11 Marquee-select the four clips.
12 Check whether the Video 1 track is targeted (highlighted). If not, click its header
to target it (it’s not necessary, in this case, to target an audio track).
13 Choose Clip > Synchronize, select Numbered Clip Marker (Marker 0 is the
only choice), and then click OK. The clips align to the marker on the clip in
the Video 1 track.
All the markers are lined up vertically. The beginning of the clips above the
Video 1 track were trimmed because they all had more video before the sync
point than the clip in the Video 1 track. Now that all four clips are in sync, you
can start switching camera angles.
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158 LESSON 8
Applying Specialized Editing Tools
Switching multiple cameras Now you will nest that synced and trimmed sequence in another sequence, switch
on the multicamera function, and edit this four-camera shoot:
1 Choose File > New > Sequence, and name it
Multi-cam . Choose the preset
DV – NTSC Standard 48kHz to match your source media for this project.
2 Drag Sequence 01 from the Project panel to the beginning of the Video 1 track
on the Multi-cam sequence. This is called
nesting a sequence in a sequence.
3 Click the Video 1 track header to target it, click the nested sequence video clip
to select it, and then choose Clip > Multi-Camera > Enable.
#
Note: The Multi-
Camera > Enable
command will be
unavailable unless
you have the video
track selected.
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ADOBE PREMIERE PRO CS5 CLASSROOM IN A BOOK
159 4 Choose Window > Multi-Camera Monitor.
The five-pane Multi-Camera Monitor opens.
