Classroom in a book

11
Marquee-select the four clips.
12
Check whether the Video 1 track is targeted (highlighted). If not, click its header 
to target it (it’s not necessary, in this case, to target an audio track).
13
Choose Clip > Synchronize, select Numbered Clip Marker (Marker 0 is the 
only choice), and then click OK. The clips align to the marker on the clip in 
the Video 1 track.
All the markers are lined up vertically. The beginning of the clips above the 
Video 1 track were trimmed because they all had more video before the sync 
point than the clip in the Video 1 track. Now that all four clips are in sync, you 
can start switching camera angles.

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158
LESSON 8
Applying Specialized Editing Tools
Switching multiple cameras
Now you will nest that synced and trimmed sequence in another sequence, switch 
on the multicamera function, and edit this four-camera shoot:
1
Choose File > New > Sequence, and name it 
Multi-cam
. Choose the preset 
DV – NTSC Standard 48kHz to match your source media for this project.
2
Drag Sequence 01 from the Project panel to the beginning of the Video 1 track 
on the Multi-cam sequence. This is called 
nesting
a sequence in a sequence.
3
Click the Video 1 track header to target it, click the nested sequence video clip 
to select it, and then choose Clip > Multi-Camera > Enable.
#
 Note:
The Multi-
Camera > Enable 
command will be 
unavailable unless 
you have the video 
track selected.

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ADOBE PREMIERE PRO CS5 CLASSROOM IN A BOOK
159
4
Choose Window > Multi-Camera Monitor.
The five-pane Multi-Camera Monitor opens.