A bibliography of Literary Theory, Criticism and Philology

Gehrke, Pamela. Saints and Scribes: Medieval Hagiography in Its Manuscript Context. Berkeley: U of California P, 1993.

Geis, Gilbert (U of California, Irvine), and Ivan Bunn (Lowestoft). A Trial of Witches: A Seventeenth-century Witchcraft Prosecution. London: Routledge, 1997.

Geismar, Maxwell. Rebels and Ancestors: The American Novel, 1890-1915. Cambridge (MA): Riverside, 1953.*

_____. The Last of the Provincials: The American Novel, 1915-1925 (on Willa Cather, Anderson, Fitzgerald) New York, 1959.

_____. J. D. Salinger and the Critics. 1962.

Gelbart, Nina Rattner, ed. Conversations on the Plurality of Worlds. By Bernard Le Bovier de Fontenelle. Trans. H. A. Hargreaves. Berkeley: U of California P, 1990.

Gelfant, Blanche H., ed. The Columbia Companion to the Twentieth-Century American Short Story. Assistant ed. Lawrence Graver. New York: Columbia UP, 2000.*

Gelfman, Jane R., G. P. Garrett, and O. B. Hardison, eds. Film Scripts One. New York, 1971.

Gellrich, J. M. The Idea of the Book in the Middle Ages: Language Theory, Mythology, and Fiction. Ithaca: Cornell UP, 1985.

Gelmis, Joseph. The Film Director as Superstar. London: Secker, 1970.

Gelpi, Albert. (Stanford U). Emily Dickinson: The Mind of the Poet.

_____. The Tenth Muse: The Psyche of the American Poet.

_____. A Coherent Splendor: The American Poetic Renaissance 1910-1950. 1990.

_____. Living in Time: The Poetry of C. Day Lewis. Oxford: Oxford UP, 1998.*

_____, ed. Wallace Stevens: The Poetics of Modernism.

Gelpi, Albert, and Barbara Charlesworth Gelpi, eds. Adrienne Rich's Poetry. Texts of the Poems. The Poet on Her Work. Reviews and Criticism. New York: Norton, 1975.

_____, eds. Adrienne Rich's Poetry and Prose. (Norton Critical Edition). New York: Norton, 1993.

Gelwick, Richard L. "A Bibliography of Michael Polanyi's Social and Philosophical Writings." In Intellect and Hope: Essays in the Thought of Michael Polanyi. Ed. Thomas A. Langford and William H. Poteat. Durham, N.C.: Duke University Press, 1968: 432-446.

Genet, Jacqueline. "John Banville and the Subversion of the Big House Novel." In The Big House in Ireland. Dingle (Ireland): Brandon Book Pub., 1991. 215-30.

Geneva, Ann. Astrology and the Seventeenth-Century Mind: William Lilly and the Language of the Stars. Manchester: Manchester UP, 1995.*

Genster, Julia. "Lieutenancy, Standing In, and Othello." ELH 57 (1990): 785-809.

George, David. (U of Wales, Swansea). The History of the Commedia dell'arte in Modern Hispanic Literature with Special Attention to the Work of García Lorca. Lewiston: Edwin Mellen, 1995. Rev. in RILCE 13.1 (1997).

George, David, and John London, eds. Contemporary Catalan Theatre. Sheffield: Anglo Catalan Society Occasional Publications, 1996.

George, David and Paul Garner, series eds. (Iberian and Latin American Studies). Cardiff: U of Wales P, c. 2007.

George, Diana Hume, ed. Anne Sexton. Selected Criticism. Urbana: U of Illinois P, 1988.

George, Lawrence. "Poetry Analysis: The Latest Decalogue, by A. H. Clough." Helium

http://www.helium.com/items/1678229-the-latest-decalogue-by-arthur-hugh-clough

2011

George, Rosemary M. and Helen Scott. "'A new tail to an old tale': An Interview with Ama Ata Aidoo." Novel 26.3: 297-308.*

_____. "An Interview with Tsitsi Dangaremba." Novel 26.3: 309- 320*

Georgiannis, Nicholas. "Hemingway's Poetry: Angry Notes of an Ambivalent Overman." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 257-72.*

_____, ed. 88 Poems. By Ernest Hemingway. Ernest Hemingway Foundation, 1977.

_____, ed. Ochenta y ocho poemas. By Ernest Hemingway. Trans. José Ramón Insa. Barcelona: Planeta, 1982.*

_____, ed. Complete Poems. By Ernest Hemingway. Lincoln: U of Nebraska P, 1992. Rev. in Hemingway Review 11.2 (1992).

Gerard, A. "'Egregiously an Ass': The Dark Side of the Moor. A View of Othello's Mind." In Aspects of Othello. Ed. K. Muir and P. Edwards. Cambridge: Cambridge UP, 1977.

Gerard, Albert S. The Phaedra Syndrome: Of Shame and Guilt in Drama. Amsterdam: Rodopi, 1993.

Gérard, A. S. "Preface" to Chantal Zabus, The African Palimpsest: Indigenization of Language in the West African Europhone Novel. Amsterdam: Rodopi, 1991.

Gerassi, John. Entretiens avec Sartre. Grasset.

Gerber, Richard J. Utopian Fantasy. 1955. Rev. ed. New York: McGraw-Hill, 1973.

_____. Rev. of Do You Hear What I am Seeing? An Evening of James Joyce. By David Norris, dir. Robert Joyce. James Joyce Quarterly 33.1 (Fall 1996): 146-52.*

Gerda, Charles. Introd. to Modern Jewish Stories . London, 1963.

Gérin, Winifred. Emily Bronte. A Biography. Oxford: Oxford UP, 1971. 1972. 1978. 1990.

_____. Elizabeth Gaskell: A Biography. Oxford: Clarendon, 1976. Oxford UP, 1990.

_____. Anne Thackeray Ritchie: A Biography. Oxford: Oxford UP, 1981.

Gerlach, John. See Structuralism.

Gerland, Oliver. "The Paradox of Memory: Ibsen's When We Dead Awaken and Fin-de-Siècle Psychotherapy." Modern Drama 38.4 (Winter 1995): 450-61.*

Gerow, Edwin. Indian Poetics. Vol. 5.3 of A History of Indian Literature. Ed. Jan Gonda. Wiesbaden: Otto Harrasowitz, 1977.

Gerrard, Christine. (Lady Margaret Hall, Oxford). The Patriot Opposition to Walpole: Politics, Poetry and Natural Myth, 1725-42. Oxford: Clarendon Press. 1994.

Gerrard, Christine, and David Fairer, eds. Eighteenth-Century Poetry: An Annotated Anthology. (Blackwell Annotated Anthologies). Oxford: Blackwell, 1999.* New ed. Oxford: Blackwell, 2003. (Now includes Charles Churchill's Night, Johnson's London and Swift's A Satirical Elegy on a Late Famous General, and poems by Martha Sansom and Sarah Dixon).

_____, Eighteenth-Century English Poetry: An Annotated Anthology. 3rd ed. Oxford: Wiley Blackwell, 2014.

Gerschenkron, Alexander. "The Rate of Industrial Growth in Italy, 1881-1913." In Gerschenkron, Economic Backwardness in Historical Perspective. Cambridge (MA): Harvard UP, 1962.

_____. Economic Backwardness in Historical Perspective. Cambridge (MA): Harvard UP, 1962.

_____. "A Manufactured Moment?" (Nabokov). Modern Philology 63 (May 1966): 336-47.

Gerster, Patrick, and Nicholas Cords, eds. Myth and Southern History. Chicago: Rand McNally, 1974.

Gertz, SunHee Kim. (Clark U). From Chaucer to Shakespeare, 1337-1580. (Transitions). Houndmills: Macmillan, 2000.

Geuss, Raymond, and Ronald Speirs, eds. The Birth of Tragedy and Other Writings. By Friedrich Nietzsche. Cambridge: Cambridge UP, 1999.

Geyer-Kordesch, Johanna. "Women and Medicine." Encyclopedia of Medical History. Ed. W. F. Bynum.

Ghiselin, Brewster. "The Unity of Joyce's Dubliners." 1956. Rpt. in Garrett, Twentieth-Century Interpretations of Dubliners 57-85.

_____, ed. The Creative Process: A Symposium. Berkeley, 1952.

Giamatti, A. Bartlett. "Proteus Unbound: Some Versions of the Sea God in the Renaissance." In The Disciplines of Criticism: Essays in Literary Theory, Interpretation, and History. Ed. Peter Demetz et al. New Haven: Yale UP, 1968. 437-76.

Gianetti, Louis D. Understanding Movies. New Jersey, 1976.

_____. Understanding Movies. 5th ed. Englewood Cliffs (NJ): Prentice Hall, 1990. 9th ed. Englewood Cliffs (NJ): Prentice Hall, 2001.

Giannetti, Louis, and Asott Eyman. Flashback: A Brief History of Film. 2nd ed. Englewood Cliffs: Prentice, 1991.

Giannone, Richard. (Fordham U). Vonnegut. London: Kennikat, 1977.

_____. Flannery O'Connor and the Mystery of Love. Urbana: U of Illinois P, 1989.

_____. Flannery O'Connor and the Mystery of Love. New York: Fordham UP, 1999.*

_____. "On 'A Late Encounter with the Enemy'." From Flannery O'Connor and the Mystery of Love. In Perrine's Story and Structure. 10th ed. Boston (MA): Thomson Learning-Heinle&Heinle, 2002. 519-21.*

Gibb, H. A. R. Mohammedanism: An Historical Survey. London: Oxford UP, 1949.

_____. Arabic Literature: An Introduction. 2nd ed. Oxford, 1963.

Gibb, Jane, Clive Bloom, Brian Docherty and Keith Shand, eds. Nineteenth-Century Suspense: From Poe to Conan Doyle. Houndmills: Macmillan; New York: St. Martin's, 1988.

Gibbons, Luke. Transformations in Irish Culture. Cork: Cork UP, 1996.

_____. "Race against Time: Racial Discourse and Irish History." In Postcolonial Discourses. Ed. Gregory Castle. Oxford: Blackwell, 2001. 484-501.*

Gibbs, A. M. (Macquarie U, Australia). A Bernard Shaw Chronology. Houndmills: Macmillan, 2000.

_____, ed. Man and Superman and Saint Joan. (Casebooks series). Houndmills: Macmillan, 1991.

Gibbs, Anna. See English feminist criticism.

Gibbs, Virginia. Las sonatas de Valle-Inclán: Kitsch, sexualidad, satanismo, historia. Madrid, 1991.

Gibbs, Wolcott. Rev. of The Fifth Column. Play produced 1940. By Ernest Hemingway. New Yorker (March 1940). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 289-91.*

Gibson, B. J. "Statius and insomnia: Allusion and Meaning in Silvae 5.4." CQ 46 (1996): 457-68.

Gibson, Christine. "Charlie Chaplin: Banned from America." AmericanHeritage.com 19 Sept. 2007.*

http://www.americanheritage.com/articles/web/20070919-charlie-chaplin-communist-teenage-girls-hollywood-movies-immigration-huac_print.shtml

2010

Gibson, Colin, ed. (U of Otago, New Zealand). Six Renaissance Tragedies (The Spanish Tragedy, Doctor Faustus, The Revenger's Tragedy, The Changeling, The Duchess of Malfi, 'Tis Pity She's a Whore). Houndmills: Macmillan, 1997.

Gibson, Donald Bernard. "The Fiction of Stephen Crane." Diss. Brown U, 1962.

_____. The Fiction of Stephen Crane. Carbondale: Southern Illinois UP, 1968.

Gibson, Evan K. "Alastor: A Reinterpretation." PMLA 62 (1947): 1022-42. In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 545-69.*

Gibson, Geoffrey, ed. A Choice of William Morris's Verse. London: Faber.

Gibson, Ian. En busca de José Antonio. Barcelona: Planeta, 1980.

_____. "Juicio y muerte de José Antonio." Historia 16 127

_____. Granada en 1936 y el asesinato de Federico García Lorca. Barcelona: Crítica, 1986.

_____. Queipo de Llano: Sevilla, verano de 1936. Barcelona: Grijalbo, 1986.

_____. Ligero de equipaje: La vida de Antonio Machado. Aguilar, 2006.

_____. "Antonio Machado, 'profesor de lenguas vivas'." Hermeneus 9 (2007): 283-96.*

_____. La berlina de Prim. 2012. (Premio Fernando Lara de novela).

Gibson, James (Christ Church College, Canterbury). Thomas Hardy: A Literary Life. Houndmills: Macmillan, 1996.

_____, ed. The Variorum Edition of the Complete Poems of Thomas Hardy. Ed. James Gibson. Houndmills: Macmillan, 1979. 1985.

_____, ed. The Woodlanders. By Thomas Hardy. Introd. Ian Gregor. (Penguin English Library). Harmondsworth: Penguin, 1981. 1982. 1983. 1984. 1985.*

_____, ed. Let the Poet Choose. Anthology. Harrap.

_____, ed. Selections from Diaries. By John Evely and Samuel Pepys. London: Chatto.

_____, ed. The Complete Poems. By Thomas Hardy. Basingstoke: Palgrave Macmillan, 2001.

_____, ed. Thomas Hardy: Interviews and Recollections. (Interviews and Recollections). Basingstoke: Macmillan, 1997. 1999.

_____, series ed. (Macmillan Master Guides series). Houndmills: Macmillan.

Gibson, James, and Trevor Johnson, eds. Hardy: Poems. (Casebooks series). Houndmills: Macmillan, 1979.

Gibson, Jeremy (b. Crawley, West Sussex, 1967; Ph.D. Sussex; d. cycling accident, 1996), and Julian Wolfeys. Peter Ackroyd: The Ludic and Labyrinthine Text. Foreword by Peter Nicholls. Houndmills: Macmillan; New York: St. Martin's, 2000.*

Gibson, John Michael, and Richard Lancelyn Green. A Bibliography of A. Conan Doyle. Oxford: Clarendon, 1983.

Gibson, M. T., ed. Boethius: His Life, Thought, and Influence. Oxford, 1981.

Gibson, Margaret. Lanfranc of Bec. Oxford, 1978.

Gibson, Matthew. (American U, Bulgaria). Yeats, Coleridge and the Romantic Sage. Houndmills: Macmillan, 2000.

Gibson, Rex. "'O, what learning is!': Pedagogy and the Afterlife of Romeo and Juliet." In Shakespeare Survey 49: Romeo and Juliet and Its Afterlife. Ed. Stanley Wells. Cambridge: Cambridge UP, 1996.*

_____. Teaching Shakespeare. Cambridge: Cambridge UP, 1998.

_____, ed. The Sonnets. (Cambridge School Shakespeare). Cambridge: Cambridge UP, 1997.

_____, ed. Macbeth. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

_____, ed. Romeo and Juliet. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

_____, ed. The Tempest. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

_____, ed. Twelfth Night. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

_____, series ed. Cambridge School Shakespeare series. Cambridge: Cambridge UP.

Gibson, Rex, and Pat Baldwin, eds. King John. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

Gibson, Rex, and Jane Coles, eds. Measure for Measure. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

Gibson, Rex, and Richard Andrews, eds. Hamlet. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

Gibson, Rex, and Susan Leach, eds. The Two Gentlemen of Verona. (Cambridge School Shakespeare). Cambridge: Cambridge UP.

Gibson, Strickland. A Bibliography of Francis Kirkman, with his Prefaces, Dedications and Commendations (1652-80). Oxford, 1950.

Gibson, William A., ed. Vitruvius Britannicus. By Colin Campbell. (Augustan Reprint Society no. 144.). Los Angeles U of California P, 1970.

Gibson, William M. Introd. to Stephen Crane: The Red Badge of Courage and Selected Prose and Poetry. New York: Holt, 1962.

_____, ed. Mark Twain's Mysterious Stranger Manuscripts. Berkeley (CA): Berkeley UP, 1969.

Gibson, and Henry Nash Smith, eds. eds. Mark Twain-Howells Letters. 2 vols. 1960.

Gibson, W. M., F. Anderson, and Henry Nash Smith, eds. Selected Mark Twain Letters, 1872-1910. Cambridge (MA): Harvard UP, 1967.

Gidal, Peter. See Post-Structuralism.

Giddens, Anthony. See Hermeneutics.

Giddings, Robert. (Bournemouth U). The Tradition of Smollett. London: Methuen, 1967.

_____. "Scott and Opera." In Sir Walter Scott: The Long-Forgotten Melody. Ed. Alan Bold. London: Vision; Totowa: Barnes, 1983. 194-218.*

_____, ed. The Changing World of Charles Dickens. London: Vision, 1983.

Giddings, R., K. Selby and C. Wensley. Screening the Novel: the Theory and Practice of Literary Dramatization. London: Macmillan, 1990.

Giddings, Robert and Keith Selby. The Classic Serial: The History of a Broadcasting Genre. Houndmills: Macmillan, 1999.

Giddings, R., and Erica Sheen, eds. The Classic Novel: From Page to Screen. Manchester: Manchester UP, 2000.

Giemza, Bryan. (U of North Carolina at Chapel Hill). "A Source Text for the Opening Passage of A Farewell to Arms." Hemingway Review 33.2 (Spring 2014): 119-25.*

Giffone, Tony. "Putting Master Humphrey Back Together Again."The Journal of Narrative Technique 17.1 (1987): 102-106.*

Gifford, Denis. The International Book of Comics. Crescent Books, 1984.

Gifford, Don. Joyce Annotated. 2nd ed. Berkeley: U of California P, 1982.

Gifford, Don, and Robert J. Seidman. Notes for Joyce: An Annotation of James Joyce's Ulysses. New York: Dutton, 1974.

_____. Ulysses annotated: Notes for James Joyce's Ulysses. London, 1988.

Gifford, Douglas, "Lanark Towers above All Else." Rev. of Lanark, by Alasdair Gray. Books in Scotland 9 (1981-2): 10-13.

_____. "Scottish Fiction 1980-81: The Importance of Alasdair Gray's Lanark." Studies in Scottish Literature 18 (1983): 210-52.

_____. The Dear Green Place? The Novel in the West of Scotland. Glasgow: Third Eye Centre, 1985.

_____. "Private Confession and Public Satire in the Fiction of Alasdair Gray."Chapman 50-51 (1987): 101-16.

_____. "New Magic in Old Scotland." Rev. of A History Maker, by Alasdair Gray. Books in Scotland 53 (1995): 8-15.

_____. "Imagining Scotlands: The Return to Mythology in Modern Scottish Fiction", in Studies in Scottish Ficton: 1945 to the Present . Ed. S. Hagemann. 17-50.

_____. "Driving Out Demons." Rev. of Mavis Belfrage, by Alasdair Gray. Books in Scotland 58 (1996): 1-6.

_____, ed. The History of Scottish Literature. Aberdeen: Aberdeen UP, 1988.*

Gifford, Douglas (with Alasdair Gray). "Author's Postscript Completed by Douglas Gifford." In Unlikely Stories, Mostly. By Alasdair Gray. Rev. ed. Edinburgh: Canongate, 1997. 278-90

Gifford, Henry. "Henry James: The Drama of Discrimination." In The Modern Age. Vol. 7 of The Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1961. 2nd ed. 1963. 103-18.*

_____, ed. War and Peace. Trans. Louise and Aylmer Maude. Oxford: Oxford UP.

Giger, Romeo. The Creative Void: Hemingway's Iceberg Theory. (Schweizer Anglistische Arbeiten 93). Bern: Francke, 1977.*

Gigliotti, Simone (Victoria U of Wellington), and Berel Lang, eds. The Blackwell Holocaust Reader. Oxford: Blackwell, 2004.

Gilbert, A., trans. The Chief Works and Others. By Niccolò Machiavelli. 3 vols. Durham: Duke UP, 1965.

Gilbert, A. J. Literary Language from Chaucer to Johnson. London: Macmillan. 1979.

Gilbert, Geoffrey, ed. An Essay on the Principle of Population. By Thomas Malthus. Oxford: Oxford UP.

Gilbert, Geoff. "Can Fiction Swear? James Kelman and the Booker Prize." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 219-34.*

Gilbert, Jack Glenn. Edmund Waller. Twayne, 1979.

Gilbert, Jane (New Hall, U of Cambridge), and Ad Putter, eds. The Spirit of Medieval English Popular Romance. (Longman Medieval and Renaissance Library). Harlow: Addison Wesley Longman, 1999. (criticism on Lai le Freine, William of Palerne, Sir Tristrem, Eger and Grime, The Seege of Troy, Emaré, The Awntyrs off Arthure, Gamelyn, Sir Degaré, Sir Orfeo, Sir Launfal).

Gilbert, Katharine. "The Relation of the Moral to the Aesthetic Standard in Plato." Philosophical Review 63 (1934): 279-94.

Gilbert, K. E., and Helmut Kuhn. A History of Esthetics. Bloomington, 1953.

Gilbert, Matthew. "Illuminating the Human Condition." Boston Globe 15 June1988: 79. (Rev. on Jeanette Winterson).

Gilbert, Neal W. Renaissance Concepts of Method. New York: Columbia UP, 1960.

Gilbert, Ruth (U of Southampton), Susan Wiseman, and Erica Fudge, eds. At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period. Houndmills: Macmillan, 1999.

Gilbert, Stuart. James Joyce's Ulysses: A Study. Rev. ed. New York: Vintage-Random House, 1952.

_____. The Art of Joyce's Syntax in Ulysses. Athens: U of Georgia P, 1980.

_____, ed. Letters of James Joyce. London: Faber, 1957.

_____, ed. The Letters of James Joyce. Vol. 1. New York: Viking, 1957.

_____ (rev. trans.). Ulysse. Trans. Auguste Morel. Rev. Valery Larbaud, Stuart Gilbert and James Joyce. Paris: Gallimard, 1957.

Gilbert, Suzanne, ed. Queen Hynde. By James Hogg. Edinburgh: Edinburgh UP, 1998.

Gilby, Thomas. See Moral and Religious criticism.

Gilde, J. M. "Shadwell and the Royal Society: Satire in The Virtuoso." Studies in English Literature 10 (1970): 469-90.

Giles, Dennis. "Conditions of Pleasure in Horror Cinema." In Grant 1984.

Giles, Freda Scott. "Willis Richardson and Eulalie Spence: Dramatic Voices of the Harlem Renaissance." American Drama 5.2 (Spring 1996): 1-22.*

Giles, Phyllis, and Frances Wormald, eds. A Descriptive Catalogue of the Additional Illuminated Manuscripts in the Fitzwilliam Museum Acquired between 1865 and 1979. 1982.

Gilkes, Lillian. Cora Crane. Bloomington: Indiana UP, 1960.

_____, ed. Stephen Crane: Letters. Ed. R. W. Stallman and Lillian Gilkes. New York, 1960.

Gill, Anton. The Devil's Mariner: A Life of William Dampier, Pirate and Explorer. London: Michael Joseph, c. 1997.

_____. The Journey Back from Hell.

Gill, Gillian. Agatha Christie: Vida y misterio. Madrid, 1993.

Gill, Richard. (Wyggeston and Queen Elizabeth I College, Leicester). Mastering English Literature. 2nd ed. (Macmillan Master Series). Houndmills: Macmillan, 1995.

Gill, Roma (U of Sheffield), ed. Plays. By Christopher Marlowe. Oxford: Oxford UP.

_____, ed. The Complete Works of Christopher Marlowe. Vol. 1: All Ovids Elegies, Lucans First Booke, Dido Queene of Carthage, Hero and Leander. Oxford: Clarendon Press, 1986.

_____, ed. Doctor Faustus. By Christopher Marlowe. London: E. Benn, 1965.

_____, ed. Doctor Faustus. By Christopher Marlowe. London: A & C. Black, 1989.

_____, ed. The Complete Works of Christopher Marlowe. Vol. 2: Dr Faustus. Oxford: Clarendon Press, 1990.

_____, ed. The Complete Works of Christopher Marlowe. Vol. 4: The Jew of Malta.Oxford: Clarendon Press, 1995.

Gill, Roma Brian Morris and Brian Gibbons, series eds. (New Mermaids). London: Ernest Benn; New York: W. W. Norton, c. 1979.*

Gillespie, Alexandra. Print Culture and the Medieval Author: Chaucer, Lydgate, and Their Books 1573-1557. (Oxford English Monographs). Oxford: Oxford UP, 2006.

Gillespie, Diane, ed. Roger Fry. By Virginia Woolf. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 1995.

Gillespie, V. "Harold Pinter." In Literature in Context. Ed. Rick Rylance and Judy Simons. Houndmills: Macmillan, 2000.

Gillespie, Vincent, A. S. G. Edwards, and Ralph Hanna, eds. The English Medieval Book: Studies in Memory of Jeremy Griffiths. c. 2000.

Gillham, Christiane. "'Single Nature's Double Name': Some Comments on 'The Phoenix and Turtle'." Connotations 2.2 (1992): 126-36.

_____. "Single Natures Double Name: A Reply to Peter Milward and James H. Sims." Connotations 3.2 (1993-94): 123-28.

Gilles, Sealy, and Sylvia Tomasch, eds. Text and Territory: Geographical Imagination in the European Middle Ages. Philadelphia: Pennsylvania UP, 1998.