Discography
Keith Jarrett Solo (SP) (PA) +++
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- 19910700 Keith Jarrett Solo
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19910720 Keith Jarrett Solo (SP) (PA) +++Keith Jarrett (p) July 20th 1991, Jazz à Juan, Pinède Gould, Antibes, Juan-Les-Pins, France K. Jarrett solo Media: CD-R Duration: 69:07 Sound quality: A Source: radio broadcast
TT 93:40
19910720 Keith Jarrett Solo (BR) (DI) Pinede Gould , Juan Les Pins 1. Set 1 (42:22)
July 1991, Salle De Musique, La Chaux De Fonds, Switzerland 24 Preludes And Fugues Op. 87 1 Prelude & Fugue No.1 in C major 8.11 2 Prelude & Fugue No.2 in A minor 2.10 3 Prelude & Fugue No.3 in G major 3.29 4 Prelude & Fugue No.4 in E minor 7.24 5 Prelude & Fugue No.5 in D major 4.05 6 Prelude & Fugue No.6 in B minor 5.22 7 Prelude & Fugue No.7 in A major 3.11 8 Prelude & Fugue No.8 in F sharp minor 6.21 9 Prelude & Fugue No.9 in E major 3.48 10 Prelude & Fugue No.10 in C sharp minor 6.19 11 Prelude & Fugue No.11 in B major 3.21 12 Prelude & Fugue No.12 in G sharp minor 6.52 13 Prelude & Fugue No.13 in F sharp major 7.03 14 Prelude & Fugue No.14 in E flat minor 7.03 15 Prelude & Fugue No.15 in D flat major 4.20 16 Prelude & Fugue No.16 in B flat minor 8.59 17 Prelude & Fugue No.17 in A flat major 5.14 18 Prelude & Fugue No.18 in F minor 4.35 19 Prelude & Fugue No.19 in E flat major 4.17 20 Prelude & Fugue No.20 in C minor 8.05 21 Prelude & Fugue No.21 in B flat major 4.01 22 Prelude & Fugue No.22 in G minor 5.09 23 Prelude & Fugue No.23 in F major 5.28 24 Prelude & Fugue No.24 in D minor 10.24 Keith Jarrett - Dmitri Shostakovich: 24 Preludes And Fugues Op. 87 (ECM (G) 1469/70) Review by Richard S. Ginell Dmitri Shostakovich's epic series of preludes and fugues for solo piano was inspired by the very composer whom you would immediately suspect -- Johann Sebastian Bach. Indeed, the Russian composer was motivated to write this huge work after a visit to Bach's home city Leipzig in 1950; and, in fact, it resurrects the premise behind Bach's "The Well-Tempered Clavier," providing one prelude and fugue for every major and minor key. So having conquered the Bach work on recordings, Keith Jarrett decided to tackle its 20th century sequel in this two-CD set. Looking at it from one angle, this is Jarrett's most impressive technical achievement in the classical repertoire so far. Generally speaking, the Shostakovich is more difficult to play than the other classical works that he had recorded previously, and he is clearly up to all of its sometimes fearsome demands. From an interpretive angle, though, Jarrett doesn't get as much out of this music as, say, the late Russian pianist Tatiana Nikolaeva, who gave the first performances of the work. With Nikolaeva, each note is captured and spotlighted in ever-changing lights. Jarrett is on the hunt for detail, too -- the "No. 11," "15," and "17" fugues are particularly invigorating in that respect -- yet much of the time, he tends to color things in one way. Part of this impression may be due to the sound of his piano, which is treated with ECM's usual soft-focused cloud of reverb. For Jarrett fans who are following his classical adventures, this could be a most intriguing left turn, but those seeking the definitive recording of the pieces would find Nikolaeva more stimulating. 19910900 Keith Jarrett SoloKeith Jarrett (harpsichord) September 1991, Cavelight Studio, NJ Französische Suiten 1-6 Suite Nr. 1 d moll, BWV 812 16.07 7-12 Suite Nr. 2 c moll, BWV 813 15.50 13-19 Suite Nr. 3 h moll, BWV 814 16.58 1-7 Suite Nr. 4 Es Dur, BWV 815 15.13 8-14 Suite Nr. 5 G Dur BWV 816 20.14 15-22 Suite Nr. 6 E Dur, BWV 817 16.48 Keith Jarrett - J.S. Bach: The French Suites (ECM (G) 1513/14) 19910900 Kim Kashkashian - Keith Jarrett Kim Kashkashian (vla) Keith Jarrett (cembalo) September 1991, Cavelight Studio, NJ 1-4 J.S. Bach: Sonate In G-Dur, BWV 1027 12.00 5-8 J.S. Bach: Sonate In D-Dur, BWV 1028 13.02 9-11 J.S. Bach: Sonate In G-Moll, BWV 1029 13.13 1-11: Kim Kashkashian/Keith Jarrett - J.S. Bach: 3 Sonaten für Viola da Gamba und Cembalo (ECM (G) 1501)
October 12th 1991, Studio Power Station, New York, NY 1 Bye Bye Blackbird (R. Henderson) 11.14 2 You Won't Forget Me (K. Goell – F. Spielman) 10.46 3 Butch And Butch (O. Nelson) 6.37 4 Summer Night (A. Dubin – H. Warren) 6.42 5 For Miles (Jarrett - Peacock - DeJohnette) 18.43 6 Straight No Chaser (T. Monk) 6.47 7 I Thought About You (J. van Heusen – J. Mercer) 4.02 8 Blackbird, Bye Bye (Jarrett - Peacock - DeJohnette) 3.00 1-8: Keith Jarrett - Bye Bye Blackbird (ECM (G) 1467) This is the Keith Jarrett Trio's -- featuring bassist Gary Peacock and drummer Jack DeJohnette -- elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with -- and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual. There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly." As an immediate response to a traumatic event, Jarrett and his colleagues strike the right emotional balance to create one of their more meaningful albums. 
19911021 Keith Jarrett with Orchestra (BR) Keith Jarrett (p) orchestra, Dennis Russel-Davies (cond) October 21st 1991, Beethovenhalle, Bonn Germany
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