458
BmLIOaaAPH7: Consult, besides the literature named in the text: C. R. E. von Hartmann, Dae rdigi6se Bewuestaein der Menachheit, Berlin, 1882; P. de Broglie, Probldmee et conclusions de rhistoire des religions, Paris, 1885; E. Burnout La Science des religions, Paris, 1885; Eng. tranel., Science of Religions, London, 1888; H. Derenbourg, La Science des religions, Paris, 1885; J. E. Carpenter, Place of the History of Religion in Theological Study, London, 1890; Henry R. Marshall, Instinct and Reason, New York, 1899; A. J. Balfour, The Foundations of Belief, ib. 1901; H. Fielding Hall, The Hearts of Men, ib. 1901; J. Buchan, The First Things: Studies in the Embryology of Religion, Edinburgh, 1902; G. Trespioli, Sappio per uno studio sulla consciensa eociale a piuridica nei codici relipiosi, Parma, 1902•,' V. Staley, The Natural Religion, Oxford, 1903; J. A. Picton, The Religion of the Universe, London, 1904; R. Eueken, Der Wahrheitepehalt der Religion, Leipsic, 1905; L. R. Famell, Evolution of Religion. An Anthropological Study, London, 1905; J. B. Kinnear, Foundations of Religion, ib. 1905; J. L. de Lanessau, La Morale des religions, Paris, 1905; J. Martineau, The Set of Authority in Religion, London, 1905; A. Drews, Die Religion ale Selbat Bewusataein Gottes. Bins philoeophischa Unterauchunp fiber das Wesen der Religion, Jena, 1908; F. B. Jevons, Religion in Evolution, London, 1908; O. Pfleiderer, Religion and Historic Faith, New York, 1907; E. Grim , Thooris der Religion, Leipsie, 1908; Religion and the Modern Mind. Lectures delivered before the Glasgow University Society of St. Ninian. By Various Authors, London, 1908; M. Sehins, Die Wahr heit der Religion nach den neuesten Vertretern der Relipionaphilosophie, Zurich, 1908; W. Schmidt, Die Verachiedenen Typen relipioeer Erfahrunp and die Prychologie, Gatersloh, 1908; M. 8ero1, Le Beeoin ef le devodr religievx, Paris, 1908; C. G. Shaw, The Precinct of Religion in the Culture of Humanity, London, 1908; J. Watson, The Philosophical Basis of Religion. Glasgow, 1908; H. Rsshdall, Philosophy and Religion, London, 1909; H. E. Sampson, Progressive Creation. A Reconciliation of Religion with Science, 2 vols., ib. 1909; E. M. Chapman, English Literature in Account with Religion, 1800 1900, Boston, 1910; W. A. Hinekle, The Evolution of Religion, Peoria, Ill., 1910; J. H. Leckie, Authority in Religion, New York, 1910; H. Vrooman, Religion Rationalized, Philadelphia, 1910; B. P. Bowne, The Essence of Religion, Boston, 1910.
RELIGION AND LITERATURE.
Common Origin of Religion and Literature (§ 1). Their Common Appeal to Life (§ 2). Similarity in Methods (§ 3). Literature's Indebtedness to Religion (§ 4). Illustrations; Pope, Goethe (¢ 5). Wordsworth (¢ 8). Browning (¢ 7). Tennyson ($ 8).
Religion and literature spring from the same
fundamental sources. Religion is the relation which
man bears to ultimate Being. It is concerned with
the substance which lies behind phenomena, and
also with the duty which man owes to
:. Common this Being, universal and eternal. It is
Origin of concerned, too, with the questions
Religion what, whence, whither. Literature, in
and its final analysis, represents the same
Literature. fundamental relationship: it seeks to
explain, to justify, to reconcile, to in
terpret, and even to comfort and to console. The
Homeric poems are pervaded with the religious at
mosphere of wonder, of obedience to the eternal,
and of the recognition of the interest of the gods in
human affairs. A significant place is held by relig
ion in Greek tragedy. A Divine Providence, the
eternity, universality, and immutability of law, the
inevitableness of penalty, and the assurance of re
ward represent great forces in the three chief Greek
tragedians. Less impressively, yet with significance,
the poems of 'dergil are bathed in the air of religious
mystery and submission. The great work of Lucretius, De rerum natura, is, of course, an expression of the human mind in its attempt to penetrate the mysteries of being. The mythology, too, of the non Christian nations of the north, as well as the literature of the medieval peoples, is concerned with the existence and the work of the gods. In Scandinavian mythology, literature and religion are in no small degree united.
Not only do religion and literature spring from the same fundamental sources, they also are formed by the same forces. They both make a constant appeal to life. They assume the pres
s. Their ence and orderly use of the reason; they
Common accept the strength of the human emo
Appeal to tions of love, fear, curiosity, reverence,
Life. and they both presume and accept
the categorical imperative of the con
science and the freedom and force of the will of man.
Both gain in dominance, prestige, and usefulness as
they are the more intimately related to life. The
great themes of religion and literature are similar
and are vital: sin, its origin, penalties, and deliver
ance therefrom; love the passion, and the will its
place and its limitations; righteousness, and the re
lation of men to each other. In illustration of the
identities of the themes of religion and literature,
one may refer to Dante's " Divine Comedy," which
is concerned with the passing from and through Hell,
where live those who knew not Christ in the earthly
life, or, if they knew him, refused to obey, through
Purgatory, where dwell those whose sins are not
mortal, and into the Paradise where dwell the right
eous in an eternity of light and of love. The great
poem of the Middle Ages is at once great literature
and a certain type of religion. French literature is
also pervaded by the religious atmosphere. The
religious element in the system of Descartes both
philosophy in literature and literature in philoso
phy and of his followers is marked, and from
them later French literature drew religion and in
spiration. This inspiration, be it said, was both
emotional and intellectual. The whole field of
modern fiction abounds in examples of the con
nection between literature and religion; fiaw
thorne significantly represents the more modern
unity in America of the two forces, and among all
his works The Scarlet Letter and The Marble Faun
are in this respect most notable. In English fic
tion George Eliot exemplifies this unity, and of
her works Adam Bode is an impressive illustration.
Religion and literature, moreover, adopt methods not dissimilar. They stand for the value of the imagination; they represent the artistic, rather than the scientific, methods of inter
3 Simi preting life and phenomena. If theol
laritY in ogy, which is the science of religion,
Methods. lends itself to definition and to ra
tional processes largely, religion be
longs to the realm of the sentiments and sensi
bilities the heart, the conscience, and the will.
Literature, too, likewise declines to enter the realm
of the formal definition; it is the product of the im
agination, and to the imagination it makes its pri
mary appeal, especially in poetry and, to some ex
tent, in noble prose composition. Neither argues or
489 RELIGIOUS ENCYCLOPEDIA R68UVOU
RU and Literwtnrs
dogmatizes; both intimate, suggest, and seek to interpret; neither holds definite and precise intellectual judgments regarding things eternal, universal, or divine, but each possesses general beliefs and assurances respecting the divine and the eternal. Neither has a systeW, a scheme, but each has an intellectual interpretativeness and emotional sympathy with the personal in life and in being.
Religion gives to literature, moreover, vast and rich materials. Its sacred books themselves constitute great literatures and also furnish materials for
great literature. The translation of 4. Liters the Bible into Gothic by Ulphilas hot
ture's la only preserved the Bible, but also helped
debtedness to create and to perpetuate literature. to Religion. Luther's translation of the Bible and
the King James' Version are not only themselves great literatures, but also have helped to form great literatures in modern life. German and English speech, as well as letters, have been made more pure, more intellectual, and more inspiring by these great translations. It may be also added that the sermons of Robert South and of Isaac Barrow (qq.v.) are themselves worthy pieces of literature and might be compared with Burke's Orations. It is also to be remembered that the institutions of religion, as the monasteries and cathedral chapterhouses, were, for a thousand years, the custodians of the most precious treasures of literature. The medieval period was dark and damaging to humanity's highest interests. In times of war not only are laws silent, but also literature. It was the monks who preserved the manuscripts of ancient Greece and of Rome, copying and re copying and commenting from the year 500 till the invention of printing. As the priests were astronomers, not only in Europe, but also in India, in order to fix and to preserve the feast and other holy days, so the monks of the Middle Ages in Europe, if not literary men themselves, were the guardians of the holy lamp of letters.
The religion which has made the strongest appeal to English and German literature in the last two centuries has been of two types: first, the universal or natural, and, second, the distinctively
Christian; and.the poetry to which g. Illustra the appeal has been chiefly addressed tions; Pope, has given back a noble response. In
Goethe. illustration of the universal type, the
religion which relates itself to literature, one selects three poets, Pope, Goethe, and Wordsworth. The " Universal Prayer " of Pope, a famous passage in " Faust," and the " Ode to Immortality " are the most representative of all passages of the three. Pope's " Universal Prayer," dedicated to Deo OPtimo Maximo, declares in its first two verses:
' Thou Great First Cause. least understood! Who all my sense confined To know but this, that thou art good, And that myself am blind;
Yet gave me in this dark estate, To see the good from ill: And binding nature fast in fate Left free the human will."
And closes with the lines:
To Thee, whose temple is all space,
Whose altar, earth, sea, skies,
One chorus let all being raise;
All nature's incense rise 1 "
Between these two sets of verses are found petitions of a distinctive Christian character, a&
Teach me to feel another's wo, To hide the fault I see; That mercy I to others show, That mercy show to me." *
The same type in essence, although still more general, is found in Faust. In a passage which is supposed, by some, to represent Goethe's own ideas of religion, Faust says:
The All enfolding,
The All upholding,
Folds and upholds he not
Thee, me, Himself?
Arches not there the sky above us?
Lies not beneath us, firm, the earth?
And rise not, on us shining,
Friendly, the everlasting stars?
Look I not, eye to eye, on thee,
And feel' at not, thtonging
To head and heart, the force,
Still weaving its eternal secret,
Ihvisible. visible, round thy life?
Vast as it is, fill with that force thy heart,
And when thou in the feeling wholly blessed art,
Call it, then, what thou wilt,
Call it Blissl Heard Lovel Godl
I have no name to give itl
Feeling is all in all:
The Name is sound and smoke,
Obscuring Heaven's clear glow." t
With greater eloquence and definiteness, a similar lesson is taught by Wordsworth. The
6. Words teaching has reference to the immar worth. nence of divinity and also to the pr existence of the soul.
" Our birth is but a sleep and a forgetting: The Soul that riseth with us, our lffe's at , Hath had elsewhere its setting, And cometh from afar: Not in entire forgetfulness, And not in utter nakedness, But training clouds of glory do we come From God, who is our home: Heaven lies about us in our infancy! Shades of the prison house begin to close Upon the growing Boy, But He beholds the light, and whence it flows He sees it in his joy; The Youth, who daily farther from the east Must travel, still is Nature's Priest, And by the vision splendid Is on his way attended; At length the Man perceives it die away, And fade into the light of common day.
Those first affections,
Those shadowy recollections,
Which, be they what they may,
Are yet the fountain light of all our day,
Are yet a master light of all our seeing;
Uphold us, cherish, and have power to make
Our noisy years seem moments in the being
'Of the eternal silence: truths that wake,
To perish never;
Which neither listlessness, nor mad endeavor,
Nor Man nor Boy,
Nor all that is at enmity with joy,
* Pope's Works, ii. 463 484. t Taylor's translation of Goetbe'a "Faust," vol. i., scene XVI., pp. 221 222.
Religion and Literature 8eliglon, philosophy of
THE NEW SCHAFF HERZOG
Can utterly abolish or destroyl
Hence in a season of calm weather
Though inland far we be.
Our souls have eight of that immortal ssa
Which brought us hither.
Can in a moment travel thither.
And see the Children sport upon the shore,
And hear the mighty waters rolling evermore." r
The teaching of the greatest poets of the last fifty years gives forth lessons even more religious,
and also more impressively Christian. y. Brown The poems of Browning embody a re
ing. ligion more Christian .than is found in
either Wordsworth or Pope. That
God is a Divine Father, almighty and loving, and
that Jesus Christ, his Son, is our Lord, are doctrines
which embody both the statement and the atmos
phere of Robert Browning. The Pontiff says in
" The Pope " in an address made to God:
" 0 Thou, as represented here to me
In such conception as my soul sllows.
Under Thy measureless, my atom widthl
Our known unknown, our God revealed to man.
Existent somewhere, somehow, as a whole;
Here, as a whole proportioned to our sense.
There (which is nowhere, speech must babble thuel),
In the absolute immensity, the whole
Appreciable solely by Thyself.
Here, by the little mind of man, reduced
To littleliess that suite his faculty,
In the degree appreciable too." 2
In other passages Browning speaks of " a need, a trust, a yearning after God." The sir is called " the clear, pure breath of God that loveth us." (Crowell's ed., vii. 203.)
The divinity of Christ is also a doctrine taught by Browning. In " Christmas Eve " Christ stands forth as
" He who trod,
Very man and very God.
This earth in weakness, shame, and pain;" s
In the coordinate poem of " Easter " Christ is likewise spoken of as " Thou Love of God." In other passages, too, is found a similar teaching.
" Believe in Me, Who lived and died, yet essentially Am Lord of Life."'
" The very God l think, Abib; dost thou think"
$o, the All Great, were the All Loving, too." 2
" And thou must love Me, who have died for thee." 4
" Call Christ, then, the illimitable God."
" He, the Truth, is, too, the Word." 6
" The Great Word which makes all things new."
" The Star which chose to stoop and stay for us."
" That one Face, far from vanish, rather grows,
Or decomposes but to recompose.
Become my universe that feels and knows." e
r Wordsworth "Ode to Immortality.'.
I The Ring and the Book, Crowell s ed. "The Pope," z. 1303 18.
8 Christmas &ce ib., iv. 288 327. The whole poem is full of the divinity of Christ.
An Epistle of Karahish ib., v. 10 22. 305,307, 311.
A Death in the Desert. lb., v. 888.
e The Ring and the Book; ' The Pope," z. 375 376, ib.,
vii. 175.
r Dramatic l~rsca; " By the Fireedd iii, rb., iv. 131.
e Drarnato ~ereona; Epiogue, Speaker," rii.,
ib., v. 280.
460
These quotations might be continued, but they are sufficient to prove the distinctive Christian message of one of the greatest of poets. Tennyson is not so definite in his teaching of
& Tenny Christianity as Browning' But Tenny
son. son's greatest poems contain many
passages which embody most direct
Christian lessons, expressing as well, with an im
pressiveness which no other poet has ever attained,
the lesson of the soul's immortality. Tennyson is;
above all, the apostle of the immortal life. The
argument for the life immortal, if an argument it
can be called, arises from the infinity and the eter
nity of love, and also from the fact that even on
the evolutionary hypothesis man is made by God.
The essence of the creation is personal. God is im
manent, not only in man, but in the universe. The
union of all men in God creates brotherhood, and
this union, also, evolves into righteousness and love.
God is immortal love; God is also immortal life,
and immortal life and immortal love belong to those
who are in God. The evolutionary hypothesis was
declared, and had come to be generally accepted in
Tennyson's life time. The last poems indicate his
acceptance of evolution. His belief was that evolu
tion would carry man, through God, unto perfec
tion. He declares " Hallelujah to the Maker. It is
finished. Man is made." Near his death he wrote,
in " God and the Universe," " The face of death is
toward the Sun of Life his truer name is ` On
ward."' '
In these illustrations of the relation of religion and literature, no reference has been made to either Shakespeare or Milton. The reason is that in the older and greater poet, almost no mention is made of religion. That Shakespeare was, to a certain degree, impressed by the fundamental truths which constitute religion, there can be no doubt, but also it is clear that his great inspiration he drew from human, and not from divine, relationships. At the opposite extreme stands John Milton, who was far more a theologian than a religious poet. If Shakespeare represents the inspiration arising from human relationships, John Milton represents inspiration drawn from those dogmatic formulas which represent the skeleton, but not the life, of the Christian system.
It is apparently singular that the larger share of the illustrations used to present the relgtions exist. ing between religion and literature are drawn from poetry. The singularity is, however, only superficial. For poetry is the highest and richest form and expression of literature; it represents the highest notes of the scale of thought, feeling, and imagination. Religion is the highest type of being, for it represents the relation of man to God and of God to man. Each, therefore, rises the highest in its own scale of being; each, therefore, becomes more clearly and closely akin to the other than are the other higher forces of humanity. They are related to each other far more intimately and constantly than can any type of prose literature be related to religion, either Christian or natural.
CHARLES F. THWING.
r E. Berdoe. Browning and the Christian Faith, pp. 42, 43, 45 (London, 1898).
I 8. A. Brooke, Tennyeon: his Art and Relation to Modem Life, p. 30 (New York, 1894).
481 RELIGIOUS ENCYCLOPEDIA
BIBLIOGRAPHY: W. S. Tyler, Theology of as Greek Poets, Andover, 1887; S. A. Brooke, Theology in the EnpliA Pods. Cooper, Coleridge. Wordsworth, and Borne, New York.1875, new ed., 1910; idem, Development o) Theology . . in EnpEiah Poetry, 1780 1830, ib. 1893; idem, Religion in Literature and Religion in Life, ib. 1901; G. McCrie, Religion of Our Literature, London, 1875; J. C. Shairp, Culture and Religion, Edinburgh, 1878; C. J. Abbey, Religious Thought in Old Buplish Verse, London and New York, 1892; T. W. Hunt, Ethical Teachings in Old English Literature, New
1. History. 1. Ancient. Early Greeks (§ 1). Plato and Aristotle (¢ 2). Neoplatonism (§3). Stoicism (§ 4). Eclecticism (§ 5). The Church Fathers (§ 8).
2. Medieval. Anselm and Successors ($ 1).
York, 1892; L. Campbell. Religion in Greek Literature, London and New York, 1898; S. L. Wilson. Theology o) Modern Literature. Now York, 1899; W. S. Lilly. Studies in Religion and Literature, St. Louis, 1905; C. G. Shaw, Precinct of Religion in the Culture of Humanity. New York, 1908; E. G. Sihler, Testimonium anima;, New York, 1908; $. S. Guthrie, Spiritual Message of Literature. Chicago, 1909: E. M. Chapman, Bnplis4 Literature and Religion, 1810 1900, London, 1910.
RELIGION, PHILOSOPHY OF.
3. Modern. Descartes; Spinoza Q 1). Leibnitz G 2).
Herbert and Lotse (§ 9). Von Hartmann; Ritschl (¢ 10). Contemporary Thought (§ 11).
The Enlightenment; EBglieh and II. Analysis of Religion.
French Deists (5 3). Method ($ 1).
Sent and Criticism ($ 4).
Fichte; Sahelling ($ 5).
Schleiermacher (§ 8).
Hegel (§ 7).
Past Hegelian ($ 8).
The philosophy of religion is that aspect of philosophy which employs itself with the fact of religion in view of its intellectual formulation. The conception of the philosophy of religion differs not only according as religion is defined, but also as the relation of philosophy to it is formulated. Religion may constitute the content of philosophy, so that the latter may absorb the former and become itself religious. Philosophy may easily become theesophy, or may even approximate mysticism, while satisfying all rftous requirements. To such an extreme a religious philosophy would be superfluous. Again, as soon as a system of thought deals with the idea of God, and regards this as essential to its completion, or perhaps to the understanding of the entire world of experience, a religious philosophical side can not be denied to the same. Religion would always be touched upon, although such a thought system would be unsatisfactory to a deeply susceptible religious disposition. If in these two related varieties a philosophical explanation is to be secured, this does not obtain for the later view of the philosophy of religion, the object of which is to recognize and explain religious phenomena or religion in general, both subjective and objective, by means of thought. This must take place on the basis of psychological investigation sad the collection and use of historical materials. The first is to determine religion as such; the second is to present the evolution of religion and at least throw some light on its primal forma. This differs from the old view according to which religion was more or less philosophy, and the philosopher was assumed to be religious himself; or he at least professed the truth of the views about God sad divine things set forth by him. Here the object of investigation is religion itself, and the investigator is not necessarily an adherent of such religion, or even religiously minded. An approximation to the first would occur where the investigator would preclude the impartiality of the result by bringing his own convictions into the teat. The two forms are occasionally combined sad first demand a historical review.
L History. i. Ancient: Strictly considered every philosophical system of the universe involves
Representation (§ 2). Feeling (§ 3). Will (§ 4). Generalisation (§ 5). Relative Estimation (§ 8).
a religious tincture, even if no religious feelings are brought to light. Here only those are to be selected
1. Early in which a philosophy of religion comes
Greeks, into prominence, and of such only the
principal ones. The statement of
Xenophanes that the heaven or the world was God,
appease as a religious affirmation, especially when
compared with his vigorous attacks on anthropo
morplysm. Anaxagoras in his distinction between
matter and spirit, in which he assigned the construc
tion of order from chaos to the latter, did not call
spirit by the name of the deity; yet he introduced
the principle of dualism and furnished the basis
for the development of the later deism. Socrates
was a man of pious mind as shown in his teaching
of the " daemon " sad in his conviction that the dis
tinction between the rightness and wrongness of
certain actions was to be referred directly to the
deity, with which he believed himself to be in con
nection. For theology and the philosophy of relig
ion he struck the keynote for the future in founding
teleology as a world theory and relating all things
in the interest of human welfare to the ordaining
benevolence of the first cause from whose reason
the human understanding is descended.
Plato's view of the world was not only ethical but religious. God is conceived as the absolute good; the phenomenal world is the sphere of evil and wickedness. The object of mss is to flee to the world of ideas and so become like God,
8. Plato although this world is a copy of the and higher one and can not be therefor
Aristotle. contemned. The kinship of the soul to ideas, that is, the aupramundaae, constitutes its immortality. A considerably developed philosophy of religion appears in the metaphysics of Aristotle (q.v.) though the inner religious element as found in Plato is retired; yet Aristotle's system exerted a deep and manifold influence upon the philosophy of religion. He excludes from his ethics the inquiry of Plato into the metaphysical good or idea as the impulse of acquiring and practising good qualities. In his " First Philosophy," which he named also theologike, he presents his idea of God more definitely and clearly in strict deduction from his metaphysical principles. He distinguishes between the posai
Religion, Philosophy of THE NEW SCHAFF HERZOG 482
ble or potential and the actual. Every change into actuality requires an actual as agent. God must be the first agent, and must be pure energy, which is absolute form or immaterial spirit, and therefore unchangeable and one. As Spirit he thinks and the object of his thought is himself, and this is his activity, in which he enjoys the supreme felicity. In relation with the world he moves all, but neither creates nor transacts, he is the good or end toward which all things strive, just as one beloved, though unmoved and at rest, always exercises an influence upon the lover. The world, uncreated, always existed and will never cease to be; and, ever gaining in form and losing in matter, it strives after perfection, toward a similarity with God, the highest form of all. The idea of deification as it occurs in the later mystics indeed did not materialize in Aristotle, but the efficacious forms in nature may be taken as the representative content of God. God is in the world with his ideas, and while elsewhere Aristotle holds firmly to the transcendence of God, here there appears an immanence. It would follow, that, alongside of an expressed theism, there exists a pantheism Aristotle sought to illustrate the relation by that of a general who is outside of the army yet prevails within with his authoritative plans. He became the esteemed authority for scholasticism, by his doctrine of God as well as by his logic, physics, and ethics.
Neoplatonism (q.v.), starting from the idealistic tendencies of these two prototypes, far exceeded them in subtle speculation and emphasis upon the
8. Neo religious. Not stopping at knowledge
Platonism. or mental activity as the highest aim of man with Aristotle, it pursued the example of Philo (q.v.) in the supreme union with the highest principle by means of ecstatic transport, indeed, only transiently, since the corporate soul can not wholly release itself from the earthly. In this unity which ultimately becomes continuous and eternal, man becomes deified, and a duality of the seeing and seen ceases in a complete unity called by Photinus, aploais. Where the limit of intelligible thought is thus transgressed, it is doubtful if philosophy of religion can cover the ground. Certainly such doctrine issues not from speculation but inner experience; and those offshoots (,i superstition, such as the theurgy and magic of jamblicus, must be excluded. But the theodicy is the most developed of all antiquity, and the prototype of that of the present. In Plotinus' argument for the divine justification, the individual must be viewed in the harmonious unity of the whole, and the worst fits into the harmony to set off the excellence of the good. He shrinks from defining the deity or unity, following Philo and the eclectic Platonists in regarding it as transcending all thought and being, of which there was to be predicated merely that it forbade all difference, multiplicity, or similarity. Here Pseudo Dionysius the Areopagite (see DIONYSIU6), Scotus Erigena (q.v.), and other German mystics fixed their points of contact. The last of this school, Proclus, presents the world development from unity.
Stoicism (q.v.) was preeminently entitled to the name of religious philosophy. Although it was materialistic, both in principle and results, and
pantheistic, yet it not only presented the deity
theoretically, but was richly tinged with religion, a
4. Stoicism. fact which serves to account for its wide
spread popularity in the Roman world.
The most distinguished save one of this school, the
poet Cleanthes, proves his piety in his hymn to
Zeus by praising the omnipresent, eternal reason of
deity, which rules all and restores what human folly
has subverted. The last representatives of the Stoic
school, Epictetus and Marcus Aurelius (qq.v.), dis
play deep piety in connection with their philosophic
thoughts. On the physical side, the Stoics follow
the Heraclitean principle that the primal matter
was fire. The active power in the whole cosmic
process is deity, giving all things form and support,
permeating the world as a warm breath, as reason
ordering all things, and containing within itself the
separate rational germ forms from which individual
appearances develop. The beauty and adaptabil
ity of the whole world and its parts point to the
existence of a thinking, foreseeing, creating Spirit.
The universe or God is to be regarded as having a
consciousness, and from this follows the conclusion
that the world has conscious parts; and as the
whole is more complete than any part., it must have
consciousness in a real measure. If deity is abso
lute reason it must reign everywhere, and all that
is must be logical or rational. Thus on the phys
ical basis there was optimism; on the ethical other
wise. Chrysippos compared men to maniacs. Hu
man life was full of errors and m"J faults, and it
was the most woful of all dramas. Like the later
Neoplatonists, whom they anticipated in some
essential elements, the Stoics had to develop a the
odicy, in order to save their logical deistic principle.
However, to win ordinary acceptance for their doc
trine, they were wont to make application to the
individual and carry it to the absurd. Moral evil,
on the other hand, was a burden, imposed upon
guilty man. The Stoics were fond of the antithesis
that on the physical side ruled the law of necessity
by the inevitable connection of cause and effect; on
the ethical side, if it was a question of will and act,
man should be capable of free choice. The efforts
to demonstrate the transition from the possession
of the Logos to the bad as well as the relation of
necessity and freedom were unsuccessful. An inter
esting side to Stoicism is its explanation of myths,
in which it is the successor of cynicism. Anxious
to make a connection with the popular mind and
unable to adopt polytheism and its myths, it re
sorted to the allegorical method. Myths were ex
plained as allegories of natural or moral life, and
the gods as personifications of powers. This method
was taken over by Jewish writers, particularly
Philo, and became popular in patristic Christian
Scripture interpretation. As the supernatural or
supramundane did not come within the horizon of
the Stoics, their physical theory was theocentric in
the nature of their hylosoic heritage, and their
ethics was in close adjustment with nature as a
whole, as shown by their sharp ethical interest in
necessity and freedom. To live in harmony with
nature and reason was not infrequently a religious
enthusiasm. Religious philosophy touches upon
Epicureanism (q.v.) so far as this undertook to ex
488 RELIGIOUS ENCYCLOPEDIA Religion, Philosophy of plain religious ideas by ignorance and fear and looked upon them as causes of the worst evils.
Though Stoicism. permeated Christian thought with its influence, it was not transplanted like Neoplatonic idealism or mysticism. Pseu