A bibliography of Literary Theory, Criticism and Philology

Hidalgo, Pilar: Paradigms Found: Feminist, Gay and New Historicist Readings of Shakespeare. Amsterdam, Rodopi, 2001.

Torres Núñez, Juan José. 2001. La conferencia. Almería: Servicio de

Publicaciones. (Campus drama).

Smith, Paul Julian (U of Cambridge)? The Moderns: Time, Space, and Subjectivity in Contemporary Spanish Culture. Oxford: Oxford UP, 2000. (late 20^th c. Spanish art). (Umbral, Bigas Luna, Erice, Medem, Antonio López, Joaquín cortés).

Keita, Maghan (Villanova U, USA). Race and the Writing of History: Riddling the Sphinx. (Race and American Culture). New York: Oxford UP, 1999.(Bernal, Black Athena).

Bernal, Martin. Black Athena.

Grodal, Torben (U of Copenhagen). Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Oxford: Clarendon Press, pbk 1999.

McCarthy, Clifford. Film Composers in America: A Filmography, 1911-1970. 2^nd ed. New York: Oxford UP, 1999.

McHugh, Kathleen Anne. (U of California, Riverside). American Domesticity: From How-to Manual to Hollywood Melodrama. New York: Oxford UP, 1999.

Reid-Pharr, Robert F. (Johns Hopkins U). Conjugal Union: The Body, the House, and the Black American. (Race and American Culture). Nyhoup 1999.

Shaw, Colin (Duke U). Deciding What We Watch: Taste, Decency and Media Ethics in the UK and the USA. Oxford: Clarendon Press, 1999.

Zook, Kristal Brent. Color by Fox: The Fox Network and the Revolution in Black Television. (WEB Du Bois Institute Series). New York: Oxford UP, 1999.

Marwick, Arthur. (Open U). The Sixties: Social and Cultural Transformation in Britain, France, Italy and the United States, 1958-1974. Oxford: Oxford UP, 1999.

Collini, Stefan. (Clare College, Cambridge). English Pasts: Essays in History and Culture. Oxford: Oxford UP, 1999.

Finke, Laurie A. Feminist Theory, Women's Writing.

_____. Women's Writing in English: Medieval England.

_____, ed. Medieval Texts and Contemporary Readers.

_____, ed. The Sexual Economies of Medieval Romance.

_____, ed. From Renaisance to Restoration: Metamorphoses of the Drama.

Johnson, Barbara E. (Professor of English and Comparative Literature, Fredric Wertham Professor of Law and Psychiatry, Harvard U).

McGowan, John P. Representation and Revelation: Victorian Realism from Carlyle to Yeats.

_____. Postmodernism and its Critics.

_____. Hannah Arendt: An Introduction.

Calhoun, Craig, and John P. McGowan, eds. Hannah Arendt and the Meaning of Politics.

Pinheiro de Sousa (1952), Alcinda, Luisa Maria Flora (1951), and Teresa de Ataíde Malafaia (1951), eds. The Crossroads of Gender and Century Endings. (Cadernos de Anglística, 2). Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.*

Armstrong, Isobel. Introd. to The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. 1-6.*

Pinheiro de Sousa, Alcinda. "Is There a 'New Woman' in Mary Wollstonecraft's Original Stories as Illustrated by William Blake?" In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. 7-36.*

Soloviova, Natalia. "Radcliffe's Plot of Female Development." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Ledger, Sally. "Ibsen and Gender at the Fin de Siècle." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Sandbach-Dahlstrom, Catherine. "Bram Stoker's Dracula: Innnocent Femina Sensualeis, the Angel in the House, and the Nature of Woman at the fin de siècle." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Malafaia, Teresa. "Annie Besant's Shifting Identity and 'Fin-de-Siècle' Culture." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Flora, Luisa. "Identity, Gender and Fishing Flies: George Egerton's 'A Cross Line'." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Cunningham, Gail. "Masculinities in the Age of the New Woman." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Fernandes, Isabel. "Conrad's Unstable Concept of Masculinity: Rereading 'The Secret Sharer' and The Shadow-Line." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000.

Carr, Helen. "Post-It Notes at the Fin de Siècle." In The Crossroads of Gender and Century Endings. Ed. Alcinda Pinheiro de Sousa et al. Lisbon: U of Lisbon Centre for English Studies / Ediçôes Colibri, 2000. (theory, p-m, postcolon.)

The Invisible Library (Non-existing books). http://www.invisiblelibrary.com

Herzen, Alexander Ivanovich. (Russian revolutionary thinker, socialist and nationalist, aristocrat, b. Moscow; emigrated 1847, l. London 1852-, founded Free Russian Press 1853). From the Other Shore. 1850.

_____. My Past and Thoughts. 1855.

_____. Who Is to Blame? Novel. 1847.

Herzen and Ogarev, eds. Polar Star. Periodical. London.

_____, eds. The Bell. Periodical. London.

Fantômas series. Paris: Fayard, 1912.

_____. L'Agent secret. (Fantômas series).

Adam, J.-M. "Unités rédactionnelles et genres discursifs: cadre général pour une approche de la presse écrite." Pratiques 94 (1997): 3-17.

Bronckart, J.-P. Activité langagière, textes et discours. Paris: Delachaux & Niestlé, 1997.

Burger, Marcel. (Department of Linguistics; U of Geneva, 2 rue de Candolle, CH-1211 Genève, Switzerland; [e-mail]). "Scènes d'actions radiophoniques et prises de rôles: informer, débattre, divertir." Revue de Sémantique et Pragmatique 7 (2000): 179-96.

_____. "La dimension interactionnelle." In Un modèle et un instrument d'analyse de l'organisation des discours. Ed. E. Roulet, L. Filliettaz and A. Grobet. Bern: Lang, 2001.

_____. Les manifestes: Paroles de combat. De Marx à Breton.i Paris: Delachaux & Niestlé, forthcoming 2001.

Burger, M., and L. Filiettaz. "Media Interviews: An Intersection of Multiple Social Practices." In Research and Practice in Professional Discourse. Ed. Ch. Candlin. Hong Kong: City U of Hong Kong P, forthcoming 2001.

Charaudeau, P. Le discours d'information médiatique. Paris: Nathan, 1997.

Dijk, T. A. van. "Discourse as Interaction in Society." In Discourse as Social Interaction. Ed. T. A. van Dijk. London: Sage, 1997. 1-37.

Filliettaz, L. "Actions, activités et discours." Ph.D. diss. U of Geneva, 2000.

Heritage, J. and D. Greatbatch. "On the Institutional Character of Institutional Talk: The Case of News Interviews." In Talk and Social Structure. Ed. D. Boden and D. Zimmerman. Cambridge: Polity Press, 1991. 94-137.

Jucker, A. H. "Mass Media." In Handbook of Pragmatics. Ed. J. Verschueren, J.-O. Ostman and J. Blommaert. Amsterdam: John Benjamins, 1995.

Shotter, J., and K. J. Gergen, eds. Texts of Identity. London: Sage, 1989.

Shotter, J. Conversational Realities. London: Sage, 1994.

Zimmerman, D. H. "Identity, Context and Interaction." In Identities in Talk. Ed. C. Antaki and S. Widdicombe. London: Sage, 1998. 87-106.

Dickens, Charles. A Tale of Two Cities. 1859. New York: Lancer Books, 1968.

Hawthorne. Twice-Told Tales and Other Short Stories. 1837, 1842. New York: Washington Square P, 1960.

James. The Ambassadors. 1903. New York: New American Library, Signet Classic, 1960.

JOyce. Ulysses. Harmondsworth: Penguin, 1968.

Melville. The Shorter Novels of Herman Melville. Greenwich (CT): Fawcett Premier, n.d.

Moore, Lorrie. "How to Be an Other Woman." 1985. In Moore, Self-Help. Stories. New York: Plume, 1986.

Nabokov. Lolita. London: Corgi Books, 1961.

Norris, Frank. McTeague: A Story of San Francisco. 1899. (Signet Classics). New York: New American Library, 1964.

_____. The Octopus: A Story of California. 1901. Garden City (NY): Sun Dial Press, 1938.

Oates, Joyce Carol. The Wheel of Love and Other Stories. New York: Vanguard Press, 1970.

Rowson, Susanna. Charlotte Temple: A Tale of Truth. 1791. New York: Twayne, 1964.

Smith, Lillian. Strange Fruit. New York: Reynal and Hitchcock, 1944.

Thoreau, Henry David. Walden and Civil Disobedience. 1854, 1849. Ed. Owen Thomas. New York: W. W. Norton, 1966.

Cardonne-Arlyck, Elisabeth. La Métaphore racontée: Pratique de Julien Gracq. Paris: Klincksieck, 1984.

Fludernik, ed. Second-Person Narrative. Style 28.3 (Fall 1994).

Goatly, Andrew. The Language of Metaphors. London: Routledge, 1997.

Mac Cormac, Earl R. A Cognitive Theory of Metaphor. Cambridge (MA): MIT Press, 1985.

McHale, Brian. "'You Used to Know What These Words Mean': Misreading Gravity's Rainbow." Language and Style 18 (1985): 93-118.

Meindl, Dieter. "Probing the Typological Circle." AAA: Arbeiten aus Anglistik und Amerikanistik 11 (1986): 246-50.

_____. "Some Epistemological and Esthetic Implications of William Faulkner's Discourse." In Faulkner's Discourse: An International Symposium. Ed. Lothar Hönnighausen. Tübingen: Niemeyer, 1989. 149-58.

_____. "You and I: Concerning Second-Person Narrative." in Indirekte Kommunikation: Verkürzte Geschichte(n) und Metapher(n), fragmentarische Rezeption und die Unabschließbarkeit des Dialogs. Siegen: FB 3 Universität-Gesamthochschule, 1998. 156-65.

Moran, Richard. "Seeing and Believing: Metaphor, Image, and Force." Critical Inquiry 16 (1989): 87-112.

Ortony, Andrew. "Metaphor, Language, and Thought." In Metaphor and Thought. Ed. Andrew Ortony. 2nd ed. Cambridge: Cambridge UP, 1993. 1-16.

Pier, John. "Between Text and Paratext: Vladimir Nabokov's Pale Fire." Style 26 (1992): 12-32.

Richardson, Brian. "The Poetics and Politics of Second Person Narrative." Genre 24 (1991): 309-30.

Austen, Jane. Northanger Abbey. 1818. Harmondsworth: Penguin, 1972.

Eliot. Middlemarch. 1871-72. (World's Classics). Oxford: Oxford UP, 1988.

Fielding. Tom Jones. 1749. Harmondsworth: Penguin, 1966.

Fowles, JOhn. The French LIeutenant's Woman. New York: Signet Classics, 1970.

Hildesheimer, Wolfgang. Marbot: Eine Biographie. Frankfurt am Main: Suhrkamp, 1981. (Novel, fake biography).

Strachey, Lytton. Eminent Victorians. 1918. Harmondsworth: Penguin, 1986.

de Certeau, Michel. The Writing of History. 1975. New York: Columbia UP, 1988.

Cohn, Dorrit. "Breaking the Code of Fictional Biography: Wolfgang Hildesheimer's Marbot." In Traditions of Experiment from the Enlightenment to the Present: Essays in Honor of Peter Demetz. Ann Arbor: U of Michigan P, 1992. 301-19.

Hernadi, Paul. "Clio's Cousins: Historiography as Translation, Fiction and Criticism." New Literary History 7.2 (1976): 245-57.

Kayser, Wolfgang. Entstehung und Krise des modernen Romans. 1954. 3rd ed. Stuttgart: Metzler, 1961.

Lejeune, Philippe. Je est un autre. Paris: Seuil, 1980.

Löschnigg, Martin. "'... the prismatic hues of memory': Autobiographische Modellierung und die Rhetorik der Erinnerung in Dickens' David Copperfield." Poetica 31 (Forthcoming 1999).

Nünning, Ansgar. "'But Why Will You Say that I Am Mad?': On the Theory, History, and Signals of Unreliable Narration in British Fiction." Arbeiten aus Anglistik und Amerikanistik (AAA) 22.1 (1997): 83-105.

Pavel, Thomas. Fictional Worlds. Cambridge (MA): Harvard UP, 1986.

Rigney, Ann. The Rhetoric of Historical Interpretation: Three Narrative Histories of the French Revolution. Cambridge: Cambridge UP, 1990.

Ronen, Ruth. "The Semiotics of Fictional Time: Three Metaphors in the Study of Temporality in Fiction." Style 24 (1990): 22-24.

Ryan, Marie-Laure. "Fiction, Non-Factuals and the Principle of Minimal Departure." Poetics 9 (1980): 403-22.

Stempel, Wolf-Dieter. "Erzählung, Beschreibung und der historische Diskurs." In Geschichte: Ereignis und Erzählung. (Poetik und Hermeneutik, 5). Ed. Reinhart Kosellek and Wolf-Dieter Stempel. Munich: Fink, 1973. 325-46.

Stierle, Karlheinz. "Geschehen, Geschichte, Text der Geschichte." In Geschichte: Ereignis und Erzählung. Ed. Reinhart Kosellek and Wolf-Dieter Stempel. (Poetik und Hermeneutik, 5). Munich: Fink, 1973. 530-34.

Meyer, E. Y. In Trubsachen. Fiction. Frankfurt am Main: Suhrkamp, 1973.

Moore, Lorrie. Self-Help. New York: Knopf, 1985.

Fleischman, Suzanne. The Future in Thought and Language. Cambridge: Cambridge UP, 1982.

Prince, Gerald. "The Disnarrated." Style 22.1 (1988): 1-8.

Browning. "My Last Duchess." 1842.

_____. "The Bishop Orders his Tomb at Saint Praxed's Church." 1845.

_____. "Porphyria's Lover." 1836.

Davidson, John. "The Testament of an Empire-Builder." Poem. 1902.

Stoppard, Tom. Travesties. Drama. 1974.

Shaffer, Peter. Amadeus. 1979.

Pinter. Landscape. 1968.

Tennyson. Maud: A Monodrama. 1855.

Golding. Free Fall. 1959.

Burgess. Earthly Powers. 1980.

Bennett, James R. "Inconscience: Henry James and the Unreliable Speaker of the Dramatic Monologue." Forum 28 (1987): 74-84.

Brunkhorst, Martin. "Der Erzähler im Drama: Versionen des Memory Play bei Fry, Shaffer, Stoppard und Beckett." Arbeiten aus Anglistik und Amerikanistik 5 (1980): 225-40.

De Reuck, J. "Stereoscopic Perspectives: Transmission and Reception in Unreliable Homodiegetic Narration." AUMLA: Journal of the Australasian Universities Lanugage and Literature Association 74 (1990): 154-68.

Diengott, Nilli. "Implaid Author, Motivation and Theme and Their Problematic Status." Orbis Litterarum 48 (1993): 181-93.

_____. "The Implied Author Once Again." Journal of Literary Semantics 22 (1993): 68-75.

Grabes, Herbert. "Ethics and Aesthetics in the Reception of Literary Character: The Case of Nabokov's Lolita." Estudios Ingleses de la Universidad Complutense 4 (1996): 23-40.

Harker, W. John. "Information Processing and the Reading of Literary Texts." New Literary History 20 (1989): 465-81.

Hof, Renate. "Das Spiel des unreliable narrator in Nabokovs Lolita." Amerikastudien 25.4 (1980): 418-31.

_____. Das Spiel des 'unreliable narrator': Aspekte unglaubwürdigen Erzählens im Werk von Vladimir Nabokov. München: Fink, 1984.

Jahn, Manfred. "Frames, Preferences, and the Reading of Third-Person Narratives: Towards a Cognitive Narratology." Poetics Today 18.4 (1997): 441-68.

_____. "Package Deals, Exklusionen, Randzonen: Das Phänomen der Unverläßlichkeit in den Erzählsituationen. In Unreliable Narration. Ed. Ansgar Nünning. Trier: Wissenschaftlicher Verlag Trier, 1998.

Nelles, William. "Historical and Implied Authors." Comparative Literature 45 (1993): 22-46.

Nünning, Ansgar. "Kurzgeschichten von Ian McEwan in einem Englisch-Leistungkurs: Darstellung grotesker Welten aus der Perspektive des 'verrückten Monologisten'." Literatur in Wissenschaft und Unterricht 23.1 (1990): 36-50.

_____. "Renaissance eines anthropomorphisierten Passepartouss oder Nachruf auf ein literaturkritisches Phantom? Uberlegungen und Alternativen zum Konzept des Implied Author." Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 67.1 (1993): 1-25.

_____. "Erzählen als Mittel subjektiver Sinnstiftung. Individualität, Skeptizismus und das Problem des (un-)reliability in Graham Swifts Kurzgeschichten." Anglistik und Englischunterricht 50 (1993): 153-74.

_____. Von historischer Fiktion zu historiographischer Metafiktion. Band 2: Erscheinungsformen und Entwicklungstendenzen des historischen Romans in England seit 1950. Trier: Wisenschaftlicher Verlag Trier, 1995.

_____. "Deconstructing and Reconceptualizing the 'Implied Author': The Resurrection of an Anthropomorphized Passepartout or the Obituary of a Critical Phantom?" Anglistik 8.2 (1997): 95-116.

_____, ed. Unreliable Narration: Studien zur Theorie und Praxis unglaubwürdiger Erzählens in der englischsprächigen Erzählliteratur. Trier: Wissenschaftlicher Verlag Trier, 1998.

Buell, Lawrence. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge (MA) and London: Harvard UP, 1995.

_____. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Malden (MA): Blackwell, 2005.

Capra, Fritjof. The Web of Life. New York: Doubleday, 1996.

Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins U, 1996.

Caupert, Christina. "Melville's 'Bartleby' aus Kulturökologischer Perspective." In Kulturökologie und Literatur. Ed. H. Zapf. Heidelberg: Winter, 2008. 175-90.

Clark, Timothy. The Cambridge Introduction to Literature and Environment. Cambridge: Cambridge UP, 2011.

Coupe, Laurence, ed. The Green Studies Reader: From Romanticism to Ecocriticism. London and New York: Routledge, 2002.

Devoine, Françoise, and Jean-Max Gaudilliere. History Beyond Trauma: Whereof One Cannot Speak, Thereof One Cannot Stay Silent. New York: Other Press, 2005.

Dickinson, Emily. The Poems of Emily Dickinson. Ed. Thomas H. Johnson. Cambridge (MA) and London: Harvard UP, 1979.

DiPrete, Laura. 'Foreign Bodies': Trauma, Corporeality, and Textuality in Contemporary American Culture. London and New York: Routledge, 2006.

DeLillo, Don. Underworld. New York: Scribner, 1997.

_____. Falling Man. New York: Scribner, 2007.

Dürr, Hans-Peter. Die Zukunft ist ein unbetretener Pfad: Bedeutung und Gestaltung eines ökologischen Lebensstils. Freiburg: Herder, 1995.

Ette, Ottmar. Über Lebenswissen: Die Aufgabe der Philologie. Berlin: Kadmos, 2004.

Finke, Peter. Die Ökologie des Wissens: Exkursionen in eine gefährdete Landschaft. Freiburg and Munich: Alber, 2005.

_____. "Die Evolutionäre Kulturökologie: Hintergründe, Prinzipien und Perspektiven einer neuen Theorie der Kultur." Anglia 124.1 (2006): 175-217. (Special issue on "Literature and Ecology").

Fitzgerald, F. Scott. The Great Gatsby. London: Penguin, 1988.

Foer, Jonathan Safran. Extremely loud and Incredibly Close. London: Penguin, 2006.

Garrard, Greg. Ecocriticism. London and New York: Routledge, 2004.

Gesdorf, Catrin, and Sylvia Mayer, eds. Natur-Kultur-Text: Beiträge zu Ökologie und Literaturwissenschaft. Heidelberg: Winter, 2005.

_____, eds. Nature in Literary and Cultural Studies: Translantic Conversations on Ecocriticism.Amsterdam and New York: Rodopi, 2006.

Glotfelty, Cherryl, and Harold Fromm, eds. The Ecocriticism Reader: Landmarks in Literary Ecology. Athens (GA): U of Gerogia P, 1996. 105-11.

Goodbody, Axel. Nature, Technology and Cultural Change in Twentieth Century German Literature: The Challenge of Ecocriticism. Basingstoke and New York: Palgrave Macmillan, 2007.

Goodbody, Axel, and Kate Rigby, eds. Ecocritical Theory: New European Approaches. Charlottesville: U of Virginia P, 2011.

Gras, Vernon W. "Why the Humanities Need a New Paradigm which Ecology Can Provide." Anglistik: Mitteilungen des Deutschen Anglistenverbandes 14.2 (2003): 45-61.

Heise, Ursula. Sense of Place and Sense of Planet: The Environmental Imagination of the Global. Oxford: Oxford UP, 2008.

Hustvedt, Siri. The Blindfold. Hodder and Stoughton, 1993.

_____. The Sorrows of an American. Picador, 2009.

Iovino, Serenella. Ecologia letteraria: Una strategia di sopravvivenza. Preface by Cheryll Glotfelty. Afterword by Scott Slovic. Milan: Edizioni Ambiente, 2006.

Kaplan, E. Ann. Trauma Culture: The Politics of Terror and Loss in Media and Literature. New Jersey: Rutgers UP, 2005.

Kellert, Stephen, and Edward O. Wilson. The Biophilia Hypothesis. Washington (DC) and Covelo (CA): Shearwater, 1993.

LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins UP, 2001.

Lewis, David, Dennis Rodgers and Michael Woolcock. "The Fiction of Development: Literary Representation as a Source of Authoritative Knowledge." Journal of Developmental Studies (2008): 1-17.

Literature and Ecology. Special issue of Anglia. Ed. Hubert Zapf. Vol. 124.1 (2006).

Margulis, Lynn. Symbiotic Planet: A New View of Evolution. New York: Basic Books, 1998.

Melville, Herman. "Bartleby, the Scrivener. A Story of Wall-Street." In Melville, The Piazza Tales and aOther prose Apieces 1839-1860. Ed. Harrison Hayford et al. Evanston and Chicago: Northwestern UP / Newberry Library, 1987. 13-45.

Morrison, Toni. Beloved. New York, etc., Signet, 1987. 1991.

Müller, Timo. "Between Poststructuralism and the Natural Sciences: Models and Strategies of Recent Cultural Ecology." Anglistik 21.1 (2010): 175-91.

Murphy, Patrick D. Ecocritical Explorations in Literary and Cultural Studies: Fences, Boundaries, and Fields. Lanham: Lexington Books, 2009.

Ricoeur, Paul. Oneself as Another. 1990. Trans. Kathleeen Blamey. Chicago: U of Chicago P, 1992.

Sauter, Michael. "Ethische Aspekte des kulturökologischen Literaturmodells am Beispiel von Philip Roths The Human Stain." In Kulturökologie und Literatur. Ed. Hubert Zapf. Heidelberg: Winter, 2008. 309-22.

Silko, Leslie Marmon. Ceremony. New York: Penguin, 1977.

Slovic, Scott. Going Away to Think: Engagement, Retreat, and Ecocritical Responsibility. Reno and Las Vegas: U of Nevada P, 2008.

Thoreau, Henry David. Walden. 1854. Ed. and afterword Jeffrey S. Cramer. Introd. Denis Donoghue. New Haven: Yale UP, 2006.

Turner, Mark, ed. The Artful Mind: Cognitive Science and the Riddle of Human Creativity. New York: Oxford UP, 2006.

Vickroy, Laurie. Trauma and Survival in Contemporary Fiction. Charlottesville: U of Virginia P, 2002.

Whitman, Walt. "Song of Myself." In Whitman, Leaves of Grass: A Textual Variorum of the Printed Poems Vol. I: Poems 1855-1856. Ed. Sculley Bradley et al. New York: Oxford UP, 1980. 1-83.

Wilson, Edward O. Biophilia. Cambridge (MA): Harvard UP, 1984.

_____. Consilience: The Unity of Knowledge. New York: Random House, 1998.