A bibliography of Literary Theory, Criticism and Philology

. (Romans de gare – Kill and read). Liège: SNCB / Éditions Luc Pire, 2011.

Urien, Emmanuelle. Tous nos petits morceaux. Stories. Ed. D'un noir si bleu, 2011.

Francken, Louis. Le vrai capitaine Haddock, Herbert James. Waterloo: Éditions Avant-Propos, 2011. (Herbert James Haddock, 1861-1946).

Cantier, Jacques. Pierre Drieu La Rochelle. Paris: Éditions Perrin, 2011.

Van de Weyer, André. Le port du voile islamique dans l'enseignement. Waterloo: Éditions Wolters Kluwer Belgium, 2011.

Dauzat, Pierre-Emmanuel, Marie-Laurence Desclos , Silvia Milanezi & Jean-François Pradeau. Guide de poche des auteurs grecs et latins. (Classiques en Poche). Paris: Les Belles Lettres, 2011.
Madrid: Cuadernos de la casa de la cultura. Ed. Enrique Díez Canedo. 3 vols. 1937-38. (Republican).

Música. Journal. 5 vols. Barcelona, 1938-1939. Rpt. Residencia de Estudiantes, c. 2000.
Gass, Susan M. (Michigan ed. The Routledge Handbook of Second Language Acquisition. Michigan State University, USA and Alison Mackey, Georgetown University, USA. London: Routledge, 2011.

Beckett, Samuel. The Letters of Samuel Beckett: Volume 1, 1929-1940. Ed. Martha Dow Fehsenfeld, Lois More Overbeck, Dan Gunn and George Craig. Cambridge: Cambridge UP, 2009.

_____. The Letters of Samuel Beckett: Volume 2, 1941-1956. Ed. George Craig, Martha Dow Fehsenfeld, Dan Gunn, Lois More Overbeck. Cambridge: Cambridge UP, 2011.

"Samuel Daniel." The Poetry Foundation.*

http://www.poetryfoundation.org/bio/samuel-daniel

2011

_____. The Worthy Tract of Paulus Jouius, Contayning a Discourse of Rare Inuentions, Called Imprese (London: Printed by G. Robinson for Simon Waterson, 1585).

_____. Delia, Contayning Certayne Sonnets: With the Complaint of Rosamond (London: Printed by J. Charlewood for Simon Waterson. 1592).

_____. Delia and Rosamond Augmented, Cleopatra (London: Printed by J. Roberts & E. Allde for Simon Waterson, 1594).

_____. The First Fowre Books of the Ciuile Warres betweene the Two Houses of Lancaster and Yorke (London: Printed by P. Short for Simon Waterson, 1595).

_____. The Poeticall Essayes of Sam. Danyel (London: Printed by P. Short for Simon Waterson, 1599)-comprises books 1-5 of The Civil Wars, the first revision of Cleopatra, Musophilus, and Letter from Octavia:

_____. A Panegyrike Congratulatorie to the Kings Maiestie. Also Certaine Epistles (London: Printed by V. Simmes for E. Blount, 1603); republished with A Defence of Ryme (London: Printed by V. Simmes for E. Blount, 1603).

_____. The Vision of the 12. Goddesses (London: Printed by T. Creede for Simon Waterson, 1604).

_____. Certaine Small Poems Lately Printed: With the Tragedie of Philotas (London: Printed by G. Eld for Simon Waterson, 1605).

_____. A Funerall Poeme uppon the Death of the Late Noble Earle of Devonshyre (London, 1606).

_____. The Queenes Arcadia (London: Printed by G. Eld for Simon Waterson, 1606).

_____. Certaine Small Workes (London: Printed by J. Windet for Simon Waterson, 1607)—includes The Queen's Arcadia, the second revision of Cleopatra, and the revised version of Philotas;

_____. The Tragedie of Philotas (London: Printed by Melch. Bradwood for Edw. Blount, 1607).

_____. The Civile Wares betweene the Howses of Lancaster and Yorke Corrected and Continued (London: Printed by H. Lownes for Simon Waterson, 1609).

_____. Tethys' Festival, in The Order and Solemnitie of the Creation of the High and Mightie Prince Henrie (London: Printed by W. Stansby for John Budge, 1610).

_____. The First Part of the Historie of England (London: Printed by N. Okes, 1612).

_____. Hymens Triumph (London: Printed by J. Legat for Francis Constable, 1615).

_____. The Collection of the Historie of England (London: Printed by N. Okes, 1618).

_____. The Whole Workes of Samuel Daniel (London: Printed by Nicholas Okes for Simon Waterson, 1623).

_____. The Complete Works in Verse and Prose of Samuel Daniel, 5 volumes, edited by Alexander B. Grosart (London: Privately printed, 1885-1896).

_____. The Tragedy of Philotas, edited by Laurence Michel, Yale Studies in English, 110 (New Haven: Yale University Press, 1949; revised and enlarged edition, Hamden, Conn.: Archon, 1970).

_____. The Tragedie of Cleopatra, in Narrative and Dramatic Sources of Shakespeare, volume 5, edited by Geoffrey Bullough (London: Routledge & Kegan Paul/New York: Columbia University Press, 1964). pp. 406-449.

_____. The Vision of the Twelve Goddesses, edited by Joan Rees, in A Book of Masques: In Honour of Allardyce Nicoll (Cambridge: Cambridge University Press, 1967), pp. 18-42.

_____. Tethys' Festival, in Inigo Jones: The Theatre of the Stuart Court, by Stephen Orgel and Roy Strong, volume 1 (London: Sotheby Parke Bernet, 1973), pp. 191-201.

Harry Sellers, "A Bibliography of the Works of Samuel Daniel, 1585-1623: With an Appendix of Daniel's Letters," Proceedings and Papers of the Oxford Bibliographical Society, 2, part 1 (1927): 29-54.

Sellers, "Supplementary Note to 'A Bibliography of the Works of Samuel Daniel,'" Proceedings and Papers of the Oxford Bibliographical Society, 2, part 4 (1930): 341-342.

James L. Harner, Samuel Daniel and Michael Drayton: A Reference Guide (Boston: G. K. Hall, 1980).

R. E. Brettle, "Samuel Daniel and the Children of the Queen's Revels, 1604-5," Review of English Studies, 3 (April 1927): 162-168.

Geoffrey Creigh, "Samuel Daniel's Masque The Vision of the Twelve Goddesses," Essays and Studies by Members of the English Association, new series 24 (1971): 22-35.

Thomas Gardner, "'A Parodie! A Parodie!': Conjectures on the Jonson-Daniel Feud," in Lebende Antike: Symposion für Rudolf Sühnel, edited by Horst Meller and Hans-Joachim Zimmermann (Berlin: Schmidt, 1967), pp. 197-206.

W. W. Greg, "Hymen's Triumph and the Drummond MS." Modern Language Quarterly (London), 6 (1903): 59-64.

Greg, Pastoral Poetry & Pastoral Drama: A Literary Inquiry, with Special Reference to the Pre-Restoration Stage in England (London: Bullen, 1906).

Russell E. Leavenworth, Daniel's Cleopatra: A Critical Study, Elizabethan & Renaissance Studies, no. 3 (Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1974).

Kenneth Muir, "Elizabeth I, Jodelle, and Cleopatra," Renaissance Drama, new series 2 (1969): 197-206.

Arthur M. Z. Norman, "Daniel's The Tragedie of Cleopatra and Antony and Cleopatra," Shakespeare Quarterly, 9 (1958): 11-18.

Norman, "The Tragedie of Cleopatra and the Date of Antony and Cleopatra," Modern Language Review, 54 (January 1959): 1-9.

John Pitcher, "In those figures which they seem": Samuel Daniel's Tethys' Festival (Manchester: Manchester University Press, 1984).

Johanna Procter, "The Queenes Arcadia (1606) and Hymens Triumph (1615): Samuel Daniel's Court Pastoral Plays," in The Renaissance in Ferrara and Its European Horizons/Il Rinascimento a Ferrara e i suoi orizzonti europei, edited by J. Salmons and W. Moretti (Cardiff: University of Wales Press/Ravenna: Lapuccu, 1984), pp. 83-109.

Joan Rees, Samuel Daniel: A Critical and Biographical Study, Liverpool English Texts and Studies (Liverpool: Liverpool University Press, 1964).

Rees, "Samuel Daniel's Cleopatra and Two French Plays," Modern Language Review, 47 (January 1952): 1-10.

Ernest Schanzer, "Daniel's Revision of His Cleopatra," Review of English Studies, new series 8, no. 32 (1957): 375-381.

Cecil C. Seronsy, "The Doctrine of Cyclical Recurrence and Some Related Ideas in the Works of Samuel Daniel," Studies in Philology, 54 (July 1957): 387-407.

Seronsy, Samuel Daniel (New York: Twayne, 1967).

Seronsy, "Well-Languaged Daniel: A Reconsideration," Modern Language Review, 52 (October 1957): 481-497.

Pierre Spriet, Samuel Daniel (1563-1619): Sa vie, son oeuvre, Etudes Anglaises, no. 29 (Paris: Didier, 1968).

Stirling, Brents. "Daniel's Philotas and the Essex Case." Modern Language Quarterly 3 (Dec. 1942): 583-594.

Talbert, Ernest William. The Problem of Order: Elizabethan Political Commonplaces and an Example of Shakespeare's Art. Chapel Hill (NC): U of North Carolina P, 1962.

Wilkes, G. A. "Daniel's Philotas and the Essex Case: A Reconsideration," Modern Language Quarterly 23 (1962): 233-42.

Smollett. Advice. Satire. 1746. (Vs. London life)

_____. Reproof. Satire. 1747. (Vs. London life)

_____. Peregrine Pickle. 1751, 2^nd rev. ed. 1758.

_____. (attr.). The Faithful Narrative of Habbakkuk Hilding. Pamphlet (vs. Fielding). 1752.

_____, ed. (1756-63) Critical Review. Periodical.

_____, trans. History and Adventures of Don Quixote. 2 vols. 1755.

_____, ed. A Compendium of Authentic and Entertaining Voyages. Anthology of travel narratives. 1756. (With an account of the Cartagena de Indias expedition, probably his).

_____. Complete History of England. 1757-58.

_____. The Present State of All Nations. Geography, history, etc. (in collab.?). 1768-69.

Martz, Louis L. The Later Career of Tobias Smollett. 1942.

Boucé, Paul-Gabriel. The Novels of Tobias Smollett. 1976.

Basker, James G. Tobias Smollett: Critic and Journalist. 1988.

Fantômas series. Paris: Fayard, 1912.

_____. L'Agent secret. (Fantômas series).

Bargiel, Réjane, and Ségolène Le Men, eds. L'Affiche de librairie au XIXe siècle. (Les Dossier du musée d'Orsay 15). Paris: ministère de la Culture et Edition de la Réunion des musées nationaux, 1987.

Gauthier, Guy. "Image et texte: le récit sous le récit." Langage 75 ("Lettres et icônes") (Sept. 1984).

Leblanc, Maurice. "L'arrestation d'Arsène Lupin." Je sais tout 6 (July 1905).

_____. "L'arrestation d'Arsène Lupin." In Arsène Lupin, gentleman-cambrioleur. Introd. Jules Claretie. Pierre Lafitte, 1907.

Boyer, Alain-Michel. "Le contrat de lecture." In Littérature populaire: peuple, nation, région. Actes du colloque 18-20 mars 1986, "Trames." Limoges: Faculté de Lettres, 1988.

Lotman, Youri. La structure du texte artistique. Paris: Gallimard.

Stendhal. Lamiel. In Romans et nouvelles. (Bibliothèque de la Pléiade). Vol. 2.

Dunant, Sarah. Snowstorms in a Hot Climate. Novel.

_____. Fatlands. Novel.

_____. Under My Skin: A Hannah Wolfe Mystery. Novel. New York: Scribner, 1995.*

Gass, William. "Flattery and Whining." Rev. of The Book of Prefaces. Ed. Alasdair Gray. London Review of Books 5 oct. 2000: 9-12.* (Prefaces, etc.).

Berry, Wendell. (TS Eliot Award, Poets' Prize 2000). Jayber Crow: A Novel. (The Life History of Jayber Crow, Barber, of the Port William Membership, as Written by Himself). Counterpoint Press, 2000.

_____. Life Is a Miracle: An Essay Against Modern Superstition. Counterpoint Press, 2000.

_____. The Memory of Old Jack. Counterpoint Press, 1999.

_____. A Timbered Choir: The Sabbath poems 1979-1997. Counterpoint Press, 1998.

_____. Selected Poems. Counterpoint Press, 1999.

Simic, Charles. "Three Poems by Charles Simic (Car Graveyard, Empty Barbershop, Used Clothing Store)." London Review of Books 5 Oct. 2000: 10.*

Bell, Gertrude. The Arabian Diaries, 1913-1914. Ed. Rosemary O'Brien. Syracuse (NY): Syracuse UP, 2000.

Brabazon, James. Albert Schweitzer: A Biography. 2^nd ed. Syracuse: Syracuse UP, 2000.

Jabra, Jabra Ibrahim. (Palestinian-Arabic author). In Search of Walid Masoud. Novel. Trans. Roger Allen and Adnan Haydar. Syracuse( (NY): Syracuse UP, 2000.

Serageldin, Samia. The Cairo House: A Novel. Syracuse( (NY): Syracuse UP, 2000.

Cooke, Miriam. Hayati, My Life. Novel. Syracuse( (NY): Syracuse UP, 2000. (Palestinian women).

Concha, Angeles de la (UNED). "The End of History, or, Ist It? Circularity versus Progress in Caryl Phillips' The Nature of Blood." Miscelánea 22 (2000): 1-19.*

Ganteau, Jean-Michel (U de Montpellier). "Post-Baroque Sublime? The Case of Peter Ackroyd." Miscelánea 22 (2000):21-44.*

Arobase: A Journal of Literatures and Humanities. http://www.arobase.to/index.html

Harris, Christine (U de Castilla-La Mancha). "Caribbean Women Poets: Disarming Tradition." Miscelánea 22 (2000): 45-60.*

Llantada Díaz, María Francisca (U de Zaragoza). "May Sinclair's The Three Sisters as an Early Example of Modernist Fiction." Miscelánea 22 (2000): 61-81.*

Luzón, Vicky (U de Zaragoza). "Raving about Things that Won't Solve: Marylee Hadley in Written in the Wind." Miscelánea 22 (2000): 83-99.* (Sirk).

Martín, Sara (U Autònoma de Barcelona). "Meeting the Civilised Barbarian: Bram Stoker's Dracula and Joseph Conrad's Heart of Darkness." Miscelánea 22 (2000): 101-21.*

Oertel, Daniel (U of Cologne). "Effects of Garden-Pathing in Martin Amis's Novels Time's Arrow and Night Train." Miscelánea 22 (2000): 123-40.*

Otero Blanco, Angel (U de Santiago de Compostela). "The African Past in America as a Bakhtinian and Levinasian Other: 'Rememory' as Solution in Toni Morrison's Beloved." Miscelánea 22 (2000): 141-58.*

Walton, David. "Fashioning the Self from the Chasm: De Profundis and the Chronotope of Post-Prison Time." Miscelánea 22 (2000): 159-74.*

Chandra, Vikram. "The Cult of Authenticity: India's Cultural Commissars Worship 'Indianness' Instead of Art." Miscelánea 22 (2000): 175-200.*

Sales Salvador, Dora. (U Jaume I de Castellón). "Listening to Vikram Chandra: 'All Stories Have in Them the Source of All Other Stories'." Miscelánea 22 (2000): 201-13.* (Interview).

García Landa, José Angel. Rev. of Recent Trends in Narratological Research: Papers from the Narratology Round Table ESSE 4, September 1997, Debrecen, Hungary, and Other Contributions. Ed. John Pier. Miscelánea 22 (2000): 215-22.

McCracken, Ellen. New Latina Narrative: The Feminine Space of Postmodern Ethnicity. Tucson: U of Arizona P, 1999.

Gil Carasol, Vicky. (U de Zaragoza). Rev. of New Latina Narrative. By Ellen McCracken. Miscelánea 22 (2000): 223-25.*

Bronfen, Elisabeth. Der Literarische Raum: Eine Untersuchung am Beispiel von Dorothy M. Richardsons Romanzyklus Pilgrimage. Tübingen: Niemeyer, 1986.

_____. Dorothy Richardson's Art of Memory: Space, Identity, Text. Trans. Victoria Appelbe. Manchester: Manchester UP, 1999. Trans. of Der Literarische Raum.

Llantada Díaz, María Francisca. Rev. of Dorothy Richardson's Art of Memory. By Eliabeth Bronfen. Miscelánea 22 (2000): 227-31.*

Mazzoni, Giacopo. (1548-1598). From On the Defence of the Comedy of Dante (From "Introduction and Summary"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Sidney. An Apology for Poetry. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Corneille. (1606-1684). "Of the Three Unities of Action, Time, and Place." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Dryden. Fromk An Essay of Dramatic Poesy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From the Preface to Troilus and Cressida. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From the Preface to Sylvae. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Behn, Aphra. (1640-1689). From The Dutch Lover: "Epistle to the Reader." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Preface to The Lucky Chance. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Vico. (1668-1744). From The New Science. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Addison, Joseph. (1672-1719). Spectator 62 (True and False Wit). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Spectator 412 (On the Sublime). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Young, Edward. (1683-1765). From Conjectures on Original Composition. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Pope. An Essay on Criticism. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Johnson. The Rambler 4 (On Fiction). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From History of Rasselas, Prince of Abyssinia. (Ch. X). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From the Preface to Shakespeare. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "Cowley" (On Metaphysical Wit). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Hume. (1711-1776). "Of the Standard of Taste." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Kant. From Critique of Judgment (From Introduction, from Book 1, Analytic of the Beautiful; from Book 2, Analytic of the Sublime). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Burke. From A Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful. (Introduction: "On Taste"; VII, "Of the Sublime"; XXVII "The Sublime and Beautiful Compared"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Lessing, Gotthold Ephraim (1729-1781). From Laocoön (From Preface; Chs. 1-3, 9, 10, 12, 15, 16-18, 21). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Schiller. (1759-1805). From On the Aesthetic Education of Man (Letters 2, 6, 9). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Wollstonecraft, Mary (1759-1797). From A Vindication of the Rights of Woman (From Ch. 2: "The Prevailing Opinion of a Sexual Character Discussed"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Stäel, Germaine Necker de (1766-1817). From Essay on Fictions. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From On Literature Considered in its Relationship to Social Institutions ("On Women Writers"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Schleiermacher, Friedrich. (1768-1834). From Hermeneutics (From "The Outline of the 1819 Lectures"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Hegel. (1770-1831). From Phenomenology of Spirit. (§§178-96, Master-Slave Dialectic). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Lectures on Fine Art. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Wordsworth. Preface to the Second Edition of Lyrical Ballads and Appendix. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Coleridge. From The Statesman's Manual. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Biographia Literaria (From I.1, I.4, I.13 and II.14). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Peacock. "The Four Ages of Poetry." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Shelley. From A Defence of Poetry. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Emerson (1803-1882). From "The American Scholar." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "The Poet." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Poe, Edgar Allan. (1809-1849). "The Philosophy of Composition." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Gautier, Théophile. (1811-1872). From the Preface to Mademoiselle de Maupin. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Marx (1818-1883) and Engels (1820-1895). From Economic and Philosophic Manuscripts of 1844. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The German Ideology. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The Communist Manifesto. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Preface to A Contribution to the Critique of Political Economy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Grundrisse. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From Capital ("The Fetishism of Commodities"; "The Struggle for a Normal Working-day"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From "Letter from Friedrich Engels to Joseph Bloch." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*