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§ 67. The Revival of Paganism.

The revival of letters and the cultivation of art brought no purification of morals to Italy nor relief from religious formalism. The great modern historians of the period,—Voigt, Burckhardt, Gregorovius, Pastor, Creighton and Symonds,—agree in depicting the decline of religion and the degeneracy of morals in dark colors, although Pastor endeavors to rescue the Church from the charge of total neglect of its duty and to clear the mediaeval hierarchy and theology from the charge of being responsible for the semi-paganism of the Renaissance.

The mediaeval theology had put the priesthood in the place of the individual conscience. Far from possessing any passion to rescue Italy from a religious formalism which involved the seeds of stagnation of thought and moral disintegration, the priesthood was corrupt at heart and corrupt in practice in the highest seats of Christendom.1036  Finding the clerical mind of Italy insincere and the moral condition of the Church corrupt, Humanism not only made no serious effort to amend this deplorable state but, on the contrary, it contributed to the further decadence of morals by a revival of paganism, now Epicurean, now Stoical, attested both in the lives and the writings of many of its chief leaders. Gregorovius has felt justified in pronouncing the terrible sentence that the sole end of the Italian Renaissance was paganism.1037

The worship of classical forms led to the adoption of classical ideas. There were not wanting Humanists and artists who combined culture with Christian faith, and devoted their genius to the cause of truth and virtue. Traversari strictly observed the rules of his monastic order; Manetti, Lionardo Bruni, Vittorino da Feltre, Ficino, Sadoleto, Fra Angelico, Fra Bartolomeo, Michelangelo and others were devout Christian believers. Traversari at first hesitated to translate classic authors and, when he did, justified himself on the ground that the more the Pagan writers were understood, the more would the excellence of the Christian system be made manifest. But Poggio, Filelfo, Valla and the majority of the other writers of the Renaissance period, such as Ariosto, Aretino, Machiavelli, were indifferent to religion, or despised it in the form they saw it manifested. Culture was substituted for Christianity, the worship of art and eloquence for reverence for truth and holiness. The Humanists sacrificed in secret and openly to the gods of Greece and Rome rather than to the God of the Bible. Yet, they were not independent enough to run the risk of an open rupture with orthodoxy, which would have subjected them to the Inquisition and death at the stake.1038  Yea, those who were most flagrant in their attacks upon the ecclesiastics of their time often professed repentance for their writings in their last days, as Boccaccio and Bandello, and applied for extreme unction before death. So it was with Machiavelli, who died with the consolations of the Church which he undermined with his pen, with the half-Pagan Pomponius Laetus of Rome and the infamous Sigismondo Malatesta of Rimini, who joined to his patronage of culture the commission of every crime.

Dangerous as it may be to pronounce a final judgment upon the moral purity of a generation, even though, as in the case of the 15th century, it reveals itself clearly in its literature and in the lives of the upper classes, literary men, popes and princes, nevertheless this it is forced upon us to do. The Renaissance in Italy produced no Thomas à Kempis. No devout mystics show signs of a reform movement in her convents and among her clergy, though, it is true, there were earnest preachers who cried out for moral reform, as voices crying in the wilderness. Nor are we unmindful of the ethical disintegration of the Church and society at other periods and in other countries, as in France under Louis XIV., when we call attention to the failure of religion in the country of the popes and at a time of great literary and artistic activity to bear fruits in righteousness of life.

The Humanists were the natural enemies of the monks. For this they cannot be blamed. As a class, the monks hated learning, boasted of superior piety, made a display of their proud humility and yet were constantly quarrelling with each other. Boccaccio and the novelists would not have selected monks and nuns as heroes and heroines of their obscene tales if monastic life had not been in a degenerate state. Poggio, Filelfo, Valla, Bandello, Machiavelli, Ariosto, Aretino and Erasmus and the writers of the Epistolae virorum obscurorum chastised with caustic irony and satire the hypocrisy and vices of the monastic class, or turned its members into a butt of ridicule. To the charges of unchastity and general hypocrisy was added the imposition of false miracles upon the ignorant and credulous. It was common rumor that the nuns were the property of the monks.1039  The literature of the 15th century teems with such charges, and Savonarola was never more intense than when he attacked the clergy for their faithlessness and sins. Machiavelli openly declared "we Italians are of all most irreligious and corrupt," and he adds, "we are so because the representatives of the Church have shown us the worst example."  Pastor has suggested that Humanists, who were themselves leading corrupt lives, were ill-fitted to sit in judgment upon the priesthood. This in a sense is true, and their representations, taken alone, would do no more than create an unfavorable presumption, but their statements are confirmed by the scandals of the papal court and the social conditions in Rome; and Rome was not worse than Venice, Florence and other Italian towns. The same distinguished historian seeks to parry the attacks of Humanistic writers and to offset the lives of the hierarchy by a long list of 89 saints of the calendar who lived 1400–1520.1040  The number is imposing, but outside of Bernardino da Siena, Fra Angelico, Jacopo della Marca and John of Capistrano, few of the names are known to general history, and the last two showed traits which the common judgment of mankind is not inclined to regard as saintly. Pastor also adduces the wills of the dying, in which provision was made for ecclesiastical objects, but these may indicate superstitious fear as well as intelligent piety. After all is said, it remains true that the responsibility and the guilt were with the clergy, who were rightly made the targets of the wits, satirists and philosophers of the time.

But while the Humanists were condemning the clerical class, many, yea, the most of them, lived in flagrant violation of the moral code themselves and inclined to scepticism or outright paganism. In their veneration of antiquity, they made the system of Plato of equal authority with the Christian system, or placed its authority above the Christian scheme. They advocated a return to the dictates of nature, which meant the impulses of the natural and sensuous man. The watchword, sequere naturam, "follow nature," was launched as a philosophical principle. The hard-fought controversy which raged over the relative merits of the two Greek thinkers, Aristotle and Plato, was opened by Plethon, who accused Aristotle of atheism. The battle was continued for many years, calling forth from contestants the bitterest personal assaults. In defending Plato, Ficino set the philosopher so high as to obscure the superior claims of the Christian religion, and it was seriously proposed to combine with the Scripture readings of the liturgy excerpts from Plato’s writings.1041

The immortality of the soul was formally questioned by Pietro Pomponazzi, a popular teacher of the Aristotelian philosophy in Padua and Bologna. His tract, published in 1516, was burnt by the Franciscans at Venice, but was saved from a like fate in Rome and Florence by the intervention of Bembo and Julius de’ Medici. So widespread was the philosophy of materialism that the Fifth Lateran three years before, Dec. 19, 1513, deemed it necessary to reaffirm the doctrine of the soul’s immortality and to instruct professors at the universities to answer the arguments of the materialists. In the age of Julius II. and Leo X., scepticism reigned universally in Rome, and the priests laughed among themselves over their religious functions as the augurs once did in the ancient city.1042

The chief indictment against Humanism is, that it lacked a serious moral sense, which is an essential element of the Christian system. Nor did it at any time show a purpose of morally redeeming itself or seek after a regenerative code of ethics. It declined into an intellectual and aesthetic luxury, a habit of self-indulgence for the few, with no provision for the betterment of society at large and apparently no concern for such betterment. The Humanists were addicted to arrogance, vanity, and lacked principle and manly dignity. They were full of envy and jealousy, engaged in disgraceful personal quarrels among themselves and stooped to sycophancy in the presence of the rich and powerful. Politian, Filelfo and Valla agreed in begging for presents and places in terms of abject flattery. While they poured contempt upon the functionaries of religion, they failed to imitate the self-denying virtues which monasticism enjoined and that regard for the rights of others which Christian teaching commands. Under the influence of the Renaissance was developed that delusive principle, called honor, which has played such an extensive rôle in parts of Europe and under which a polished culture may conceal the most refined selfishness.1043

No pugilistic encounter could be more brutal than the literary feuds between distinguished men of letters. Poggio and Filelfo fought with poisoned daggers. To sully these pages, says Symonds, "with Poggio’s rank abuse would be impossible."  Poggio, not content with thrusts at Filelfo’s literary abilities, accused him of the worst vices, and poured out calumnies on Filelfo’s wife and mother. In Poggio’s contest with George of Trebizond, the two athletes boxed each other’s ears and tore one another’s hair. George had accused Poggio of taking credit for translations of Xenophon and Diodorus which did not belong to him. Between Valla and Fazio eight books of invectives were exchanged. Bezold is forced to say that such feuds revealed perhaps more than the cynicism of the Italian poetry the complete moral decay.1044

To the close of the period, the Renaissance literature abounds in offences against morality and decency. Poggio was already 70 years of age when he published his filthy Facetiae, Jest-book, which appeared 26 times in print before 1500 and in 3 Italian translations. Of Poggio’s works, Burckhardt says, "They contain dirt enough to create a prejudice against the whole class of Humanists."  Filelfo’s epigrams, De jocis et seriis, are declared by his biographer, Rosmini, to contain "horrible obscenities and expressions from the streets and the brothels."  Beccadelli and Aretino openly preached the emancipation of the flesh, and were not ashamed to embellish and glorify licentiousness in brilliant verses, for which they received the homage of princes and prelates. Beccadelli’s Hermaphroditus was furiously attacked by the monks in the pulpit, but applauded by the Humanists. Cosimo allowed the indecent work to be dedicated to himself, and the author was crowned by the Emperor Sigismund in Siena, 1433, and died old and popular at Naples, 1471. The critics of his obscenities, Beccadelli pointed to the ancient writers. Nicolas was loaned a copy of his notorious production, kept it for nine days and then returned the work without condemning it. Pietro Aretino, d. 1557, the most obscene of the Italian poets, was called il divino Aretino, honored by Charles V., Francis I. and Clement VII., and even dared to aspire to a cardinal’s hat, but found a miserable end. Bandello, d. 1562, in his Facetiae, paints society in dissolution. Moral badness taints every one’s lips. Debauchery in convents is depicted as though it were a common occurrence. And he was a bishop!1045

Machiavelli, the Florentine politician and historian, a worshipper of ability and power, and admirer of Caesar Borgia, built upon the basis of the Renaissance a political system of absolute egotism; yet he demands of the prince that he shall guard the appearance of five virtues to deceive the ignorant.1046  Under the cover of Stoicism, many Humanists indulged in a refined Epicureanism.

The writers of novels and plays not only portrayed social and domestic immorality without a blush, but purposely depicted it in a dress that would call forth merriment and laughter. Tragedy was never reached by the Renaissance writers. The kernel of this group of works was the faithlessness of married women, for the unmarried were kept under such close supervision that they were with difficulty reached. The skill is enlarged upon with which the paramour works out his plans and the outwitted husband is turned into an object of ridicule. Here we are introduced to courtesans and taken to brothels.1047

In the Mandragola by Machiavelli, Callimaco, who has been in Paris, returns to Florence determined to make Lucrezia, of whose charms he has heard, his mistress. Assuming the roll of a physician, he persuades her husband, who is anxious for an heir, to allow him to use a potion of mandragora, which will relieve his wife of sterility and at the same time kill the paramour. Working upon the husband’s mind through the mother-in-law and Lucrezia’s confessor, who consents to the plot for a bribe, he secures his end. Vice and adultery are glorified. And this was one of the plays on which Leo X. looked with pleasure!  In 1513, in face of the age-long prohibition of the theatre by the Church, this pontiff opened the playhouse on the Capitol. A few years later he witnessed the performance of Ariosto’s comedy the Suppositi. The scenery had been painted by Raphael. The spectators numbered 2,000, Leo looking on from a box with an eye-glass in his hand. The plot centres around a girl’s seduction by her father’s servant. One of the first of the cardinals to open his palace to theatrical representations was Raffaele Riario.

Intellectual freedom in Italy assumed the form of unrestrained indulgence of the sensual nature. In condemning the virginity extolled by the Church, Beccadelli pronounced it a sin against nature. Nature is good, and he urged men to break down the law by mixing with nuns.1048  The hetaerae were of greater service to mankind than monastic recluses. Illegitimacy, as has already been said, was no bar to high position in the state or the Church. Aeneas Sylvius declared that most of the rulers in Italy had been born out of wedlock,1049  and when, as pope, he arrived in Ferrara, 1459, he was met by eight princes, not a single one of them the child of legitimate marriage. The appearance of the Gallic disease in Italy at the close of the 15th century may have made men cautious; the rumor went that Julius II., who did not cross his legs at public service on a certain festival, was one of its victims.1050  Aretino wrote that the times were so debauched that cousins and kinsfolk of both sexes, brothers and sisters, mingled together without number and without a shadow of conscientious scruple.1051

What else could be expected than the poisoning of all grades of society when, at the central court of Christendom, the fountain was so corrupt. The revels in the Vatican under Alexander VI. and the levity of the court of Leo X. furnished a spectacle which the most virtuous principles could scarcely be expected to resist. Did not a harlequin monk on one occasion furnish the mirth at Leo’s table by his extraordinary voracity in swallowing a pigeon whole, and consuming forty eggs and twenty capons in succession!  Innocent VIII.’s son was married to a daughter of the house of the Medici, and Alexander’s son was married into the royal family of France and his daughter Lucrezia into the scarcely less proud family of Este. Sixtus IV. taxed and thereby legalized houses of prostitution for the increase of the revenues of the curia. The 6,800 public prostitutes in Rome in 1490, if we accept Infessura’s figures, were an enormous number in proportion to the population. This Roman diarist says that scarcely a priest was to be found in Rome who did not keep a concubine "for the glory of God and the Christian religion."  All parts of Italy and Spain contributed to the number of courtesans. They lived in greater splendor in Rome than the hetaerae in Athens, and bore classical names, such as Diana, Lucrezia, Camilla, Giulia, Costanza, Imperia, Beatrice. They were accompanied on their promenades and walks to church by poets, counts and prelates, but usually concluded their gilded misery in hospitals after their beauty had faded away.1052

The almost nameless vice of the ancient world also found its way into Italy, and Humanists and sons of popes like the son of Paul III., Pierluigi Farnese, if not popes themselves, were charged with pederasty. In his 7th satire, Ariosto, d. 1533, went so far as to say it was the vice of almost all the Humanists. For being addicted to it, a Venetian ambassador lost his position, and the charge was brought against the Venetian annalist, Sanuto. Politian, Valla and Aretino and the academicians of Rome had the same accusation laid at their door. The worst cannot be told, so abhorrent to the prime instincts of humanity do the crimes against morality seem. No wonder that Symonds speaks of "an enervation of Italian society in worse than heathen vices."1053

To licentiousness were added luxury, gaming, the vendetta or the law of blood-revenge, and murder paid for by third parties. Life was cheap where revenge, a licentious end or the gain of power was a motive. Cardinals added benefice to benefice in order to secure the means of gratifying their luxurious tastes.1054  In the middle of the 16th century, Italy, says Burckhardt, was in a moral crisis, out of which the best men saw no escape. In the opinion of Symonds, who has written seven volumes on the Renaissance, it is "almost impossible to overestimate the moral corruption of Rome at the beginning of the 16th century. And Gregorovius adds that "the richest intellectual life blossomed in a swamp of vices."1055

Of open heresy and attacks upon the papal prerogatives, popes were intolerant enough, as was quickly proved, when Luther appeared and Savonarola preached, but not of open immorality and secret infidelity. In the hierarchical interest they maintained the laws of sacerdotal celibacy, but allowed them to be broken by prelates in their confidence and employ, and openly flaunted their own bastard children and concubines. And unfortunately, as has been said, not only did the Humanists, with some exceptions, fall in with the prevailing licentiousness: there even was nothing in their principles to prevent its practice. As a class, the artists were no better than the scholars and, if possible, even more lax in regard to sexual license. Such statements are made not in the spirit of bitterness toward the Church of the Middle Ages, but in deference to historic fact, which ought at once to furnish food for reflection upon the liability of an ecclesiastical organization to err and even to foster vice as well as superstition by its prelatical constitution and unscriptural canons, and also to afford a warning against the captivating but fallacious theory that literature and art, not permeated by the principles of the Christian faith, have the power to redeem themselves or purify society. They did not do it in the palmy days of Greece and Rome, nor did they accomplish any such end in Italy.

In comparing our present century with the period of the Renaissance, there is at least one ground for grateful acknowledgment.1056  The belief in astrology, due largely to the rise of astronomical science, has been renounced. Thomas Aquinas had decided that astrology was a legitimate art when it is used to forecast natural events, such as drought and rain, but when used to predict human actions and destiny it is a daemonic cult.1057  At an early period it came to be classed with heresy, and was made amenable to the Inquisition. In 1324, Cecco d’Ascoli, who had shown that the position of libra rendered the crucifixion of Christ inevitable, was obliged to abjure, and his astrolabe and other instruments were burnt, 1327, by the tribunal at Florence. In spite of Petrarca’s ridicule, the cult continued. The Chancellor D’Ailly gave it credit. Scarcely a pope or Italian prince or republic of the latter part of the Renaissance period who did not have his astrologer or yield to the delusion in a larger or smaller measure, as, for example, Sixtus IV., Julius II. and Leo X., as well as Paul III. at a period a little later. Julius II. delayed his coronation several weeks, to Nov. 26, 1503, the lucky day announced by the astrologer. Ludovico of Milan waited upon favorable signs in the heavens before taking an important step.1058

On the other hand, Savonarola condemned the belief, and was followed by Pico della Mirandola and Erasmus.1059  To the freedom of human action astrology opposed a fatalistic view of the world. This was felt at the time, and Matteo Villani said more than once that "no constellation is able to compel the free-will of man or thwart God’s decree."  Before the 15th century had come to a close, the cult was condemned to extinction in France, 1494, but in Germany, in spite of the spread of the Copernican system, it continued to have its followers for more than a century. The great Catholic leader in the Thirty Years’ War, Wallenstein, continued, in the face of reverses, to follow the supposed indications of the heavenly bodies, and Schiller puts into his mouth the words:

The stars he not; what’s happened

Has turned out against the course of star and fate;

Art does not play us false. The false heart

’Tis, which drags falsehood into the truth-telling heavens.

The revolt against the ascendancy of mediaeval priestcraft and scholastic dialectic was a great and necessary movement demanded by the sane intents of mankind. The Italian Renaissance led the revolt. It gave liberty to the individual and so far its work was wholesome, but it was liberty not bound by proper restraints. It ran wild in an excess of indulgence, so that Machiavelli could say, "Italy is the corruption of the world."  When the restraint came, it came from the North as it had come centuries before, in the days of the Ottos, in the 10th century. When studies in Italy set aside the ideals of Christianity, when religion seemed to be in danger of expiring and social virtue of altogether giving way, then the voice was raised in Wittenberg which broke with monastic asceticism and scholasticism and, at the same time, asserted an individualism under the control of conscience and reverence for God.