A bibliography of Literary Theory, Criticism and Philology

The Invisible Library (Non-existing books). http://www.invisiblelibrary.com

Herzen, Alexander Ivanovich. (Russian revolutionary thinker, socialist and nationalist, aristocrat, b. Moscow; emigrated 1847, l. London 1852-, founded Free Russian Press 1853). From the Other Shore. 1850.

_____. My Past and Thoughts. 1855.

_____. Who Is to Blame? Novel. 1847.

Herzen and Ogarev, eds. Polar Star. Periodical. London.

_____, eds. The Bell. Periodical. London.

Fantômas series. Paris: Fayard, 1912.

_____. L'Agent secret. (Fantômas series).

Adam, J.-M. "Unités rédactionnelles et genres discursifs: cadre général pour une approche de la presse écrite." Pratiques 94 (1997): 3-17.

Bronckart, J.-P. Activité langagière, textes et discours. Paris: Delachaux & Niestlé, 1997.

Burger, Marcel. (Department of Linguistics; U of Geneva, 2 rue de Candolle, CH-1211 Genève, Switzerland; [e-mail]). "Scènes d'actions radiophoniques et prises de rôles: informer, débattre, divertir." Revue de Sémantique et Pragmatique 7 (2000): 179-96.

_____. "La dimension interactionnelle." In Un modèle et un instrument d'analyse de l'organisation des discours. Ed. E. Roulet, L. Filliettaz and A. Grobet. Bern: Lang, 2001.

_____. Les manifestes: Paroles de combat. De Marx à Breton.i Paris: Delachaux & Niestlé, forthcoming 2001.

Burger, M., and L. Filiettaz. "Media Interviews: An Intersection of Multiple Social Practices." In Research and Practice in Professional Discourse. Ed. Ch. Candlin. Hong Kong: City U of Hong Kong P, forthcoming 2001.

Charaudeau, P. Le discours d'information médiatique. Paris: Nathan, 1997.

Dijk, T. A. van. "Discourse as Interaction in Society." In Discourse as Social Interaction. Ed. T. A. van Dijk. London: Sage, 1997. 1-37.

Filliettaz, L. "Actions, activités et discours." Ph.D. diss. U of Geneva, 2000.

Heritage, J. and D. Greatbatch. "On the Institutional Character of Institutional Talk: The Case of News Interviews." In Talk and Social Structure. Ed. D. Boden and D. Zimmerman. Cambridge: Polity Press, 1991. 94-137.

Jucker, A. H. "Mass Media." In Handbook of Pragmatics. Ed. J. Verschueren, J.-O. Ostman and J. Blommaert. Amsterdam: John Benjamins, 1995.

Shotter, J., and K. J. Gergen, eds. Texts of Identity. London: Sage, 1989.

Shotter, J. Conversational Realities. London: Sage, 1994.

Zimmerman, D. H. "Identity, Context and Interaction." In Identities in Talk. Ed. C. Antaki and S. Widdicombe. London: Sage, 1998. 87-106.

Dickens, Charles. A Tale of Two Cities. 1859. New York: Lancer Books, 1968.

Hawthorne. Twice-Told Tales and Other Short Stories. 1837, 1842. New York: Washington Square P, 1960.

James. The Ambassadors. 1903. New York: New American Library, Signet Classic, 1960.

JOyce. Ulysses. Harmondsworth: Penguin, 1968.

Melville. The Shorter Novels of Herman Melville. Greenwich (CT): Fawcett Premier, n.d.

Moore, Lorrie. "How to Be an Other Woman." 1985. In Moore, Self-Help. Stories. New York: Plume, 1986.

Nabokov. Lolita. London: Corgi Books, 1961.

Norris, Frank. McTeague: A Story of San Francisco. 1899. (Signet Classics). New York: New American Library, 1964.

_____. The Octopus: A Story of California. 1901. Garden City (NY): Sun Dial Press, 1938.

Oates, Joyce Carol. The Wheel of Love and Other Stories. New York: Vanguard Press, 1970.

Rowson, Susanna. Charlotte Temple: A Tale of Truth. 1791. New York: Twayne, 1964.

Smith, Lillian. Strange Fruit. New York: Reynal and Hitchcock, 1944.

Thoreau, Henry David. Walden and Civil Disobedience. 1854, 1849. Ed. Owen Thomas. New York: W. W. Norton, 1966.

Cardonne-Arlyck, Elisabeth. La Métaphore racontée: Pratique de Julien Gracq. Paris: Klincksieck, 1984.

Fludernik, ed. Second-Person Narrative. Style 28.3 (Fall 1994).

Goatly, Andrew. The Language of Metaphors. London: Routledge, 1997.

Mac Cormac, Earl R. A Cognitive Theory of Metaphor. Cambridge (MA): MIT Press, 1985.

McHale, Brian. "'You Used to Know What These Words Mean': Misreading Gravity's Rainbow." Language and Style 18 (1985): 93-118.

Meindl, Dieter. "Probing the Typological Circle." AAA: Arbeiten aus Anglistik und Amerikanistik 11 (1986): 246-50.

_____. "Some Epistemological and Esthetic Implications of William Faulkner's Discourse." In Faulkner's Discourse: An International Symposium. Ed. Lothar Hönnighausen. Tübingen: Niemeyer, 1989. 149-58.

_____. "You and I: Concerning Second-Person Narrative." in Indirekte Kommunikation: Verkürzte Geschichte(n) und Metapher(n), fragmentarische Rezeption und die Unabschließbarkeit des Dialogs. Siegen: FB 3 Universität-Gesamthochschule, 1998. 156-65.

Moran, Richard. "Seeing and Believing: Metaphor, Image, and Force." Critical Inquiry 16 (1989): 87-112.

Ortony, Andrew. "Metaphor, Language, and Thought." In Metaphor and Thought. Ed. Andrew Ortony. 2nd ed. Cambridge: Cambridge UP, 1993. 1-16.

Pier, John. "Between Text and Paratext: Vladimir Nabokov's Pale Fire." Style 26 (1992): 12-32.

Richardson, Brian. "The Poetics and Politics of Second Person Narrative." Genre 24 (1991): 309-30.

Austen, Jane. Northanger Abbey. 1818. Harmondsworth: Penguin, 1972.

Eliot. Middlemarch. 1871-72. (World's Classics). Oxford: Oxford UP, 1988.

Fielding. Tom Jones. 1749. Harmondsworth: Penguin, 1966.

Fowles, JOhn. The French LIeutenant's Woman. New York: Signet Classics, 1970.

Hildesheimer, Wolfgang. Marbot: Eine Biographie. Frankfurt am Main: Suhrkamp, 1981. (Novel, fake biography).

Strachey, Lytton. Eminent Victorians. 1918. Harmondsworth: Penguin, 1986.

de Certeau, Michel. The Writing of History. 1975. New York: Columbia UP, 1988.

Cohn, Dorrit. "Breaking the Code of Fictional Biography: Wolfgang Hildesheimer's Marbot." In Traditions of Experiment from the Enlightenment to the Present: Essays in Honor of Peter Demetz. Ann Arbor: U of Michigan P, 1992. 301-19.

Hernadi, Paul. "Clio's Cousins: Historiography as Translation, Fiction and Criticism." New Literary History 7.2 (1976): 245-57.

Kayser, Wolfgang. Entstehung und Krise des modernen Romans. 1954. 3rd ed. Stuttgart: Metzler, 1961.

Lejeune, Philippe. Je est un autre. Paris: Seuil, 1980.

Löschnigg, Martin. "'... the prismatic hues of memory': Autobiographische Modellierung und die Rhetorik der Erinnerung in Dickens' David Copperfield." Poetica 31 (Forthcoming 1999).

Nünning, Ansgar. "'But Why Will You Say that I Am Mad?': On the Theory, History, and Signals of Unreliable Narration in British Fiction." Arbeiten aus Anglistik und Amerikanistik (AAA) 22.1 (1997): 83-105.

Pavel, Thomas. Fictional Worlds. Cambridge (MA): Harvard UP, 1986.

Rigney, Ann. The Rhetoric of Historical Interpretation: Three Narrative Histories of the French Revolution. Cambridge: Cambridge UP, 1990.

Ronen, Ruth. "The Semiotics of Fictional Time: Three Metaphors in the Study of Temporality in Fiction." Style 24 (1990): 22-24.

Ryan, Marie-Laure. "Fiction, Non-Factuals and the Principle of Minimal Departure." Poetics 9 (1980): 403-22.

Stempel, Wolf-Dieter. "Erzählung, Beschreibung und der historische Diskurs." In Geschichte: Ereignis und Erzählung. (Poetik und Hermeneutik, 5). Ed. Reinhart Kosellek and Wolf-Dieter Stempel. Munich: Fink, 1973. 325-46.

Stierle, Karlheinz. "Geschehen, Geschichte, Text der Geschichte." In Geschichte: Ereignis und Erzählung. Ed. Reinhart Kosellek and Wolf-Dieter Stempel. (Poetik und Hermeneutik, 5). Munich: Fink, 1973. 530-34.

Meyer, E. Y. In Trubsachen. Fiction. Frankfurt am Main: Suhrkamp, 1973.

Moore, Lorrie. Self-Help. New York: Knopf, 1985.

Fleischman, Suzanne. The Future in Thought and Language. Cambridge: Cambridge UP, 1982.

Prince, Gerald. "The Disnarrated." Style 22.1 (1988): 1-8.

Browning. "My Last Duchess." 1842.

_____. "The Bishop Orders his Tomb at Saint Praxed's Church." 1845.

_____. "Porphyria's Lover." 1836.

Davidson, John. "The Testament of an Empire-Builder." Poem. 1902.

Stoppard, Tom. Travesties. Drama. 1974.

Shaffer, Peter. Amadeus. 1979.

Pinter. Landscape. 1968.

Tennyson. Maud: A Monodrama. 1855.

Golding. Free Fall. 1959.

Burgess. Earthly Powers. 1980.

Bennett, James R. "Inconscience: Henry James and the Unreliable Speaker of the Dramatic Monologue." Forum 28 (1987): 74-84.

Brunkhorst, Martin. "Der Erzähler im Drama: Versionen des Memory Play bei Fry, Shaffer, Stoppard und Beckett." Arbeiten aus Anglistik und Amerikanistik 5 (1980): 225-40.

De Reuck, J. "Stereoscopic Perspectives: Transmission and Reception in Unreliable Homodiegetic Narration." AUMLA: Journal of the Australasian Universities Lanugage and Literature Association 74 (1990): 154-68.

Diengott, Nilli. "Implaid Author, Motivation and Theme and Their Problematic Status." Orbis Litterarum 48 (1993): 181-93.

_____. "The Implied Author Once Again." Journal of Literary Semantics 22 (1993): 68-75.

Grabes, Herbert. "Ethics and Aesthetics in the Reception of Literary Character: The Case of Nabokov's Lolita." Estudios Ingleses de la Universidad Complutense 4 (1996): 23-40.

Harker, W. John. "Information Processing and the Reading of Literary Texts." New Literary History 20 (1989): 465-81.

Hof, Renate. "Das Spiel des unreliable narrator in Nabokovs Lolita." Amerikastudien 25.4 (1980): 418-31.

_____. Das Spiel des 'unreliable narrator': Aspekte unglaubwürdigen Erzählens im Werk von Vladimir Nabokov. München: Fink, 1984.

Jahn, Manfred. "Frames, Preferences, and the Reading of Third-Person Narratives: Towards a Cognitive Narratology." Poetics Today 18.4 (1997): 441-68.

_____. "Package Deals, Exklusionen, Randzonen: Das Phänomen der Unverläßlichkeit in den Erzählsituationen. In Unreliable Narration. Ed. Ansgar Nünning. Trier: Wissenschaftlicher Verlag Trier, 1998.

Nelles, William. "Historical and Implied Authors." Comparative Literature 45 (1993): 22-46.

Nünning, Ansgar. "Kurzgeschichten von Ian McEwan in einem Englisch-Leistungkurs: Darstellung grotesker Welten aus der Perspektive des 'verrückten Monologisten'." Literatur in Wissenschaft und Unterricht 23.1 (1990): 36-50.

_____. "Renaissance eines anthropomorphisierten Passepartouss oder Nachruf auf ein literaturkritisches Phantom? Uberlegungen und Alternativen zum Konzept des Implied Author." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 67.1 (1993): 1-25.

_____. "Erzählen als Mittel subjektiver Sinnstiftung. Individualität, Skeptizismus und das Problem des (un-)reliability in Graham Swifts Kurzgeschichten." Anglistik und Englischunterricht 50 (1993): 153-74.

_____. Von historischer Fiktion zu historiographischer Metafiktion. Band 2: Erscheinungsformen und Entwicklungstendenzen des historischen Romans in England seit 1950. Trier: Wisenschaftlicher Verlag Trier, 1995.

_____. "Deconstructing and Reconceptualizing the 'Implied Author': The Resurrection of an Anthropomorphized Passepartout or the Obituary of a Critical Phantom?" Anglistik 8.2 (1997): 95-116.

_____, ed. Unreliable Narration: Studien zur Theorie und Praxis unglaubwürdiger Erzählens in der englischsprächigen Erzählliteratur. Trier: Wissenschaftlicher Verlag Trier, 1998.

Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge (MA) and London: Harvard UP, 1995.

_____. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Malden (MA): Blackwell, 2005.

Capra, Fritjof. The Web of Life. New York: Doubleday, 1996.

Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins U, 1996.

Caupert, Christina. "Melville's 'Bartleby' aus Kulturökologischer Perspective." In Kulturökologie und Literatur. Ed. H. Zapf. Heidelberg: Winter, 2008. 175-90.

Clark, Timothy. The Cambridge Introduction to Literature and Environment. Cambridge: Cambridge UP, 2011.

Coupe, Laurence, ed. The Green Studies Reader: From Romanticism to Ecocriticism. London and New York: Routledge, 2002.

Devoine, Françoise, and Jean-Max Gaudilliere. History Beyond Trauma: Whereof One Cannot Speak, Thereof One Cannot Stay Silent. New York: Other Press, 2005.

Dickinson, Emily. The Poems of Emily Dickinson. Ed. Thomas H. Johnson. Cambridge (MA) and London: Harvard UP, 1979.

DiPrete, Laura. 'Foreign Bodies': Trauma, Corporeality, and Textuality in Contemporary American Culture. London and New York: Routledge, 2006.

DeLillo, Don. Underworld. New York: Scribner, 1997.

_____. Falling Man. New York: Scribner, 2007.

Dürr, Hans-Peter. Die Zukunft ist ein unbetretener Pfad: Bedeutung und Gestaltung eines ökologischen Lebensstils. Freiburg: Herder, 1995.

Ette, Ottmar. Über Lebenswissen: Die Aufgabe der Philologie. Berlin: Kadmos, 2004.

Finke, Peter. Die Ökologie des Wissens: Exkursionen in eine gefährdete Landschaft. Freiburg and Munich: Alber, 2005.

_____. "Die Evolutionäre Kulturökologie: Hintergründe, Prinzipien und Perspektiven einer neuen Theorie der Kultur." Anglia 124.1 (2006): 175-217. (Special issue on "Literature and Ecology").

Fitzgerald, F. Scott. The Great Gatsby. London: Penguin, 1988.

Foer, Jonathan Safran. Extremely loud and Incredibly Close. London: Penguin, 2006.

Garrard, Greg. Ecocriticism. London and New York: Routledge, 2004.

Gesdorf, Catrin, and Sylvia Mayer, eds. Natur-Kultur-Text: Beiträge zu Ökologie und Literaturwissenschaft. Heidelberg: Winter, 2005.

_____, eds. Nature in Literary and Cultural Studies: Translantic Conversations on Ecocriticism.Amsterdam and New York: Rodopi, 2006.

Glotfelty, Cherryl, and Harold Fromm, eds. The Ecocriticism Reader: Landmarks in Literary Ecology. Athens (GA): U of Gerogia P, 1996. 105-11.

Goodbody, Axel. Nature, Technology and Cultural Change in Twentieth Century German Literature: The Challenge of Ecocriticism. Basingstoke and New York: Palgrave Macmillan, 2007.

Goodbody, Axel, and Kate Rigby, eds. Ecocritical Theory: New European Approaches. Charlottesville: U of Virginia P, 2011.

Gras, Vernon W. "Why the Humanities Need a New Paradigm which Ecology Can Provide." Anglistik: Mitteilungen des Deutschen Anglistenverbandes 14.2 (2003): 45-61.

Heise, Ursula. Sense of Place and Sense of Planet: The Environmental Imagination of the Global. Oxford: Oxford UP, 2008.

Hustvedt, Siri. The Blindfold. Hodder and Stoughton, 1993.

_____. The Sorrows of an American. Picador, 2009.

Iovino, Serenella. Ecologia letteraria: Una strategia di sopravvivenza. Preface by Cheryll Glotfelty. Afterword by Scott Slovic. Milan: Edizioni Ambiente, 2006.

Kaplan, E. Ann. Trauma Culture: The Politics of Terror and Loss in Media and Literature. New Jersey: Rutgers UP, 2005.

Kellert, Stephen, and Edward O. Wilson. The Biophilia Hypothesis. Washington (DC) and Covelo (CA): Shearwater, 1993.

LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins UP, 2001.

Lewis, David, Dennis Rodgers and Michael Woolcock. "The Fiction of Development: Literary Representation as a Source of Authoritative Knowledge." Journal of Developmental Studies (2008): 1-17.