A bibliography of Literary Theory, Criticism and Philology
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Goodman, Paul. See New York school. Goodman Russell B. American Philosophy and the Romantic Tradition. (Cambridge Studies in American Literature and Culture, 50). Cambridge: Cambridge UP, 1991. _____. "Transcendentalism." Stanford Encyclopedia of Philosophy. 2003, rev. 2008.*
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Goodridge, J. F. Emily Brontë: Wuthering Heights. London: Arnold, 1979. Goodridge, John. "Rowley’s Ghost: A List of Creative Works Inspired by Thomas Chatterton’s Life and Writings." In Thomas Chatterton and Romantic Culture. Ed. Nick Groom. Houndmills: Macmillan; New York: St. Martin’s, 1999. 262-92.* Goodwin, James. "The Depression Era in Black and White: Four American Photo Texts." Criticism 40.2 (Spring 1998): 273-307. Goodwin, John. A Short Guide to Shakespeare's Plays. (National Theatre Paperback Series). London: Heinemann Educational. Goodwin, Ken. (U of Queensland, Toowomba, Australia). A History of Australian Literature. (The Macmillan History of Literature). Houndmills: Macmillan. _____. "Modernism in the 1930s: Serial and Newspaper Publications of Poetry." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 485-94.* Goodwin, Ken, and Wolfgang Zach, eds. Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. (SECL: Studies in English and Comparative Literature, 10). Tübingen: Stauffenburg Verlag, 1996.* Goodyear, F. R. D. "XII. Salustio." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 302-14.* _____. "XXX. Poesía menor." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 681-90. (Phaedrus, Calpurnius Siculus, etc.) _____. "XXXI. Sátira en prosa." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 691-97.* ("Apocolocyntosis Divi Claudii", Petronius). _____. "XXXII. Historia y biografía." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 698-726.* (Veleius Paterculus, Q. Curtius Rufus, Tacitus, Pliny the Younger, Suetonius, Florus). _____. "XXXIII. Obras técnicas." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 727-33. (Pomponius Mela, Columella, Pliny the Elder, Frontinus). _____. "XXXIV. Retórica y erudición." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. (Quintilian, Front., Aulus Gellius). Goold, G. P., rev. ed. Poems. By Catullus. Ed. and trans. F. W. Cornish. 2nd ed. (Loeb). 1988. Goold, Patrick, and Steven M. Emmanuel, eds. Modern Philosophy: From Descartes to Nietzsche. Oxford: Blackwell, 2002. Gorak, Irene. "Libertine Pastoral: Nadine Gordimer's The Conversationist." Novel 24.3: 241-256.* Gordon, Daniel, ed. (U of Massachusetts at Amherst). Candide. By Voltaire. (Bedford Cultural Editions). Houndmills: Macmillan, 1999. Gordon, E. V. (Erica Valentine Gordon). An Introduction to Old Norse. 2nd ed. Rev. A. R. Taylor. Oxford: Oxford UP, 1981. _____, ed. Pearl. Oxford: Oxford UP, 1980. Gordon, E. V., and J. R. R. Tolkien, eds. Sir Gawain and the Green Knight. 2nd ed., rev. Norman Davis. Oxford: Oxford UP, 1967. 1977. 1979. Gordon, I. R. F. A Preface to Pope. London: Longman.* Gordon, Ian A. The Continuity of English Prose. London: Longman, 1966. _____. The Movement of English Prose. London: Longman, ?1966. 1981. 1986. _____, ed. The Provost. By John Galt. Oxford: Oxford UP. _____, ed. The Entail. By John Galt. Oxford: Oxford UP. _____, ed. Looking for a Rain God and Other Short Stories from Africa. Houndmills: Macmillan, 1995. Gordon, Jan B. (Tokyo U of Foreign Studies). Gossip and Subversion in Nineteenth-Century British Fiction: Echo's Economies. Houndmills: Macmillan, 1996. Gordon, Lois. The World of Samuel Beckett 1906-1946. New Haven: Yale UP, 1996. Gordon, Robert. The Expanded Moment: A Short Story Anthology. Boston, 1963. Gordon, Scott. "Darwin and Political Economy: The Connection Reconsidered." Journal of the History of Biology 22 (1989): 437-59. Gordon, Walter K. Literature in Critical Perspectives: An Anthology. Englewood Cliffs: Prentice, 1968. Gore, Keith, ed. Huis Clos. By Jean-Paul Sartre. London: Routledge, 1987. Gorra, Michael. "Summing Up the Spirit of the Closet." Rev. of American Studies. Novel. by Mark Merlis. London: Fourth Estate, 1995. TLS 10 Nov. 1995: 22. _____. "Naipaul or Rushdie." Southwest Review 76.3 (Dallas, TX, Summer 1991): 374-89. _____. "Rudyard Kipling to Salman Rushdie: Imperialism to Postcolonialism." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 631-57.* _____. After Empire: Scott, Naipaul, Rushdie. 1997. _____. "After the Fight." Rev. of The House Gun. By Nadine Gordimer. TLS 13 Feb. 1998: 22.* _____. "It's Only Rock and Roll But I Like It." Rev. of The Ground Beneath Her Feet. By Salman Rushdie. TLS 9 April 1999: 25.* _____. Introd. to The End of the Affair. By Graham Greene. New York: Penguin, 2004.* _____. Portrait of a Novel: Henry James and the Making of an American Masterpiece. New York: Norton, 2013. Gorrell, Robert M., ed. Rhetoric: Theories for Application. Champaign (IL): National Council of Teachers of English, 1967. Gorsky, Susan. "The Central Shadow: Characterization in The Waves." Modern Fiction Studies 18 (Autumn 1972): 449-66. Gosman, Martin. (U of Groningen). "Marco Polo's Voyages: The Conflict between Confirmation and Observation." In Travel Fact and Travel Fiction. Ed. Zweder von Martels. Leiden: E. J. Brill, 1994. 72-84.* Gossett, Thomas F. Uncle Tom's Cabin and American Culture. Dallas: Southern Methodist UP, 1985. Gossman, Lionel. Medievalism and the Ideologies of the Enlightenment. Englewood Cliffs (NJ), 1972. _____. "History and Literature: Reproduction or Signification." In The Writing of History: Literary Form and Historical Understanding. Ed. Robert H. Canary and Henry Kozicki. Madison: U of Wisconsin P, 1978. 3-23. Gottesman, Ronald, and Harry M. Geduld, Harry M., general eds. (Indiana University Press Filmguide Series, 7). Bloomington: Indiana UP, 1973.* Gottfried, Martin. Arthur Miller: A Life. London: Faber and Faber, 2004. Gottfried, Roy K. The Art of Joyce's Syntax in Ulysses. Athens: U of Georgia P, 1980. Gottfried, Rudolf, ed. Prose Works. By Edmund Spenser. Baltimore, 1949. Gottlieb, Anthony. Socrates. (Great Philosophers). London: Phoenix. Gottlieb, Aviah H. "George Eliot: A Biographical and Intellectual Study." Diss. Cambridge, 1971. Gould, Eric. See Myth criticism. Gould, John. "X. Tragedia – (2) La representación de la tragedia." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 293-313.* Gould, Tony. Introd. to All Day Saturday. By Colin MacInnes. London: Hogarth. Gould, Warwick. (Royal Holloway, U of London). Appendix to Yeats's Poems. 3rd ed. Ed. A. Norman Jeffares. Houndmills: Macmillan, 1996. _____. "Writing the Life of the Text: The Case of W. B. Yeats." Miscelánea 30 (2004): 9-34.* _____, ed. Yeats Annual no. 13. Houndmills: Macmillan, 1998. Gould, Warwick, and Edna Longley, eds. Yeats Annual No. 12.: The Accusing Eye: Yeats and His Irish Readers. Houndmills: Macmillan, 1996. Gould, Warwick, Ian Willison, Ian and Warren Chernaik, eds. Modernist Writers and the Marketplace. Houndmills: Macmillan, 1996. Gould, Warwick, et al., eds. The Collected Letters of W. B. Yeats: Vol. II, 1896-1900. Ed. Warwick Gould, John Kelly and Deirdre Toomey. Oxford: Oxford UP, 1997. Gover, Janet R. The Story of Scotland. London: Faber and Faber. Gowland, Angus. The Worlds of Renaissance Melancholy: Robert Burton in Context. Cambridge: Cambridge UP, 2006. Goy-Blanquet, Dominique. "Elizabethan Historiography and Shakespare's Sources." In The Cambridge Companion to Shakespeare's History Plays. Ed. Michael Hattaway. Cambridge: Cambridge UP, 2002. 57-70.* Grabo, Norman S. The Coincidental Art of Charles Brockden Brown. Chapel Hill: U of North Carolina P. _____. "William Bradford: Of Plymout Plantation." In Landmarks of American Writing. Ed. Hennig Cohen. Washington: Voice of America (Forum Series), 1969.* Grace, D., and A. Cousins, eds. More's Utopia and the Utopian Inheritance. New York: UP of America, 1995. Gradon, Pamela. (St Hugh's, Oxford), English Wycliffite Sermons, Vol.2. Oxford: Oxford UP. Gradon, Pamela, and Anne Hudson, eds. English Wycliffite Sermons. Vols. 4 and 5. Oxford: Clarendon Press, 1996. Grady, Jack. "Suspended Animation." Chicago Review 28.2 (1976): 24-8. Grady, Wayne. "The Educated Imagination of Northrop Frye." Saturday Night (October 1981). Graesser, Arthur C., and Leslie F. Clark. Structures and Procedures of Implicit Knowledge. Norwood (NJ): Ablex, 1985. Graf, E. C. Cervantes and Modernity: Four Essays on Don Quijote, Lewisburg: Bucknell UP, 2007. Grafton, Anthony. "A Fertile Garden." Rev. of Adam and Eve in Seventeenth-Century Thought. By Philip C. Almond. TLS 6 Oct. 2000: 34.* _____. Forgers and Critics: Creativity and Duplicity in Western Scholarship. Princeton (NJ): Princeton UP, 1990. _____. Falsarios y críticos: Creatividad e impostura en la tradición occidental. Trans. Gonzalo G. Djembe. (Crítica: Letras de Humanidad). Barcelona: Crítica, 2001.* Grafton, Anthony T. Joseph Scaliger: A Study in the History of Classical Scholarship, 2 vols. Oxford: Oxford UP, 1983, 1993. Graham, Allison. "'The Fallen Wonder of the World': Brian de Palma's Horror Films." In American Horrors: Essays on the Modern American Horror Film. Ed. Gregory A. Waller. Urbana: U of Illinois P, 1987. Graham, Colin. (U of Huddersfield). Ideologies of Epic: Nation, Empire and Victorian Epic Poetry. Graham, Colin, and Richard Kirkland. Ireland and Cultural Theory: The Mechanics of Authenticity. Houndmills: Macmillan; New York: St. Martin's, 1999.* Graham, Desmond. Keith Douglas, 1920-1944. Oxford: Oxford UP, 1974. Graham, E., ed. Peter Pan. By J. M. Barrie. London: Hodder and Stoughton. Graham, Elspeth, Federico Eguíluz, Vickie Olsen, Eterio Pajares, José Miguel Santamaría and Roger Webster, eds. La Europa (cultural) de los pueblos: Voz y Forma. Vitoria: Departamento de Filología Inglesa y Alemana de la Universidad del País Vasco, 1994.* Graham, John. "Ut Pictura Poesis." Dictionary of the History of Ideas. Ed. Philip P. Wiener. New York: Scribner's, 1973. Graham, Kenneth. English Criticism of the Novel, 1865-1900. 1965. _____. The Performance of Conviction: Plainness and Rhetoric in the Early English Renaissance. Ithaca: Cornell UP, 1994. Graham, Kenneth W., ed. Gothic Fictions: Prohibition / Transgression. New York: AMS Press, 1989. Graham, Kenneth W., and Mirella Billi, eds. The Languages of Aesthetics: Eighteenth-century Literature. Monograph issue of Textus 18 (2005): 25-38. Graham-Campbell, David. "The Original of Mr Paunceford in Humphry Clinker." Scottish Literary Journal 4 (1977): 17-35. Grainger, Margaret (West Sussex Inst.), Eric Robinson and David Powell, eds. The Early Poems of John Clare, 1804-1822. 2 vols. Oxford: Clarendon Press, 1989. _____, eds. The Later Poems of John Clare, 1837-1864. 2 vols. Granston, Gillian. "TV Violence: Censorship or Regulation?" Critical Survey 1.2 (1989): 201-6. Grant, Allan. A Preface to Coleridge. London: Longman, 1974.* _____. A Preface to Dickens. London: Longman, 1974.* _____. Introd. to The World of the Short Story. (Anthology of contemporary English short stories). Ed. Andrew Best and Mark Cohen. London: Longman, n. d.* Grant, Cathy, ed. As You Like It: Audio Visual Shakespeare. London, 1992. Grant, Damian. (Manchester U). Realism. London: Methuen, 1970. 1981.* _____. Salman Rushdie. (Writers and Their Work). Plymouth: Northcote House / British Council, 1999.* Grant, Damian, and Walter Göbel. "Salman Rushdie's Silver Medal." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 87-98.* Grant, David. “Stowe’s Dred and the Narrative Logic of Slavery’s Extension.” Studies in American Fiction 28.2 (Autumn 2000). Grant, David, ed. The Crack in the Emerald: New Irish Plays. Nick Hern, 1990. Grant, Douglas. Margaret the First: A Biography of Margaret Cavendish, Duchess of Newcastle, 1623-1673. 1956. _____. James Thomson, Poet of the Seasons. Biography. London: Cresset Press, 1961. _____. The Cock Lane Ghost. London: Macmillan, 1965. _____. Poems and Prose. By John Dryden. Introd. Gamini Salgado. Harmondsworth: Penguin, 1971. _____, ed. Poetry, Prose, and Plays. By John Dryden. (Reynard Library). London: Hart-Davis, 1952. _____, ed. Melmoth the Wanderer. By Charles Maturin. Introd. Chris Baldick. Oxford: Oxford UP, 1989. _____, ed. What Maisie Knew. Ed. Douglas Jefferson and Douglas Grant. Oxford: Oxford UP. _____, ed. Pope. (Penguin Poetry Library). Harmondsworth: Penguin. _____, ed. Dryden. (Penguin Poetry Library). Harmondsworth: Penguin. _____, ed. Classic American Short Stories. Oxford: Oxford UP, 1989. Grant, John E. Checklist of writings by and about Frye. In Northrop Frye in Modern Criticism. (Selected Papers from the English Institute). Ed. Murray Krieger. New York: Columbia UP, 1966. Grant, John, and Mary Lynn Johnson, eds. Blake's Poetry and Designs. (Norton Critical Edition). New York: Norton, 1979. Grant, John, and John Clute, eds. The Encyclopedia of Fantasy. Orbit, 1997. Grant, Joy. Rev. of Dreams of Love and Modest Glory. By Joan Lingard. TLS 13 October 1995: 25.* Grant, Michael. Historia de la cultura occidental. Ediciones de Bolsillo. _____, dir. Historia de las civilizaciones, 3: Grecia y Roma. Madrid: Alianza. Grant, Michael, and John Hazel, eds. Who's Who in Classical Mythology. London: J. M. Dent, 1993. Grant, Michael. "James Whale's 'Frankenstein': The Horror film and the Symbolic Biology of the Cinematic Monster." In Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 113-35.* Grant, Nathan L. "Men, Women, and Culture: A Conversation with August Wilson." American Drama 5.2 (Spring 1996): 100-122.* Grant, P., and H. Lalla. "Analyzing Racism at ROM." The Varsity (June 1990): 4. (Cannizzo). Grant, Patrick. (U of Victoria). Literature and the Discovery of Method in the English Renaissance. Athens: U of Georgia P, 1985. (More: Richard III; Jonson: Bartholomew Fair; Donne: Anniversaries; Browne: Religio Medici; Law: Spirit of Love ; on Digby's Annotations, 102-88). _____. Breaking Enmities: Religion, Literature and Culture in Northern Ireland, 1967-1997. Houndmills: Macmillan, 1999. Grant, Robert. "Absence into Presence: The Thematics of Memory and 'Missing' Subjects in Toni Morrison' Sula." In Critical Essays on Toni Morrison. Ed. Nellie McKay. Boston: G. K. Hall, 1988. Grant, Robert M. A Short History of the Interpretation of the Bible. 1948. _____. A Short History of the Interpretation of the Bible. Rev. ed. New York: Macmillan, 1963. Grantley, Darryll, and Peter Roberts, eds. Christopher Marlowe and English Renaissance Culture. Aldershot: Scolar, 1997. Gras, Vernon. See Hermeneutics. Gratwick, A. S. "IV. Los 'Annales' de Ennio." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 80-98.* _____. "V. Drama." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 99-163. (Plautus, Statius, Terence, etc.). _____. "VI. Prosa literaria." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. (Cato, Flaminius). _____. "VII. Las sátiras de Ennio y Lucilio." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 183-200.* Gratzer, Walter. (King's College, London). Eurekas and Euphorias: The Oxford Book of Scientific Anecdotes. Oxford: Oxford UP, 2004. Graver, Lawrence, and Raymond Federman, eds. Samuel Beckett: The Critical Heritage. London: Routledge and Kegan Paul, 1979. Graves, Beryl, and Dunstan Ward, eds. Complete Poems: Volume 1. By Robert Graves. Manchester: Carcanet; Paris: Alyscamps Press, 1995.* Graves, Lucia. (Daughter of Robert and Beryl Graves). "The Poetry of Robert Graves from the War to The White Goddess." Miscelánea 12 (1991): 107-30. _____, ed. Robert Graves: Complete Short Stories. Manchester: Carcanet; Paris: Alyscamps, 1995. Graves, Richard Perceval. (Nephew to Robert Graves; www.richardgraves.org ). "Saving Sassoon." From Richard Perceval Graves, Robert Graves: The Assault Heroic 1895-1926. London: Weidenfeld & Nicolson 1986. In The Life and Work of Richard Perceval Graves http://www.richardgraves.org/html/gravchap.htm 2008
_____. "The Shout." From Richard Perceval Graves, Robert Graves: The Years with Laura Riding 1926-1940. Weidenfeld & Nicolson 1990. In The Life and Work of Richard Perceval Graves http://www.richardgraves.org/html/gravchap.htm 2008
_____. Robert Graves and the White Goddess 1940-1985. London: Weidenfeld and Nicolson, 1995.* _____. "Wife to Mr. Milton." From Richard Perceval Graves, Robert Graves and the White Goddess 1940-1985. London: Weidenfeld & Nicolson 1995. In The Life and Work of Richard Perceval Graves http://www.richardgraves.org/html/gravchap.htm 2008
_____, ed. Good-Bye to All That: An Autobiography. By Robert Graves. Providence (RI): Berghahn Books, 1995. Online in Google Books. Graves, T. S. "Women on the Pre-Restoration Stage." Studies in Philology 22 (1925): 184-97. Gravil, Richard (Reader in Lit., U College of St. Mark and St. John, Plymouth). _____. Transatlantic Romanticism: Anglo-American Continuities, 1776-1855. Houndmills: Macmillan, 2000. _____. Wordsworth's Bardic Vocation, 1787-1842. Oxford: Oxford UP, 2003. _____, ed. Swift: Gulliver's Travels. (Casebooks series). Houndmills: Macmillan, 1978. Gravil, Richard, and W. J. Harvey, eds. Wordsworth: The Prelude. (Casebooks series). Houndmills: Macmillan, 1972.
Gray, B. The Phenomenon of Literature. The Hague: Mouton, 1975. _____. The Grammatical Foundations of Rhetoric. The Hague: Mouton, 1977. Gray, Billy. "'Your Stay Must Be a Becoming': Ageing and Desire in J. M. Coetzee's Disgrace." In Flaming Embers: Literary Testimonies on Ageing and Desire. Ed. Nela Bureu Ramos. Bern: Peter Lang, 2010. 67-86.* Gray, Donald J., ed. Pride and Prejudice. By Jane Austen. New York: Norton, 1966. 3rd ed. 2000. _____, ed. Alice in Wonderland. By Lewis Carroll. (Norton Critical Edition). Ed. Donald J. Gray. 2nd ed. New York: Norton, 1992. _____, ed. Alice in Wonderland. By Lewis Carroll. (Norton Critical Edition). 3rd ed. New York: Norton, 2013. Gray, Douglas (U of Oxford). "Ends and Beginnings in the Earlier Sixteenth-Century Drama." In SEDERI VI. Ed. Ana María Manzanas Calvo. N.p.: SEDERI, 1996. 75-91.* _____, ed. Middle English Literature. By J. A. W. Bennett. Oxford: Clarendon Press, 1990. _____, ed. The Oxford Book of Late Medieval Verse and Prose. Oxford: Oxford UP. Gray, Floyd. "The Essay as Criticism." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 271-77.* _____, ed. Montaigne. By Albert Thibaudet. Paris: Gallimard, 1963. Gray, H. Wagner. London: Omnibus P, 1990. Gray, John. "Field Day Five Years On." Linen Hall Review 2.2 (Summer 1985): 4-10. Gray, John. Mill on Liberty: A Defence. London: Routledge and Kegan Paul, 1983. _____. "Mill's and Other Liberalisms." In Gray, Liberalisms: Essays in Political Philosophy. London: Routledge and Kegan Paul, 1989. _____. Liberalisms: Essays in Political Philosophy. London: Routledge and Kegan Paul, 1989. _____, ed. On Liberty and Other Essays. By John Stuart Mill. Oxford: Oxford UP, 1988. Gray, John. False Dawn: The Delusions of Global Capitalism. Granta Books. Gray, Margaret E. See Post-Structuralism. Gray, Martin. A Chronology of English Literature. Harlow: Longman, 1989.* Gray, Paul. "An Explosive Reception." (Rushdie). Time 13 Feb. 1984. Gray, Pauline. Afterword to Musical Chairs. By Cecil Gray. London: Hogarth. Grayson, C. A Renaissance Controversy: Latin or Italian? An Inaugural Lecture, 6 Nov. 1959. Oxford, 1960. _____. "Dante's Theory and Practice of Poetry." In The World of Dante: Essays on Dante and His Times. (Oxford Dante Society). Oxford, 1960. _____. "Dante and the Renaissance." In C. P. Brand. et al., Italian Studies Presented to E. R. Vincent. Cambridge, 1962. _____."Nobilior est vulgaris: Latin and Vernacular in Dante's Thought." In Centenary Essays on Dante, by Members of the Dante Society. Oxford, 1965. Grayson, Jane. Nabokov Translated: A Comparison of Nabokov's Russian and English Prose. Oxford: Oxford UP, 1977. _____. Vladimir Nabokov. (Overlook Illustrated Lives). Overlook Press, 2004. Gredja, Edward S. The Common Continent of Men: Racial Equality in the Writings of Herman Melville. New York: Kennikat Press, 1974. Green, Anthony, and Jeremy Black. Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary. Illust. Tessa Rickards. London: British Museum, 1998. Yüklə 198,94 Kb. Dostları ilə paylaş:
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