Adam, Adolphe (1803 1856)
KACSÓH, Pongrác (1873 – 1923)
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KACSÓH, Pongrác (1873 – 1923) 1) János vitéz Derzsi György – Keszei Borbála – Molnár Zsolt – Fonyó Barbara – Rozsos István – Lehőcz Andrea – Soós Béla – Szécsi Máté – Szabó Ferenc – C. Tóth Pál – Kovács Gyula
Budapest Erkel színház 26.1.2001 - Stereo KHATCHATURIAN, Aram (1903 - 1978)
Irek Mukhamedov - Aleksandr Vetrov - Maria Bilova - Lyudmilla Semenyaka - Gediminas Taranda - Aleksandr Valuyev - Dmitri Afanasyev - Aleksandr Kedrov - Valeri Rizhov - Kirill Filatov - Elvira Drozdova - Natalya Malandina - Irina Zibrova - Erika Luzina - Vladimir Karakulev - Nina Speranskaya - Elina Palshina – Andrei Buravtsev - Yuri Vetrov - Andrei Melanyn - Vladimir Moiseyev - Mikhail Sharkov - Olesya Shulzhitskaya - Alla Aleksandrova - Olga Vasyuchenko - Marina Nudga - Elena Akhulkova - Marina Lazareva - Elena Bobrova - Elena Radchenko - Irina Shostak - Elena Maslennikova - Marina Filippova Dir: Algis Zhuraitis / Choreographie: Jurij Grigorovich Bolshoi Theater Moskau 1991 - Stereo 2) Spartacus (Ballett) Gregor Hatala (Spartacus) - Katalin Volf (Flavia) - József Cserta (Crassus) - Csaba Solti (Gad) - Sándor Túri (Afrikaner) - Alexander Komarov (Crixus, ein Thraker) - Dolores Castillo (Julia) - Aleszja Popova (Claudia) - Attila Egerházi (Canus, Bruder des Crassus) - Gyula Sárközi (Batiatus) - Erika Soós (Tänzerin) - Sándor Hus (Römischer Soldat) - Csaba Hommer - Richárd Tóth - Balázs Gefferth - Zoltán Várkonyi (Glöckchenmänner) - Gyula Fodor - Csaba Kutszegi - István Bihal - Sándor Hus (Wächter) Dir: Gyula Jármai / Choreographie und Reg: László Seregi / Bü+Ko: Gábor Forray A Magyar állami operaház Budapest 15.4.2000 - Stereo KNUSSEN, Oliver (1952 - ) 1) Where The Wild Things Are Karen Beardsley - Hugh Hetherington - Jeremy Munro - Mary King - Stephen Rhys-Williams - Andrew Gallacher
Glyndebourne Festival 1985 - Stereo 2) Higglety Pigglety Pop ! Cynthia Buchan - Deborah Rees - Andrew Gallacher - Neil Jenkins Dir: Oliver Knussen / Reg: Frank Corsaro Glyndebourne Festival 1985 - Stereo KOCSÁY, Tibor (1954 - ) 1) Az ember tragédiája (Die menschliche Tragödie) Macher Szilárd (Der Herr) – Bajári Levente (Adam) – Volf Katalin (Eva) – ifj. Nagy Zoltán (Lucifer) – Popova Aleszja (Lucifers Doppelgängerin) – Balogh Béla – Delbó Balázs – Eichner Tibor – Lukács András – Merlo P. Andrea (Teufel) – Liebich Roland – Komarov Alekszandr – Apáti Bence (Erzengel) – Castillo Dolores – Juratsek Julianna – Kőszegi Katalin – Süveges Norá (Römische Statuen)– Németh Gábor – Várkonyi Zoltán (Gladiatoren) – Hevesi Imre (Apostel Petrus / Ketzerpriester) – Eichner Tibor – Lukács András (Prager Höflinge) - Cserta József (Robespierre) – Szakály György (Patriarch / Greis)
A Magyar állami operaház Budapest 25.11.2000 - Stereo KODÁLY, Zoltán (1882 - 1967)
Lájos Miller (Brautwerber) - Katalin Mészöly (Hausfrau) - Tamara Takács (Nachbarin) - Tünde Frankó (Mädchen) - András Laczó (Bursche) - Kázmér Sárkány (reicher Bursche) Dir: Géza Oberfrank / Reg: Imre Kerényi / Bü: Attila Csikós / Ko: Nelly Vágó A Magyar állami operaház 7.3.1998 - Stereo 2) Háry Janos Gérard Depardieu (Háry-Erzähler) – Vladimir Petrov (Háry) – Nora Gubisch (Ilka) – Anne-Sophie Schmidt (Marie-Louise) – Denia Mazzola-Gavazzeni (Die Kaiserin) – Vincent Le Texier (Marczi) – Youri Kissin (Napoleon) – Micha Lescot (Student) – Katrine Boorman (Comtesse Melusine) – Waldemar Kretchkowsky (Ebelastin) – Steve Paulet (Comtesse Estrella) Dir: Friedemann Layer / Reg: Jean-Paul Scarpitta / Bü+Ko: Coralie Sanvoisin / Licht: Sophie Bruère L’Opéra Berlioz – Le Forum de Montpellier 15. und 16.7.2002 – Stereo KÖGLER, Karl (1918 – 24.5.2001) 1) Kohlhaas Wlodzimierz Zalewski - Jolanta Rybarska - Leopold Köppel - Donna Ellen – Anton Steingruber - William Ingle - Franz Binder - Birgit Greiner - Maria Russo – Zdenek Kroupa - William Mason - Riccardo Lombardi - Althea Bridges - Alfred Werner - Rick Christman - Leo Selenko - Joannis Anifantakis - Hans-Günther Müller - Wolfgang Dosch - Albert Massany - Roland Nelem
Landestheater Linz 12.3.1989 KORNGOLD, Erich Wolfgang (1897 - 1957) 1) Die tote Stadt Karan Armstrong (Marietta) - James King (Paul) - Sylvia Greenberg (Brigitta) - Jean Pierre Liégois (Frank) – Ruthild Engert (Juliette) - William Murray - Donald Grobe - David Knutson
Deutsche Oper Berlin 1984 2) Die tote Stadt Torsten Kerl (Paul) – Angela Denoke (Marietta) – Yuri Batukov (Frank) – Birgitta Svenden (Brigitta) – Barbara Baier (Juliette) – Julia Oesch (Lucienne) – Christian Baumgartel (Victorin) – Stephan Gentz (Fritz) – Alphonse Dehlinger (Le Compte Albert) – Guy Taubert (Gaston) – Gregory Rousset (Ein Kind) Dir : Jan Latham-Koenig / Reg: Inga Levant / Bü: Charles Edwards / Ko: Magali Gerberon L’Opéra National du Rhin Strasbourg 2001 - Stereo KORTEKANGAS, Olli (1955 - )
Sauli Tiilikainen - Eeva-Liisa Saarinen - Kauko Laurikainen Dir: Esa-Pekka Salonen / Reg: Arto af Haellstroem TV Finnland 1987 KRÁSA, Hans (1899 - 1944)
Philippe Servain - Walid Bibani - Guillaume Houles - Antoine Matrot Dir: Scott Alan Prouty / Reg: Charlotte Nessi / Bü: Gérard Champion / Ko: François Tomsu L’Opéra national de Paris 1997 - Stereo KRATOCHWIL, Heinz (1933 - 1995) 1) Franziskus Daniela Treffner (Mutter Klara) – Max Müller (Bruder Filippo / Franziskus) – Alexander Kaimbacher (Bruder Tomaso / Priester / Ritter) – Andreas Jankowitsch (Bruder Bernhard / Bischof / Erzähler) – Robert Holzer (Bruder Leo / Papst / Bote)
Carinthischer Sommer 2002 - Stereo KRENEK, Ernst (1900 - 1991) 1) Jonny spielt auf Reiner Goldberg (Der Komponist Max) - Nelly Ailakowa (Die Sängerin Anita) - Allen Evans (Der Neger Jonny, Jazzband-Geiger) - Ludovic Konya (Der Violinvirtuose Daniello) - Felicitas Morawitz (Das Stubenmädchen Yvonne) - Johann Werner Prein (Der Manager) - Richard Ames (Der Hoteldirektor) - Josef Kepplinger (Ein Bahnangestellter) - Jakob Glashüttner (Erster Polizist) - Wilhelm Eyberg-Wertenegg (Zweiter Polizist) - Zoltán Császár (Dritter Polizist)
Opernhaus Graz – (in Zusammenarbeit mit dem Steirischem Herbst und den Wiener Festwochen) 1980 - Stereo 2) Jonny spielt auf Torsten Kerl (Der Komponist Max) – Nancy Gustafson (Die Sängerin Anita) – Bo Skovhus (Der Neger Jonny, Jazzband-Geiger) – Peter Weber (Der Violinvirtuose Daniello) – Ildikó Raimondi (Das Stubenmädchen Yvonne) – Wolfgang Bankl (Der Manager) – John Dickie (Der Hoteldirektor) - Benedikt Kobel (Erster Polizist) – Marcus Pelz (Zweiter Polizist) – Péter Köves (Dritter Polizist) Dir: Seiji Ozawa / Reg: Günter Krämer / Bü: Andreas Reinhardt / Ko: Falk Bauer / Choreographie: Renato Zanella Staatsoper Wien 2002 - Stereo 3) Die Zwingburg KUNAD, Rainer (1936 - 1995) 1) Der Meister und Margarita (polnisch) Krzysztof Szmyt - Jadwiga Stepien - Ryszard Morka - Przemyslaw Suski – Grazyna Ciopinska - Mieczyslaw Milun - Jacek Parol - Jerzy Artysz - Marcin Rudzinski - Andrzej Zagdanski - Jan Goralski - Marina Hristova - Josef Stepien - Czeslaw Galka - Ewa Gawronska - Ryszard Ciesla - Feliks Galecki
Wielki Teatr, Warschau 6.2.1988 LALO, Edouardo (1823 – 1892) 1) Le Roi d’Ys Chris de Moor – Fabienne Chanoyan – Nadine Denize – Luca Lombardo – Alain Fondary
Opéra de Marseille 23.3.1994 - Stereo LANDOWSKI, Marcel (1915 - ) 1) Montsegur Kathleen Martin (Jordane de Montaure) – Gino Quilico (Gautier des Ormes) – Michel Sénéchal (Fabien) – Jean-Philippe Lafont (Raymond d’Alfaro) –Jacques Mars (Bertrand Martin) - Remy Corazza (Jean de Navarre)
Théâtre du capitole de Toulouse 1.2.1985 (Uraufführung) - Stereo LANGGAARD, Rued (1893 – 1952) 1) Antikrist Joachim Seipp (Luzifer/Der Hass) – Kathryn Jayne Carpenter (Die Rätselstimmung/Der Missmut) – Marie-Claude Chappuis (Das Echo der Rätselstimmung/Die mystische Stimme) – Heinrich Wolf (Das Maul, das große Worte spricht) – Foula Dimitriadis (Die große Hure) – John Mac Master (Das Tier in Scharlach/Die Lüge) – Ansgar Schäfer (Die Stimme Gottes) – Frantisek Kostolnik (Rued Langgaard) – Kathleen Rea (Seine Frau) – Anna Hein (Das Kind mit Ballon)
Tiroler Landestheater Innsbruck 2.5.1999 (Szenische Uraufführung) - Stereo Rued LANGGAARD (1893-1952)
Dubbed an 'ecstatic outsider' by Swedish musicologist Bo Wallner, Langgaard continues to fascinate. Wallner's words, written in 1968, coincided with the first performance in 'modern times' (how those words ring incongruously now!) of Sfærernes Musik (1916-18). The liner notes for this set comment on Langgaard's early music being forward-looking with many modern effects in the romantic fabric while the later works are recidivistically steeped in the romanticism of Schumann and Gade. Langgaard's fascination with the Biblical Apocalypse was his equivalent of Berlioz's 'idée fixe'. The opera warns against selfishness and the emptying of spiritual content from human life. The initiating spark seems to have been P E Benzon's dramatic poem 'Antikrist' (1907). As in many ripped and crippled European cultures a new spirituality arose around the red bow-wave of the Great War. Mediums offered solace in the cherished illusion of contact with the dead. John Foulds' World Requiem held the stage for many years with its message of comfort and reunion. Cyril Scott's mysticism enjoyed new musical life. Arthur Bliss's Morning Heroes grappled with tragedy, disillusion and heroism. Langgaard stood further back from these direct references and delved allegorically into the spiritual. Antikrist, by the way is the same figure as Apollyon with whom Pilgrim struggled in Vaughan Williams' Pilgrim's Progress.
The architectural structure of the Langgaard work is as follows:- Prelude Prologue Scene 1: The Light of the Wilderness Scene 2: Vainglory Scene 3: Despair Scene 4: Lust Scene 5: Every man's strife with every man Scene 6: Perdition (crematio) The Prelude can be likened to the Barber Adagio or the less chromium glamour of Josef Suk's all too little known St Wenceslas Meditation. It is devout, reflective, pregnant. It rustles quietly - full of tension. In the Prologue a ringing helden voice recalls the St John line in Franz Schmidt's later apocalypse-based work The Book with Seven Seals. The First scene is memorable for an ecstatic flood of soprano singing while the Second for its disturbing rippling figure for the high violins. The Third has a hysterical soprano singing with all the heavyweight Wagnerian apparatus in place. The Fourth shimmers ecstatically and its composure is shaken by strange cries from woodwind, violins and solo violin. The vocal writing throughout is more operatic than oratorio with its cross-references linking to the supercharged lyricism (some would say excess) of Schreker's Die Ferne Klang, Schoeck's Massimila Doni and Korngold's Violanta. Sample 6.58 on track 7 for its ecstatic creamy heroism and the ringing high notes at 10.48. Langgaard's ideas and orchestration are grandiloquent in ways that link also to Delius's Mass of Life and Village Romeo and Juliet and Strauss's Alpensinfonie. Scene 5 has a higher incidence of dissonance in the orchestral introduction and a smattering of Nielsen-like figurations (4.40) skitter across the soundscape. The Scene has its longueurs but one can forgive such nodding moments for the stressed, pecking strings and swooping angst. Pace the liner notes but the music has more of Elektra about it than of Salome - try the hysterical excesses of 0703 (track 1 CD2). In the Perdition scene the high drizzle of sound for the 'star-falling time' is truly magical. I think of the exhausted unhandselled falling away after the great climax in Bax's Sixth Symphony. Despite Langgaard's best efforts the opera was never performed complete in his lifetime. Danmarks Radio in 1940 gave scenes 5 and 6 and a concert finale. A studio version of the opera was broadcast complete in 1980 conducted by Michael Schønwandt. It was in that version that I first heard it. I discover now that in 1986 it was given two concert performances by the Copenhagen PO conducted by Ole Schmidt. A studio recording was made and issued on LP and CD. I have never heard this version. In any event it seems no longer to be available. This is the first widely accessible recording of Langgaard's opera and certainly the only one that is currently available. Muus seems confident and his singers are well chosen, caring and engaged by the music. Muus here continues his work of promoting Danish opera in Austria, a mission already recognised by the Danish government. This is a recording of the premiere of the first staged performance of the opera complete with applause at the end. You should not expect studio-edit perfection. There are a few fluffs and some roughness. The string band, while rich enough in tone, is not ideally opulent or supple enough for this music. Stage movement sounds are present but are no problem.
The notes are as good as they can get. This is the best introduction I have encountered to the life and music. The author is Langgaard biographer and cataloguer, Bendt Viinholt Nielsen. The booklet gives the libretto in German and English but regrettably these are not presented side by side so you cannot simultaneously follow the sung word with the English translation. Danacord merit our praise for using the single width case. If only British music had a champion of Jesper Buhl's standing. We must now invest hope in Buhl being able to record Holmboe's Faust Requiem and Haakon Børresen's Inuit-themed opera Kaddara (1914-17) which if Ujarak's Farewell recorded by Lauritz Melchior is anything to go by will be something very special indeed as most certainly is Antikrist - yet another surprising, sublime and challenging work by Langgaard.
Franz Hawlata - Angelika Kirchschlager - Barbara Bonney - Bo Skovhus - Ilonka Szep - Paul Groves - Hans Peter Kammerer - Peter Jelosits - Anton Wendler - Alfred Kainz - Jutta Geister - Franz Kasemann - Marta Banfalvi - Fritz Muliar - Christian Musil - Sylvia Panzenböck - Jung-Won Han-Gallaun - Wilma Maller - Anna-Maria Birnbauer - Regina Knauer - Eva Schweiger Dir: John Eliot Gardiner / Reg: Andrei Serban Staatsoper Wien 6.2.1999 - Stereo 2) Die lustige Witwe Waldemar Kmentt - Henrietta Bonde Hansen - Bo Skovhus - Karita Mattila - Michael Schade - Stephan Genz - Cesar A. Gutierrez - Bodo Schwanbeck - Sigrid Martikke - David Cale Johnson - Uta Palzer - Jan Alofs - Margarita Lilova - Franoise Gallois - Thaddäus Podgorski - Katja Patrouilleau - Fabienne Hubert - Constance Bradburn - Claudine Chastagnol - Annie Kogan Dir: Armin Jordan / Reg: Jorge Lavelli / Bü: Antonio Lagarto / Ko: Francesco Zito / Choreographie: Cécile Bon Opéra National de Paris 2000 - Stereo 3) Das Land des Lächelns Harald Serafin – Ingrid Habermann – Dietmar Kerschbaum – Sang Ho Choi – Yuko Mitani – Toro Tanabe – Gideon Singer – Volker Wahl – Nora Miedler – Julia Resinger Dir: Rudolf Bibl / Reg: Winfried Bauernfeind / Bü+Ko: Rolf Langenfass / Licht: Friedrich Rom / Choreographie: Gisela Walther Seefestspiele Mörbisch 2001 4) Wiener Frauen Johan Melissen – Annabelle Pichler – Margarete Haidl – Elizabeth Immelman – Timo Neudorfer – Lajos E. Szánthó – Manfred Hofmann – Andreas Richter – Maria Sellner jun. – Monika Färber – Gertraud Greiner Dir: Guido Klaus / Reg: Johannes Reitmeier / Bü: Elke Schlottermüller / Ko: Antje Adamson / Choreographie: Petra Schulz Fürstbischöfliches Opernhaus Passau 29.9.2001
LEIGH, Mitch (1928 - )
Josef Meinrad - Dagmar Koller - Heinz Petters - Frank Dietrich - Steven Kimbrough - Berno von Cramm - Alois Haselbecher - Marianne Becker - Ernst Schütz – Harald Sielaff - Florentin Giurca - Friederike Mann - Michael Bukowsky Dir: Adrian Manz / Reg: Wilfried Steiner Theater an der Wien 1978 - Stereo 2) L’homme de la Mancha (französisch) José Van Dam - Alexise Yerna - Georges Gautier - Serge Swysen - Olivier Grand - Patrick Vilet - Anne-Catherine Gillet - Palmina Grottola - Jacques Duparc - Guy Cabelle - Léonard Graus - Antoine Garcin - Maurice Xiberras - Antoine Normand - Lillo Farrauto - Eric Medol - Stephen Laird
Théâtre Royal de Liège (Opera Royal de Wallonie) 1998 - Stereo LEONCAVALLO, Ruggero (1857 - 1919) 1) I Pagliacci Jon Vickers - Raina Kabaivanska - Rolando Panerai - Peter Glossop - Sergio Lorenzi - Carlo Ricciardi - Carlo Moresi
Teatro alla Scala, Milano 1968 - Stereo 2) I Pagliacci Teresa Stratas - Plácido Domingo - Juan Pons - Ivan del Manto - Florindo Andreolli - Alberto Rinaldi - Alfredo Pistone Dir: Georges Prêtre / Reg: Franco Zeffirelli FILM 1982 - Stereo 3) Not Available 4) Bajazzók (ungarisch) Péter Kelen - Sylvia Sass - György Melis - Lajos Miller - János Berkes Dir: Ferenc Sapszon / Reg: György Fehér A Magyar Állami Operaház - Stereo 5) I Pagliacci János Bándi (Canio, Pagliaccio) – Zsuzsanna Fülöp (Nedda, Colombina) – János Gurbán (Tonio, Taddeo) – Antal Pataki (Beppo, Arlecchino) – András Káldi Kiss (Silvio) Dir: Géza Oberfrank / Reg: Judit Galgóczy / Bü+Ko: Katalin Juhász Erkel színház Budapest 19.4.2001 - Stereo 6) La Nuit de Mai Mack – Lott – Farlas – Rigout-Muler Dir : Bocchino Schweiz 1991 – Stereo DVD NTSC Yüklə 1,51 Mb. Dostları ilə paylaş:
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