieri Frondizi, Substancia y función en el problema del yo, 1952; 2ª ed., rev., con el título, El yo como estructura dinámica, 1970.

L. Hyde, I Who Am; A Study of the Self, 1954.

James Brown, Subject and Object in Modern Theology, 1955 [sobre Kierkegaard, Heidegger, M. Buber y K. Barth].

Rodolfo Mondolfo, La comprensión del sujeto humano en la antigüedad clásica, 1955.

F. J. Mott, The Nature of the Self, 1959.

A. O. Lovejoy, The Reason, the Understanding, and Time, 1961.

John Mac-Murray, Persons in Relation, 1961 [Gifford Lectures, 1954].

Benjamin Meynard, The Nature of Ego: A Philosophical Study, 1962.

Sydney Shoemaker, Self-Knowledge and Self-Identity, 1963.

Jan M. Broekman, Phänomenologie und Egologie. Faktisches und transzendentales Ego. 1963.

M. Esther Harding, The "I" and the "Not-I": A Study in the Development of Consciousness, 1965.

Gerald E. Myers, Self: An Introduction to Philosophical Psychology, 1969.

Henry W. Johnstone, Jr., The Problem of the Self, 1970.

Maurice Nathanson, The Journeying Self: A Study in Philosophy and Social Role, 1970.

William Earle, The Autobiographical Consciousness, 1972.

E. Marbach, Das Problem des Ich in der Phänomenologie Husserls, 1974.

W. P. Alston, Ch. Taylor et al., The Self: Psychological and Philosophical Issues, 1977, ed. T. Mischel.

P. Weiss, You, I, and the Others, 1980.

R. M. Zaner, The Context of Self: A Phenomenological Inquiry Using Medicine as a Clue, 1981.

D. Noguez, "La conquête du 'je', esquisse d'un hommage à Barthes", Revue d'Esthétique 2 (1981), 83-389.

S. Boni, The Self and the Other in the Ontologies of Sartre and Buber, 1982.

A. Hartle, The Modern Self in Rousseau's Confessions, 1984.

K. Nagasawa, Das Ich deutschen Idealismus und das Selbst im Zen-Buddhismus: Fichte und Dogen, 1987.

Ch. Riedel, Subjekt und Individuum zur Geschichte des philosophischen Ich-Begriffes, 1989.

U. Verster, Philosophical Problems (Consciousness, Reality and I), 1990.

O. Balaban, Subject and Consciousness: A Philosophical Inquiry into Self-Consciousness, 1990.

D. Kolak, R. Martin, Self and Identity: Contemporary Philosophical Issues, 1991.

W. Lacentra, The Authentic Self: Toward a Philosophy of Personality, 1991.

A. Damiani, Standing in your Own Way: Talks on the Nature of Ego, 1993.


Bernhart, Walter, Graz, series ed. (Studies in Intermediality, 6). Amsterdam and New York: Rodopi, 2013.
Cavell, Stanley. The World Viewed: Reflections on the Ontology of the Cinema. Cambridge (MA): Harvard UP, 1979.

_____. "The Fact of Television." In Video Culture: A Critical Investigation. Ed. John G. Hanhardt. Layton (Utah): G. M. Smith, Peregrine Smith Books, 1986.

Chase, Linda. Ralph Goings: Essay/Interview by Linda Chase. New York: Harry N. Abrams, 1988.

Clark, T. J. "Clement Greenberg's Theory of Art." In The Politics of Interpretation. Ed. W. J. T. Mitchell. Chicago: U of Chicago P, 1983. 203-20.

Cotten, Bob, and Richard Oliver. Understanding Hypermedia. London: Phaidon, 1993.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge (MA): MIT Press, 1990.

Derrida, Jacques. "Economimesis." Diacritics 11 (1981): 3-25.

Dery, Mark. Escape Velocity: Cyberculture at the End of the Century. New York: Grove Press, 1996.

Descartes, René. Meditations on First Philosophy with Selections from Objections and Replies. Trans. J. Cottingham. Cambridge: Cambridge UP, 1986.

Dibbel, Julian. "A Rape in Cyberspace." In CyberReader. Ed. Victor J. Vitanza. Needham Heights (MA): Allyn and Bacon, 1996. 448-65.*

Ditlea, Steve. "Another World: Inside Artificial Reality." PC Computing 2.11 (1989): 90-99, 112.

Doane, Mary Ann. Femmes Fatales: Feminism, Film Theory, Psychoanalysis. New York: Routledge, 1991.

Edgerton, Samuel Y., Jr. The Renaissance Discovery of Linear Perspective. New York: Basic Books, 1975.

Elkins, James. The Poetics of Perspective. Ithaca: Cornell UP, 1994.

Emergency Broadcast Network. Telecommunications Breakdown. CD-ROM. New York: TVT Records, 1995.

Feuer, Jane. "The Concept of Live TV." In Regarding Television: Critical Approaches—An Anthology. Ed. E. Ann Kaplan. Frederick (MD): University Publications of America, 1983.

Fisher, Philip. Making and Effacing Art: Modern American Art in a Culture of Museums. New York: Oxford UP, 1991.

Flitterman-Lewis, Sandy. "Psychoanalysis, Film, and Television." In Channels of Discourse, Reassembled: Television and Contemporary Criticism. Ed. Robert C. Allen. Chapel Hill (NC): U of North Carolina P, 1992. 203-46.

Foley, James D., et al. Computer Graphics: Principles and Practice. Reading (MA): Addison-Wesley, 1996.

Foster, Hugh. "Get in the Game." ComputerLife 4.7 (July 1997): 83-84, 89-93.

Foucault, Michel. The Order of Things. New York: Vintage Press, 1971.

Fried, Michael. "How Modernism Works: A Response to T. J. Clark." In The Politics of Interpretation. Ed. W. J. T. Mitchell. Chicago: U of Chicago P, 1983. 221-38.


Friedberg, Anne. "Cinema and the Postmodern Condition." In Viewing Positions: Ways of Seeing Film. Ed. Linda Williams. New Brunswick (NJ): Rutgers UP, 1995. 59-83.

Fry, Tony, ed. RUA/TV? Heidegger and the Televisual. Sydney: Power Institute of Fine Arts, 1993.

Gamman, Lorraine. "Watching the Detectives: The Enigma of the Female Gaze." In The Female Gaze: Women as Viewers of Popular Culture. Seattle: Real Comet Press, 1989. 8-26.

Gergen, Kenneth J. The Saturated Self: Dilemmas of Identity in Contemporary Life. New York: Basic Books, 1991.

Gibson, William. Neuromancer. New York: Ace Books, 1986.

Gombrich, E. H. The Image and the Eye. Oxford: Phaidon, 1982.

Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobbs-Merrill, 1968.

Greenberg, Clement. "Collage." In Art and Culture: Critical Essays. Boston: Beacon Press, 1965. 70-83.

_____. "Modernist Painting." In The New Art: A Critical Anthology. Ed. Gregory Battcock. New York: E. P. Dutton, 1973. 66-77.

_____. "Towards a Newer Laocoon." In Clement Greenberg: The Collected Essays and Criticism. Ed. John. O'Brien. Chicago: U of Chicago P, 1986. 1.23-38.

Greenberg, Larry. "The In-Difference of Television." Screen 28.2 (1987): 28-45.

Gunning, Tom. "An Aesthetic of Astonishment." In Viewing Positions: Ways of Seeing Film. Ed. Linda Williams. New Brunswick (NJ): Rutgers UP, 1995. 114-33.

Hafner, Katie, and Matthew Lyon. Where Wizards Stay Up Late: The Origins of the Internet. New York: Simon and Schuster, 1996.

Hagen, Margaret A., ed. The Perception of Pictures. Vol. 1: Alberti's Window: The projective Model of Pictorial Imagination. Vol. 2: Durer's Devices: Beynnd the Projective Model of Pictures. New York: Academic Press, 1980.

_____. Varieties of Realism. Cambridge: Cambridge UP, 1986.

Haraway, Donna J. Modest Witness@Second Millennium FemaleMan© Meets OncoMouseTM: Feminism and Technoscience. New York: Routledge, 1997.

Harpold, Terry. "The Misfortunes of the Digital Text." In The Emerging CyberCulture: Literacy, Paradigm, and Paradox. Ed. Stephanie B. Gibson and Ollie Oviedo. Creskill (NJ): Hampton Press, 1998.

Hayles, N. Katherine. "The Materiality of Informatics." Configurations 1 (1993): 147-70.

_____. "Boundary Disputes: Homeostasis, Reflexivity, and the Foundations of Cybernetics." Configurations 2 (1994): 441-67.

_____. "Embodied Virtuality, Or How to Put Bodies Back into the Picture." In Immersed in Technology: Art and Virtual Environments. Ed. Diania Augaitis, Douglas MacLeod, and Mary Anne Moser. Cambridge (MA): MIT Press, 1995.

Heim, Michael. "The Erotic Ontology of Cyberspace." In Cyberspace: First Steps. Ed. Michael Heim. Cambridge (MA): MIT Press,, 1991. 59-80.

Herz, J. C. Joystick Nation: How Videogames Ate Our Quarters, Won Our Hearts, and Rewired Our Minds. Bsoton: Little, Brown, 1997.

Hodges, Larry F., Barbara Olasov Rohrbaum, Rob Kooper, Dan Opdyke, James Williford, and Thomas C. Meyer. Presence as the Defining Factor in a VR Application. (GVU Technical Report 94-06). Atlanta: Graphics Visualization and Usability Center, 1994.

Holtzman, Steven. Digital Mosaics: The Aesthetics of Cyberspace. New York: Simon & Schuster, 1997.

Huhtamo, Erkki. "Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion." In Critical Issues in Electronic Media. Ed. Simon Penny. Albany: SUNY Press, 1995. 159-86.

Hunter, Ian W., Tilemachos D. Doukoglou, Serge R. Lafointaine, Paul G. Charrette, Lynette A. Jones, Mark A. Sagar, Gordon D. Mallinson, and Peter J. Hunter. "A Teleoperated Microsurgical Robot and Associated Virtual Environment for Eye Surgery." Presence 2.4 (Fall 1994): 265-80.

Ivins, William M. On the Rationalization of Sight. New York: Da Capo Press, 1973.

James, William. The Principles of Psychology. New York: Dover, 1950.

Jay, Martin. "Scopic Regimes of Modernity." In Vision and Visuality. Ed. Hal Foster. Seattle: Bay Press, 1988.

_____. Downcast Eyes: The enigration of Vision in Twentieth-century French Thought. Berkeley: U of California P, 1993.

Jeffords, Susan, and Lauren Rabinovitz. Seeing Through the Media: The Persian Gulf War. New Brunswick (NJ): Rutgers UP, 1994.

Johnson, Stephen. Interface Culture: How New Technology Tranforms the Way We Create and Communicate. San Francisco: HarperEdge, 1997.

Joyce, Michael. Of Two Minds: Hypertext Pedagogy and Poetics. Ann Arbor: U of Michigan P, 1995.

Judovitz, Dalia. Subjectivity and Represenation in Descartes: The Origins of Modernity. Cambridge: Cambridge UP, 1988.

Jussim, Estelle. Visual Communication and the Graphic Arts: Photographic Technologies in the Nineteenth Century. New York: R. R. Bowker, 1983.

Kasson, John F. Amusing the Million: Coney Island at the Turn of the Century. New York: Hill and Wang, 1978.

Keller, Evelyn Fox, and Christine R. Grontkowski. "The Amind's Eye." In Feminism and Science. Ed. Evelyn Fox Keller and Helen E. Longino. Oxford: Oxford UP, 1996.

Kellner, Douglas. Media Culture: Cultural Studies, Identity and Politics Between the Modern and the Postmodern. London: Routledge, 1995.

Kellogg, Wendy A., John M. Carroll, and John T. Richards. "Making Reality a Cyberpsace." In Cyberspace: First Steps. Ed. Michael Benedikt. Cambridge (MA): MIT Press, 1991. 411-33.

Kelly, Kevin, and Gary Wolf. "Kill Your Browser." Wired 5.3 (March 1997): 12-23.

Kemp, Martin. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven: Yale UP, 1990.

Kozloff, Sarah. "Narrative Theory and Television." In Channels of Discourse, Reassmebled: Television and Contemporary Criticism. Ed. Robert C. Allen. 2nd ed. Chapel Hill (NC): U of North Carolina P. 67-100.

Kubovy, Michael. The Psychology of Perspective and Renaissance Art. Cambridge: Cambridge UP, 1986.

Lanham, Richard. The Electronic Word: Democracy, Technology, and the Arts. Chicago: U of Chicago P, 1993.

Latour, Bruno. Science in Action: How to Follow Scientists and Engineers through Society. Cambridge (MA): Harvard UP, 1987.

_____. "Drawing Things Together." In Representation in Scientific Practice. Ed. Michael Lynch and Steve Woolger. Cambridge (MA): MIT Press, 1990. 19-68.

_____. "Where Are the Missing Masses? The Sociology of a Few Mundane Artifacts." In Shaping Technology/Building Society: Studies in Sociotechnical Change. Ed. W. E. Bijker and J. Law. Cambridge (MA): MIT Press, 1992. 225-58.

_____. We Have Never Been Modern. Trans. Catherine Porter. Cambridge (MA): Harvard UP, 1993.

Levinson, Paul. The Soft Edge: A Natural History and Future of the Information Revolution. London: Routledge, 1997.

Manovich, Lev. "Eine Archäologie des Computerbildschirms." Kunstforum 132 (Nov 1995-Jan. 1996). 124-35.

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. New York: Oxford UP, 1988.

McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: New American Liberary, Times Mirror, 1964.

Mechner, Jordan. The Last Express. CD-ROM. Novato (CA): Broderbund, 1997.

Meisel, Louis K. Photorealism Since 19809. New York: Harry N. Abrams, 1993.

Messaris, Paul. Virtual Literacy: Image, Mind, and Reality. Boulder (CO): Westview Press, 1994.

Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema. Bloomington: Indiana UP, 1977.

Meyer, Pedro. Truths and Fictions: A Journey from Documentary to Digial Photography. CD-ROM. Los Angeles: Voyagere Company, 1995.

Mitchell, W. J .T. Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986.

_____. Picture Theory. Chicago: U of Chicago P, 1994.

Mitchell, William J. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge (MA): MIT Press, 1994.

_____. The City of Bits: Space, Place, and the Infobahn. Cambridge (MA): MIT Press, 1995.

Modlesky, Tania. The Women who Knew Too Much: Hitchcock and Feminist Theory. New York: Methuen, 1988.

Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana UP, 1989.

Myst. CD-ROM. Novato (CA): Broderbund, 1993.

Nash, Jim. "Wiring the Jet Set." Wired 5.10 (October 1997): 128-35.

Novak, Marcos. "Liquid Architectures in Cyberspace." In Cyberspace: First Steps. Ed. Michael Benedikt. Cambridge (MA): MIT Press, 1991. 225-54.

Panofsky, Erwin. Perspective as Symbolic Form. Trans. Christopher S. Wood. New York: Zone Books, 1991.

Penny, Simon. "Virtual Reality as the Completion of the Enlightenment Project." In Cultures on the Brink: Ideologies of Technology. Ed. Gretchen Bender nad Timothy Druckrey. Seattle: Bay Press, 1994. 231-48.

Rath, Claus-Dieter. "Live Television and Its Audiences: Challenges of Media Reality." In Remote Control: Telecision, Audiences, and Cultural Power. London: Routledge, 1989. 69-95.

Reeves, Byron, and Clifford Nass. The aMedia Equation: How people Treat Computers, Televisions, and New Media Like Real People and Places. Stanford (CA): CSLI Publications; New York: Cambridge UP, 1996.

Reid, Robert H. "Real Revolution." Wired 5.10 (1997): 122-27, 174-88.

Rheingold, Howard. The Virtual Community: Homesteading on the Electronic Frontier. New York: HarperCollins, 1994.

Rheingold, Howard. Virtual Reality. New York: Simon and Schuster, 1991.



Riven. CD-ROM. Novato (CA): Broderbund, 1997.

Rogge, Jan-Uwe. "The Media in Everyday Life: Some Biographical and Typological Aspects." In Remote Control: Television, Audiences, and Cultural Power. Ed. Ellen Seiter et al. London: Routledge, 1989. 168-79.

Rokeby, David. "Transforming Mirrors: Subjectivity and Control in Interactive Media." In Critical Issues in Electronic Media. Ed. Simon Penny. Albany: SUNY Press, 1995. 133-58.

Rose, Al. Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red-Light District. University (AL): U of Alabama Press, 1974.

Rötzer, Florian. "Virtual Worlds: Fascinations and Reactions." In Critical Issues in Electronic Media. Ed. Simon Penny. Albany: SUNY Press, 1995.

Satava, Richard, and Richard A. Robb. "Virtual Endoscopy: Applications of 3D Visualization to Medical Diagnosis" Presence 6.2 (April 1997): 179-97.

Schwartz, Vanessa. "Cinematic Spectatorship Before the Apparatus: The Public Taste for Reality in Fin-de-Siècle Paris." In Viewing Positions: Ways of Seeing Film. Ed. Linda Williams. New Brunswick (NJ): Rutgers UP, 1995. 87-113.

Seiter, Ellen, Hans Borchers, Gabriele Kreutzner, and Eva-Marie Warth. Remote Control: Television, Audiences, and Cultural Power. London: Routledge, 1989.

Sérullaz, Maurice. Phaidon Encyclopedia of Impressionism. Trans. E. M. A. Graham.k Oxford: Phaidon, 1978.



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