A bibliography of Literary Theory, Criticism and Philology

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A Bibliography of Literary Theory, Criticism and Philology


by José Ángel García Landa

(University of Zaragoza, Spain)

Historical Scholarship in English, 1950s-2000s: Other scholars


Gaard, Greta. See Feminist criticism.

Gabel, John B. (Ohio State U), Charles B. Wheeler, and Anthony D. Yourke, eds. The Bible as Literature: An Introduction. New York: Oxford UP, 1996.

Gabler, Hans Walter. "The Text as Process and the Problem of Intentionality." Text 3 (1987): 107-16.

_____, ed. Ulysses: A Critical and Synoptic Edition. With Wolfhard Steppe and Claus Melchior. 3 vols. New York: Garland, 1984.

_____, eds. James Joyce. Ulysses: The Corrected Text. New York: Random House; Harmondsworth: Penguin, 1986.

Gabriel, Norbert. "Paul de Man on Hölderlin." In (Dis)Continuities: Essays on Paul de Man. Ed. Luc Herman et al. Amsterdam: Rodopi; Antwerpen: Restant, 1989. 111-32.*

Gabriele, John P., and Candyce Lonard. Teatro de la España demócrata: los noventa. Madrid: Fundamentos, 1996.

Gabriella, Varro. "Reconciliation of Native Heritage and the Modern: Two Native American Women 'Word Warriors'." BAS (1997): 139-47.*

Gado, Frank, ed. A Conversation with Robert Penn Warren. Ed. Frank Gado. 1972.

_____, ed. First Person: Conversations on Writers and Writing. Schenectady (NY): Union College Press, 1973.

Gage, John T. See Stylistics.

Gagen, Jean E. The New Woman: her Emergence in English Drama, 1600-1730. 1954.

_____. "Honor and Fame in the Works of the Duchess of Newcastle." Studies in Philology 56 (1959): 519-38.

_____. "Love and Honor in Dryden's Heroic Plays." PMLA 77 (1962): 208-20.

_____. "Congreve's Mirabell and the Ideal of the Gentleman." PMLA 79 (1964): 422-27.

Gager, Valerie L. (Carroll College, Montana). Shakespeare and Dickens: The Dynamics of Influence. Cambridge: Cambridge UP, 1996.

Gaggi, Silvio. Modern/Postmodern: A Study in Twentieth-Century Art and Ideas. Philadelphia: U of Pennsylvania P, 1989.*

_____. "The Visual, the Verbal, and Beyond: Marcel Duchamp and The Large Glass." Symbolism 8 (2008).

Gagnier, Regenia. See Marxist criticism.

Gahern, John M. Introd. to Stoner. By John Williams.

Gailor, Denis. "War of the Worlds, the 'invasion story' and Victorian Moralism." Critical Survey 8.3 (1996): 270-76.*

Gaines, Francis P. The Southern Plantation: A Study in the Development and Accuracy of Tradition. 1924. Gloucester (MA): Peter Smith, 1962.

_____. Southern Oratory: A Study in Idealism. Tuscaloosa (AL): U of Alabama P, 1946.

Gaines, James R.  Wit’s End: Days and Nights of the Algonquin Round Table.  New York: Harcourt Brace Jovanovich, 1977.

Gaines, M. Foster. Ghosts of the Confederacy: Defeat, the Lost Cause, and the Emergence of the New South, 1865 to 1913. New York: Oxford UP, 1987.

Galantière, Lewis. Rev. of A Farewell to Arms. By Ernest Hemingway. Hound and Horn (January 1930). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 138-42.*

Gale, G. "Darwin and the Concept of Struggle for Existence: A Study in Extrascientific Origins of Scientific Ideas." Isis 63 (1972): 321-44.

Gale, Judith E. El regionalismo en la obra de José María de Pereda. Madrid, 1990.

Gale, Robert. "Henry James and Italy." Nineteenth Century Fiction 14 (1959): 157-70.

Galinsky, G. K. The Herakles Theme: The Adaptation of the Hero in Literature from Homer to the Twentieth Century. Oxford, 1972.

Gallager, Tag. "Directores de Hollywood." In Historia General del Cine. Vol 8: EEUU (1932-1939). Madrid: Cátedra, 1996.

Gallagher, David P. Modern Latin American Literature. Oxford, 1973.

Gallagher, Catherine. See Marxist criticism.

Gallagher, Maggie. "The Robber Bride." National Review 5 46 n.2 (1994).

Gallagher, Mary. "Dryden's Translations of Lucretius." Huntingtion Library Quarterly 28 (1964): 19-29.

Gallagher, Susan Van Zanten (Seattle Pacific U). A Story of South Africa: J. M. Coetzee's Fiction in Context. Cambridge (MA): Harvard UP, 1991.

Gallagher, Susan Van Zanten, and Mark D. Wallhout. Literature and the Renewal of the Public Sphere. (Cross-Currents in Religion and Culture). Houndmills: Macmillan, 2000. (King Lear, The Brothers Karamazov, "Bartleby the Scrivener", Gaskell, Auden, Raymond Carver, Sherman Alexie).

Galley, Alan, ed. Pandosto. By Robert Greene. In Internet Shakespeare Editions (U of Victoria).



Galli, N. R., and Anna Galli-Pahlavi, eds. The Diaries of Auberon Waugh: Four Crowded Years, 1972-1976. (US, 1976) A Turbulent Decade, 1976-1985. (US, 1985). New York: Akadine, 1998.

Gallop, David, ed. and trans. Phaedo. By Plato. Oxford: Oxford UP.

Gallop, Jane. See Feminist criticism.

Galloway. "Writing History in England." In The Cambridge History of Medieval English Literature. Ed. D. Wallace. Cambridge: Cambridge UP, 1999.

Gallup, Donald. Eliot: A Bibliography. London, 1952.

_____. (On Eliot's poems notebook, 1909-17). TLS (1968).

Gamache, Lawrence B., and Ian S. MacNiven, eds. The Modernists: Studies in a Literary Phenomenon. Rutherford: Fairleigh Dickinson UP, 1987.

Gameson, Richard. (U of Kent). The Role of Art in the Late Anglo-Saxon Church. Oxford: Clarendon Press, 1997.

_____. The Manuscripts of Early Norman England (c. 1066-1130). (British Academy Postdoctoral Fellowship Monographs). Oxford: Oxford UP / British Academy, 1999.

_____, ed. The Early Medieval Bible: Its Production, Decoration and Use. Cambridge, 1994.

Gamlin, Douglas. Introd. to Teleny. San Diego: Greenleaf Classics, 1968.

Gandolfo, Anita, and Morton N. Cohen, eds. Lewis Carroll and the House of Macmillan. (Cambridge Studies in Publishing and Printing History). Cambridge: Cambridge UP, 1987.

_____, ed. Baudrillard Live: Selected Interviews. Routledge: London, 1993.*

Gane, M., S. Condor, M. Billig, D. Edwards, D. Middleton and R. Radley. Ideological Dilemmas. London: Sage, 1988.

Gann, Myra. "The Performative Status of Verbal Offenses in A secreto agravio, secreta venganza." In Rivers 1986. 39-49.

Gannon, Charles E. (Eckerd College). Ph.D. on future wars fiction, Fordham U, c. 1998.

_____. "Silo Psychosis: Diagnosing America's Nuclear Anxieties Through Narrative Imagery." In Imagining Apocalypse. Ed. David Seed. Houndmills: Macmillan; New York: St. Martin's, 2000. 103-17.*

Gannon, Christiane. (Ph.D. in English, Johns Hopkins U, 2012; t. National Cathedral School, Washington, DC; christiane.gannon@gmail.com). "Walter Besant's Democratic Bildungsroman." Narrative 22.3 (Dec. 2014): 372-94.*

Gannon, Michael. Florida: A Short History. UP of Florida, 1993. Rev. in REDEN 9 (1995).

Gans, Eric. "Beckett and the Problem of Modern Culture". Sub-Stance 11.35 (1982): 3-15. Rpt. in Cohn, Samuel Beckett: Waiting for Godot 184-9.

_____. The End of Culture: Toward a Generative Anthropology. Berkeley: U of California P, 1985.

Garber, F., ed. Romantic Irony. Budapest: Akademiai Kiado, 1988.

Garber, Frederick, ed. The Italian, or the Confesssional of the Black Penitents. By Ann Radcliffe. (Oxford English Novels). Oxford: Oxford UP, 1968.

_____. Notes to The Mysteries of Udolpho. By Ann Radcliffe. Ed. Bonamy Dobrée. Oxford: Oxford UP.

Garber, Frederick, et al. "Genre." From the Princeton Encyclopedia of Poetry and Poetics. In García Landa, Vanity Fea 22 Sept. 2014.*



Garber, Daniel, and Michael Ayers, eds. The Cambridge History of 17th-Century Philosophy. Cambridge: Cambridge UP, 1998.

Garber, Scott. (Ohio). "Individualism and Faith: Enduring American Values." BAS 1.1 (1996): 146-155.*

Garbin, Lidia. "Mary Shelley and Walter Scott: The Fortunes of Perkin Warbeck and the Historical Novel." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 150-63.*

Gardener, John. ed. The Forms of Fiction. New York, 1962.

Gardiner, Anne Barbeau. Ancient Faith and Modern Freedom in John Dryden's The Hind and the Panther. Catholic U of America P, 1998.

Gardiner, Judith Kegan. See Feminist criticism.

Gardiner, Stephen. Epstein. Non-fiction. London: HarperCollins-Flamingo, c. 1994.

Gardner, Averil. "'Literary Petty Larceny': Plagiarism in Oscar Wilde's Early Poetry." English Studies in Canada 8.1 (1982): 49-61.

Gardner, D. E. M. Susan Isaacs. Foreword by D. W. Winnicott. London: Methuen, 1969.

Gardner, Helen. See English humanist criticism 1945-.

Gardner, Philip. "'One Does One's Best': Larkin's Posthumous." Critical Survey 1.2 (1989): 194-200.

_____, ed. A E. Housman: The Critical Heritage. London: Routledge, 1992.

Gardner, Richard M. "Huck's Ending: The Intimacy and Disappointment of Tourism." Journal of Narrative Technique 24.1 (1994): 55-68.*

Gardner, Stanley. (d. 1996). The Tyger, the Lamb and the Terrible Desart: Songs of Innocence and of Experience in its Times and Circumstance: Including Two Facsimile Copies. London: Cygnus Arts, c. 1998.

Gardner, Viv. See English feminist criticism.

Gardner, W. H. Gerald Manley Hopkins: A Study of Poetic Idiosyncrasy in Relation to Poetic Tradition. London, 1944.

Gardner, W. H., and N. H. Mackenzie, eds. The Poems of Gerard Manley Hopkins. Ed. W. H. Gardner and N. H. MacKenzie. London: Oxford UP, 1967. 4th ed. 1970. 1987.

Gardner, William Bradford., ed. The Prologues and Epilogues of John Dryden: A Critical Edition. New York: U of Texas / Columbia UP, 1951.

Garforth, Julian. "A Trilingual Godot." In Beckett & la psychanalyse & Psychoanalysis. Ed Sjef Houppermans. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1996.

Gariépy, Robert J. Lupus of Ferrières and the Classics. Darien (CT), 1967.

Garis, Robert. The Dickens Theatre. Oxford: Clarendon, 1965.

Garke, Esther. The Use of Song in Elizabethan Prose Fiction. Bern: Francke, 1972.

Garland, Mary, and Henry Garland (U of Exeter). The Oxford Companion to German Literature. Oxford: Oxford UP, 1997.

Garland, Henry, and Mary Garland (U of Exeter). The Oxford Companion to German Literature. Oxford: Oxford UP, 1997.

Garner, Paul, (U of Leeds), and David George, series eds. (Iberian and Latin American Studies). Cardiff: U of Wales P, c. 2007.

Garner, Shirley Nelson. See English Feminist criticism.

Garnett, Rhys (Staffordshire Polytechnic), and R. J. Ellis, eds. Science Fiction Roots and Branches: Contemporary Critical Approaches. New York: St. Martin's, 1990.*

Garnham, B. G., ed. La Chute. By Albert Camus. London: Routledge, 1971.

_____, ed. La Jalousie. By Alain Robbe-Grillet. London: Routledge, 1969.

Garret, George. "Plain and/or Fancy: Where the Short Story Is and May Be Going." In The Teller and the Tale: Aspects of the Short Story. Ed. Wendell Aycock. Lubbock: Texas UP, 1982.

Garrett, G. P., O. B. Hardison and Jane R. Gelfman, eds. Film Scripts One. New York, 1971.

Garrett, John, ed. Talking of Shakespeare. London, 1954.

Garrett, Martin. Review of Ben Jonson and the Art of Secrecy. By William W. E. Slights. Review of English Studies 48.19 (February 1997): 101.*

_____. A Browning Chronology: Elizabeth Barrett and Robert Browning. Houndmills: Macmillan, 1999.

_____, ed. Massinger: The Critical Heritage. London: Routledge, 1991.

Garrett, Peter K. Scene and Symbol from George Eliot to James Joyce: Studies in Changing Fictional Mode. New Haven, 1969.

_____. "Introduction." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 1-22.*

_____. "Dickens: He Mounts a High Tower in His Mind." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 23-51.*

_____. "Dickens: Machinery in Motion." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 52-94.*

_____. "Thackeray: Seeing Double." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 95-134.*

_____. "George Eliot: Equivalent Centers." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 135-79.*

_____. "Trollope: Eccentricities." In Garrett, The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 180-220.*

_____. "Conclusion." The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980. 221-26.*

_____. The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980.*

_____. Rev. of The Dialogics of Dissent in the English Novel. By Cates Baldridge. Nineteenth-Century Literature 50.2 (1995).

_____, ed. Twentieth-Century Interpretations of Dubliners. Englewood Cliffs: Prentice, 1968.

Garside, Peter (U of Cardiff). "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*

Garside, Peter and Rainer Schöwerling. The English Novel 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Vol. 2, 1800-1829. Oxford: Oxford UP, 2000.

Garside, Peter, Martin Coyle, Malcolm Kelsall and John Peck, eds. Encyclopedia of Literature and Criticism. London: Routledge, 1990.

Garside, Peter, and Carolyn Franklin. Introds. to British Women Novelists 1750-1850. (Collection). London: Routledge/Thoemmes, 1992.

Garsie, Peter, ed. The Private Memoirs and Confessions of a Justified Sinner. By James Hogg. Afterword by Ian Campbell. Edinburgh: Edinburgh UP, 2002.

Garson, Marjorie. See Feminist criticism.

Garten, H. F., ed. Andorra. By Max Frisch. London: Routledge, 1964.

_____, ed. Der Hauptmann von Köpenick. By Carl Zuckmayer. London: Routledge, 1961.

Garth, H. H., and C. Wright Mills, ed. and trans. From Max Weber: Essays in Sociology. New York: Oxford, 1964.

Garton, Janet. (U of East Anglia). "Scandinavia." In The Oxford Guide to Contemporary World Literature. Ed. John Sturrock. Oxford: Oxford UP, 1997. 340-60.*

Garvin, Harry R., ed. Shakespeare: Contemporary Critical Approaches. Lewisburg: Bucknell UP, 1980.

_____, ed. Romanticism, Modernism, Postmodernism. Lewisburg (OH): Bucknell UP, 1980.

_____, ed. Theories of Reading, Looking and Listening. Lewisburg: Bucknell UP, 1981.

Garvin, P. L. See Structuralism.

Gasché, Rodolphe. See Post-Structuralism.

Gasiorek, Andrzej. (U of Birmingham). "Postmodernism and the Problem of History: Julian Barnes." In Post-War British Fiction: Realism and After. London: Edward Arnold. 1995. 158-65.

_____. Post-War British Fiction: Realism and After. London: Edward Arnold. 1995.

_____. "The Politics of Antinomianism: Orwell, the Everyday, and the Dream of a Common Culture." In George Orwell: A Centenary Celebration. Ed. Annette Gomis and Susana Onega. Heidelberg: Winter, 2005. 99-120.*

Gaskell, Molly. See Feminist criticism.

Gaskell, Philip. The First Editions of William Mason. (Cambridge Bibliographic Society). Cambridge: Bowes & Bowes, 1951.

_____. New Introduction to Bibliography. Oxford: Oxford UP, 1972.

Gaskell, Philip, and Clive Hart. Ulysses: A Review of Three Texts. Monaco: Princess Grace Irish Library Series.

Gaskill, Howard, ed. The Poems of Ossian and Related Works. By James Macpherson. Introd. Fiona Stafford. Edinburgh: Edinburgh UP, 1996.*

Gaskin, J. C. A., ed. Dialogues Concerning Natural Religion and The Natural History of Religion. By David Hume. Oxford: Oxford UP, 1993.*

_____, ed. Human Nature and De Corpore. By Thomas Hobbes. Oxford: Oxford UP, 1994.*

Gass, Joanne. "Angela Carter." In Postmodernism: The Key Figures. Ed. Hans Bertens and Joseph Natoli. Oxford: Blackwell, 2002.*

Gassman, Byron. "Religious Values in the World of Humphry Clinker." Brigham Young University Studies 6 (Winter 1965): 65-72.

_____. "The Economy of Humphry Clinker." In Tobias Smollett: Bicentennial Essays Presented to Lewis M. Knapp. Ed. G. S. Rousseau and P.-G. Boucé. New York: Oxford UP, 1971. 155-68. Rpt in Humphry Clinker. Ed. James L. Thorson. New York: Norton, 1983. 345-56.*

_____. "Humphry Clinker and the Two Kingdoms of George III." Criticism 16 (1974): 95-108.

Gassner, John. Teatro moderno. México: Letras, 1967.*

_____, ed. Best American plays. Fifth series, 1957-1963. New York: Crown Publishers, 1968. (A Touch of the Poet, by Eugene O'Neill; The Night of the Iguana, by Tennessee Williams; The Dark at the Top of the Stairs, by William Inge; Who's Afraid of Virginia Woolf? by Edward Albee; Orpheus Descending, by Tennessee Williams).

Gassner, J., and E. Quinn, eds. The Reader’s Encyclopedia of World Drama. New York: Courier Dover Publications, 2002.

Gasson, Andrew. (l. Hampstead; Chairman of Wilkie Collins Society). Wilkie Collins: An Illustrated Guide. Oxford: Oxford UP, 1998.*.

Gastle, B., L. Filardo-Llamas, and M. Gutiérrez Rodríguez, eds. Gower in Context(s): Scribal, Linguistic, Literary and Socio-historical Readings. Special issue of ES. Revista de Filología Inglesa 33.1 (2012). Valladolid: Publicaciones Universidad de Valladolid.

Gaston, Paul M. The New South Creed: A Study in Southern Mythmaking. New York: Knopf, 1970.

Gatenby, Bruce M. "A Disturbance of Memory: Language, Terror and Intimacy in Don DeLillo's The Names." Revista de Estudios Norteamericanos (U of Sevilla) 4 (1995): 345-57.*

Gates, Henry Louis, Jr. See Minority criticism.

Gates, Norman T., ed. Richard Aldington: An Autobiography in Letters. University Park: Pennsylvania State UP, 1992.

Gates, Rosemary L. "T.S. Eliot's Prosody and the Free Verse Tradition: Restricting Whitman's 'Free Growth of Metrical Laws'." Poetics Today 11.3 (1990): 547-578.*

_____. "Interplay of Theory and Method: directions in Stylistics and Metrics." Poetics Today 11.3 (1990): 689-694.*

Gathorne-Hardy, Jonathan. Sex: The Measure of All Things: A Life of Alfred Kinsey. London: Chatto and Windus, c. 1998.

Gatta, John, Jr. "Progress and Providence in The House of the Seven Gables." American Literature 50 (1978): 37-48.

_____. "Calvinism Feminized: Divine Matriarchy in Harriet Beecher Stowe." Connotations 5.2-3 (1995-96): 147-66.*

Gatewood, Jane, ed. A Laodicean: A Story of Today. By Thomas Hardy. Oxford: Oxford UP, 1991.

Gatherer, W. A., ed. and trans. The Tyrannous Reign of Mary Stewart, George Buchanan's Account. Edinburgh: Edinburgh UP, 1958.

Gatrell, Simon. (U of Georgia). Thomas Hardy and the Proper Study of Mankind. Charlottesville: UP of Virginia, 1993. Rev. in English Literature in Transition 37.4 (1994).

_____. Hardy's Vision of Wessex. Basingstoke: Palgrave Macmillan, 2003.



_____, ed. Under the Greenwood Tree. By Thomas Hardy. Oxford: Oxford UP.

_____, ed. The Return of the Native. By Thomas Hardy. Oxford: Oxford UP.

_____, ed. Far from the Madding Crowd. By Thomas Hardy. Ed. Suzanne B. Falck-Yi and Simon Gatrell. Oxford: Oxford UP.

Gatrell, Simon, and Juliet Grindle, eds. Tess of the D'Urbervilles. By Thomas Hardy. Introd. Simon Gattrell. Notes by Nancy Barrineau. (World's Classics). Oxford: Oxford UP, 1988.*

Gaukroger, Stephen. Descartes: An Intellectual Biography. New York: Oxford UP, 1995.

Gaulin, Steve (U of Pittsburgh).

Gaull, Marilyn. English Romanticism. New York: Norton, 1988.

_____. (On Malthus' Essay on Population). In 1798: The Year of the Lyrical Ballads. Ed. Richard Cronin. Houndmills: Macmillan, c. 1998.

Gaull, Marilyn, and Stephen Prickett, general eds. (Romanticism in Perspective: Texts, Cultures, Histories). Houndmills: Macmillan, c. 2000.

Gaunt, S. Troubadours and Irony. New York: Cambridge UP, 1989.

Gaunt, Simon, and Sarah Kay, ed. The Troubadours. Cambridge: Cambridge UP, 1999.

Gavenport, F. Gavin, Jr. The Myth of Southern History: Historical Consciousness in Twentieth-Century Southern Literature. Nashville: Vanderbilt UP, 1970.

Gayle, Addison, Jr. See Minority criticism.

Gearey, John, ed. Essays on Art and Literature. By J. W. Goethe. Trans. Ellen von Nardroff and Ernest H. von Nardroff. Vol. 3 of Goethe's Collected Works. New York: Suhrkamp, 1986.

Gecker, Sidney. English Fiction to 1820 in the University of Pennsylvania Library. Philadelphia, 1954.

Geckle, George L., ed. Twentieth-Century Interpretations of Measure for Measure. Englewood Cliffs (NJ): Prentice-Hall, 1970.

Geddes, Gary. Conrad's Later Novels. Montreal: McGill-Queen's UP, 1980.

_____, ed. 20th Century Poetry and Poetics. 4th ed. Canada: Oxford UP, 1996.

Gedin, Per. "The Book Market." In The Present. Vol. 8 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1983. 406-16.*

Geduld, C. Filmguide to 2001 A Space Odyssey. Bloomington: Indiana UP, 1973.

_____, ed. Authors on Film.

_____, ed. Film Makers on Film Making.

_____, coed. Sergei Eisenstein and Upton Sinclair: The Making and Unmaking of Que Viva Mexico!

Geduld, Harry M. (Professor of Comparative Literature, Indiana U). Filmguide to Henry V. (Indiana University Press Filmguide Series, 7). Bloomington: Indiana UP, 1973.*

_____. The Definitive Dr Jekyll and Mr Hyde Companion. New York and London: Garland, 1983.

_____. Dogspeare: Thirty Short Stories. 2007.

Geduld, Harry M., and Ronald Gottesman, general eds. (Indiana University Press Filmguide Series, 7). Bloomington: Indiana UP, 1973.*

Geduld, Gary M., and David Y. Hughes, eds. A Critical Edition of The War of the Worlds: H. G. Wells's Scientific Romance. Bloomington: Indiana UP, 1993. Rev. in English Literature in Transition 37.4 (1994).

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