Catalogue of the Additional Papers of bernard leach
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255 Miriam [UaDoj at Breakneck Hill, Middiebury, Connecticut, to JL and BL. Very affectionate but not without muddle! She and N[aum] G[abo] had a splendid time in Switzerland, after she (but not NG!) had visited Cornwall - - he "was glad to be left out of the artistic rivalries of St. Ives"; however, they saw Barbara [Hepworth?], and the Lanyons, and acquired a Lanyon painting. Much femily news; they hope to see Maida Richman soon; their [BL?] pottery has arrived with 2 pieces broken, alas! NG's sculpture in Rotterdam "is still there and looks fine"! 12316 [1959?] Sept 9 Margaret [Heron, nee Leach] in Mickleton, Chipping Campden , to BL. To one in bed with tonsilitis, BL's letter "was one of those very nice things that come out of the blue when you least expect them", and it was good to have news of Dick, Jessamine and Eleanor. Ray Finch and family are close friends (she being only 15 miles from Winchcombe); Pat [Heron] lodged there for 4 years and loves the Cotswolds — "Pat did a bit of letter-cutting himself once & knew Gill & Laurie Cribb & the Piggotts folk. He does some pen & brush script sometimes". She recollects the Chinese brush drawings that were in BL's room [at the Pottery?] - "we seemed to have so much free time in those days " [1943-45].
12317 1959 Sept 18 Mrs. Gwendolen Mullins of the Gwen Mullins Trust, at Petworth, Sussex, to BL, inviting him and JL to meet the Chairman and Trustees at the Berkeley Gallery, for a report on the Trust's activities for the year, and a short talk by Michael Cardew. Circular letter, P.S. by GM in ms.
12318 1959 Sept 20 Shinki Masa in Tokyo, to BL at St. Ives, giving the story of his journey home to Kobe via the Mediterranean. His 3 days at St. Ives are very vivid in his mind, and he has recounted all to the Hamadas. He has visited Yanagi, who is better: he was in a chair overseeing the re-arrangement of the Mingeikan exhibition, and has commissioned SM to write an article called "Visiting Leach at St. Ives" for the magazine Mingei. He hopes BL can visit Japan on his way home from the USA. All good wishes.
12319
1959 Sept 22 256 George Harrison, of the World Congress of Faiths, writing from Mexborough, York, to BL. Is very grateful for George Townshend's The Promise of All Ages: as a result of reading it, he has made copious notes (as has Arnold Freeman, the anthroposophist), corresponded with a Baha'i in Persia, and waded through much Baha'i literature (some of it lent by Mary Thomas of Carbis Bay). Good wishes. 12320 1959 Sept 22 Horiuchi K[yoshi] in Kyoto, to BL, on splendid handmade, headed paper. General greetings; he has read an article on BL in Mingei by Prof. Araki; from it, he learns of BL's intention to visit America and Japan (Kyoto). He himself has been diagnosed a diabetic, and his wife is suffering back-trouble. He has become a potter in his own right, and has made some 80 tea-bowls, etc; he is pleased with his copy of A Potter's Book. Tomimoto has become a TV pundit on "craft art"; Kawai is well again (thanks largely to the new teeth which H (a dentist) has made for him. He is pleased to report "MINGEI [sic] is getting on the top of the new fashion now in Japan". He has met Hugh Dunphy, and reports that John Chappell, of Coldharbour Pottery, is currently working in Uchida's workshop.
12321
Makoto Nakao to BL. Further to his letter of 5 June 1959 (q.v.), he thanks BL for his article, of which he and Yanagi approve. Tonomura of Kurashiki is shortly going to the USA, from whence Munakata soon returns to face an exhibition of his prints at the National Museum of Modern Art, and a further tour of the same (after 8 Nov) to Europe. He is sending BL a copy of Art Around Town complete with the article. 12322 1959 Sept 29 Geoffrey [Whiting] of Avoncroft Pottery, Hampton Lovett, near Droitwich, to BL. Can BL come and give a talk, this winter? What is his fee? This is a second approach (see GW's letter of 27 July 1959).
12323 [1959? Sept] Antoine de Vinck in Crainhem, Belgium, to BL. He is shortly to visit England, and wishes to see BL. Would the 11th or 12th Sept be convenient?
257 A flurry of BL jottings at the letter head indicates his enthusiasm for such a meeting! 12324 1959 Oct 4 Ethel Hodgkins at Tregarthen, Carbis Bay, to BL. She is off to Japan, arriving at Yokohama on 1 Jan 1960, after leaving on 22 Nov, and returning home 1 March; is there anything she can do on BL's behalf whilst she is there, although she is only "in Japanese waters, & I live on the ship", for one week? Urges him to come and see her collection of paintings by Ben Nicholson and other St. Ives artists; but he should remember, "paintings are best seen by day".
12325 1959 Oct 11 "Ken Tomimoto" in Kyoto, to BL [written for him but signed in person, in English and Japanese]. He is well, and hard at work; he has heard of BL's [1958] exhibition in the USA from the Bonniers' representative; hopes to see BL soon -"—I want to see once in our life. Age 73".
12326 1959 Oct 16 Murray Fieldhouse of Pottery Quarterly Pendley Manor, Tring, Herts, to BL at St. Ives, thanking him for the prompt production of an article, which he wishes to publish in extenso. He gives John Chappel's view of folk-art in Japan, where it has "—too much of an aura of holiness", as Yanagi's founding ideas and ideals have become institutionalised, bigoted and top-heavy. He writes of the many books on Japan, which are current; Suzuki as a"—wily phoney"? MF seese Yanagi"—as being a little bit donnish", and claims that maybe "The American campus seems to be getting nearer to the traditional idea of Zen than the Academies of Japan" [one can imagine the grinding damage to BL's teeth at this point!. This letter is answered elsewhere in the group: a fragment has survived]. MF goes on to deal with BL's criticisms -"the standard of selection of crafts is not clear enough or high enough"; and "— some of the writing is trite". MF agrees with BL on both points: on the first he refers to photographs of some of Rosemary Wren's work, Nixon Aldersley's "ghastly standard lamp", Fishley Holland's grandson's "unmentionable" pottery, Edward Baily's furniture, and AK Claydon's salad servers - in all these instances he
258 feels bound to publish; on the second, he pleads his own shortcomings as editor. He indicates that Paul Brown will be contributing, in the next issue, an article: "Towards a New Standard, which will give you some indication of the sense of dis-satisfaction [gig] in some quarters, with my adherence to standards - which you suggest I have not got - approximating to those set out in your Potters [sic] Book, and which assume affirmation in the work that emerges from St. Ives and from the many that you have influenced". 12327 1959 Oct 20 Reg [Turvey] in Johannesburg, SA, to BL. The success that BL and Mark Tobey have achieved contributes so much to "the aesthetic pleasure in the world", but "the ultimate success depends upon the grace of God". He would like to have Tomimoto's address; his nephew Roland is shortly going to Japan, and Tomimoto's advice could be useful. Gordon has returned from England without seeing BL; RT is living in one of his cottages, on the estate where he is cultivating the vine very profitably.
12328 [1959] Oct 22 "Evangeline" in London W8, to BL. A touching letter: "Thank you very much for The Hidden Word1. I am sorry I have kept it so long. It reminds me in thought of the New Testiment [sic] and at the same time of a Persian picture, intence [sie] beauty crouded [sjcj into a small space. I am so glad you brought Mark Tobey. It was a stimulating joy to have you both. I learnt much that will always be with me. All is growing in life and you helped".
12329 1959 Oct 24 "Cecil" at I, Eaton Terrace, Sloane Square, SWl, to BL, inviting him to the private viewing of his retrospective exhibition (paintings, drawings, lithographs and a tapestry) to be held at the Whitechapel Art Gallery on 25 Nov.
12330 [1959?]
BL (draft fragments, pp 1& 4), perhaps to Murray Fieldhouse, commenting on a letter to the latter from Hal F. Fromhold of the Dept of Fine Arts, Ohio State University, dated 1 March 1959, in which HFF accuses BL of being "a self-styled iconoclast" in answer to BL's 259 alleged comment that American ceramics do not amount to much. BL's comments here are robust and forthright: he particularly resents what he regards as unfair criticism of Hans Coper's work as shown in Vancouver. On page 4, BL gives his blunt opinion on the work of W. Gordon, "Fishley Holland's grandson", Edward Baily, Nixon Aldersley, Claydon, etc; he would be interested to have Paul Brown's views on "Towards a New Standard", and deals sympathetically but concisely and bluffly with the addressee's "confession". He also quotes from a letter from John Reeve to BL on the matter of HFF's charge of "iconoclasm" - a word which backfires on Fromhold, who is confusing "style" with "tradition" (and the latter is lacking in current American potting). In reality, it is BL who is upholding tradition, thereby refuting the charge of iconoclasm. 1file. 12331 [1959?]
"Dick B" at Bristol City Museum, to BL, again acknowledging the gift of a salt-glazed coffee-pot, which is much admired. "It is exciting to think that once again the good brown salt glaze will return to the English table, for it is a medium that blends with food and drink. I hope that you will endeavour to influence the use of this method, pure and unembellished. Gently formed pastes and subtle glazes are worth far more than brush strokes and turnery". 12332 [1959?]
"Dinah" at Durweston, to BL. Thanks him for his sympathy on the death of her mother. She is persisting in coming to St. Ives for her confinement - "St Ives is not a place I shall forget easily" - and hopes to see BL in London soon. 12333 [1959?]
Gwendolen Mullins] at Glasses, Graffham, Petworth, Sussex, to BL. She will pass on his remarks on John Reeve to Henry Hammond; some confusion over the allocation of funds for "the [Cardew] course"; Mrs. Cardew has invited her over during the course, but August is reserved for grandchildren. 12334
[1959?] 260 John and Honor Eastman at Porthgwidden Studios, St. Ives, to JL. They are looking forward to meeting JL and BL in a few days' time. 12335 [1959?]
[Dorothy] Kemp in Felixstowe, Suffolk, to JL. She has broken her teeth, so cannot come to St. Ives after all, but suggests Aileen Newton instead. The incident about Frank [Vibert?] is regrettable. A gem for BL: as DK had refused to teach pottery at the School of Art, a girl has been appointed (and not Peter Wood, who is "spitting blood" as a result) on the strength of 4 shallow dishes; "I asked what her POTS (meaning upright ones) were like & no-one knows as she didn't bring any or photos"; the girl is otherwise qualified and is also a fabric printer; but DK is disappointed, though prepared not to judge prematurely. 3 or 4 new electric wheels have been acquired ("— ordered, unseen and untried, by the sculptor") which she find impossible to use; she has insisted on 2 Leach wheels also. She has glazed the stoneware pots from K[enneth] Q[uick]'s pottery (in which the clay had bubbled) with green tin: "— pretty lothsome, but some folk think they're smashing (that's what they need doing to them - I've done it to some which "spat" due to overfiring as someone forgot to relieve me in an exam room & I couldn't get to the kiln to turn it off! What a life!" Typically racy and ebullient. 12336 [1959?]
"Elisabeth" in Selwyn Gardens, Cambridge, to BL. She has one or two of Mark [Tobey?]'s paintings, which he must see; invites BL "& Mrs" to luncheon at the weekend, also Henry R[othschild?] and Lucie Rie. 12337 1960 Jan 1 Michael Cardew in Abuja, N. Nigeria, to BL at St. Ives. Seasonal greetings. He has had to send an article (reminiscences of early days at St. Ives, etc) direct to Terry Barrow for the New Zealand Potter special BL number, without submitting it to BL first; "I hope it will amuse & not infuriate you when you see it". He adds a note on Abuja. his potters are "sensitive & responsive", but if he turns his back "— they start copying Japanese copies of bad European shapes"! He hopes that the Arts Council Retrospective Exhibition will be delayed until March 1961 so that he can see it.
12338
1960 Jan 12 261 Robert [Richman] - "In a hospital bed Bui in my own Library at —HOME", to BL. The death of his father; the specialists' refusal to allow him to "go to Father's last rites on Twelfth Night [41 years to the day my mother was buried]. Although I understood their reasons, the deep tribal and mythic roots in me were wrung, for I was his eldest son - and the eldest grandson of the Richman, Tingley, Thomas and Caldwell clans". He and Michael were read the service by a private priest at the exact hour of burial, after which they played Bach's "Art of the Fugue". His operation has been postponed. Bids BL "Twirl a wheel". 12339 [1960 Jan 13] Alix and Warren MacKenzie in Stillwater, Minnesota, to BL at St. Ives. Marked "LETTER. READ 1 FIRST". Regrets having "got wound up and somewhat nasty" in his last letter; although many of the pots they are making are not particularly original, "the important thing is to make a decent work not something new or traditional"; the current interpretation of aesthetic criticism of modern art seems to be "if it isn't new it isn't valid. This same approach has infiltrated crafts discussions not only here [USA] but in Europe and Asia as well, and my latest word from Japan is that the experimental work over there is even wilder and more incredible and undigested than much of the work done in America"; even so, WM thinks that posterity will see in it "the rich emotional and perhaps rather conventional expression of our times". Hopes BL can visit them soon; good wishes to them both, and to Bill [Marshall] and Joe "& anyone else who is still at the pottery [St. Ives] from 1950".
12340 1960 Jan 23 Alix and Warren MacKenzie in Stillwater, Minnesota, to BL and JL at St. Ives. Warren's furstration, having written certain letters to BL, that he had not expressed himself properly; they all need to talk together - "letters are no damn [sjcj good". They very much wish to see the Leaches, and give directions from Ann Arbor to Chicago to Stillwater. They are included in a State Dept Exhibition for Europe -"— a mixed bag of good, mediocre and just junk". Their opinion of the work of Edwin Schier and John Foster; they complain that too many are driven by "the desire to be "ARTISTS", an
262 egocenntric [sicj desire to make it different — the gimmick — and divorce from use — some can be beautiful and some junk (pots that is). And the things we have discovered for ourselves since you - St, Ives — - over 7 years ago. What can I say to somehow convey our need to see you and we hope your desire to see us". Some notes in BL's hand on dorse. 12341 1960 Feb 5 W J Crawley, of Messrs Faber and Faber Ltd, to BL at St. Ives. BL's "USA plans" are to hand, WJC has sent a note of them to Dr. George Vajna of Transatlantic Arts Inc., in Florida, in case he can help with the distribution of BL's books, as he has already offered to help with A Potter In Japan.
12342 1960 Feb 7 Al and Rosebud Frantz in Forest Hills, N.Y., to BL and JL, who are to be their house guests. The "first name basis" comes first: they know JL's first name, but not BL's! There follows an informative survey of the American craft scene, particularly pots and baskets; they find "American pottery is tending to the sterile. A few are breaking away - Hui Ka Kwong, for example, and Peter Voulkos to some extent. But the current craftsmen show here is a real disappointment to me because it is so dominated by dull browns and greys"; "American Indian pottery is on its last legs". AF is sending some relevant books to BL; he rates Peter Voulkos the most creative current American potter. Very cordial in tone.
12343 1960 Feb l7 Marjorie Hessell Tiltman in Coldwaltham, Pulborough, Sussex, to BL. She failed to buy the BL pot she wanted, in spite of being able to "—manage to escape from the luncheon"; was most impressed with Hamada's exhibition -"— the terrific strength of it, the power and the personality"; but, "— myself being more Chinese than Japanese, I am still more Leach than Hamada in my wishes". Hopes that American hospitality will not overwhelm him on his coming visit, but recommends a "quiet and discerning" soul called Dorothy Clyde Johnson, should he touch on Bloomfield, Michigan.
12344-12345 1960 Feb 26
12346 1960 March 1 Muriel Rose in London, to BL, in Japan. She has a problem: the Mullins Trust has decided that "we must make a great effort to influence the present trend of thought - especially] those concerned with the present reorganization of Art Schools", in view of the "very unpropitious" omens for the future of craft training. She encloses a draft letter (not present) in explanation, and wishes BL to encourage Gordon Russell to attend (a meeting?). The Crafts Centre has a similar problem. Tonomura has visited her; she has been able to facilitate his travels through London and on to York, Halifax, and Stoke-on-Trent; he has also been to Ditchling to see Mrs. Mairet's workshop "& remains of her weaving"; she is obviously charmed with him and his "various grades of sounds of appreciation, the climax resembling a broody hen calling her chicks - and the shrewd remarks "very sincere" applied to some of the country crafts I showed him in the office". Good wishes to BL and JL.
12347-12349 1960
March 17 to July 5 Principal John H Holden, Regional College of Art, Manchester, to BL at St. Ives, inviting him to accept the Hon. Associateship of the College, along with James Laver, CBE; Oliver Messel, CBE, and [Dame] Marie Rambert, CBE. In a further letter, thanks BL for agreeing to propose the toast of the College; Margaret Pilkington and Marie Riefstahl have also been invited to the ceremony. Also present is the Order of Proceedings, heavily annotated in BL's hand. 3 items. 12350 1960 April 11 John Reeve at St. Ives, to BL and JL in Washington, DC. A deeply philosophical account of the symbolism he sees in what he has just been doing - rebuilding the floor of Chamber I — "It seems that I am going to be
264 at least something of a kiln-builder before I leave here . "I think this is what Christ tried to tell us - that our freedom and our salvation is in the acceptance of the responsibility of being ourselves - to be, to aci with no recourse to absolutes (right or wrong, profit or loss, virtue or vice), which have their existence outside ourselves, but with Faith that as we are ourselves, we are allselves; as we are true, we are truth; as we are capable of love, we are love, as we build the kiln floor, we are the builder, and the floor". Donna writes a brief postscript to JL. 12351 1960 May 2 Roger Leigh in Penzance, to BL and JL in Wisconsin, USA. News of the Pottery and its workforce, and of his own sculpture. The main item concerns a new gallery for the Penwith Society: the Palais de Danse is available at £9,000, "a superb place for gallery space -even the lavatories are palatial!", and other sites have either been sold or are pending decision by the Borough Council, etc. Two new one-man galleries have opened in St. Ives. General gossip about mutual friends and acquaintances, and his forthcoming marriage in July.
12352 1960 May 4 Alix and Warren MacKenzie in Stillwater, Minnesota, to BL and JL, in USA. Have read a review of a BL exhibition at Bonniers; give directions as to how to reach them; maybe BL can be persuaded to give a lecture/discussion at the University (a fee can be arranged)?
12353 1960 May 11 Peter Schofield at Bryanston School, Blandford, Dorset, to BL. Bill Marshall had indicated that BL had found a certain clay at Indian Queens (Cornwall), and that it added quality and colour to stoneware clay. PS has been to the area (he includes a map of his route and the area), but could not find the clay. Can BL tell him exactly where to go? Has decided on a kick-wheel, as used by Richard Batterham, as opposed to the treadle variety, which is too expensive. Has not yet had a firing.
12354 1960 May 26 Al and Rosebud Frantz in New York to "Dear Janet and Bernard". They enclose a farewell gift of an old Indian
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